Latest Posts by bleuetteecatholic - Page 11

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“tumblr ceo sucks too” oh mood my bad I honestly forget we even have a ceo I kind of just view this website as a self governed purgatory that runs on sulfur and spite alone

"You all know, of course, that Hogwarts was founded over a thousand years ago, by the four greatest witches and wizards of the age. Godric Gryffindor, Helga Hufflepuff, Rowena Ravenclaw, and Salazar Slytherin."

I'm writing my first fic, so are there any tips to write Harry so I don't Butcher his character, lol

Like, I can try and give advice, but writing is such a personal journey, and it can work very differently for every writer. Like, what works for me and helps me to stick to his character might not work for you.

What I can tell you is that the first HP fic I ever wrote had a Harry I will now consider OOC.

It's not the worst I've seen, but I know I'm better at it now than 4 years ago when I wrote that story because I know him better, and I became a better writer. But that first story has an OOC Harry, an OOC Voldemort, and, well, a lot of other characters are OOC there, too. I'm pretty sure Sirius is the only one I consider somewhat in-character in that story, lol.

I can explain what I do, which again might not work for you. The only way you'd know what does work for you is if you try different methods, experiment, and learn. Becouse if you know what you're doing and you're a good enough writer, there aren't a lot of rules you can't break or characterization you can't pull off. And to become a good writer there is no way other than writing. And reading. A lot.

You just gotta start writing and figure out what methods work for you to get the characters the way you envision them.

Also, please remember fanfic is supposed to be fun. I might be super picky about Harry's characterization, but I promise you there are a lot of readers who aren't and would be happy to read a good story even if Harry isn't characterized perfectly. As I said, I wrote some bad OOC fic in my life (40+ bad wips that would never see the light of day). These bad fics were necessary so I could get good. Becouse to get good, you need to start somewhere. So, as I said, write, don't be scared of making mistakes, figure out what works for you, and trial and error your way to victory.

That being said, this is my list of what I do to write any character consistently and in character, not just Harry, (and some writing advice in general, really):

1. Get the mannerism right

What I mean by that is that characters, like human beings, are capable of a lot under the right circumstances. When writing a fic a character isn't going to stay the same as in canon if their situation changes, so I find it more useful to think of how characters do/say things rather than what they do. Basically, any character can do anything and it would feel in character if the circumstances and how they go about it make sense.

For me, I know dialogue is one of my strengths as a writer, and I put effort into learning characters' dialects and speech patterns. Harry would use the word "bloke" and not "guy". He never uses "Bloody hell" or "Blimey". Harry's swears are often censored from the books, so I take it Harry says "fuck" or "sodding hell". When he thinks mid-sentence he says "er..." often. Harry, in general, doesn't speak as often as Ron or Hermione.

Ron, on the other hand, says "bloody hell" and "Blimey" often. He also says "mate" a lot. Hermione rarely shortens words. Often in the books, she would say "we are" rather than "we're" and is generally more formal in her speech. She also uses more words than both boys to get the same point across.

All these little patterns of speech add a lot to the characters feeling like themselves. The choice of words matters more than what they're actually saying, a lot of times. The what can be heavily influenced by the circumstances but the how should be familiar.

Let's take a reaction of surprise to the same good thing happening:

"Blimey, I can't believe it," said Ron, grinning from ear to ear.

"Oh, that's wonderful," Hermione said, smiling and turning to Ron and Harry, "You can see this too, right?"

"That's brilliant," said Harry, grinning at the sight of [thing].

So, these sorts of details just add a lot to characterization and I find that if you can pull the voice and mannerisms off, you can pull off almost any actions, and the character would feel in character as long as it's not outrageous.

2. "Character Bible"

I usually have a little "character bible" which is like 6-10 commandments of how the character needs to behave (key personality traits and behavior), and when I'm editing, I go back to it. What you choose to put in your "character bible" can change depending on what matters to you more as a writer. For Harry, my character bible is something like this:

Says more in his head than outside his head.

Snarks back when threatened, hot-headed when in emotional distress, doesn't say anything if it's a possibility (unless he likes who he's talking to).

Wit. Wit. Wit. (add witty remarks in narration or dialogue if the opportunity arises. Sarcastic humor is good for Harry's narration).

Very talented and smart, very low self-worth

Awkward, but no one but him knows this

"I won't!" (He does not do well with authority or direct orders. The quote is from GoF when he resists the imperious curse)

Trust issues galore (he doesn't really trust anybody besides Sirius. Only in HBP does he start to tell Ron and Hermione everything).

Selectively observant (Harry observes what he cares about. If he doesn't care, it might as well not have been there) and super judgmental in his narration.

Wants to be left alone and be content and safe.

3. Edit.

I'm sorry to say it, but reading through your own writing again and again and fixing it up every time helps so much. After I finish writing a chapter I take a break to go to bed and then come back the next day and reread the chapter with new eyes and correct everything that seems out of character, any phrasing that feels awkward, spelling and grammar errors if I notice them. But this first go-through immediately after is mostly for characterization, voice, and plot.

In general, during a first draft, your goal is to get it written, making it good is what editing is for. That's why my mantra during the process of writing the first draft is: "I'll fix it in post".

4. Let the character take the wheel

This is more specific to my own writing method, but, you know how there are method actors? So I'm a method writer. Sorta, I'm half-joking.

What I mean by this, is that I get to know a character by writing them (a lot) and then I don't really need to think about it. Like, I just write what feels right to the character. Like, whenever I'm unsure about a scene, I'd go: "Harry take the wheel" and just type what the character thinks, in my mind. It's kind of hard to explain, but it's sort of discovery writing in small limited doses, essentially. I sort of let the character take over for the scene. Like I'm not writing the story, just typing it. Kinda like demonic possession, just, not.

I know it's not really the characters and that I'm writing it, I just find this process hard to explain. When you write a character a lot and often, you can become capable of writing them naturally. Almost like breathing. Like writing your own narration, except, it isn't. But it takes effort to get to this point.

Again, this won't necessarily work for everyone, but it's what I found works for me.

5. Unsure? Open the books

The books exist and if you're unsure how Harry would react to something, just, check. I have an ebook version of GoF open when I'm writing my fic, which takes place in GoF. So, if I'm unsure how Harry would phrase something or react to something, I just check.

6. Get a Beta Reader

My best advice though, is to find a fandom friend to beta read for you, someone you trust to tell you if you're writing OOC and help you fix it (preferably they would also be a writer). Becouse sometimes you don't see it yourself after you just wrote it. My beta for my fic also helped me write my novel, and she knows me as a writer, I know her as a writer, and she knows what sort of things she needs to pay attention to in my writing and vice versa.

That first OOC fic I mentioned? I let her read it, and she told me that the pacing is crap and Harry is acting off (in nicer words, she was very polite about it, but that's what she meant). And that sort of feedback is invaluable for improving and I'm incredibly grateful to her.

Sometimes, you need to hear the truth, even when it's unpleasant, that's how growth happens.

(Now she practically never comments on characterization or pacing, improvement!)

7. Perfect is the enemy of good

I don't think my characterization of Harry is perfect. I don't think my writing is perfect. Whenever I go back to edit, I always find more stuff to fix. But there is a point where you gotta stop fixing it and just post it. Because you'll never know how it will go if you don't do it.

At some point, after all the editing, you just need to declare your work is "good enough" (having a beta really helps in telling when "good enough" is, especially at first, since most writers tend to be hyper-critical of their own work). You'll always reread your work and think "oh, I could've wrote this line better" or "oh, that sounds wrong" even after you post it (but so could the best authors to ever live, I'm sure. It's just how it is).

So, It won't be perfect, nothing ever will. But it can still be great and amazing and make someone's day, even if it isn't "perfect".

So, don't be scared to make mistakes or butch it up on your first attempt, you're human, you're learning, and you can improve. But that can only happen if you start writing because nothing teaches better than hands-on experience.

Jenny Slate in Stage Fright (2019) // Ugly, Bitter, and True by Suzanne Rivecca // Hayao Miyazaki in 10 Years with Hayao Miyazaki (2019) // Mirrorball by Taylor Swift // John Mulaney on The Late Show with Stephen Colbert (2020)

Precision in Grief and Rage

I wanted to talk about the shift in Harry's internal voice from Order of Phoenix to Half Blood Prince, and how his grief, guilt and immense self-loathing for his part in events around Sirius' death informs it. At the end of Order of Phoenix, Harry is a mess - of incoherent, unfocused grief, where he wishes he never wished more that he was anybody else:

“Harry, suffering like this proves you are still a man! This pain is part of being human — ”

"I DON'T WANT TO BE HUMAN!” Harry roared, and he seized one of the delicate silver instruments from the spindle-legged table beside him and flung it across the room.

The scene at Dumbledore's office is rife with how much he blames himself for his godfather's death. After one cathartic scene at the office, Harry spends the next year avoiding any and all mention of Sirius (he wolfs down his breakfast when Ron and Hermione bring him up) and suppresses his grief and rage surrounding the events of OOTP- unless he is sure that the person he is speaking to understands the weight of Sirius' loss: he hopes Remus would write to him, he mentions Sirius voluntarily to Tonks (under the impression that she is grieving him), and talks about him to Buckbeak ("Missing him? But you're okay with Hagrid, aren't you?"). His grief and rage manifests in precise, focused rage in this chilling Harry scenes:

Thank you!” said Mundungus, snatching the goblet out of Ron’s hand and stuffing it back into the case. “Well, I’ll see you all — OUCH!”

Harry had pinned Mundungus against the wall of the pub by the throat. Holding him fast with one hand, he pulled out his wand.

“Harry!” squealed Hermione.

Why do I call it a focused, precise rage? Mostly, because unlike the other times Harry is provoked with perceived disrespect to a dead parent, Harry has not forgotten his wand. (Cue the scene in OOTP that he is so angry he just beats up Malfoy with his fists). What Harry has done is not just grab him by the throat, he makes sure Mundungus (who is shorter than him) is nose to nose with him and then threatens him with a wand. (btw, a note from my reread: younger Harry attacks people bigger than him by grabbing their throats too - Vernon to get his letter, the troll etc etc. It seems to be something he had picked up from Vernon. We see Vernon grabbing him by throat in opening chapters of OOTP)

“You took that from Sirius’s house,” said Harry, who was almost nose to nose with Mundungus and was breathing in an unpleasant smell of old tobacco and spirits. “That had the Black family crest on it.”

“I — no — what — ?” spluttered Mundungus, who was slowly turning purple.

“Give it to me!”

“Harry, you mustn’t!” shrieked Hermione, as Mundungus started to turn blue.

There was a bang, and Harry felt his hands fly off Mundungus’s throat. Gasping and spluttering, Mundungus seized his fallen case, then — CRACK — he Disapparated.

And Tonks has to throw Harry magically off Mundungus.

Harry swore at the top of his voice, spinning on the spot to see where Mundungus had gone.

And he doesn't stop until Tonks magically throws him off Mundungus. It is not a coincidence that we see Harry's darker and more chilling traits in a book where he is heavily paralleled with Tom Riddle. The parallel is explicit in the scene where he uses his mother's death to guilt Slughorn into giving him the memory. But here is a tiny mention of how Tom Riddle reacts to perceived disrespect to an heirloom from his parent:

“That’s right!” said Hepzibah, delighted, apparently, at the sight of Voldemort gazing at her locket, transfixed. “I had to pay an arm and a leg for it, but I couldn’t let it pass, not a real treasure like that, had to have it for my collection. Burke bought it, apparently, from a ragged-looking woman who seemed to have stolen it, but had no idea of its true value — ”

There was no mistaking it this time: Voldemort’s eyes flashed scarlet at the words, and Harry saw his knuckles whiten on the locket’s chain.

Quite telling to me that Harry specifically notices how Voldemort's knuckles whiten around the locket, after Hepzibah pretty much talks about how Merope was essentially robbed. Harry understands.

When Harry had finished speaking, Ron shook his head.

“You really understand him.”

“Bits of him,” said Harry.

Can you try to extrapolate on what scars Harry would have, please? Or what he'd look like if they're healed or in the process of healing.

He gets injured many times, so it's hard to believe we won't see any marks/proof of those on his skin.

Ohh, this is fun. Okay, so we have the canon scars we know of, and then there are injuries I think are likely to have scared, but not outright stated in the text to have done so. But this is actually a great catalog for writing purposes.

So this list is injuries we see in the books that we are explicitly told left a scar or I think are likely to leave a scar (both due to the injury itself and magic being involved):

First thing first, we got his infamous lightning scar that remained from the killing curse, forehead - Oct 1981

The only thing Harry liked about his own appearance was a very thin scar on his forehead that was shaped like a bolt of lightning.

(PS)

2. A puncture wound from the basilisk fang located on his right arm, above his elbow - June 1993

But as warm blood drenched Harry’s arms, he felt a searing pain just above his elbow. One long, poisonous fang was sinking deeper and deeper into his arm and it splintered as the basilisk keeled over sideways and fell, twitching, to the floor.

(CoS)

3. Cut from Hungarian Horntail, arm - Nov 1994

Harry plummeted just as the Horntail opened its mouth, but this time he was less lucky — he missed the flames, but the tail came whipping up to meet him instead, and as he swerved to the left, one of the long spikes grazed his shoulder, ripping his robes [...] And with a huge spurt of speed, he was off, he was soaring out over the stands, the heavy egg safely under his uninjured arm

(GoF)

*Charlie is mentioned to have a burn scar from a dragon so it's unknown how well magic could heal a dragon-made cut. It's possible the above would not leave a scar.

4. A small cut in the crook of his right elbow - June 1995

He felt its point penetrate the crook of his right arm and blood seeping down the sleeve of his torn robes.

(GoF)

5. "I must not tell lies" scar on the back of his right hand - Sep 1995

At the same time, the words had appeared on the back of Harry’s right hand, cut into his skin as though traced there by a scalpel 

(OotP)

6. Nagini's bite, forearm - Dec 1997

7. Burn mark over his heart from the locket Horcrux - Dec 1997

“I couldn’t get the Horcrux off you,” Hermione said, and he knew she wanted to change the subject. “It was stuck, stuck to your chest. You’ve got a mark; I’m sorry, I had to use a Severing Charm to get it away. The snake bit you too, but I’ve cleaned the wound and put some dittany on it. ...” He pulled the sweaty T-shirt he was wearing away from himself and looked down. There was a scarlet oval over his heart where the locket had burned him. He could also see the half-healed puncture marks to his forearm.

(DH)

Now we have Harry's abuse at the Dursleys, which might've left scars:

Harry mentions having to duck out of Vernon's way:

“You don’t seem to need many qualifications to liaise with Muggles. . . . All they want is an O.W.L. in Muggle Studies. . . . ‘Much more important is your enthusiasm, patience, and a good sense of fun!’ ” “You’d need more than a good sense of fun to liaise with my uncle,” said Harry darkly. “Good sense of when to duck, more like . . .”

(OotP)

Vernon also manhandles Harry roughly (i.e. drags him away, pushes him aside, outright strangles him, etc.) throughout the books a lot. And Petunia tries to hit him with a frying pan:

but he still had to duck as she aimed a heavy blow at his head with the soapy frying pan.

(CoS)

So it's clear Harry was beaten but he doesn't really mention how bad, how often, or even how he was beaten so it's hard to tell what kind of scars (if any) it would result in. Vernon doesn't seem to use weapons and only ever uses his hands to harm Harry, Petunia might've bashed him on the head with various household items, but we don't really know if any of it left scars. So, there is a place for headcanon here.

I think it's safe to assume some marks remained, but nothing too glaringly noticeable or out of the ordinary as other characters don't comment on it. Similarly, his face only has the one lightning scar so all other scars would be elsewhere on his body or hidden by his hair (if he was hit on top of his head and it scared, his hair would hide the scar).

2. His nose broke at least once but probably more than once:

He wore round glasses held together with a lot of Scotch tape because of all the times Dudley had punched him on the nose.

(PS)

From the above, I take it Harry's nose probably broke but no one really noticed. So, his nose might be slightly crooked depending on how it healed. It's not exactly a scar, but still, something to note if you want to add it to how you headcanon Harry's appearance.

It's likely that Harry broke other bones in his years with the Dursleys, especially fingers which can be broken pretty easily (I broke mine like 3 times as a child). So, it's possible his pinkies (for example) don't match each other because one broke and healed in a different shape than before.

3. Welts from Marge's walking stick:

Aunt Marge had whacked Harry around the shins with her walking stick to stop him from beating Dudley at musical statues

(PoA)

It's possible this happened more than this one time and we don't know how bad it was. So, he might have welts on his shins and potentially other places depending on how bad/often you think Marge beat him during her various visits.

4. Now, I assume Harry suffered many scraps, bruises, and scratches throughout the years. Especially since he ran away from Dudley and his gang and climbed trees to get away from Aunt Marg's dog:

He was nine, and Ripper the bulldog was chasing him up a tree and the Dursleys were laughing below on the lawn. . . 

(OotP)

But I think it's unlikely they left scars. Sometimes they do if you scratch the scab, for example. But as wizards tend to heal faster and better than muggles, I think small scraps like these are less likely to leave scars on wizards or witches in general, but it's possible they did.

5. Potentially other scraps and cuts that scared throughout the books themselves. Such as from Quidditch injuries, Crashing with the Ford Anglia, Blast-Ended Skrewts, running through forests, etc. But as I said above, less likely to leave scars on wizards, probably.

I might've missed something, but I tired to include all the ones I think are likely to have left some kind of mark.

*I'm aware Draco broke Harry's nose in HBP, unmentioned since Tonks magically healed it so I doubt it left a mark. Similarly, losing all the bones in his arm wouldn't leave a mark. Other non-magical injuries (like a Bludger to the head or falling off his broom or the ankle he sprained in GoF) that were treated by Pomphery are similarly unlikely to scar.

Arthur: Never question your wife's choices. Remember, you were one of them.

Remus: That is exactly why I question her choices.

"I'll teach the lot and treat them just the same."

HELGA HUFFLEPUFF was a Welsh witch and was one of the four founders of Hogwarts School of Witchcraft and Wizardry. While the other founders took students based on either ambition, bravery, or intelligence, Helga took the loyal, hard-working, patient, and tolerant and treated them all equally. She had a gift for food-related charms, and her recipes were still used as the basis for many Hogwarts feasts. She also arranged for the house-elf contingent to work in the kitchens, giving them somewhere safe to work, where they would not be mistreated or abused.

"We'll teach just those whose ancestry's purest."

SALAZAR SLYTHERIN was a pure-blood wizard, noted for his cunning and determination, and was one of the four founders of Hogwarts School of Witchcraft and Wizardry. He was regarded as one of the greatest wizards of the age for his abilities as a Parselmouth and as a skilled Legilimens. He selected his students according to their cunning, ambition, determination and blood purity. As a professor, he was in favour of teaching the Dark Arts, and also taught the Unforgivable Curses, such as the Imperius Curse, which were not illegal at the time.

What the fuck, Richard.

"Little Women" collectible plates, designed by Elaine Gignilliat

Meg

Jo

Beth

Amy

Marmee nursing Beth

Meg's wedding day

Amy and Laurie

@littlewomenpodcast, @thatscarletflycatcher, @joandfriedrich, @fandomsarefamily1966

Not to be dramatic but Harry Potter would lose his fucking shit if he knew how y'all treat Ron Weasley

I think Peter Pan (2003) did the best version of George Darling, especially with regards to the dual-casting tradition.

Not only did it let Jason show off his acting range but the explorations of masculinity were really fascinating to watch. George Darling is a nervous wreck who is constantly trying to prove himself as a 'proper' gentleman. "I must become a man that children fear and adults respect!" While he certainly scared the hell out of Wendy then, she still responded "Father? Brave?" to her mother's claims.

So, when Wendy goes to Neverland, she meets a man who is, as Jason Isaacs said, "strangely alluring yet repulsive at the same time, and looks like her dad". Captain Hook is the nightmare version of Wendy father. He's confident, he's aggressive, and he is a cruel, selfish asshole. But the sad thing is, he'd probably be more respected in Edwardian society than George.

Going back to George, when he finds out his kids are missing he literally sprints home out of pure fear and desperation to bring them back. He ran! That is a HUGE 'proper gentleman' no-no! Then when the kids do come home, he practically knocks himself out sprinting into the nursery and smashing his body against the door frame! He tries to put on the gentlemanly persona. Stiff upper lip, manly-man handshake, keep your emotions buried deep inside... but he can't do that. But that's a good thing! He breaks down, embraces his children, and their family is whole again. Rejecting Edwardian social norms was the right thing to do.

So, what I love about this version of George Darling and Captain Hook is how effectively they portray the best and worst forms of masculinity.

Laurie, about Amy: I asked God to make me a better man. He sent me my wife.

fia's infinite ship list: amy march & theodore laurence, little women vol. 2 (1869)

you don't really think i am such a mercenary creature as i tried to be once, do you? it would break my heart if you didn't believe that i'd gladly pull in the same boat with you, even if you had to get your living by rowing on the lake.

am i an idiot and a brute? how could i think so, when you refused a richer man for me, and won't let me give you half i want to now, when i have the right?

The most hardcore thing that Harry James Potter ever did was not, contrary to popular belief, the “there’s no need to call me ‘sir,’ Professor” incident, but instead was either the time that he

a) laid into one of the people he respected most in the world (and the only authority figure in his life offering him help in one of the most desperate situations he’d ever been in) for leaving his pregnant wife, going “man, you’re inhibited by your own self-loathing and fear? That’s rough. That really sucks. But you know what trumps that? RESPONSIBILITY. You brought a child into the world. You’re a father now. You’re scared? Walk it off. Walk it off AAAAAALLLL THE WAY BACK HOME. And say hi to Tonks for me.”

or

b) he willingly let himself be murdered, came back from the dead, walked back onto the battlefield, stared his own killer dead in the eyes completely unimpressed and called him “Tom”

me when i watch star wars episode 3 and it ends the same way again and didn’t change

“Fatherless behavior” stop giving my DAD credit for all the work my MOM put into making me a terrible person!! Stop erasing women in history!!

Harry is a clever and competent wizard

A recurring theme in fandom I find endlessly tiresome and disappointing is the portrayal of Harry as an academically struggling student who’s lamentably hopeless at Potions and middling in all other subjects aside from DADA, and who, alongside Ron, is in constant need of Hermione’s guidance. It’s present almost everywhere. It’s reinvented canon. And it’s shoved down new readers and non-fans’ throats alike. Please, there’s an HP wiki available for your perusal. Don’t go about consulting popular fics and the Hermione-biased movie director’s visions to draw your ideas of Harry and Ron’s psyche!

It’s doubly aggravating when this depiction is used to highlight Hermione, Draco, or so-and-so classmate’s magical Einstein-levels of genius and reinforce the false narrative that Harry’s singular claim to brilliance lies in Quidditch, and that he’s got nothing more than fluff and snitches between his ears on top of being oblivious to the point of idiocy. That apart from excelling in Defence, he doesn’t have much upstairs... (And even then a minority of the fandom portray DADA as akin to gym class where it’s all honing muscles, muscle memory, and reflexes, with Harry framed as an archetypical gymbro on top being a himbo. What?!)

So we’re just going to overlook his devastatingly biting wit and clever asides? Or brush aside how he repeatedly demonstrates his ability to perform well under pressure? His keen intuition and how he carefully retains seemingly insignificant, misfit puzzle pieces until the eureka moment strikes and he seamlessly integrates them into the bigger picture?

Take these two examples from Philosopher’s Stone with an intrepid tiny Harry:

Harry was quite sure the unsettled feeling didn’t have anything to do with work, though. He watched an owl flutter toward the school across the bright blue sky, a note clamped in its mouth. Hagrid was the only one who ever sent him letters. Hagrid would never betray Dumbledore. Hagrid would never tell anyone how to get past Fluffy . . . never . . . but — Harry suddenly jumped to his feet. “Where’re you going?” said Ron sleepily. “I’ve just thought of something,” said Harry. He had turned white. “We’ve got to go and see Hagrid, now.” “Why?” panted Hermione, hurrying to keep up. “Don’t you think it’s a bit odd,” said Harry, scrambling up the grassy slope, “that what Hagrid wants more than anything else is a dragon, and a stranger turns up who just happens to have an egg in his pocket? How many people wander around with dragon eggs if it’s against wizard law? Lucky they found Hagrid, don’t you think? Why didn’t I see it before?”

Quirrell cursed under his breath. “I don’t understand . . . is the Stone inside the mirror? Should I break it?” Harry’s mind was racing. What I want more than anything else in the world at the moment, he thought, is to find the Stone before Quirrell does. So if I look in the mirror, I should see myself finding it — which means I’ll see where it’s hidden! But how can I look without Quirrell realizing what I’m up to? He tried to edge to the left, to get in front of the glass without Quirrell noticing, but the ropes around his ankles were too tight: he tripped and fell over. Quirrell ignored him. He was still talking to himself. “What does this mirror do? How does it work? Help me, Master!” And to Harry’s horror, a voice answered, and the voice seemed to come from Quirrell himself. “Use the boy . . . Use the boy . . .” Quirrell rounded on Harry. “Yes — Potter — come here.” He clapped his hands once, and the ropes binding Harry fell off. Harry got slowly to his feet. “Come here,” Quirrell repeated. “Look in the mirror and tell me what you see.” Harry walked toward him. I must lie, he thought desperately. I must look and lie about what I see, that’s all.

Bravery alone wasn’t enough to overcome his troubled upbringing with the Dursleys, or Quirrelmort, or Diary Tommy, or the final leg of the Horcrux hunt — it required a combination of mental agility, resourcefulness, and cunning to evaluate the situation, outsmart his opponents, and tip the odds in his favour. Harry needed to survive. To survive, he needed something other than mere guts. Harry’s ability to think on his feet and leverage his intelligence to gain the upper hand in challenging scenarios remains a testament to his brilliance and his remarkable presence of mind. He isn’t the foolhardy, impulsive Gryffindor who leaps into danger headlong without prior planning everytime.

(For that matter, Gryffindor are more than their “bravery” which has somehow been twisted into being synonymous with “reckless” — Sirius being a prime example of this, when in GOF he was urging Harry caution in their communications, despite the fandom conveniently only zeroing in on the depressed, cooped up version of him in OOTP, sigh. Bravery is fortitude, pluck, tenacity, strength of moral fibre, resilience, and heart as well.)

Some other less-mentioned examples of his quick mind: Harry wondering about Snape and Karkaroff being on a first-name basis; remembering Nicholas Flamel just from a long-ago glance, and again, Stan Shunpike despite their single encounter; Harry coaxing out Slughorn’s secret (no, it wasn’t all the Felix Felicis); Harry putting himself in Voldemort’s shoes, and Ron and Hermione deferring to his superior, albeit scary, knowledge; and Harry frightening Ollivander with his deductions about the wands. (It wasn’t solely Hermione’s brains that enabled their chances of survival in DH, let’s ditch that false narrative.)

The most laughably contrived bit in fanon is the unfounded notion that Hermione lets the boys cheat off her work to coast by in class. Fanon is wrong on both counts. Hermione would sooner report the boys for cheating than allow them to copy off her, and Harry isn’t anywhere close to scraping the bottom of the barrel in class, and neither is Ron. The handful of instances in canon where she looks over their assignments and helps correct mistakes isn’t cheating. Her input is akin to getting a second pair of eyes or a beta reader to ensure their work is up to snuff — heaven forbid a student help out a friend by suggesting some tips and tweaks. (Or attend tuition or retain a personal tutor or three.)

The ‘that’s why Harry isn’t a Ravenclaw’ jokes get pretty stale once you realise a large portion of the fandom genuinely think he isn’t a smart kid or has never read a book of his own volition/interest in his life. But Harry enjoyed reading his new books late into the night before starting Hogwarts (he found Hedwig’s name in A History of Magic, after all). Admittedly, studying is a feat in and of itself when you have zero access to books, but some cunning can turn around your luck!

Nevertheless, Sirius had been of some help to Harry, even if he couldn’t be with him. It was due to Sirius that Harry now had all his school things in his bedroom with him. The Dursleys had never allowed this before; their general wish of keeping Harry as miserable as possible, coupled with their fear of his powers, had led them to lock his school trunk in the cupboard under the stairs every summer prior to this. But their attitude had changed since they had found out that Harry had a dangerous murderer for a godfather — for Harry had conveniently forgotten to tell them that Sirius was innocent.

‘Oh, Potter can’t differentiate between a salamander and newt’s eyes.’

‘Asking him to skin shrivelfigs is a tall order since he can’t wield a dagger properly.’

‘He used shredded jobberknoll feathers when the recipe called for a fine powder. Poor Hermione will have to take over yet again to save his stupid arse.’

It’s these many variations and renditions of Harry’s alleged, often exaggerated, ineptitude in fandom content and making a monkey out of him, which I come across more often than not, that are an instant turn-off.

The widespread idea that Harry’s success in the subject can be attributed solely to the Prince’s book is misguided and further undermines his intelligence — and this jaundiced belief that’s crystallised itself as canon, of Harry and Ron putting on a double act as stupid slouches in class and therefore deserving of Snape’s derision and the Slytherin’s put-downs, is a far cry from the truth. Snape’s opinion of Harry’s intelligence or ability should be taken with a grain of salt, given that Harry has been described as a bright and talented child since his first year, by the Professors, Dumbledore, and the Sorting Hat. Even the resident megalomaniac described him as “not unintelligent”. You know what’s actually canon?

1) Snape’s biased approach towards Harry and Neville caused them to have an unwarranted fear of failure and reprimands. The Potions classroom was a hostile and unwelcoming learning environment for these two boys.

2) Harry is pretty confident when left to his own devices in class in OoTP before Snape flushed his effort down the gutter.

Exhibit 1:

Snape, meanwhile, seemed to have decided to act as though Harry were invisible. Harry was, of course, well used to this tactic, as it was one of Uncle Vernon’s favourites, and on the whole was grateful he had to suffer nothing worse. In fact, compared to what he usually had to endure from Snape in the way of taunts and snide remarks, he found the new approach something of an improvement and was pleased to find that when left well alone, he was able to concoct an Invigoration Draught quite easily. At the end of the lesson he scooped some of the potion into a flask, corked it, and took it up to Snape’s desk for marking, feeling that he might at last have scraped an E. He had just turned away when he heard a smashing noise; Malfoy gave a gleeful yell of laughter. Harry whipped around again. His potion sample lay in pieces on the floor, and Snape was watching him with a look of gloating pleasure. “Whoops,” he said softly. “Another zero, then, Potter . . .” Harry was too incensed to speak. He strode back to his cauldron, intending to fill another flask and force Snape to mark it, but saw to his horror that the rest of the contents had vanished. “I’m sorry!” said Hermione with her hands over her mouth. “I’m really sorry, Harry, I thought you’d finished, so I cleared up!”

Exhibit 2:

“After this year, of course, many of you will cease studying with me,” Snape went on. “I take only the very best into my N.E.W.T. Potions class, which means that some of us will certainly be saying good-bye.” His eyes rested on Harry and his lip curled. Harry glared back, feeling a grim pleasure at the idea that he would be able to give up Potions after fifth year.

Exhibit 3:

Ron found it quite easy to ignore as they spent most of Saturday and Sunday studying for Potions on Monday, the exam to which Harry was looking forward least and which he was sure would be the one that would be the downfall of his ambitions to become an Auror. Sure enough, he found the written exam difficult, though he thought he might have got full marks on the question about Polyjuice Potion: He could describe its effects extremely accurately, having taken it illegally in his second year. The afternoon practical was not as dreadful as he had expected it to be. With Snape absent from the proceedings he found that he was much more relaxed than he usually was while making potions. Neville, who was sitting very near Harry, also looked happier than Harry had ever seen him during a Potions class. When Professor Marchbanks said, “Step away from your cauldrons, please, the examination is over,” Harry corked his sample flask feeling that he might not have achieved a good grade but that he had, with luck, avoided a fail.

Whereas in Ch 15 of OoTP, Snape had marked Harry’s essay on moonstones as Dreadful and claimed it to be a realistic expectation of OWL grading:

“I have awarded you the grades you would have received if you presented this work in your O.W.L.,” said Snape with a smirk, as he swept among them, passing back their homework. “This should give you a realistic idea of what to expect in your examination.” Snape reached the front of the class and turned to face them. “The general standard of this homework was abysmal. Most of you would have failed had this been your examination. I expect to see a great deal more effort for this week’s essay on the various varieties of venom antidotes, or I shall have to start handing out detentions to those dunces who get D’s.” He smirked as Malfoy sniggered and said in a carrying whisper, “Some people got D’s? Ha!”

And yet, Harry did very well on his OWLs before he even got a whiff of the Prince’s book.

Astronomy A

Care of Magical Creatures EE

Charms EE

Defense Against the Dark Arts O

Divination P

Herbology EE

History of Magic D

Potions EE

Transfiguration EE

Harry and Ron studied (!) both days of the weekend before Potions OWLs (!) without Hermione (!), and still Harry wasn’t sure he’d secure a good grade yet ended up scoring an EE. Exceeds Expectations, which y’know translates to: Surpasses Expectations, So Much Better than Expected, Rather Brilliant.

Unless you believe that anything less than the top percentiles is rubbish, Harry is not a ‘certifiable dunce’. There’s no denying he’s a competent and clever wizard and easily punches above his weight when he’s properly motivated and applies himself. Intelligence is a genetic trait, and Harry comes from nerdstock.

If he could achieve those grades whilst serving 7-hour torture sessions with Umbridge, suffering from Voldemort and Snape tearing into his mind, and putting up with the government slandering him in his second most important school year, running on fumes and sheer will (constantly disruspted sleep routine? Ugh!), then yeah, remove all those crutches, and he’d be raking in straight Os for most of those subjects. (It sort of sounds like ‘excuse our mental health and and anxiety’ for us if we perform poorly in exams, but not for Harry ‘he’s an idiot throwing teen tantrums’. Someone give me a hammer.)

“You’d need top grades for that,” said Professor McGonagall, extracting a small, dark leaflet from under the mass on her desk and opening it. “They ask for a minimum of five N.E.W.T.s, and nothing under ‘Exceeds Expectations’ grade, I see. Then you would be required to undergo a stringent series of character and aptitude tests at the Auror office. It’s a difficult career path, Potter; they only take the best. In fact, I don’t think anybody has been taken on in the last three years.”

Did he earn the grades? Yes. The Auror program ran aptitude tests, too, and only took the best, yes? Not because he’s a hothead with a daredevil streak and impulse issues, yes? Not because his dream was to be an Auror since his third year, or that he was only exceptional at fighting, or some such nonsense. After all, Barty Crouch Jr, he of the impeccable OWLs record, saw something worthy of Auror material in Harry and planted the seed in his mind. (Reminder: Barty also said Hermione should consider joining the Aurors too because her “mind works the right way”.)

And Moody thought he, Harry, ought to be an Auror! Interesting idea . . . but somehow, Harry thought, as he got quietly into his four-poster ten minutes later, the egg and the Cloak now safely back in his trunk, he thought he’d like to check how scarred the rest of them were before he chose it as a career.

If Harry was incapable of telling up from down in Potions, the Prince’s annotations would have been like casting pearls before swine. Worse still, Harry’s supposed lack of know-how would have caused more harm than good. The book only helped to refine the skills and knowledge he had cultivated over five years of study. Having a comfortable learning environment, an encouraging teacher, and superior instructions allowed Harry to maximise his potential and excel in class. (This phenomenon of underachiever-to-star pupil can happen in real life and is not unique to Harry. It happens with neurodivergent students with slightly different needs, students who require a more personal teaching style, and students stunted by an unhealthy learning environment. When their needs are met and supported, they tend to thrive and reach their potential.)

To put it into perspective, imagine taking an average kid whose expertise in cooking extends to making beans on toast and putting them in a professional kitchen. Imagine asking this kid to fillet a salmon and very finely slice lemons for garnish, tasks that require careful hands, finesse, and patience. If the kid can’t distinguish between a paring knife and a boning knife, they don’t stand half a chance. They’re liable to mess up the fish from the get-go. They might use a petty knife for everything and present a terribly executed dish; or they might cleverly choose a smaller knife but misuse it, not knowing that the flexibility and sharpness of a blade vary depending on their purpose, and end up seriously hurting themselves. Either way, filleting a fish is best left to seasoned home cooks and the pros.

In contrast, Harry is identical to a proficient home cook who knows the ropes but lacks some finesse and the fancy carving and plating skills of a trained culinary student. He has a firm grasp of the necessary theory and techniques and knows how to prep ingredients correctly, but may fumble the ideal application of said techniques, lacks an inborn zeal for the craft that lends to creativity, and overlook the finer details, particularly when he’s weighed down by fear of censure and humiliation. His level of success hinges on variables such as his confidence, familiarity with a recipe or method, and the type of environment he’s in. Talent is like a little seed; when nurtured, it will flourish.

Slughorn’s NEWT class was small, admitting twelve students out of a fortyish-student batch. No Gryffindor apart from the Golden Trio made the cut, and they were joined by the lone Hufflepuff, four Ravenclaws, and four Slytherins. Essentially, only a dozen students achieved an EE or O to qualify for NEWT Potions. Fanon will tell you most of the Slytherins have been tinkering with cauldrons in their diapers, but canon shows that only two other Slytherins, besides Draco and Blaise, made the grade. So, how are we still perpetuating this incorrect interpretation that Ron and Harry were barely keeping up academically when they’re more adept than half their year?

Harry and Ron aren’t academically inclined or driven by an obsessive urge to pore over books most hours of the day for fun, so what? Let them joke around and play chess and cards and broom race in the rain without bringing their brains and academics into the equation. Let Harry be a proper child/teen when he’s not busy hunting clues and crushing evil plots. Stop making the sum of HJP be “Powerful Himbo” or “Saviour Complex and Running on Luck”, which is pretty disrespectful towards a character who has shown himself to be so, so competent and well-rounded.

It’s such a huge thorn in my side that both Harry and Sirius (of all people, when he’s twinning with James as the insultingly effortless mavens during their time at Hogwarts!) habitually have their intelligence questioned and maliciously devaluated, or blown off entirely. So I had to sit and get this chaotically demonstrative commentary off my chest. Thank you, if you’ve read till the end!

in my opinion harry james potter does not need to apologise for anything. ever . hes never done anything wrong leave him alone

Please pray for an old coworker. He was just diagnosed with an aggressive brain cancer, and has a very low expectation of survival. He just has a one year old and a wife at home, so please pray for his family as well 🙏

"Have I told you how hideous you look tonight?" — The Cruel Prince.

Honestly, this illustration brought out the worst in me.

Malfoy: Oh please! You wouldn't hurt a fly.

Harry: You're right! Because a fly is an innocent creature that never knowingly did anything to anybody.

Harry: You, however, I would maim.

I love reading Slytherin harry fics

I can't remember which fic has the one snake familiar that is white.

Harry after surviving someone's attempt to kill him: Still better than living with the Dursleys

I love good boy Harry, I do, but I hate it when people write him to be this absolute saint, who would never use any dark magic, or be vicious when need be.

He literally used Crucio on Bellatrix (albeit, it didn’t really work), and then he used it again, on somebody because they spat on McGonagall (and it did work that time).

He used Imperio on multiple people.

He strangled a guy.

And this all happened in canon.