Hey When You Make Posts, I Just Want You To Know, Thou/thee/thy/thine/ye Are Like He/you(object)/your/yours/you(subject)

I hate that people are using ai to write. If you don’t wanna write, then don’t. Like it’s not even just a money thing because there are ai generated fanfics now. I hate it so much.

I live this craft with my whole heart, even when it’s hard. I value my words and the work of every other writer out there. I don’t understand why people think using ai is okay. You’re stealing other people’s work and devaluing the craft. Plus, it’s bad for the environment to use ai.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

it may take me a month to put out a chapter but at least im not using ai to write it.

IT MAY TAKE ME A MONTH TO PUT OUT A CHAPTER BUT AT LEAST IM NOT USING AI TO WRITE IT

At some point "fanfic can be as good as professional writing" became "fanfic should be as good as professional writing" and that's caused major damage to fandom spaces.

Obviously I get inspiration from things I’ve read, but I am also inspired by my favorite movies, shows, anime and manga.

It’s bothersome when I feel like I can’t bring that up when I talk to other writers.

I don’t know a worse hell than making creative projects that you don’t care about. There are so many other things I’d rather work on right now, but I feel guilty. I’ve spent a lot of time not doing anything and thinking about stuff I should do and want to do. All of my incomplete projects are taunting me.

Unfortunately I speak this language

What I Say vs. What I Actually Mean When Talking About My Writing

Ah, writers. We’re like caffeinated raccoons with a thesaurus—erratic, dramatic, and perpetually on the verge of either brilliance or a breakdown. We love our craft, we loathe it, we panic about it, and sometimes we have midnight sword fights with it (metaphorically… usually). For my long-suffering friends and family, here’s a guide to decipher the cryptic ramblings of an organism like me.

"I’ll finish this draft by the end of the week."

I will procrastinate for six days and have a meltdown on the seventh.

"This chapter just needs a little tweaking."

This chapter is trash, and I’m about to rewrite the whole book instead.

"I love my characters so much!"

I’m going to emotionally devastate them for fun.

"The plot is solid, I just need to flesh it out."

The plot is six sentences, half of which are question marks.

"I’ve got a new idea for a book!"

I’ve abandoned my current project and am fleeing the guilt.

"This is just a first draft."

Please don’t judge me for this dumpster fire.

"I’m doing research for my story."

I’ve been Googling ‘weird medieval punishments’ for four hours.

"I don’t care about reviews."

I’ve read every review. Twice. And cried over three of them.

"The ending needs a little work."

The ending doesn’t exist yet, but thanks for asking.

"I’m editing today."

I’ll spend 30 minutes on commas and four hours rearranging furniture.

"My characters took over the story."

I have no control over anything anymore. Send help.

"I think this draft is almost done."

There’s a 40% chance I’ll delete it tomorrow.

"I’ll outline my next project properly."

HAHAHAHAHA. Sure, Janet.

"I’m working on character development."

I’m Googling psychological disorders and debating tragic backstories.

"I’ll just jot down a quick idea."

I’ve accidentally written half a novel on a napkin.

"I’m worldbuilding right now."

I’ve spent three hours naming a forest and none on the actual plot.

"I don’t get attached to my characters."

I would die for this fictional idiot and cry over their demise daily.

"I’m starting fresh with this new story idea."

I’ve given up on my last three WIPs but refuse to admit defeat.

"I don’t need a deadline to stay motivated."

Without pressure, I will accomplish absolutely nothing.

"My characters feel so real."

I have arguments with them in my head while washing dishes.

"I just write for fun."

I obsess over every word and feel personally attacked by constructive feedback.

"I’m creating a writing playlist."

I’m avoiding my manuscript by curating vibes for the 30th time.

"I’m a writer!"

I am chaos personified, and I occasionally open Google Docs.

How to Write Vivid Descriptions WITHOUT Overloading

Are you the type of person who describes a setting by using an intimidatingly huge paragraph that just rambles on and on and on because you're told to be specific but don't quite know how to do it correctly? If you've been struggling to detail settings, you've come to the right place! I'll reveal how to effectively describe a setting without having to use one big chunk of text and shoving it at your reader!

~ LINK IDEAS TOGETHER

As writers, we hear "show, don't tell" quite often, and the same applies when writing settings. But for some people this tip does little to help because, well, it's a bit of a vague concept.

With that being said, "linking ideas together" is a great way to describe the setting without having to explain the location! What do I mean?

Let's say there's a green field and I'm trying to depict it. This method is to find another subject that could connect with the setting to further describe it. What else is green? What reminds the character of the field? What's something similar?

Ex: The field in front of him reminded him of a photo he once saw long ago as a boy. His parents were standing in a lush, grassy area void of people, hugging each other tightly and smiling brightly at the camera under the clear blue sky.

In that example, I linked the field to a picture the character found, and by using his memories, I was able to paint a rough image of the location while setting the tone!

Ex: She'd been there before. She was there when the building still stood tall. When the streets were filled with people bustling about and the air smelled like cigarettes. Now, there is no tall building, but instead a pile of debris. She hasn't seen anyone in thirty minutes, and any smell of cigarettes would've surely been washed away by the rain.

This time, I connected the present location with the past one. But instead of showing the similarities, I contrasted them to emphasize the changes and abandoned state of the area!

~ LITERARY DEVICES

The most common literary devices I see regarding setting are similes, metaphors, and personifications!

It's similar my previous tip, where you connect two ideas together, but more general. The similes and metaphors don't have to be based on a specific experience of the character, but instead something more universal so everyone can connect with it!

Personification, on the other hand, can be used to substitute verbs.

Examples:

The stars shone like glittering jewels.

The road carved into the mountain.

The flowers waltzed along the music of the wind.

These devices allow you to describe something quickly and elegantly!

~ USE ACTIONS

Arguably, the most common tip provided when describing a setting is to use the five senses: sight, smell, touch, hearing, and taste. If you're like me, though, and have NO clue on how that's supposed to help, let me break it down!

Instead of thinking about the senses directly, use ACTIONS that correlate with the senses.

Instead of saying "the wood felt tough", say "he touched the wood, marveling at the toughness of the material".

Instead of saying "the air smelled like candies", say "she sniffed the air, inhaling the aroma of candies".

Instead of saying "the city was bright", say "they stare at the city, admiring how the lights illuminate the buildings and roads.

Do you see how your description suddenly blends in with the text now that there's an action and separate subject involved? You're still effectively describing the scene, but you're not pushing it at your reader. This also makes it far easier to build onto the depiction of the moment because you're not limited to adjectives!

By utilizing these three concepts, you can build an evocative description of the setting that won't overwhelm nor bore the readers!

Happy writing~

3hks :D

I just made an actual schedule for what writing projects I should focus on each day for the next week. So that way I can hopefully make progress on my fic and on revising poems for my slam team at the same time. We’ll see if the adhd cooperates.

On an unrelated note, should I start writing really indulgent one shots for my favorite fandoms? I’m tired of searching for my specific preferred flavor of bullshit and not finding what I want

Don't abandon your writing

It’s pretty common to lose love for a project at some point during the writing process. If that happens, it’s always okay to step away.

But (and this is the important part), don’t quit! Take a break, give yourself a breather, but always remember to come back. Your story deserves to be told.