The biggest battles don’t happen on battlefields. They happen inside people. The best conflict isn’t just good vs. evil…
it’s who I am vs. who I think I should be.
It’s loyalty vs. self-preservation.
It’s love vs. pride.
Every decision a character makes should be a fight between two parts of themselves. If their choices are too easy, you’re writing a puppet, not a person.
With me it’s always raising an eyebrow and/or nodding. Which results in my characters looking like smug bobble heads in every conversation
me while writing: ah yes, this character should do this, it feels so natural with what they're saying
me while editing: why the FUCK does he lean on the doorway SEVENTEEN TIMES IN THIS CHAPTER
i’m sick of post canon stories about characters getting married and having kids and finding peace when they should actually be getting divorced and abusing alcohol and being suicidal NO MORE HEALING NO MORE RECOVERY YOU ALL NEED TO GET WORSE!!!!!!
Readers aren’t stupid. If a character is crying, you don’t need to add “because she was sad.” They’ll get it.
Even your favorite authors had to work hard to get good. We are all awful writers until we decide to improve and take steps.
Every day is an opportunity to be a better writer than you were yesterday if you put in a little work
The love for your works must start with you. Be your own biggest fan
You're allowed to write at your pace.
its okay to embrace some "imperfections" in your writing. Imperfection is part of art because it makes you unique.
It's okay to let go of the writer you were yesterday. Change is normal and it's okay. You're still awesome and your new work will still have an audience. It's okay to look fondly upon a past you perceive as your "glory days" but don't let that make you insecure. Your heart of a writer and your creative talent remain true. Embrace the writer you've become and confidently run with it
Any story you come up with, and your writing style are both special and precious because it's your art
its okay to crave validation and compliments for your fanfic-writing. You poured your blood, sweat and tears into it like any other artist.
No matter how you feel about your writing, it is special because no one can do it like you.
It's okay to be satisfied with just being a fanfic writer. Having amazing writing talent doesn't mean you must force yourself to write original works or to be published.
Fuck AI
Crafting a scene that earns the total sympathy of your readers can be challenging, but it's not impossible. Most emotionally devastating scenes fail at two things, but when these are done right, the results can be powerful.
1. The Build-Up,
2. Breaking the Dam.
Before I explain these concepts, let me share a case study.
I wrote a story about a young orphan named Jackie and her younger brother. Their village was burned down, leaving them as the only survivors.
For the next few chapters, readers followed their painful journey and their struggle to survive. The younger brother had a heart problem, and Jackie vowed to become a cardiologist to save him.
She was very ambitious about it, but at the time, it was very ironic. Later in the story, when they encountered a tragic living condition with a family, the brother died while telling his sister how much he missed their parents.
When her brother was fighting for his life, she was sent out of the room, only to be let in again to see his cold, lifeless body.
The build-up is extremely important when you aim to convey strong emotions. Here's a secret: if you plan for a scene with strong emotions, start leaving breadcrumbs from the very beginning of the story.
Take the previous case study. I carefully built up their journey so people could easily relate and feel the pain of the older sister during her brother's sudden death.
You need to give the situation enough reason to feel utterly hopeless and devastating. Gradually cultivate the tension until it's ready to let loose.
Breadcrumbs in stories ensure you utilize the time you have to build up certain emotions around your characters.
At the beginning of my story, Jackie’s fate was already pitiable, but she survived every hurdle. This gave the readers enough to feel for her while still leaning away from the outcome. When I built enough, I introduced her brother's sudden death.
Hence, leave your breadcrumbs while leaning away from the outcome.
When building up your story, consider these elements:
☞ Character Relatability: The characters need to be realistic to draw readers into the story. This helps readers invest themselves in your story.
☞ Realistic Emotional Pain: Just as characters need to be relatable, their emotions need to be realistic and not appear forced.
☞ Create a Strong Emotional Attachment: Give them something they care about or that has the power to ruin their lives in any way. It could be something that makes them happy or something their happiness relies on. When it's time, snatch it away without remorse.
☞ Have a Backstage Struggle: This struggle keeps readers occupied, so they won't see the outcome coming. For example, Jackie’s constant struggle to find food and shelter keeps readers engaged while the impending tragedy looms in the background.
☞ Attach Believable Elements: For a realistic character, emotion, and struggle, attach believable elements. It could be death, ailments, sickness, disorder, disappointment, failure, etc.
Now that we've covered the build-up, let's move on to the next crucial part.
This is when you make your readers feel the strong emotions alongside your characters. All the tension you’ve been building up is released, making all emotions come into play.
☞ Break Your Strong Attachment: Cut off your strong attachment from your character when they least expect it or at a point when they couldn't use more struggles (i.e when they are helpless).
This will not only evoke readers’ emotions but also pique their curiosity as they wonder how the character will survive the situation.
☞ Description of Sensory Details to Invoke Emotions: The advice of "show, don't tell" will be really helpful here. It's crucial to ensure that the final execution matches the build-up.
A well-crafted build-up can fall flat if the emotional release isn't handled effectively. To avoid this, blend the climax seamlessly into the narrative, making it feel natural and impactful.
Trying to write decent erotica is crazy, like my notes for editing better not fall into the wrong hands. And it’s funny because when people see me handwriting notes while looking my laptop they always think I’m studying. I need to go back to sci fi.
Your job isn’t to impress. Your job is to make the reader forget they’re reading.
Writing is all fun and games until you have to describe a room.
More writing tips
So, when it comes to writing fight scenes, as I have done quite a few of them, there's some things I keep in mind.
Ensure Consistent Character Abilities: Characters should fight consistently throughout the scene. They shouldn’t magically become stronger or weaker without a clear reason. Consistency in their abilities helps maintain believability.
Avoid Making Heroes Invincible: I prefer not to portray heroes as invulnerable, as seen in many 80s action movies. Instead, I include moments where the hero gets hit, shows visible injuries, and shows fatigue. This makes them feel more human and improves the significance of their victories. It’s hard to create a sense of urgency if the characters don’t seem to be in real danger.
Portray Antagonists as Competent: I avoid depicting random cannon fodder as foolish by having them attack one at a time or easily get knocked out. Instead, I show them employing smart tactics such as ganging up on the hero and even getting back up after being knocked down.
Incorporate the Environment: Don’t forget to include the surroundings. Whether the fight takes place in a cramped alley, on a rain-soaked rooftop, or in a collapsing building, use the environment creatively. Characters can use objects as weapons, find cover, or struggle against challenging terrain.
Highlight Self-Inflicted Pain: Characters can hurt themselves just as much as their opponents. For instance, after landing a powerful right hook, a character might need to pause and shake off their hand in pain. This not only adds realism but also highlights the toll that fighting takes on the body.
Show Consequences After the Fight: Consider what happens after the battle concludes. Do injuries slow the hero down and limit their abilities for the rest of the story?
These are just a few tips for now. I am planning to release more tips on how I write my fight scenes with some examples included. See you then!
21 he/they black audhdWriting advice and random thoughts I guess
232 posts