If Wallace (Wallace and Gromit) died in his sleep, the contraptions that get him out of bed would still deliver his lifeless corpse into the dining room, likely for Gromit to clean up
Gangster Kakashi? Last one slight NSFW
A friendly reminder that Kakashi is actually very fit, he's not skinny or small.
I mean look at those THICC thighs! đ
This man definitely never skips legs days, I mean, how can anyone forget how muscular and well defined Kakashi's body actually is when we got to see a small glances of him without his loose clothes?!!
Kakashi actually trains as hard as anyone else if not harder as I previously explained in this post
And we've seen him standing beside Gai and Obito countless of times before and there wasn't any size differences between them
Kakashi has a great body and the world needs to remember that.
I've been seeing comments and tags like this since forever and I really don't understand where people are getting this idea from!.
This is the same Kakashi who has been cliff climbing with one hand tied behind his back since he was 4 years old
The same Kakashi who was doing push ups with One Finger with 2 people sitting on his back while he was recovering from chakra Depletion and other injuries
The same Kakashi who was training in his hospital bed instead of resting with the IV still connected to him
The same Kakashi who was wielding the Executioner Blade with one hand an entire day with ease, fighting the 7 swordsmen of The mist like a friggin' boss
That same giant blade that requires insane strength to be able to hold
Zabuza himself was holding that blade with 2 hands
There's a reason Might Guy chose Kakashi specifically to be his eternal rival, because he's the only one who can actually keep up with him.
It's like people has stopped watching/reading Naruto since forever and now all they know about it is from the fanfictions they read, like the canon never even happened!!.
Part 2
I'm looking back at random things I was taught as a kid by various adults and media and. did nobody bother to factcheck anything? was that just not an option or
Why Tumblr? Why do you, an actual celebrity, a famous writer, use Tumblr of all websites?
(The actual celebrity and famous writer sits back in his rocking chair, surveys the world of Tumblr, from his porch. He chews meditatively on a straw, and then he says:)
TACAFW: Y'see, I've been here for nigh on twelve years now, which in new-fangled internet years is about four hundred years... yup, I remember when all this wuz just folks trading photos of cats, and I remember when over there, where it's now just waste land, that whole part of town was whut we used to call 'Not safe for work" -- hooey, I don't know where those folks went, when they got driv out of town -- but me, through those twelve years, I've just been in this old rockin' chair on this old porch, and I've seen 'em come and I've seen 'em go... I guess I mus' just' like it here...
hi neil! i apologize if i make any errors writing this, my english is far from perfect, but i wanted to ask for your help in this.
i'm a big good omens fan and i'm planning on getting a tattoo inspired by it since it's so important to me. looking for inspiration online i found an illustration that i loved and will probably use, but said illustration is not in the edition i own and i could only find this picture, besides from photos of other people's tattoos and redrawings of it. do you happen to know what edition of the book this is from? or at least who designed it?
anyways, thank you!! sending love from argentina :)
I donât know. But someone here might know.
âHoly cow, that Shino was...well. I wasnât into bugs, but I love them now.
How about a sexy Kakashi or Yamato? â
Kakashi because sexy Yamato would probably just be soft instead of sexy đ„Ž
they are so intriguing
Snippets from the databooks where Kishimoto was describing Kakashi's personality...
This is my favorite part because it kinda sums up Kakashi in one sentence.
Surprise! Iâm watching Naruto.
I think Tumblr should simply gamify reporting spambots for its users and give a day of free crabs to whoever (correctly) reports the most
A visualization of the Sixth Hokageâs decision making process
for @keepyourpantsongohan
kakashi hands.
âFor some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.â
âMost films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They arenât so much made for children as theyâre made to be not not for children. Itâs perhaps telling that the genre is generally called âFamily,â rather than âChildrenâs.â The films are designed to be pleasing to a broad, age-diverse audience, but theyâre not necessarily specially made for young minds.â
âMy Neighbor Totoro, on the other hand, is a genuine childrenâs film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsukiâs shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows childrenâs goals and concerns. Its protagonists arenât given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.â
âConsider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that sheâs âoff to run some errandsâ - The film is hers for the next ten minutes, with very little dialogue. Sheâs seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play âflower shopâ with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but weâre never bored, because Mei is never bored.â
â[âŠ] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoroâs world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.â
âMy Neighbor Totoro has a story, but itâs the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, âAnd then what happened?â This kind of whimsicality is actually baked into Miyazakiâs process: he begins animating his films before theyâre fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those thingsâand there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.â
A.O. Scott and Lauren Wilford on âMy Neighbor Totoroâ, 2017. Â
thinking about how klingon courting works by the female roaring and throwing heavy objects and the male reading love poetry
sweet lil angel đ
They donât believe him.
Read clockwise! Happy birthday to Kakashi-sensei.
My Most Favourite Kakashi Design Of All Time
Bonus...
Happy belated birthday to the best bro and eternal rival, Might Guy â€ïž
᎔ â±âżá”á”âżá”á”á” á”á” á”á”Ëąá” á”ʰâ±Ëą á”⿠Ꮆá”âżá”á”ÊłÊž á¶ â±ÊłËąá” á”á”á” á”á”á”á”â±âżá” á”ËĄËĄ á”Ê°á” Ëąá¶Êłá”á”âżËąÊ°á”á”Ëą á”á”á”á” á”á”Êłá” á”â±á”á” á”ʰá”⿠᎔ á”ËŁá”á”á¶á”á”á”â§
They just know him too well XD
My two husbands exchanging notes âš
im peak shit post