Now that the manga has finally caught up to the anime, I shall say that I am still pretty convinced Fyodor will pull a Jesus and be fine.
That said, I hella loved this chapter. The themes, man. Essentially Fukuchi is inviting Fukuzawa to become God, though I would NOT be surprised to see a certain new character show up considering this entire chapter is basically Fukuchi and Fukuzawa trading paraphrased quotes from A Certain Novel.
It's a battle of free will vs peace, and how we walk that line as individuals and societies... war is futile and hell, and pointless because what even is a state anyways besides some arbitrary idea we've all agreed to for... reasons, and yet if you remove the ability for war and conflict as a whole, you don't really have humanity but instead mind-controlled slaves.
War is not a polite recreation, but the vilest thing in life, and we ought to realize this and not make a game of it... as it stands now it's the favorite pastime of the idle and frivolous.”
Every action of theirs, that seems to them an act of their own freewill is in the historical sense not free at all but is bound up with the whole course of history and preordained from all eternity... Man lives consciously for himself, but serves as an unconscious instrument for the achievement of historical, universally human goals.
It's true that people are born where they are born, and caught up in the stories that are grander than they are. Everyone likes to imagine what they know and what they experience and what they want and believe is True, but is it? Or is it merely a product of how they've grown? Is it a product of the centuries and millennia of people before us who create wars and conflicts and use us in them?
Yes, humans are used as unconscious instruments. But is that all they are? All they should be? Fukuchi seems to think yes. If they're currently used as instruments of war, then why not use them. as instruments of peace?
Fukuzawa, however, thinks otherwise.
It's an existential question humanity has been wrestling over since human beings have existed, and it won't be answered anytime soon because there is no neat answer. It's the paradox of human nature and human existence.
He had learned that, as there is no situation in the world in which a man can be happy and perfectly free, so there is no situation in which he can be perfectly unhappy and unfree.
Dictatorships are known, obviously, for suppressing free will and free expression.
Now, in War and Peace, Tolstoy's answer is love. And God, who is Love. But love first and foremost since Tolstoy himself wasn't super religious when writing it (later on he was though).
Seize the moments of happiness, love and be loved! That is the only reality in the world, all else is folly. It is the one thing we are interested in here.
Yet, if you remove the ability to choose love or violence, then:
A man having no freedom cannot be conceived of except as deprived of life.
And it's pretty clear what lesson Fukuchi has to learn:
Life is everything. Life is God. Everything shifts and moves, and this movement is God. And while there is life, there is delight in the self-awareness of the divinity. To love life is to love God. The hardest and most blissful thing is to love this life in one's suffering, in the guiltlessness of suffering.
Life sucks. War is hell. It makes life feel like it's not worth living. But without free will, you are not alive at all.
For if we allow that human life is always guided by reason, we destroy the premise that life is possible at all.
Anyways, even if Leo Tolstoy does not appear as an actual character with the supreme ability of "War and Peace," well, he sure is influencing this arc a lot.
I am rewatching bsd and I have just noticed. We know that Natsume sensei during Dark Era is in Bar Lupin in cat form, hanging around Dazai, Oda and Ango. And now he is Haruno's pet Mii-chan, so he is close to the ADA.
But I haven't seen anybody mention that he appears in the Fifteen arc too! I didn't notice at all the first time I watched it but now I was like WAIT A SECOND!! He even appears during the second epidode opening. I had to check the markings of the cat and yes, I'm pretty sure it's the same cat.
This is just before Dazai meets Chuuya for the first time.
This is just before the final scene with Randou. The "party" was happening in the second floor that the cat is looking at, and later Chuuya and Randou would fall just where Natsume is standing after Chuuya came flying through the window. I'm sure he watched all the fight.
And now I'm wondering if all this was planned by Natsume, and Mori followed. Because it's strange, he was witnessing everything from the beggining. Mori even mentions Natsume's phrase "only a diamond can polish a diamond". It's too much of a coincidence. Maybe he is the one pulling the strings all the time, he could actually be the one that "created" Soukoku. Or it's just a coincidence and he is just watching...
Anyway, it's even more obvious now that Natsume is always keeping a close eye on Dazai and they wanted us sto know it.
day 365 — on a day like this, 365 days and doodles ago, i started drawing my favourite bsd character every day. what a journey, hope i will be able to say the same thing in another 365 days !
also i actually posted 1st doodle on 28th of august, maybe the 265th day is because it was posted a few minutes after midnight and some doodles were posted before midnight, i don't know, i am not calender specialist (anyway, now i am posting after midnight)
can we form a coup against asagiri and make you the writer instead? genuinely... I am not taking the Fyodor immortal information well.. please help............................ ( ´,_ゝ` )
Oh, I would absolutely not do BSD well either. I just wish Asagiri had stuck to his roots more. He was a great comedy writer, and the beginning of the story was great for it. It's the action and Death Note stuff he can't seem to get mastery of. But for the immortal part: I'm not entirely sold that Fyodor's immortal, yet. It seems like yet another twists that will twist to reveal oh, shocker, he faked his memories to confuse Sigma/the ADA... or something. Could very well be immortal, but not 100% guaranteed.
The Nine of Swords is a Minor Arcana tarot card, also known as the Lord of Cruelty. (…) If this card is shown in an upright position, it can mean deception, premonitions and bad dreams, suffering and depression, cruelty, disappointment, violence, loss and scandal. However, all of these may be overcome through faith and calculated inaction. This is the card of the martyr and with it comes new life out of suffering (…) If the card is shown in an ill-dignified or reversed manner then it has a different meaning. When turned this way it means distrust, suspicion, despair, misery or malice. Total isolation away from comfort and help: institutionalization, suicide, imprisonment and isolation. However, in a generally positive spread, the reversed meaning of this card can also indicate that the nightmare may be ending. The Nine of Swords reversed can actually be a hopeful card, counselling faith in the future and the promise of better days ahead.
- sure, on wikipedia it's unsourced but seems to cross-ref well
LET'S GO WE FINALLY GOT HIS NAME!!!
I know it has some deep meanings but it's funny his name is just literally cicada
Also the ep47 name is Lament of My Wingless Body,i wonder if it was hinting us his name.To think asagiri had already named him but just decide to tell us on a random day lol.It can be about the episode but i don't remember details about it.
oooo this is cool!! i didn’t know he was given a name, thanks for the info :D
the episode name could mean many things. i haven’t put too much thought into it until now actually.
id assume a wingless body would be a metaphor for possibly someone not being able to escape something? kind of an opposite to the phrase "spread your wings" as a way to motivate someone to move/change?
in lament of a wingless body could be grieving the time she couldn’t escape? in reference to yosano grieving the past (possibly grieving shunzen here)?
or lament of a wingless body could be her grieving shunzen(which you said means cicada), like you had said! i like this idea a lot actually
FEMA is doing an emergency alert test on all TVs, radios, and cell phones on October 4, 2023, at approximately 2:20pm ET.
If you live in the US and you have a phone you need to keep secret for any reason, make sure that it is turned off at this time.
Yes, I'm doing this months in advance, and yes, my blog has very little reach, but I figure better to post about it more than less.
Please reblog and add better tags than mine, I'm bad at tags.
write. your. own. if not now, when? if not you, who? i certainly started crying at code out of sheer lack of gameplay as good as ruina; and implore you to do the same. The other option is to just be miserable, with no end in sight.
...that said, seems like this fandom needs to learn of the existence of Wisecrack:
After talking with people in discord for the week that this has been going on, I think my feelings on the Project Moon situation are just. Like, this was a company I felt was "safe". Obviously corporations are not your friends, but this was a studio that consistently pushed out games with progressive - and at times even radical - messaging. This was a studio that has consistently written solid characters with gender as an absolute afterthought. Emma is a boy! Harold is a girl! That's how little gender matters, which, ironically, is something that matters.
I can't think of another franchise I've engaged with that just... writes women as people. I've heard George R.R. Martin is like that, but I never engaged with the TV series that introduced the US to the concept of filler or the book series it was based on. I'm gonna gloss over Lobotomy Corporation a bit here because the story only has 13 characters, but 12 of them return for Library of Ruina. In Ruina you have Binah, Angela, Nikolai, and Elena as assertive women that take control of the situations they're in. You have passive uwu smol beans like Hod and Eileen! You have characters who are war criminals and that's not a mark of a villain, that's just a part of their backstory! Some of the women here have just Done Crimes! One of the women IS a crime! And men are treated the same! There are characters with traumas and behavioral disorders who act like real people would! Lesti saw the aftermath of Love Town and started talking about food! Beef intestine no less! Philip saw his colleagues get murdered and physically manifested a mental breakdown! Xiao saw her husband get murdered and physically manifested literal burning rage!
All of the writing has been good! All of it! And it has consistently written women in a way that is flat out rare, even in 2023. And Limbus has been doing the same! Outis is assertive! Ryoshu is assertive! Hermann is assertive! Don is an idiot and Faust refuses to talk half the time! Heathcliff is assertive! Meursault is assertive! Gubo is assertive! Hong Lu is an idiot and Sinclair is/was a pathetic sop! Across the board, the character writing is just GOOD. As Lobotomy Corporation progresses, Ayin's shitty behavior becomes more and more apparent! And that all culminates with Angela being tossed aside like garbage once she's no longer useful to him, as you hear her desperate wishes to just be seen!
All of that, or at least most of that, was Kim Ji-hoon. But Kim Ji-hoon is also the person who hastily fired VellMori at 11 PM, over the phone, while he was out of office in Japan, because some incels accused his company of being sympathetic to feminists in 2023.
And it fuckin hurts that the source of those stories, the stories that I just spent three paragraphs praising, the stories that are so important to me, could turn heel in half a second like that. As if he was writing completely different stories than the ones I've been reading. And I hate that? I hate that. Because there isn't a replacement! I don't get Grandma War Crimes and Dumbass Justice Enactor in other stories! Like, maybe some will come close, maybe some will have the same exact character somewhere, but never all of it together. Never written as amazingly as the City is.
So it hurts. And the silence is loud.
see also:
Hannibal also skipped all of Roman navy and most ground troops by crossing Alps, north of Rome. From northern Africa (then Carthage).
Salamis aka Bottleneck Good
Marathon: similar to Cannae, but wikipedia makes it seem like a combination of other causes
inflatable tanks!
Calais: "hi come in" middle ages edition. Please note a bribing attempt that enabled this.
honorable mention: SO. MANY. SHENANIGANS. in preparation for Normandy landing
not what you hoped for OP but it made me realise having a PoV switch right now would be 200% psych and could happen. As in: 'in the narrow room' subpart ends, as we hop to elsewhere and do plot there (Lucy team? Kenji & Tecchou? Mori movement? Atsushi getting to Fukuchi & co, even tho i keep making that call and it keeps proving wrong?) and another subpart, then in 3rd subpart resolve Meursault decisively. Thanks, i hate it.
re: topic (but still not quite): it's been grinding my gears that noone is calling this, but: regardless of DoA resolution, the optics/situation for ability users is terrible. Globally. For the average person this is a broken masquerade scenario - vampires EVERYWHERE in a way that cannot be covered up or handwaved away. If they get to know the details, it would be caused by an ability user (1) being wielded by another ability user (2) using an anomalous object created by another ability user (3!!!). Given that previously ability users weren't public knowledge, populace's 1st contact would be of "they are an existential threat". This makes them convinient scapegoats for both the actual chaos and other assorted problems, real or imagined. At this point 'removing nations'(yes i know it's a coverup, but let's be real: if it worked you could bootstrap any objective with it.) would be merely an assurance that an aggregate database of ability users would be created - which with sufficently bad PR is a very scary proposition, indeed.
as a sidenote, i've once thought myself into an interesting spot: let's take the "What is the opposite of crime?" bit from No Longer Human seriously for a moment; a 'crime' is whatever either law or society deems undesirable action. Because society is made out of smaller societies, and each will have norms that differ slightly (or even conflict with the law/norms of other societies), any given action could be declared a 'crime' by any of the above. Therefore, crime = action. Therefore, the opposite to crime would be inaction. Every living being acts (commits actions?) by the virtue of being alive (breathing, eating, sleeping). Therefore, only inanimate objects do not commit crimes. Now that we have logic'd ourselves to "The sin crime is breathing", the question remains: Do corpses count on the grounds of being alive at some point? Within these parameters, it's actually another question: Are crimes forgivable? Since multiple things can all be called 'crime', despite different severity, the answer would be a binary yes/no.
At which point, the thread splits into two:
1) From a character backstory perspective: assuming he learnt of his ability by killing family memeber(s) accidentally, who exactly could give him forgiveness for it? assuming he does not regret a kill (both in the sense of "can't logic your way out of lack of fucks to give, chief" and "doesn't go into hysterics as seen in other people"), dogma would not give him forgiveness either. Therefore, the answer is: no.
2) From what i vaguely remember of C&P, the entire thing is a setup to do a redemption arc. For a redemption to happen (as opposed to what TvT poetically calls Heel-Face Door Slam), there has to be an underlying assumption - on both the repenter's and the judge's ends - that a crime can be forgiven, with enough work. For Dostoyevsky - you know, the terrorist? - to line up with both C&P and Dostoyevsky - you know, the writer? - or rather, what hazy picture i have of his body of work. For a change to happen, the implicit assumption has to, as well. Therefore, the answer is: no. (as of right now, circa ch107)
…i recall randomly going "wouldn't it be really lulzy if the endgame was NGE's Instrumentality?" but between writing out the above step-by-step, and DoA's objective having to be something to shook Atsushi outside of black-and-white thinking backed by DoA being a treat to ADA… and it's infuriatingly self-defending against that quote you have provided; "define: death"
If we hinge on ability user != ability, and 'ability as an analogy for having thoughts deep/insistent enough to write them down and publish', it circles back to the above, tho without an in-universe explanation. …when is an ability not tied to a user? When it's a singularity. This is the part where once again i suddenly remember i haven't read a single LN and just absorb spoilers like a sea sponge, but: is there some mention (in Stormbringer?) that singularities do not change? In the sense of 'do not adapt to stimuli'? If yes, it would not be a complete sweep as elaborated above, but would still line up with "not acting" in a way. If we tie this to the whole 'god likes order' we breach straight into an entire memeplex of "perfect order = no change" (see also: Shin Megami Tensei's law - aka christian god and angels - factions)
Everyone is in full conspiracy mode since (a little before) the last chapter with the Fyodor ability theories and I'm loving that. That got me thinking:
What was Fyodor's objective again?
Disclaimer, I fully rely on translations, but I cross-checked with two of them so...
special thanks to @ticklinglady for finding these pages!
"... a world free of sin and skill users."
1. A world free of sin
He says he wants to spill the blood of the sinners like 3 times but doesn't really give an explanation of who, what or why.
His definition of "sin" is quite vague, but could be the usual catholic/christian stuff. The one time he identified a specific behaviour as a sin was when the Agency and Port Mafia were killing each other "even though they knew they were being set up to do so" (though he also said Ace breathing and thinking was a crime and said killing Karma was freeing him).
In the Dead Apple novelization (not written, but edited by Asagiri, who came up with the original idea for the movie and gave a whole speech on Fyodor to the writing team), Fyodor does make a speech about the post-dragon red fog surrounding the Earth, transforming it into a "dead apple" by essentially killing everyone and "washing away the original sin of man". The apple motif was a sort of poetic irony.
According to the novelization, this was his true objective at the time and he never mentions the Book, not even in the epilogue, as opposed to doing so in the movie.
This scenario is kind of a contradiction, since the fog would have erased everyone except ability users, though most would have suffered at the hands of their abilities before dying. Said abilities would have then been kept in a collection maintained by Shibusawa, an ability singularity himself, which brings us to...
2. A world free of ability users
I went through the manga and never did find an instance of Fyodor speaking ill of abilities, only ability users. That doesn't mean there is a difference to him in the first place, but it's interesting.
The Dead Apple scenario is to be taken with a grain of salt, but killing everyone doesn't seem to be a problem for him (he kills nearly everyone he interacts with anyway), and this implies that to him every single human is sinful beyond redemption and can only be saved through death. Why he is singling out ability users in that case? seems redundant.
Other instances of him talking about his objective included talking about "the will of the hand of God and Demon", doing this "for the sake of a better world", and saying the death he gives is a form of salvation by severing the influence of sins from the soul. He also talks a big game about God and his intentions (order and stuff), and Dazai likes to point and laugh at him when he does so.
As a bonus, in Dead Apple, Fyodor answered Dazai's question of why he accepted to join forces with him by saying it was "simply to see the world as it ought to be" (and because he wanted entertainment, with Dazai turning out to be that entertainment, as Fyodor was in fact using him the whole time for his own agenda).
now go and apply that knowledge to your theories
as someone who tags along for the vibes: does Magic actually do something with differently-sized counters, so to speak? that would prevent the phrasing from being "(…), for each creature you control whose power is greater than it's base power, double it's power increase." ?