Haikyuu Feels Like That One Best Friend You Hung Out With Everyday, That Slowly Slipped Away Because

REVERSE TROPE WRITING PROMPTS

Too many beds

Accidentally kidnapping a mafia boss

Really nice guy who hates only you

Academic rivals except it’s two teachers who compete to have the best class

Divorce of convenience

Too much communication

True hate’s kiss (only kissing your enemy can break a curse)

Dating your enemy’s sibling

Lovers to enemies

Hate at first sight

Love triangle where the two love interests get together instead

Fake amnesia

Soulmates who are fated to kill each other

Strangers to enemies

Instead of fake dating, everyone is convinced that you aren’t actually dating

Too hot to cuddle

Love interest CEO is a himbo/bimbo who runs their company into the ground

Nursing home au

꒰ঌ Couple prompts ໒꒱

☆ 'show don't tell' ways to let them know that they are loved ☆

making them meals/snacks

sneaking cute notes in their lunchbox/backpack/bags/bedroom/food cabinets/closet

buying them or making them DIY gifts without an occasion

remembering the important dates

remembering the little details about them

preparing a washbowl with warm water or a bath with warm water after they come home from a hard and cold day

preparing a special date night on the weekends

taking them out shopping and paying for the things they want

thinking of their s/o's needs before their own

preparing them cool beverages when they come home after a hot day

doing the dishes/chores when their s/o is tired

taking them out on a picnic

kissing them randomly

endless hugs and cuddles

trying to avoid conflicts with them

trying to understand their POV

giving them flowers

cheek/temple kisses in public

hugging them in public/holding hands in public

actively listening to what they're saying

not interrupting them when they are talking/doing something

asking them how they're doing/how their day was

sending cute texts

being their biggest fan

breakfast in bed

being their steady rock when they're having a tough time

letting go of arguments

doing anything to make their s/o laugh/smile (even if it means making a fool of themselves)

asking about their opinion

sharing everything with them

bringing them an umbrella to work/school if it's raining or driving them home if they have a car

driving their s/o home after work/school whenever they have the time (if they have a car)

@largefluff <3 <3 <3 (other prompts)

Hello dear friends! ❤🤍🖤💚

🍉I am Mahmoud Ayyad, a Palestinian from the besieged and destroyed Gaza 😭😭, coming from an extended family of young children, women and elderly people ❤❤ who have been suffering😭😭 for 300 difficult days from an aggressive war.

Our lives are harsh because we lack all the basic necessities of life. Everything has become scarce and unattainable. There is no food, no water, no medicine.

So, I ask you to help me keep my family safe and alive, especially after we had lost all our sources of livelihood.Please do not leave my family to struggle and suffer these difficult days alone. You can support my campaign by donating whatever you can or by sharing my posts to reach others who can help us survive the war to safety and peace. You are helping the lives of many people with your small contribution. Every donation makes a difference in our very difficult lives. But this is a legitimate campaign and has been checked by 90-ghost.

https://gofund.me/31c5cbe3

❤️🖤🤍💚

20 Emotional Wounds in Fiction That Make Readers Root for the Character

Abandonment: Characters who have been abandoned by loved ones or caregivers can evoke sympathy from readers.

Betrayal: Being betrayed by someone close can create deep emotional wounds that make readers empathize with the character.

Loss of a Loved One: Whether through death or separation, the loss of a loved one can be a powerful emotional wound.

Rejection: Characters who experience rejection, whether in relationships or by society, can be relatable and evoke empathy.

Abuse: Physical, emotional, or psychological abuse can create complex wounds that shape a character's personality and behavior.

Neglect: Characters who have been neglected, especially in childhood, can evoke sympathy from readers.

Failure: Experiencing a significant failure or loss can create emotional wounds that make characters more relatable.

Guilt: Characters who carry guilt for past actions or decisions can be compelling and evoke empathy from readers.

Shame: Feelings of shame can create internal conflict and make characters more relatable and sympathetic.

Injustice: Characters who have experienced injustice or unfair treatment can evoke strong emotions from readers.

Trauma: Characters who have experienced traumatic events, such as war or natural disasters, can be sympathetic and relatable.

Loneliness: Characters who feel lonely or isolated can evoke empathy from readers who have experienced similar feelings.

Fear: Characters who face their fears or struggle with phobias can be relatable and evoke empathy from readers.

Self-doubt: Characters who struggle with self-doubt or low self-esteem can be relatable and evoke sympathy.

Identity Crisis: Characters who are grappling with questions of identity or struggling to find their place in the world can be sympathetic.

Addiction: Characters who struggle with addiction can be complex and evoke empathy from readers.

Betrayal of Trust: Characters who have had their trust betrayed can be sympathetic and relatable.

Unrequited Love: Characters who experience unrequited love can be sympathetic and evoke empathy from readers.

Isolation: Characters who feel isolated or disconnected from others can be relatable and evoke sympathy.

Fear of Failure: Characters who struggle with a fear of failure can be relatable and evoke empathy from readers.

Hello🤗❤️

I hope you are well🌹

Can you help me get my voice heard

and share my family's story?🙏🏻

Can you Reblog my pinned post from my blog or donate 10$?

By helping to reblog my story, you could

save a family from death and war.🌹

Thank you very much🌸

🕊️❤️🌹🙏🏻

❤️🖤🤍💚

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! ❤

“omg you’re so creative. how do you get your ideas” i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it

Intimate Moments

hugging them from behind, laying their head on the other's shoulder

breathing in the other's smell

whispering to each other

cuddling on the couch

walking hand in hand

playing with the other's hair

softly smiling at each other from across the room

telling each other how proud they are of them

leaning into the other person

feeling for the other's hand

pressing a kiss onto the other's hair

humming a melody together

playing with the other's fingers

holding each other's gaze

absentmindedly massaging each other

resting their hand on the other's thigh, slowly stroking it

handing the other one a hot cup of tea, their hands touching for a moment

moving closer in bed

reassuring touches

telling each other I'm here

cuddling in the first morning light

hiding their face in the other's neck

telling each other how much they love them

eating from each other's plates

brushing against each other, even if there is enough room

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

bitches be like “he’s my comfort character” and it’s just some dude covered in blood

This beautiful girl's name is Fatima. She is only 5 years old. Israel bombed her house, killing her parents, then bombed her aunt's house that she and her sibling were staying in, now her whole family is dead.

Her pain is all of humanity's pain. DON'T STOP TALKING ABOUT PALESTINE. DON'T GET USED TO THIS.