*at Counsel Meeting*

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

Can we also talk about how Buck has feelings for Tommy...who is literally a carbon copy of Eddie?

you know how in 5.13 arthurs like “i tried to take your head off with a mace” and merlins like “and i stopped you, using magic” and arthurs immediate reply to that is “you cheated” … and i guess i was just thinking about the breathy little laugh merlin lets out in response to that. bc like i just noticed how maybe it was a little bit of relief and awe. because like. he just talked to arthur. about magic. about using magic From The Beginning. against him in a fight. and arthurs immediate response, his most natural reaction to that, was to comment on merlins poor sportsmanship. out of anything he couldve said something about. the first thing that came to mind was merlin not playing fair. which. idk. IDK!!!

So do we just all agree that the knights absolute love Merlin the way cat owners love their cats?

Knights, holding up Merlin from under his arms: so this is Merlin and he’s so nice and we love him.

Merlin: *is actively breaking the law by existing* *has literally killed people* *drops branches on peoples heads* *and even tried to kill the king*

Knights: he’s just a funky little guy :)

I would even bet money he knocks glasses off tables when he wants to annoy someone (Arthur-)

Hopper accidentally becomes the biggest ally in Hawkins out of hatred for Mike Wheeler. El wants to date Max? Perfect, Mike is terrified of Max. El wants to date Max and Lucas? Even better, more people to keep Mike away. Will comes out to Joyce and Hop? Hopper is immediately studying up on gay culture and flagging so he can find him a Hop ApprovedTM boyfriend. He sees that nice boy Gareth cuff his jeans one time and starts inviting him to family dinner. Mike seems annoyed that Steve is spending more time with Munson? A pamphlet titled “Accepting your Bisexuality” finds its way into Steve’s jacket pocket. Hopper has never seen Mike as furious as the day Steve and Munson arrive at dinner holding hands. It’s a good day. Hopper isn’t sure how Nancy dating the Buckley girl will annoy Mike, but he’s willing to give it a shot.

sometimes I remember that arthur didn't even know merlin was the greatest sorcerer in the world or that he was destined to be with him, and I just crumble. arthur just loved merlin because he was merlin. he liked him. he really liked him that much. that was more than enough for arthur. he was really planning to spend his entire life with his servant and he was fine with that. no matter what anyone said or thought. arthur listened to a servant over everyone else and he had no idea that he was the most powerful man he'd ever meet. he broke his heart. he just thought he was a servant and STILL he let him break his heart. over and over and over.

#oh this is so sad, Alexa play Jealousy, Jealousy by Olivia Rodrigo

Arthur: 😐👑 Merlin: 😍 Gwen: 😏

MERLIN | 1x09 "Excalibur"

DILF!Steve concert saga, featuring Eddie POV for this part! part 1, part 2

"I have to open it."

"Nope."

"Gareth. I need to open it."

"The vault is sacred," Archie says.

At the same time, Jeff chimes in, "The vault was your idea, Eddie."

Eddie thunks his head against the wall. "I know. But I need-"

"They're on the last song," Archie says, putting a hand on Eddie's shoulder. It's probably meant to be comforting, but it feels patronizing as shit.

Eddie is a good friend, though. He doesn't shrug him off.

"Once they're through, I'll unlock it," Jeff says, dangling the key slung around his neck.

"But you could do it now," Eddie protests.

Gareth sits protectively on top of the black lock box. "Absolutely not."

Eddie sighs and waits for the guitar solo onstage to end, nodding his head along to the beat.

It's what he usually does when they're backstage, but this time, it brings a smile to his face. Miss Anna was a natural yesterday for her first time headbanging, and her dad is the reason Eddie wants to break the sacred vault tradition.

He wants, no, needs to know if he got the note. If he decided to write something. If he wants to go a little further than PG flirting.

Eddie for sure wants to go further than that. God. Steve's handsome face and his big hands and his thick thighs (deliciously exposed by his shorts in the summer heat) are all wonderful incentives to skip a few steps and go straight to ramming him into a mattress.

Or, with how that shirt clung to Steve's biceps and how his shorts clung to his ass, let him ram Eddie into the mattress. He isn't picky.

(He isn't desperate, either, thank you very much, Gareth. And no, he won't admit how long it's been since he got laid.)

From the house, the audience roars, and Eddie jumps off the arm of the couch he was laying on.

Gareth sighs and gets off the lock box.

"Jeff, open it," Eddie says, staring at the vault and subconsciously making grabby hands toward it.

"Is that how we ask?"

"I could always yank the key off you."

Archie sighs and, ever the peacemaker, takes the key from Jeff and unlocks the vault. The second it's open, Eddie snatches his phone and turns it on.

Please please please let the DILF text back, he thinks to himself as he waits for this stupid metal brick to turn on and give him a resolution to this whole ridiculous situation.

Because, first, Eddie doesn't really jive with kids. Sure, they flock to him in the same way they flock to every other vaguely cool-looking person, but aside from asking if he has to draw his tattoos on every day or if his mommy is okay with him having his hair that long, they generally leave him alone.

And that's okay. Eddie easily made his peace with not having kids about ten years ago. Between his strong preference for men and the way that significantly decreases those odds and the choice to not pass on his truly abysmal family history of mental illness and addiction, it seemed obvious and a lot more selfless.

But Anna was cool as hell. Smart as hell, too, in a way that made Eddie feel like he was looking back at a time before school punished him for being bright and verbose and energetic.

Anna didn't make him want kids. Again, the whole family history thing is a real vibe killer. But she did give him enough fuel, for just an instant, to think that dating someone with a kid might not be a deal breaker anymore.

Or maybe Steve was just that hot.

He whined a lot yesterday, in the hotel, about how hot Steve was.

His phone turns on, and, front and center, is a text from an unknown number:

I guess I don’t have to ask you what you do for a living. Just so we’re even on that front, I’m a teacher, and Anna’s full time job is preschool.

Eddie grins so hard he feels like his face will split in two.

"Is it him?" Jeff asks, trying to look over Eddie's shoulder.

"Of course it is," Gareth scoffs. "Look at his face."

"What did he say?" Archie asks.

Eddie takes the easier way out and lets him have the phone.

Gareth and Jeff crowd over Archie's shoulders, and Eddie watches their faces change as they read the message.

"Oh, he's bitchy," Gareth says.

"That means he's perfect," Jeff says, with a pointed look at Eddie.

Eddie shoots Archie a clear "back me up" look and gets a shrug in return because all his friends are assholes who know his type way too fucking well.

"What do I say?" he asks.

Archie tosses him the phone. "I don't know. Flirt back."

"I don't know how!"

"You ground against a guitar-"

"And kissed me onstage," Jeff continues. "But you don't know how to flirt?"

Eddie puts his head in his hands. "I didn't have enough sex in high school to know how to do this!"

"That's not an excuse when none of us did!" Gareth says.

Jeff barks out a laugh.

"Just ask if he's free tomorrow," Archie says, like the rational, wonderful friend he is. "This was the last stop of tour. It's not like you have to get anywhere else at a specific time."

"Okay. Okay, yeah, I can do that," Eddie says, hyping himself up. Before he can second guess himself, he writes back.

Since it's summer, I'm assuming you both have off. Can you fit it in your busy schedule to have dinner with a humble musician tomorrow night?

"Oh, shit, did you send it?" Gareth asks, snatching his phone.

"Wait," Archie says, like the rational, horrible friend he is. "Do we know if he's single?"

"Oh, shit," Jeff whispers.

Eddie takes his phone back and refuses to look at it. He wants to shut it down. He wants to drop it. He wants to drive to nearest river and throw it there.

"Am I a homewrecker?" he asks absently.

"Only if you succeed," Jeff says.

"He might have a wife," Archie muses. "He might be straight."

"Okay, dude, enough," Gareth says. "This was supposed to be exciting! Eddie was supposed to get ass!"

"He might be ace."

"Archie, shut the fuck up."

He holds his hands up in surrender, and Jeff pats his shoulder, a little comfortingly, a lot condescendingly.

Eddie sits down on the couch. Puts his head in his hands. Breathes.

He's flirting with a married man. He's absolutely flirting with a married man. This is a new low. This is worse than the time he licked the floor of a restaurant, drunk, for five bucks. This is worse than when he greened out in the parking lot of a Chuck E. Cheese. This is worse than when he accidentally told the gas station cashier that he loved them and immediately walked into the glass door behind him.

This is. So bad.

And then his phone rings, so it'll get worse. It has to. That's how these things go.

Eddie has always been self-destructive, so, of course, he looks at the screen.

I can't swing dinner, but how's lunch? Fair warning: it might be a playground picnic if my babysitter bails.

"Holy shit, I'm not a homewrecker," Eddie says.

"I didn't think you had it in you," Jeff says.

"He's single!" Gareth cheers.

"Can I talk now?" Archie teases.

"I'm not a homewrecker!" Eddie says, and he launches off the couch to hug the nearest person, who happens to be Jeff.

They have to get out of the venue. He has to figure out the logistics of the date and how to be normal by the time he gets there and what to wear and everything else.

But, right now, Eddie is over the fucking moon that Steve is even giving him a shot. And he hopes, giddy as all hell and hanging off of Jeff's shoulders, that Steve feels even a little bit like this.

He writes back, once he's calmed down:

Lunch might just become my new favorite meal.

I want more chaotic, irritating, casual magic from merlin.

Like someone points a sword at him and he just flashes his eyes and the sword has been turned to an angry snake. When they give him a baffled look he shrugs and walks away.

Or someone is trying to put poison into Arthur's drink but when they go to pour it, a steam of salt comes out of the bottle. Merlin looks over their shoulder and says, "something tells me that won't taste very good". The person runs away when Merlin flashes his eyes.

Maybe when he's cornered in a cave, he'll just amplify all the sounds, so a mouse squeaks and it sounds like a great beast. The men who cornered merlin look around and then flee when they hear it again. Merlin smiles and bends down to pick up the little mouse as it scurries by. He gives it a small piece of bread in thanks.