SEBASTIAN STAN as Sergeant James Buchanan Barnes
two best explanations for why a ship is canon:
1. *detailed analysis of each on-screen interaction, breaking down dialogue exchanges, pointing out every single microexpression, identifying metaphors for a romantic relationship, reading between the lines, presenting theories with supporting evidence from the canon material*
2. "have you seen them they literally eye-fuck every time they're in the same space"
what is it gonna take for bucky stans to get it through their thick skulls that bucky barnes would not be happy to hear about their poorly disguised racism towards sam wilson
something where sambucky is hanging out in public and a reporter says some racist shit about sam being captain america to their face and congressman barnes punches said reporter in the face without hesitation
you ever lose faith in humanity but then take a sip of ice cold water and suddenly all of your problems have been solved
It'll all be fun and fucking games until marvel let's Bucky call Sam, Sammy.
It'll be Canon at that point. I don't make the rules.
thomas o'malley walked so nick wilde could run
further clarification: i have outlined aforementioned screenplay, drawn up characters extensively, and am forgoing all other writing projects
there's something fascinating about how tarantino describes his storytelling process and artistic vision. the way he articulates the deliberate choices he makes and the importance of their effect demonstrates the depth of his understanding as a director and writer. he gets you think about his work, analyze the various possibilities with the freedom to draw your own conclusions, and even seek it out again to view it through a new lens, which is probably the best reception to get from audiences. he said that wanted people to watch his movies and be inspired to make their own and he absolutely nailed it. massive respect
just to be clear: i started writing a screenplay
there's something fascinating about how tarantino describes his storytelling process and artistic vision. the way he articulates the deliberate choices he makes and the importance of their effect demonstrates the depth of his understanding as a director and writer. he gets you think about his work, analyze the various possibilities with the freedom to draw your own conclusions, and even seek it out again to view it through a new lens, which is probably the best reception to get from audiences. he said that wanted people to watch his movies and be inspired to make their own and he absolutely nailed it. massive respect
we don't talk enough about the lyric "at dinner you take my ring off my middle finger and put it on the one people put wedding rings on" because the concept is such a mind fuck (coming from someone who has experienced it)
the fact that losing neil is what ultimately encouraged todd to live will haunt me for eternity
"who can cook better, erik or charles" erik can literally wield magnetic fields. charles most likely grew up with chefs. and even with his powers, charles might know how to cook but has poor execution. and even without his powers, erik can cook because i said so.
erik: we're brothers, you and i
charles, in erik's lap: what.
there's something fascinating about how tarantino describes his storytelling process and artistic vision. the way he articulates the deliberate choices he makes and the importance of their effect demonstrates the depth of his understanding as a director and writer. he gets you think about his work, analyze the various possibilities with the freedom to draw your own conclusions, and even seek it out again to view it through a new lens, which is probably the best reception to get from audiences. he said that wanted people to watch his movies and be inspired to make their own and he absolutely nailed it. massive respect
please dont let this flop i was cackling as i wrote these lolol
Some idiot: "Why are you reading your own fic, that's shallow and stupid"
All fanfic writers and writers everywhere: "Who the fuck do you think I wrote it for?!"
so i did. something.
hc that charles has erik as an emergency contact even after cuba and hank is absolutely livid when he finds out
hank, turning blue: you have the nation's most wanted terrorist who paralyzed you as your emergency contact?? are you fucking serious??
charles, miserably drunk: there was good in him, i felt it-
EVAN PETERS as Quicksilver / Peter Maximoff
doesn't it terrify you? the fact that the us government isn't even trying to hide how they kidnap legal immigrants (COLLEGE STUDENTS) in broad daylight without due process, masked without identification? for exercising their first amendment right??
did we not learn that one of the most obvious signs of a dictatorship is a secret police force that oppresses those who disagree with those in power??
"why do we learn history?" because if we forget about the holocaust, a genocide which murdered AT LEAST SIX MILLION jewish people and other oppressed groups (homosexuals, disabled individuals) then it can easily happen again
just re-binged one of the best x-men works
https://archiveofourown.org/series/187976
@blarfkey this is an absolute masterpiece. 10/10 narrative. a lovely erik & peter focus with a good measure of cherik. wonderful plot development, spot-on characterization, and brilliant humor + references.
still don't understand why magneto didn't have long white hair in dark phoenix BUT NOOOO james mcavoy had to be bald
poolverine cherik sambucky may never be truly canon but at least we get the increasingly homoerotic bromance dynamic so that's something i guess
cherik, sambucky... marvel you have OPTIONS
opening scene of doomsday better be sam and bucky making out or else
erik in dark phoenix: *goes after jean for killing raven*
erik in dofp: *tries to kill raven*