I just got a thought so! we all know that Wednesday wears alot of layers right
So one day, during school when Wednesday wants to convince Enid to do something like check out this abandoned place somewhere, do you what she does?
She takes off the blazer and carries it on her arm
It's innocent, it shouldn't do a thing except Enid has the same constitution as someone from the Victorian era around Wednesday for some reason
It shouldn't do a thing, it's literally her girlfriend wearing the rest of the uniform minus the blazer, it should not at all affect the werewolf.
Except, it does, much to Enid's own mortification
Safe to say she was too busy processing what she was seeing to fully realize where they were walking too
Wednesday knows what she's doing btw, theres smth flattering about doing something so tiny yet gaining such a loud reaction
It escalated to her folding her sleeves up one day and it's enough to have Enid blushing and quickly averting her eyes away when Wednesday raises a brow
one of the reasons i love wednesday/enid so much is how much enid respects wednesday’s boundaries without her having to say much (or more accurately, nothing at all)
we see this they first time they meet, when enid accepts that wednesday isn’t a hugger. she doesn’t push wednesday or try to change this fact (something we see the boys do when they try to make wednesday do something she isn’t interested in/not ready for)
and although enid does try to hug wednesday later in the episode, she does nothing more than hold her arms out and step forward. she repeats her earlier statements and leaves wednesday be
this is also after their balcony talk, where enid shares about her vulnerabilities with not being able to wolf out, and wednesday shares in return. they’ve gone from being at each other throats (hyperbole) to enid wishing wednesday safe travels. enid also recognizes how wednesday sharing, in a attempt to comfort her, is her being vulnerable as well, and without prompting she promises not to tell anyone
during the window shots, we can see how enid keeps her distance from the divide between their sides, and it is wednesday who steps closer to enid, even if it just a small bit
in episode eight, as they are packing wednesday’s things and enid goes to try and hug her one last time, when wednesday retreats, enid takes a step back as well. (wednesday also steps closer when enid moves away)
the final moment that solidifies that when it comes to bridging the distance between them, although enid tries more often, it is wednesday who fully closes that cap. in the hig, wednesday doesn’t just return the hug, she pulls enid back in and gets as close to enid as she can (burying her face in enid’s shoulder, something enid doesn’t really do). enid is assuring herself wednesday is safe. wednesday is seeking comfort. she closes her eyes and moves her hand against enid’s back
there are other small, and some may say insignificant moments (like in episode two when enid jokes that wednesday can just ‘glare uncomfortably’), but one moment that did stick out to me was when enid returns to their room
it’s obvious that enid missed wednesday (and vice versa) but she is willing to put in the boundaries wednesday had previously set. she wants to be closer to wednesday but not to the point where wednesday is uncomfortable, and she’s willing to wait for wednesday to become comfortable on her own timeline
the point im trying to make through all my incessant (and probably incomprehensible, given i just spat this out) ramblings, is that ENID RESPECTS WEDNESDAY’S BOUNDARIES in a way other characters don’t seem to
actually for fusies, let’s make it a poll
original post for context:
cue the orchestra in the back
Lena is somehow sent back in time and finds herself on Krypton 30 years before the planet explodes. Kara doesn’t exist yet. Krypton has no idea what’s about to happen to them.
Lena realizes that with her knowledge of what’s to come and intellect to devise a solution, she can do two things. One, she can save an entire species from near extinction. Two, she can save Kara from ever having to experience the pain of losing her family, her home, and being abandoned. Kara could live a happy life and never know the burden of Supergirl or being the last daughter of Krypton.
So instead of trying to find a way back to Earth, back to her own time, she settles into life on Krypton, becomes fluent in Kryptonese, and sets about with a spectacularly single-minded focus of changing the future - to save this dying world (and Kara).
She succeeds…mostly. They can’t fix the damage that’s already been done to the planet. Their sun will die and destroy Krypton still, but with Lena’s help they’re able to locate a barren planet in another system that has a white star. It’s brand new, strong, and will live for untold trillions of years (provided Kryptonians didn’t try to harness its power again).
They terraform the planet and create “New Krypton” using the dome concept that Zor-El invented fused with Coluan bottling technology. All Kryptonians are instantly transported to their new home that’s identical to the old one save for one difference - the white sun grants them god-like powers that are beyond what Lena ever saw Kara and Clark capable of on Earth. Kryptonians are overwhelmed en masse by these powers. Some go power mad and attempt coups and form radical sects. Others realize the gift they’ve been given and, with Lena’s guidance, Kryptonian society develops under a new mission - to travel the galaxy and offer help to all those in need. Not just offering knowledge and technology this time, but themselves with their newfound powers.
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dancing with their hands
Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
It never ends
perfect weather for a stroll 😳💗🖤
there’s like. there’s probably more this is just off the top of my head.
there’s transcripts in the alt text if you don’t want to squint :)