Latest Posts by beqnis - Page 9

leorio standing, leorio running... everything abandoned/unfinished

"Old friend" is a gayass thing to call someone

Gore is about graphic and violent injuries (someone having an amputated limb isn't gore, a limb being violently cut off is), body horror is about unnatural or inhuman body features. Disabilities and illnesses, things that actual people have and live with, are neither unnatural nor inhuman.

A character vomiting up bloody flowers because they have hanahaki is body horror because hanahaki is fictional and flowers cannot actually grow in someone's lungs. A character vomiting up blood because they have a stomach tumor or another medical condition is not body horror because those are real medical issues that people experience. Appropriate trigger warnings or tags for that could include "blood", "emeto/emetophobia", or "medical" depending on what you feel needs to be warned for.

A cut transgirl romance comic by Garun

Sasaki and Hirano, Compare/Contrast Brainrot

Okay like I saw a post about Sasaki and Hirano’s friendship and I just. Started thinking about it and now I can’t stop. Especially after reading Hirano to Kagiura. 

I feel like they’re messed up (repressed is probably what I actually mean) in the same way but in opposite directions and that’s why they like…get along, but in the strangest manifestation of that phrasing? They care about each other almost from a periphery, from the vantage point of someone who understands, but, since they’re also still figuring it out, they don’t know quite how to interact with or guide the other?

And it’s killing me because--idk if it was just me--I kept going feral over every single time I was reading the manga and Hirano would go “oh yeah I do [insert fuckign batshit intimacy] with my roommate, this is a normal senpai/kouhai thing to do” and Sasaki literally always reacts with:

“.” (Huh. I don’t think that’s normal but who am I to judge these things. Let’s ask the local social barometer.)

“Hey Hanzawa, this [reiterates what Hirano said word-for-word] isn’t normal is it?” (Translation: “this would be inappropriate to do with Mya-chan even though I’m clawing at the walls just thinking about it”)

And Hanzawa, bless his heart, who is only a fraction more normal about social interaction than everyone else is just like:

“.” [W H A T]

“Sasaki, what. Of course you shouldn’t be doing that. W H Y ARE YOU ASKING ME THIS”

AND THIS HAPPENS MANY TIMES IN THE SPAN OF TWENTY CHAPTERS. I CANNOT EXPRESS ENOUGH THE HILARITY BUT ALSO CONCERN IT INSPIRES TO WATCH.

More detailed analysis under the cut, I just can’t stop laughing at the way the manga compares them:

Sasaki fascinates me because, as I take stock again, it feels like he’s got this dread when it comes to change (e.g. Ogasawara and his gf dating--thus changing his relationship with both of them, asking Miyano out--risking losing him, confessing that he’s dating a boy to his sister--risking her enduring and fervent disapproval). So much of his younger teenage angst was related to being reluctant to start or do things, and while it’s easy to assume laziness, I don’t think that’s the case? He says in the manga: “There’s nothing I can do, so how am I supposed to know what I want to do then…?” I get a sense that this trapped feeling contributes to his dissatisfaction and stasis more than a refusal to do anything at all. I don’t think he lacks capacity; he’s proven to be exceptionally clever and even studious when he feels motivated. 

Considering the lack of interest his parents had in his life (let alone his hobbies/skills) and his sister’s overbearing scrutiny, I feel like it makes sense he’s struggled so much with his self-actualization. I feel like he perceives it as being caught between hot and cold extremes constantly; like no matter what he does, he’ll either receive indifference or loud chastising. So why bother at all? It would explain why he likes Miyano’s temperament so much, considering the latter quite literally is defined by his normalcy and even keel. When Sasaki wants to move forward in their relationship, Miyano seriously considers both their feelings, and thoroughly weighs the realities of what it would mean to be together before replying. While Sasaki wants to be closer to him, I think so much of his willingness to wait was the fact that Miyano wasn’t evading him. Miyano was being honest and thorough about meeting him halfway, without insulting his feelings or flat out ignoring him.

(Side note: I fully agree that Sasaki’s sister is a positive influence in his life, in that she actually gave a damn when he was downspiraling and miserable, and pointed out that all kids need limits and guidance. But she is loud and forceful about her acknowledgement, and I feel like this is very grating to Sasaki. For better or worse, it’s clear he has a hard time with such a direct and intense approach about what he should think and feel, and about what he needs. Sasaki shows indications of a kind of mindset where he thinks he needs to shoulder all the tough and heavy things alone, so it makes sense to me that he would be uncomfortable with his sister proclaiming how he is lost or bereft of attention/discipline.)

I think there’s also the fact that Miyano witnessed Sasaki at his most vulnerable--and instead of lashing out--offered him help and sympathy, real warmth and patience. Sasaki has always meant a lot to me as a character, maybe because he resonates in such a poignant way. He’s somebody who has lived under such emotional extremes, and as a result deeply values a sense of normalcy. Where one could argue Miyano is unassuming and ordinary, I think that’s part of why Sasaki likes being with him.  With Miyano, he doesn't have to guess at the distance between them; Miyano is earnest and careful about those differences, and is very direct about addressing them with reciprocity.

Now then, Hirano. I know very little about Hirano’s home life other than his being an only child. But to be honest, that does tell us a bit--paired with his subtle social anxieties. I will never forget Sasaki saying to Miyano ‘that’s because Hirano plays favorites with his kouhais’ about the gap between his behavior towards his younger classmates versus everyone else. While Sasaki’s petulance is uproarious, there is something to that. (I also love how this exposes Sasaki, lowkey, because he’s basically saying that he’d only do that with his favorite people, aka Miyano. But otherwise he could never be bothered to care about a rando, and that’s hilarious.)

I think Hirano--because he doesn’t really have a sense of how he’s supposed to relate to other people--tends to follow the same strict guidelines you might see in a rule book (DISCIPLINE COMMITTEE COUGH COUGH). Supposing he was taught--or simply feels responsibility towards younger kids as a result of reflective parental neglect--it would explain why he feels this rigid need to treat kouhais like little siblings. At first glance, and honestly when you consider his general aloofness, it doesn’t make much sense that he has a mothering sensibility otherwise. 

Now then, because I realized this while writing and I have to inflict this on everyone else in rapid succession, this would explain his initial staunch discomfort with Kagiura’s affection. In the context of Hirano’s lifestyle/mindset:

Hirano → relationships with people? Don’t understand that, refer to following flowchart:

→ younger = responsibility, must protecc

→ same age = keep them in line

→ older = respect (but only if I feel like it HAIR DYE NOISES INTENSIFY)

Mind you, I don’t think this is limited to his platonic/friendship relations. I think this permeates into so many other aspects of his life, since sociality is inevitably a focal point for all human life. If he feels an uncharacteristic leniency and profound affection for Kagiura, then it must be because he's a kouhai he wants to protect, nothing more. He has no other reason or definition by which to ascribe to those feelings. Hirano doubly insisting he can’t be attracted to men is because he’s been so inundated in the widespread social signals, the social rule that has been long standing--and remains a pretty powerful message even now--that it’s unlikely (and that’s a gentle term) he’s attracted to another man. 

After all, He is So Good At Being A Normal Young Man. He’s in the discipline committee. He gets excellent grades. He’s a kind and helpful senpai. He keeps his classmates in line. Of Course He Likes Women, What Do You Mean Gay.

He’s basically that meme like: “'Men can be attracted to other men' actually statistical error. Average men only feel attraction for women. Sasamiya is an outlier and should not be counted."

Both Hirano and Sasaki hate change/unpredictability, but I really love how complex their differences are in regards to how they experience that and feel that. Sasaki hates change, but he’s not necessarily emotionally repressed? He’s able to express what he feels for Miyano because he feels it so strongly, and it comes naturally when he does. In fact, it’s so natural that he becomes impulsive--and that’s why he gets so anxious about moving too far or too fast by accident. He has the overthink override, where if the attraction is too strong he simply Can’t Shut Up About How Much He Loves Miyano or stop hugging/kissing him.

Hirano hates change in the sense that he’s so ensconced in this idea that This Is Normal Human Behavior, that he completely loses sight of how he actually feels about anything--because he rejects/suppresses anything he can’t coherently define in a scripted, linear way. And being asked to tread that unstable, unsteady ground is tantamount to throwing a cat in water with no warning. This is why it’s so sad but also HYSTERICALLY FUNNY to see him like “wym I have feelings for Kagiura. It's perfectly normal to start yelling with all the wounded rage of a scorned housewife over my kouhai not letting me wake him up for morning practice. That is what it means to be a senpai.” Because he has no blueprint for how he’s supposed to express a love that goes deeper than friendship (with a man no less), he defaults to these overly simplistic structures that can’t support the complexity/maturity of such adult human feeling and exchanges. They worked for him just fine before, so why won’t they work for him now?

Relegating Kagiura to the role of kouhai makes it easier for Hirano to conceptualize why he cares so much for him, but it also limits the scope of his view. He’s using it as an umbrella term in a sense: of course he doesn’t find every little thing about Kagiura infuriating/boring/troublesome. Being the older person means being responsible and chill about everything. But that’s the thing. He’s not indulging Kagiura the same way he indulges Miyano, despite him qualifying them the same way. With Miyano it’s super clear Hirano really does just see him as a baby duckling, someone to treat gently and usher around. His behavior around Kagiura is so astronomically different in comparison, it’s nearly comical to try to compare them:

It’s Kagiura’s birthday. Hirano, who probably hardly remembers people’s birthdays, deadass went around asking every person he was close to (like, 5 ppl) for advice. He agonized over it for days on end. He gets Kagiura tickets to a basketball game and an alarm clock, and spends the entire day with him. He asks Hanzawa if he can use party poppers to celebrate Kagiura on the day of, and to get around the rules when he’s told no he has everyone go hog wild with them at the Christmas party in a loophole maneuver to celebrate. Reminder to myself and everyone reading, this is BEFORE he even hears a word about Kagiura’s feelings.

THIS IS BEFORE EITHER OF THEM ARE IN ANY KIND OF INTIMATE RELATIONSHIP. HIRANO, WHO IS MR. “i only study or drag people to baby jail, what do you want,” SPENT ENTIRE DAYS PAINSTAKINGLY PLANNING ALL OF THIS. FOR KAGIURA’S BDAY. AFTER ONE OFFHAND COMMENT FROM KAGIURA OF LIKE mannnn having an xmas bday sucks ass, they just try to lump it tg with holiday presents booooo :///

That Hirano conceptualizes Kagiura as a kouhai has been established. But another angle that’s equally crucial is this equation:

Hirano → adore person? Devote Every Minute To Being Nice^TM

→ hate person? angry cat hissing sounds/smack with paper roll

→ mild dislike? Lowkey grousing/sarcasm/dismissal

→ neutral? (this is most people btw) refer to earlier chart for appropriate social etiquette

This is pretty much where Hirano gives himself away. Because even in his most inflexible rules for himself, we’ve never seen him convey so much feeling for anyone around him so helplessly. It can be argued that he might have in the past, but honestly, I doubt it. The feeling is so confusing and new to him that it leads me to believe so much of his difficulty accepting what he feels is related to its unfamiliarity. He can’t trust it as real precisely because he can’t control or neatly define it. (This made doubly disconcerting by the fact that he doesn’t have a typical social structure to work from either. If his parents, for instance, are anything like Hanzawa’s, it’s possible his conception of love between a couple is about devotion to remain together to fulfill a sense of status/purpose to create a new life. He would have zero concept of love that comes from the very depths of a person’s emotional being, a call and response that is as instinctive as it is fulfilling.)

Sasaki feels an intense desire to be close to Miyano, and thus acts accordingly because he trusts his feelings. On the other hand, he has trouble measuring the distance between himself and others. (e.g. he thinks he will lose his friends if they date, his sister acts like a parent but is also a kid and that makes it hard for him to know how to interact, he struggles to convey himself properly to Miyano when he brings up escalating to dating). Hirano, on the other hand, doesn’t realize the intensity of his affection and heartfelt proximity to Kagiura because he’s so busy tying himself up in knots over what he’s supposed to feel and think that he doesn’t trust his feelings. Rather, he is only given away by how obscenely his actions expose him. Comparatively, he has less trouble measuring the distance between himself and others when it comes to anyone but Kagiura.

(Perhaps obviously, Kagiura has Sasaki’s whole ‘if I don’t hug/kiss/bark at him I’ll die’ emotional expression and Miyano has the cautious measuring of distance between people and difficulty accepting gay like Hirano.)

God they’re both so quintessentially queer it hurts me. One can’t shut up about his love, and the other literally cannot open his mouth and express his feelings or he’ll die. 

NARRATIVE FOILS EVERYONE

(Also unsure if it’s me but wow. They are so. Autism. And that also kills me akhfjldghjgdsfhkdfjhg)

choosing to be blissful unaware of anything going on with hxh rn

One trope Im a big fan of in media is when the loyalty outweighs a conflict of interest. I don’t agree with what you’re doing, but I will follow where you go no matter what. I will do anything for you even if it opposes my own morals

I ship this ship because:

I have eyes

I can see

I am the smartest person in the room

I receive divine revelations about them in the dead of night, alone in my chambers

love how when i get a new interest, i’m like “oh god it’s happening again” and i’m stuck like that for about a week until everything explodes and any interest i’ve had prior is completely dwarfed for an unknown amount of time

After getting over the initial shock and heartbreak of this tweet and this reply, it hit me that (and I don't know if this is a cultural thing here in the middle east or an Islamic one)

A child has to be named even if they're stillborn.

For a child to not be named, that means there's no one left to name them. They were killed along with their entire family.

I hoped I was wrong, but I checked the list of victims of Israeli attacks and found this:

Israel has ended 47 Palestinian bloodlines over the course of this genocide (or perhaps more), so you might think that this little detail isn't that important, but I don't think we should get used to cruelty of this proportion, no matter how consistently Israel commits it.

The number of victims isn't just a number. These are people with full lives and hopes and dreams.

It's enough of a disaster that these families were wiped out, but in murdering them, Israel didn't just deprive them of their lives, hopes, and dreams. It deprived them of even the dignity to name their children.

It continues to deprive the remaining Palestinians of their most basic human rights.

What did the Palestinians do to not deserve food or water or electricity?

What did their *newborns* do to not deserve lives or at the very least names?!

This is the most harrowing form of terrorism I can think of. The genocidal Israeli occupation is the most despicable terrorist organization the world has had the displeasure of knowing.

The whole world should be deeply ashamed that it's not only allowing such heinous war crimes to be committed, but in a lot of ways, it's enabling them.

I don't know how anyone can be neutral about this.

Stand with Palestine, stand against the occupation. Against genocide.

ربنا يتقبل الأطفال دول و أمهاتهم و عائلاتهم اللي الاحتلال قتلهم معاهم شهداء، و ينتقم من إسرائيل و أي حد بيمكّنهم أشد انتقام في الدنيا قبل الآخرة.

*heavy southern accent*: terfs aint got no friends

& Bonus: A lil while later...

Best teamup ever

I can't believe I drew a fanart for this

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

                Let me know how your writing goes, good luck!

(Nov. 7)

@Shepherds4Good: Palestinian children in Gaza hold a press conference outside Al Shifa hospital, speaking English so the world cannot pretend not to understand them: “We come now to shout and invite you to protect us; we want to live, we want peace… we want to live as the other children live.”

the orbit of pluto’s moon 🌙🪐✨ happy kagehina day!

okay so a ceasefire will happen soon, inshallah, but i just know the second it does, most of y'all will pack it up and go home. the world has proven time and time again that the second the violence "stops", then everyone forgets about us and then we just go back to suffering under the israeli occupation. you guys need to promise us, promise every single palestinian child in the world right now, that you will not stop fighting. that you will continue boycotting, you will continue protesting, you will continue disrupting the world until palestine is free. and then we'll do it again. and again and again and again and again. for sudan, for the congo, for everyone who is suffering right now.

you guys cant keep leaving us and forgetting about us once you've done "your part". it always happens, and we always go back to suffering. you need to stand with us until palestine is completely free. until we have our land back, until we can rebuild our homes, until we can drink clean water and breathe clean air, until our children grow up never having to face a horror like the nakba ever again. you need to stay fighting until we are all free forever.

"The language is that of Mordor, which I will not utter here."

(inspired by an incredible tiktok i saw yesterday, username cosm1cegg)

that one scene from tokyo ghoul but make it soukoku

truly, no harsh noise project can ever approach the sheer auditory torture of existing in the same room as someone scrolling tiktok, like professional bad sound engineers couldn't make a listening experience this unpleasant if they tried

Palestine Masterlist 

Introduction to Palestine: 

Decolonize Palestine:

Palestine 101

Rainbow washing 

Frequently asked questions 

Myths 

IMEU (Institute for Middle East Understanding):

Quick Facts - The Palestinian Nakba 

The Nakba and Palestinian Refugees 

The Gaza Strip

The Palestinian catastrophe (Al-Nakba)

Al-Nakba (documentary)

The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance, 1917-2017 (book)

The Ethnic Cleansing of Palestine (book)

Nakba Day: What happened in Palestine in 1948? (Article)

The Nakba did not start or end in 1948 (Article)

Donations and charities: 

Al-Shabaka

Electronic Intifada 

Adalah Justice Project 

IMEU Fundraiser 

Medical Aid for Palestinians 

Palestine Children’s Relief Fund 

Addameer

Muslim Aid

Palestine Red Crescent

Gaza Mutual Aid Patreon

Books:

A New Critical Approach to the History of Palestine

The Idea of Israel: A History of Power and Knowledge

Hidden Histories: Palestine and the Eastern Mediterranean

The Balfour Declaration: Empire, the Mandate and Resistance in Palestine

Queer Palestine and the Empire of Critique

From Haven to Conquest: Readings in Zionism and the Palestine Problem until 1948

Captive Revolution - Palestinian Women’s Anti-Colonial Struggle within the Israeli Prison System

Palestine: A Four Thousand Year History

Except for Palestine: The Limits of Progressive Politics

Before Their Diaspora: A Photographic History of The Palestinians 1876-1948

The Battle for Justice in Palestine Paperback

Uncivil Rites: Palestine and the Limits of Academic Freedom

Palestine Rising: How I survived the 1948 Deir Yasin Massacre

The Transformation of Palestine: Essays on the Origin and Development of the Arab-Israeli Conflict

A Land Without a People: Israel, Transfer, and the Palestinians 1949-1996

The Iron Cage: The Story of the Palestinian Struggle for Statehood

A History of Modern Palestine: One Land, Two Peoples

Where Now for Palestine?: The Demise of the Two-State Solution

Terrorist Assemblages - Homonationalism in Queer Times

Militarization and Violence against Women in Conflict Zones in the Middle East

The one-state solution: A breakthrough for peace in the Israeli-Palestinian deadlock

The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians

Fateful Triangle: The United States, Israel and the Palestinians

The False Prophets of Peace: Liberal Zionism and the Struggle for Palestine

Ten myths about Israel

Blaming the Victims: Spurious Scholarship and the Palestinian Question

Image and Reality of the Israel-Palestine Conflict, New and Revised Edition

Israel and its Palestinian Citizens - Ethnic Privileges in the Jewish State

Palestinians in Israel: Segregation, Discrimination and Democracy

Greater than the Sum of Our Parts: Feminism, Inter/Nationalism, and Palestine

Palestine: A Four Thousand Year History

Palestinian Culture:

Mountain against the Sea: Essays on Palestinian Society and Culture

Palestinian Costume

Traditional Palestinian Costume: Origins and Evolution

Tatreez & Tea: Embroidery and Storytelling in the Palestinian Diaspora

Embroidering Identities: A Century of Palestinian Clothing (Oriental Institute Museum Publications)

The Palestinian Table (Authentic Palestinian Recipes)

Falastin: A Cookbook

Palestine on a Plate: Memories from My Mother’s Kitchen

Palestinian Social Customs and Traditions

Palestinian Culture before the Nakba

Tatreez & Tea (Website)

The Traditional Clothing of Palestine

The Palestinian thobe: A creative expression of national identity

Embroidering Identities:A Century of Palestinian Clothing

Palestine Traditional Costumes

Palestine Family 

Palestinian Costume

Encyclopedia of World Dress and Fashion, v5: Volume 5: Central and Southwest Asia

Tent Work in Palestine: A Record of Discovery and Adventure

Documentaries, Films, and Video Essays:

Jenin, Jenin

Born in Gaza

GAZA 

Wedding in Galilee 

Omar

5 Broken Cameras

OBAIDA

Indigeneity, Indigenous Liberation, and Settler Colonialism (not entirely about Palestine, but an important watch for indigenous struggles worldwide - including Palestine)

Edward Said - Reflections on Exile and Other Essays

Palestine Remix: 

AL NAKBA

Gaza Lives On

Gaza we are coming

Lost cities of Palestine 

Stories from the Intifada 

Last Shepherds of the Valley

Voices from Gaza

Muhammad Smiry

Najla Shawa

Nour Naim

Wael Al dahdouh

Motaz Azaiza

Ghassan Abu Sitta

Refaat Alareer

Plestia Alaqad

Bisan Owda

Ebrahem Ateef

Mohammed Zaanoun

Doaa Mohammad

Hind Khoudary

Palestinian Voices, Organizations, and News 

Boycott Divest and Sanction (BDS)

Defense for Children in Palestine

Palestine Legal 

Palestine Action

Palestine Action US

United Nations relief and works for Palestinian refugees in the Middle East (UNRWA)

National Students for Justice in Palestine (SJP)

Times of Gaza

Middle East Eye

Middle East Monitor

Mohammed El-Kurd

Muna El-Kurd 

Electronic Intifada 

Dr. Yara Hawari (suspended on X 10/25/2023)

Mariam Barghouti

Omar Ghraieb

Steven Salaita

Noura Erakat

The Palestinian Museum N.G.

Palestine Museum US

Artists for Palestine UK 

Eye on Palestine (suspended on Instagram 10/25/2023)

It has been hard for me to talk about how what is going on with Israel and Palestine is affecting me personally, but I grew up in Gaza and most of my family still lives there. My father did not survive the bombings last week and I have not been able to contact my younger sister in days. I am try to being understanding that most people do not have personal connections to what is happening and therefore are justifying their silence, but is heartbreaking to see this misinformation being spread. What’s happening there is a genocide, not a war. It is not antisemitic to support Palestine, it’s not even antiemetic to criticise Israel. There is no grey area or neutrality regarding this, and it is so easy to find resources that will educate you on the subject. It is my people and my home being destroyed so I will never be silent about this, but I please urge everyone to get informed and start speaking up and finding ways they can help.

decolonizepalestine has tons of information on Palestine’s history/propaganda that has been spread throughout the years

UK citizens can email their MP asking for a ceasefire

US citizens can call/email their local government officials asking for a ceasefire

Jewish Voice for Peace also has many resources for ways for US citizens to get involved, including protests

Donate to Palestine Children’s Relief Fund

Donate to Medical Aid for Palestine

Donate to help get food and hygiene kits to Gaza

Don't stop talking about them. We need to be their voice.

Inspired by the amazing poem by dana

society lost its way when we stopped drawing our ships in the pose from the vocaloid song "magnet"

I need everyone’s best character advice. STAT.