Agra-can-u-not - Agra

I wanna put Ekko in my pocket. He is literally the main reason Jayce had any chance of turning Viktor from his global takeover plan. He is the MVP. He is the icon. He is the moment. He is the reason for the season.

OUR GLORIOUS KING EKKO CAN DO NO WRONG

S T O P

I saw a post that said the family dynamics between team red (especially shadowsan + carm) are somewhat exaggerated by fandom and there's not actually a lot in canon that supports a lot of popular head canons or attributed roles. And it's like, first of all, please keep your hurtful truths to yourself. Second of all, I'm probably going to need a read more.

Despite myself, I really cannot disagree with the points made by this particular poster. It's a sound argument. Carmen Sandiego (2019) is an adventure series. It's fast paced, action packed, and focused a decent amount on edutainment. This is understandable, this is after all, the point of the franchise as a whole. The characters have enough sustenance that they are likeable, though they are most noticeably flat.

I'd argue that Shadowsan and Devineaux are the most dynamic characters, but even then the handling of their respective character arcs leaves something to be desired. Much like the rest of the series, their storylines feel rushed and added in as a second thought. I get the impression that the show was envisioned simply as an adventure of the week type of thing. They had a premise and a gimmick and they wanted to run with it. This is fine. But then came the overarching story lines and... Well. There were no master pieces.

We'll take season one as an example. The first two episodes were pretty solid. They had a coherent and well executed story line supported by characters with personality and potential for growth and depth. The pilot episode of a series serves to set up character arcs and overarching themes without having to go too into depth because of the fact that it's simply the beginning. The first two episodes of this series fulfilled their purpose, and they were executed well. I will even be generous to the rest of the season's story line and say that there did seem to be at least the minimal amount of foreshadowing and groundwork laid for the twist at the end of the season.

The problem then comes into play with the remaining episodes. From episodes three to eight, the story line is episodic and self-contained. There's a formula and it works well without there necessarily being a greater need for depth. I was perfectly invested simply with the caper by caper formula. It was never thought-provoking for me nor did it need to be. It was just a bit of fun. And then came the final episode and it was... interesting! I was pleasantly surprised by the sudden inclusion of an overarching story line, if not scratching my head a little.

Shadowsan's reveal made a decent amount of sense in hindsight, but didn't come across as particularly expertly crafted. It was a sudden shift to the status quo with little build up, and it felt vaguely out of place. It's an episode that could have been executed better if the narrative had started to shift earlier in the season or if there were more episodes between "The Chasing Paper Caper" and "The French Connection Caper." Instead it's everything all at once and I found myself thinking, "Oh! Okay! So we're doing this now."

Upon rewatching, there is some build up that can be noticed and recontextualizes, but it's not much. Even knowing how the season concludes, episodes 3-8 still feel episodic and disconnected from any greater story line. You've got some angst about Carmen's origin, and Shadowsan's insistence about sending Tigress for a second time reframes itself as a calculated decision rather than misjudgment but that's about it. They have the bare essentials of story telling, but they're not skillfully crafted. And that's... fine! This is children's TV. I don't actually hold it to the same standard as adult television, and I do think it's a pretty decent show for what it is.

My point then that I want to address is this idea of bare essential story telling. Carmen Sandiego doesn't lack the elements needed to tell a good story. They're there, just not expertly executed. The post that inspired this spiel mentioned that Team Red reads more as friendly coworkers. I don't fully agree with this, but I see their point. I will also say that I don't think this was what the writers had in mind. I do believe they were meant to be read as Found Family, in fact, it is more or less explicitly stated in "The African Ice Caper." It's just that, like every other aspect of the show, it's handled in a way that gives hints of further depth while not fully conceptualizing the theme.

This is not a smear campaign against the series. No, this is very much a product of passion. It's an entertaining show with beautiful animation and captivating fight sequences. I was hooked from the first episode and I continued to be so through the end of the series. I'd say one of the greatest draws of this show lies in its weakness. We're only given impressions of characters' further depth and personality. With the obvious exception of Carmen, we're only given glimpses of characters'back stories. In regards to over arching story lines, we're only given bare bone elements. This isn't great from a critical standpoint, but it does open the door to a large array of fan interpretation and transformative fanworks.

Because of the flaws in canon, fans are not bound by strict limitations. They are free to come up with their own unique interpretations of characters, they can flesh out back stories however they see fit, and otherwise flimsy storylines lend themselves to deeper fan-driven exploration.

Frequently on Tumblr, you'll see posts that disparage fanon for the way that it tends to flanderize and flatten characters. And yeah! This is bad! Unsurprisingly, flattening complex stories into easily recognizable tropes and clichés is actually the devil! A lot of times in fandom, you see this sort of corporate brain rot that simplifies stories into familiar and easily consumable pieces of media.

Fanon gets a bad rep. Is it deserved? Hm. A lot of the time, maybe. But where is the discussion for fanon in the other direction? What about when fanon expands a work of fiction? When it assigns more complexity than canonically given? There's something innately human about connecting with a piece of fiction and wanting to do more. We don't so easily let go of things, you know? When you love a piece of art that's otherwise disappointing, you have this desire to see it do better. To meet its potential. I think that's where fanon in the opposite direction stems from.

I think the fandom surrounding Carmen Sandiego (2019) is a decent example of this. The characterization is admittedly lacking, but that's done nothing to stop fanartists from coming up with their own rich interpretations of characters and their relations to others.

Carmen and Julia are two characters that share a decent amount of screen time, but their relationship otherwise suffers from the amount of time stretching between interactions. This has done nothing to deter fans. It seems I can't throw a stone in this fandom without hitting beautiful pieces of fanart depicting the two, or multi-chapter fics exploring the two's dynamics, or impassioned ramblings about them.

The same thing can be said about Graham and Carmen. They share a decent amount of screen time and their interactions are compelling, but they're too far and in between. What's there is not fully developed. Again, bringing it back to the idea of bare essential story telling. They have what they need to hint at the intrigue of both these dynamics, but they're not satisfactorily executed and both relationships suffer as a result. Their relationships, and indeed, the show as a whole, kind of feels like a completed puzzle with various missing pieces.

I chose Julethief and Redcrackle to use as examples, but similar things can be said of every other relationship in this show. Player and Carmen have moments that hint at a dynamic friendship built on unwavering trust and care, but it's only in a few select scenes, (though, the scenes that do do this are phenomenal and make me want to cry-- and I'm so sorry shippers-- but Player and Carmen have a monopoly on the hard hitting emotionally impactful moments in this show. I don't make the rules, I'm sorry.) and the majority of their interactions are reserved for getting down to business.

However, because of the glimpses we do see, you see countless fics detailing their friendship and building on to what we see in canon by going behind the scenes. I myself have extensive head canons about these two and honestly, what I've written and published is only the tip of the iceberg. Player is a bit of a tricky character to get a grasp on because of his limited role in canon, but what we do see opens up all sort of interpretation. I have such a fun time writing him because I can use what I see in canon to shape my own ideas about how he would act in various scenarios. My version of Player is far more dynamic than what we see in canon, but it's only like that because I love the canon character so much. I want him to do more, I want him to be more. My creativity is piqued with this character.

Moving on, let's focus on Shdowsan and Carmen, my other beloved dynamic. I have so many ideas about these two's relationship, and I especially enjoy delving into the dynamic between him and Black Sheep. They suffer the same problems as prior discussed. The scenes building on their relationship are sparse, but they are there. Take for several examples:

Shadowsan interacting with little Black Sheep in the "Daisho Caper," Shadowsan's stated remorse at not being able to tell Carmen about her own family, Shadowsan nursing her back to health after "The Stockholm Syndrome Caper," his stated motive for hiding the truth of her lineage from her, Shadowsan telling her he'd be with her till the end of the line, Shadowsan reminiscing about little Black Sheep when he visits the destroyed VILE Island, Shadowsan's dedication to finding Carmen's mother for her, Shadowsan telling her she can finally rest, and, and, and, and.

There is certainly a reason that fans have interpreted he and Carmen as being father and daughter, and I am in no way surprised by the beautiful and extensive explorations that certain fans have taken into these two's shared history (@frozenwolftemplar)

Carmen Sandiego doesn't necessarily set things up just to drop them so much as it strives to create compelling story lines and interesting characters before ultimately failing to delve deep enough or dedicate enough time for these things to fully come into their own. They're there and they exist, but it's like... Drinking water with oranges in it. I can taste the oranges, but damnit, now I want orange juice.

After all, you really do have to wonder about the hardened assassin who couldn't bring himself to harm a child. Could there have been more done on the show writers part to really cement their relationship as adoptive father and daughter? Yes, absolutely. Does the development of their relationship leave something to be desired? Yes, absolutely. Do the existing interactions inspire me to delve further and call up melancholy memories of me and my own father, thus making me want to extensively detail their shared history before expanding on their present relationship so that I can process my own feelings about my own father? Yes, absolutely. Is this type of connection a deeply valuable faucet of story telling and kind of the whole point of creating art to begin with? I think so!

It utilizes story telling techniques, but not enough so that the show fully benefits from them. There's an impression of character dynamics, back stories, and personality but they're not fully recognized.

However, it is because of these flaws that fans can take the source material and go absolutely bonkers with it. By engaging with the story and characters, you really get the chance to flex your creative muscle. It's like a sandbox. The sand is there, the box is there, and the tools are there, but what you make is up to you. I've seen some deeply moving pieces of writing come out of this fandom, and it's insane to me how some authors can do so much with so little. In engaging with fanworks for this show, I've drawn connections to my own life and my own relationships. There are lines of writing that have been engraved into my brain. I've met wonderfully creative people and I'm glad to be an active member of the community.

No, the show itself is no amazing piece of story telling. It's fun and it's entertaining, but it doesn't fully realize everything that it set out to do. It does, however, open the door to community as well as inspiring creativity and transformity, and that means the world to me.

*sighs*....them.

Ugh what a diva

You're serving cunt?

You're in jail and you're serving cunt?

Two half sisters who grew up on different hemispheres of the social hierarchy but can bond over sharing the same shitty abusive matricidal women killing dad?????

AND YOURE TELLING ME WE MIGHT NOT SEE THEM INTERACT ON SCREEN???????

THE BATMAN (2022) dir. Matt Reeves THE PENGUIN (2024) 1x02 "Inside Man" dir. Craig Zobel

I started liking this as a crackship but i fear im growing obsessed

melvik pre-canon kisses

YO YOURE RIGHT

say it with me everyone: we were absolutely fucking ROBBED of noah and owen doing the tango challenge in ridonculous race

bonus:

THANKS A LOT OP NOW IVE FALLEN FOR ANOTHER RAREPAIR :((((

It really would’ve been interesting to see these 2 together 😂