Anyways So I Am Back To Life

07-20-18

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Some of the ways we are beyond blessed as SGS (saigenos/genosai) shippers:

- Thousands of fanart

- Thousands of fanfic

- A wide variety of fan comics/doujins

- Cute merch, both official and fanmade

- Bi-yearly fan conventions in Japan. Previously nendoroid fans would meet up and have doll picnics and take pictures of their nendos and make SGS themed foods

- A video of Genos' VA saying (in Genos' voice) "I love you Saitama-sensei!"

- An official drama CD where Saitama and Genos play out their version of Romeo and Juliet

- A series of drawings by Murata with Saitama and Genos in a cinderella AU, with Saitama as the prince and Genos as cinderella

- Murata making comments during his livestreams that he knows about the shipping and subtly joking about it. Murata commenting and RTing from openly shippy SGS accounts

- ONE making a point of saying he has no problem with shipping of his characters

- The English VAs tweeting about how they ship it too, joking about them going on a date etc. Saitama's VA signing a fan's print with "I ship it too"

- The Japanese VAs using body language and phrases with double meanings like "fine, I'll go out with you" during the opm festival. Genos' VA being asked to pose the Figmas and putting Genos in Saitama's arms

“Omg I love the idea of uncanny Vash!!!”

“I wish we got to see more of his inhuman side”

“Would love to see the gang slowly realize they’re in the presence of a man made horror beyond human comprehension”

WHAT!!!!

What does the arab in your carrd mean? Is it like afab and amab?

.. i’m palestinian

is phos really phos anymore? 

The clips of the lost ZeXal dub, edited to sync with the actual raw anime clips. Check the source for the panel where these clips came from, and a little insight on how this dub was born and how it died.

“Prior to the conclusion of the Yu-Gi-Oh! lawsuit last year, the Japanese licensors of Yu-Gi-Oh! were confident of their chances at triumphing in court and taking back the rights to the franchise. Ignoring the court’s warnings not to exercise the rights to a product that it hadn’t yet secured, ADK proceeded to produce its own version of Yu-Gi-Oh! Zexal. ADK tapped Reed to direct the series with an L.A.-based cast, including Johnny Yong Bosch (Yuma), Vic Mignogna (Shark), Richard Cansino (Bronk), Cassandra Morris, Sam Riegel, and Liam O’Brien. After nine months, the result was a full-fledged product that was ready for the airwaves.

“We cast it, we recorded up to 26 episodes of it, we stripped out the music, completely recomposed to picture with two amazing composers, re-sound designed it, reanimated some sequences, and it was one of the most big-budgeted things I’ve ever worked on as far as anime goes,” Reed explained. Oh, and Yuma actually says “Kattobing” in this version, haha.

Dissatisfied with 4Kids’ work and not wanting to do business with it any more, ADK bent over backwards to make sure the L.A. team did well and were happy working on Yu-Gi-Oh! Zexal. Reed described how ADK sent the L.A. team hard drives full of all of the animation layers and After Effect files, giving the American producers full rein to easily edit the video as they needed. Did they want to fix the mouth flaps to better fit the English dialogue? No problem! Did they need to edit an image so the network censors didn’t get on their case? Simple!

Within the American anime production industry, obtaining such resources from the Japanese studios is completely unheard of. The studios are very protective of their properties (and who wouldn’t be?) and licensees regularly need to adapt within the confines of the animation as it is presented.

Of course, we know how the lawsuit ultimately turned out. The Yu-Gi-Oh! Zexal anime by 4Kids and Konami with the New York-based cast remains the de facto version of the show, while the version with the L.A.-based cast gathers dust inside a box.”

- http://ravegrl.wordpress.com/

I do not own Yu-Gi-Oh, or Yu-Gi-Oh ZeXal. No copyright intended.