saying ao3 needs to censor certain content is like saying a museum can't have still life art that includes strawberries because you don't like them.
these are not real strawberries. you do not have to, and in fact cannot, eat them. no one with a strawberry allergy will be harmed by looking at them. no migrant workers were exploited in the picking of these strawberries. there were no questionable farming practices or negative environmental impacts from growing or transporting them.
because - and i cannot stress this enough - they are not real strawberries.
if you don't like strawberries, you don't have to look at the paintings. in fact, you can get a map of the museum that lists what works are in what rooms and just. not go in there. if you see one by mistake, you can look away. just keep walking. there's plenty of other stuff to see.
yes, real strawberries can cause real quantifiable harm to real people.
but again. these are not real strawberries.
you may have whatever feelings you like about strawberries, and so can i. you can draw and write about whatever fruit floats your boat, and so can i, even if that happens to be strawberries. and we can hang our art side by side in the same gallery, provided you understand that my strawberries are not about you (and your kumquats are, shocker, not about me) and that - and this is true - neither are real.
and when the fascists break down the doors and grab all the strawberry paintings and heap them in the street and set them on fire, please know that they are coming for your kumquats next.
so if you want a place where you can show off your beautiful kumquat art safely, you're gonna have to tolerate having some strawberries in the next room.
and that's okay. because the strawberries aren't real.
Yes this is everything, especially because it’s so human. Real healing isn’t linear. You don’t decide to be better and magically always beat your bad habits. When push comes to shove, people fall back on their old coping mechanisms and whatnot, so when a character does it, they real so realistic.
Redemption arcs should not be straightforward.
Honestly, I love it when characters relapse. When someone who’s gotten over their anger issues falls into a situation so out of their depth they fall back on their old habits. When someone who’s learned to open up becomes a recluse again in order to cope with something outside their control.
There’s just something so horrible, so toxic, about watching a character grow and then slip back into their old selves in order to cope, bc you know they still care, that they’re the same inside, but watching them hurt so hard they don’t know what else to do brings a sense of catharsis.
I hate to break it to you, but they were right. You really do just have to finish that first draft. It can be a hot mess, but you can’t clean up a room that doesn’t exist
my beloved writers,
you need to seriously challenge your mindset of writing for likes and such. You already know you should write for yourself, so do it.
It does not matter. They are numbers.
If your productivity and motivation are tied to how much positive feedback you get, you are killing the artist inside of you. To be an artist means to not be chained down by anything - not opinions, not feedback, not an audience.
It is no complex, hard task to stop caring. Just stop. Stop caring for it. I promise, it will be the most freeing thing you can do for your mind.
Sincerely,
a long recovered Wattpad-Reads-Obsessor.
why is it that i can write dialogue for hours, but the second i try to have a conversation with a real person, my brain short-circuits? i can have my characters banter back and forth with wit and charm, but ask me how my day is going and i’m like 'uhhhh, fine?'
in writing, if you're stuck on a sentence or paragraph you're supposed to just jusmp to the next part and keep writing. fine-tuning is for the revision phase not the first draft
unfortunately every single fucking letter is a bear trap
Haven't you wondered why a romantic story you have so much hope for suddenly flops? Whether it's yours or not, let's see what could be the problem.
Unfortunately, no romance is complete without an arc. In other words, it is more than just the intimacy. When writers don't allow the relationship to develop naturally, it feels forced. Rushing to the final romance without building a solid foundation will make the story feel shallow and unconvincing. Take your time, flesh out the idea, and follow the plot gradually.
I often see writers make the mistake of portraying one character as too weak or pitiful only for the sake of it. This unnecessary victimization can undermine the character's depth and make the story less compelling. Your readers won't cry along with a female character whose decisions are pretty sour compared to a five-year-old. It's just simply annoying.
Instead, both characters should have strengths and weaknesses, make realistic decisions, making them more relatable and balanced.
Realistic conflict is essential for a compelling romance. Over-the-top or contrived conflicts can make the story feel forced and cringy. Conflict should come naturally and blend perfectly into the plot. It's not advisable to pop a challenge that's definitely not necessary in the name of 'keeping the stakes high.'
Rather, focus on creating believable challenges that the characters must overcome, adding depth and authenticity to the plot.
It's not only about love, or roses, or dinner nights, or lucky dates with the billionaire. Show the other emotions fighting for dominance: the hurts, pains, joy, frustration, desperation, anger, sadness, jealousy, anxiety, or even moments when a character falls out of love with the other and can't understand their feelings.
Focusing solely on love can lead to a one-dimensional story. For a well-rounded narrative, explore these emotions to create a richer and more immersive experience for the readers.
What's a story without a fully-fledged character, especially if they are the main character in a story?
You might have heard people talk about the importance of backstories and others saying too much of it tires them out, but here's the thing—balance. It's what people fail to incorporate. I'll try to cover this in any of my upcoming blog posts. Follow to keep up.
To better understand why we should cry for, laugh with, pity, admire, adore, scold, yell at, advocate for, and smile with your character, we need to know why they are what they are, who they are, and why they make the choices they make.
It's important to create characters with distinct personalities, backgrounds, and motivations. When readers care about the characters, they become more invested in the story and its outcome.
"Came back wrong" trope but actually the character came back right. A character who, when they were living, hid and changed so many parts of themself around others to appease them and, when they died and came back, they stopped doing so and started living as who they always have been. But everyone thinks they came back wrong because of how different they are
hi lovelies! (´。• ᵕ •。`) ♡ today’s post is something close to my heart, a gentle reminder for anyone out there writing while navigating mental or physical health struggles.
first of all, let me just say this: you are doing enough. whether you wrote a single sentence today, edited a paragraph, or just thought about your story while lying in bed, it counts. storytelling isn’t a race, and it’s okay if your pace doesn’t match the picture-perfect productivity you see online. writing isn’t linear. sometimes it’s messy, slow, or downright impossible—and that’s okay.
writing is important, but it’s not more important than you. if you’re having a bad day, take a step back. rest. hydrate. stretch. it’s not 'wasting time'; it’s giving yourself the space to heal so you can come back stronger when you’re ready. stories can wait. your well-being can’t.
look, i get it. those productivity blogs and #grindset🔥🔥 posts can be so motivating on good days. but when you’re not at 100%, they can feel like a big flashing neon sign that says, “you’re not doing enough.” the truth? those posts aren’t made with your unique circumstances in mind. it’s not about meeting someone else’s standards. it’s about doing what you can with the energy you have.
writing isn’t about grinding 24/7. it’s about showing up when you can, even if 'showing up' just means opening your document and staring at it for five minutes. don’t let the pressure to constantly produce steal the joy of creating from you.
on days when writing feels impossible, focus on the smallest step. write one line. brainstorm an idea. imagine a scene in your head. none of it is wasted effort, because all those tiny actions add up over time. remember, even the slowest progress is still progress.
success doesn’t have to mean finishing a chapter or hitting a word count. sometimes, success is choosing to rest when your body or mind needs it. sometimes, it’s acknowledging that you tried, even if all you could do was think about your story. give yourself credit for the effort, not just the outcome.
even if you’re not writing actively right now, your story still exists. it’s alive in your thoughts, your daydreams, and the little notes you scribble down. it’s okay if it takes you weeks, months, or even years to finish. storytelling is a marathon, not a sprint, and there’s no deadline on creativity.
writing while battling health issues—whether physical or mental—isn’t just hard; it’s an act of resilience and i'm so proud of you! every word you write is a victory, no matter how small it feels. so please, be gentle with yourself. celebrate the little wins. forgive yourself for the tough days. your story is worth telling, but so are you.
remember: you don’t need to be perfect to be a writer. you just need to show up when you can, in whatever way you can. take care of yourself, okay? ♡(´꒳`)
happy writing (or resting, or dreaming, or just existing). all of it matters. ✿
i think a lot of people (even other autistic people) forget that special interests are listed in the diagnostic criteria as restrictive interests (“Highly restricted, fixated interests that are abnormal in intensity or focus”) that are often very disabling.
for many autistic people, special interests aren’t some fun thing; it’s having no impulse control and spending too much money on things related to our special interest (if we even have control over our own money at all), it’s struggling with or being unable to hold conversations that aren’t related to our special interest, its being unable to do daily activities such as eat or sleep or work because our special interests take up all our time.
idk. i don’t want to come off as gatekeep-y because that’s not my intention but i just think it’s important to make the distinction between a restrictive interest in autistic people vs just being really interested in something.
21 he/they black audhdWriting advice and random thoughts I guess
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