"If you meant what you said Alistair, then swear on the divine. 'Tis not often you get to be in her presence" "I- It's- You never stopped being mean, do you?"
Dragon Age comics
Halla | The Artifact | Cultural Divide
Mass Effect Comics
“Fist-fight” | Diplomacy | Downtime | The Gala
yeah the Citadel DLC was great but where were the pretty dresses???? chekmaté
set in me1. went very much out of my comfort zone on all levels with this one
this thing has been on the back burner for three months and that’s way too long for me to look at one project and feel confident with it. ultimately decided to finish it just to feel some sort of accomplishment, hence the rushed shading and overall rendering
not doomed by the narrative but saved by the narrative. yeah i know you'd rather die than keep suffering but the story doesn't actually care what you want. you have to keep going, even when it hurts. even being erased from existence won't stop you from being salvaged from the wreckage of un-being. get up. keep pushing. keep bleeding. keep living.
✨️This Group Is Full Of Weirdos!✨️
When I started this Oracle Cards project in January, I wanted to create 10 cards with all of the companions and origin characters (all of the cards have been updated since I first showed them!).
Well, mission completed, but I'm not ready to say goodbye to this series, and I am going to create 4 more cards with my(and probably your) favorite NPCs.
Do you ever think how much of an impact having the major leaders of the post-war era be intimately close friends would affect politics in ATLA. The Gaang traveled together for months, living in close quarters, seeing each other at their bravest and their most vulnerable; it affects how you see and act around each other.
They touch each other so casually, so easily it unnerves most nobles. Master Bei Fong throws her feet into Counselor Sokka’s lap at any given opportunity. Fire Lord Zuko absentmindedly straightens out Avatar Aang’s sacred robes that are entangled from some airbending move. Master Katara throws an arm around the shoulder or waist of her compatriots, keeping them safe and within her reach and none of the others so much as blink.
Members snap at each other, vicious little barbs said with crooked smiles. The master waterbender taunts the lord of the Fire Nation about his honor. In the past such a person would have been burned to a crisp for such a slight but this Fire Lord merely rolls his eyes and retorts about some waterbending scroll. Lady Bei Fong pops out of nowhere and launches the most powerful bender into a wall and the spirit of the world just laughs and then throws some rocks back at her.
It scares the hell out of politicians how they communicate so easily with little to no words. Avatar Aang and Counselor Sokka can hold entire, detailed conversations with just their eyebrows and mouth expressions. Master Katara can walk into a room and sense with uncanny accuracy, before anything that happened, that her fellows are up to no good. The group, full of various world leaders and master benders will babble on for minutes, the Fire Lord listening attentively before turning to his stunned and confused audience and translating without a hint of shame. It simply is how it is when the young men and women shaping the world grew up alongside each other in the darkest of days and now can stand together, as one family of four nations, in the light.
thinking about atla thematics as usual and fascinated by how many fans insist they wanted aang to “grow up” more at the end of the series without considering how one of the show’s major themes is the terrible ways war and imperialism rob people of their childhoods. one of aang’s major gifts to every single character is restoring a piece of their lost or stolen or brutalized childhood. aang reminds katara there’s still joy in the world, and fuels her hope.
he brings wonder to sokka’s life with his flying bison. he sees zuko not as a terrifying enemy but as a boy he might have been friends with and had fun with, he offers toph a way out of her repressive home to have the adventures she’d been longing for, and all these characters rise to fulfill their destinies through honoring their inner child - the parts of themselves that are hopeful, kind, gentle, fierce, innocent, deserving of protection - and breaking the cycles of violence and abuse that interrupted their childhoods. azula was convinced she had no need for her inner child, and killed aang in cold blood in ba sing se, after which she slowly but surely lost everything she cared about, including her sense of self.
and finally, aang shows ozai mercy, thematically reminding the latter that the children he tried to kill and brutalize are a force capable of rising above petty violence, and reshaping the world. you could even argue that the original rupture in the mythos was when both sozin and the air nation sought to rob a child of their right to childhood - sozin by hunting a child, the air nomads by hastening aang out of his childhood so he could help them - and that balance is restored when aang, who represents the world’s lost gentleness and mercy, and upholds values that a war torn world regards as “childish” and “immature”, manages to end the war with a gesture that honors those values and affirms everyone’s right to a safe and loving childhood, to a life free of violence.
Doctor Who season 4 is so delightful because you can tell that The Doctor, on occasion, straight up forgets that he's sad and burned because he's busy being in a sci-fi buddy comedy. And then something will remind him and he'll be like oh! I'm sad and burdened! And Donnas almost always there to be like 'hi sad and burdened. I'm Donna' and he has a completely proportional reaction like 'i would die a thousand deaths for you'.
only on playstation
aka. I saw an edit of a selfie taken by all main characters of playstation’s exclusives and these three were together and I HAD to draw them as a trio of best friends.
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