“Retrieving A Tube Of Glue And Some Cardboard Shingles, Gansey Used The Strong Moonlight To Work On

The Holdovers was a little movie that we made in Boston, about three people that came together to form a little family.

“When my nineteen-year-old son turns on the kitchen tap and leans down over the sink and tilts his head sideways to drink directly from the stream of cool water, I think of my older brother, now almost ten years gone, who used to do the same thing at that age; And when he lifts his head back up and, satisfied, wipes the water dripping from his cheek with his shirtsleeve, it’s the same casual gesture my brother used to make; and I don’t tell him to use a glass, the way our father told my brother, because I like remembering my brother when he was young, decades before anything went wrong, and I like the way my son becomes a little more my brother for a moment through this small habit born of a simple need, which, natural and unprompted, ties them together across the bounds of death, and across time … as if the clear stream flowed between two worlds and entered this one through the kitchen faucet, my son and brother drinking the same water.”

— A Drink of Water BY JEFFREY HARRISON

THE RAVEN BOYS 3/7

All together!!

300 Fox Way | Triple reading for Whelk | Haunted

Dinner in America (2020) dir. Adam Rehmeier

maggie stiefvater may struggle to coherently wrap up a plot but one thing she really excels at is writing straight couples who are gay. few people have ever managed to do this no matter how hard they try but she did it twice

reference photo

tomasz jedrowski | « swimming in the dark » 

it actually really doesn’t matter at all and everything will be okay forever

they need to invent drinking that's good for you and a way to fuck music