Very Sloppy Art Of The Iconic "boys Night" Panel From The Fionna And Cake Comics (by Natasha Allegri)

pure speculation / hopes

I desperately need for "Cheers" to be the episode where Simon comes back to Ooo and finds the place a wreck because Marcy went to visit Simon at work and found a dead? Choose Goose, an altar to GOLB, and no Simon. She panics.

In true supportive GF fashion, Bubblegum activates DefCon 4. Everyone is interrogated - from the dog visitor to Dirt Beer Guy to Astrid who explains that Fionna and Cake was here. Fucking wizards are brought in because if GOLB is involved then shit could get real bad. King Man is there. Marcy makes a collect call to Hunson in case he knows how to get to GOLB.

Literally all hands on deck. Bubblegum is already lowkey preparing for an apocalypse and/or setting up funeral arrangements because if Simon went to GOLB, there's a good chance that he's not coming back. And if he does come back, there's a good chance that GOLB is with him. Neither are good endings.

Marcy is inconsolable. King Man has yet to leave, possibly eating popcorn. Finn feels guilty because he was so sure that Simon was okay. In a fit of panic, Marcy blames Finn for not telling her about this earlier. Huntress is de-escalating that situation.

And Simon... walks into the Candy Castle with a T-Shirt that says "I saw GOLB and LIVED" or some other tacky slogan. And it's the Community Pizza scene

CHAPPELL ROAN performing at the 2024 MTV VMAs | via COSMOPOLITAN (september 11th, 2024)

Anyone want to have a deeply homoerotic sparring match?

as foodhouse said: twitter gives you mental illness

Everyone obsessed with Twitter is a terminally online culture war victim trying to forge a media career and addicted to spiking their own cortisol and they need to get a real job and integrate into society. Sooo glad that I meanwhile am unemployed in a chic way and spend all my time on Tumblr which denotes a refined, even aristocratic sensibility and a noble commitment to upholding a vanishing way of life in an uncomprehending world

I have not been the same since Zheng Yi Sao became a character in our flag means death. It means so much to me that pirate-related media is representing her more because I never would have known about her and she is too cool to be forgotten.

For years pop culture either portrayed her as the racist "submissive asian woman" stereotype or ignored her completely. It's infuriating. Now though we have a strong portrayal of her in both doctor who and our flag means death!! Let me tell you a few things about the rightfully named "Pirate queen".

On average, most pirates died 2 years after starting piracy. Edward Teach died after two years, Stede Bonnet died after one and Israel Hands impressively died around 8 years after starting, all executed. Our pirate queen died at 68 after a successful 9 year career. In fact, she only stopped because she was made to surrender and lived the rest of her years in effective retirement.

She inherited her late husbands pirate fleets and commanded around 1,800 ships. Blackbeard is believed to have a maximum of 5- likely because he didn't get along with people well enough to amass enough crews to run them. She had the largest fleet in history.

Zheng Yi Sao was a leader and undoubtedly one of the most successful pirates ever and yet we dare to forget her.

when you’re kissing and they tuck their hand under you hair and behind your neck to pull you closer to kiss you harder!!

And while we're at it. I also want to rent a cute little beach house with the love of my life. (Maybe we just got married) And spend a whole month there completely naked. Sunbathing. Fucking. Making love. Skinny dipping. Making popsicles and lemonade. Just kissing each other's skin. I want to never wear shoes and have the top of my bikinis hang from the railing of our balcony. And I want to nap in one of those beds with the white linen bed sheets and be woken up by their hands roaming my body. Cause I'm naked. All.the.time.

Michala Norup

In my photographic work, I seek to create new visual experiences through a poetic investigative approach to the surroundings. This, in combination with the timeless and dreamy atmosphere of analog photography and especially the historical photography from the beginning of the history of photography as well as light, space, time, and memory are inspirations and fascinations to me in my photographic work. My approach is associative and intuitive. I often write or draw as part of my work process. I think that, in a way, I draw or write my way into what the work is about. When I pick up the camera, it is not always clear to me what I am doing, conceptual wise, or how it might be connected to the “warming up” with the writing or drawing. But as the process progress things emerge to me along the way (both like synchronicities, like meaningful findings or as epiphanies), and often as realizations in the end of the process. Recently, in my work, I have turned back to photographs that I have taken many years ago and to making new darkroom prints of them incorporating mistakes in the development process, giving them too much light and too little time in the chemistry. The work is about light and memory, and how photographs can work as a sensory memory generator.

BEST COMEBACK EVER