Imagine Laying Together With Them In Bed One Late Evening With Only The Light Of The Moon Streaming Through

Clarifications for Epithet Erased fan artists tagging their posts:

Trixie's last name is spelled Roughhouse, with two H's. It's just the words Rough and House smashed together.

Banzai Blasters, as in yelling "Banzai!" before jumping into a pool, not "Bonsai" like the tree

I'm so sorry but Yoomtah is a mononym now, her last name isn't Zing like it was in Anime Campaign. I've been tagging her as just "Yoomtah" for years but nobody has noticed and there wasn't really a time to bring it up. Whoops.

Phoenica Fleecity.

Phoenica Fleecity.

Phoenica spelled like Phoenix.

Phoenica is a reused OC from a project where all the characters were named after scientific classification for animals. Phoenica was male in the original iteration, so her name was Phoenico, after Flamingos.

“omg you’re so creative. how do you get your ideas” i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it

Hello🤍,

My name is Sami, and I am a father of two daughters. We were displaced from Gaza 🇵🇸due to the war, and we lost our home, car, and all our belongings. We are currently living in a tent without shelter or basic necessities. We are waiting for the border to open so we can escape the war, but for now, we urgently need your help to secure food, water, medicine, and to find a safe place for my daughters.Any donation, no matter how small, will help us through these difficult times and give us hope. Thank you to everyone supporting us. May God bless you. 🤲❤️

https://gofund.me/107a8322

❤️🖤🤍💚

haikyuu feels like that one best friend you hung out with everyday, that slowly slipped away because so much changed in life and now you have new friends. you see that place you used to hang out and you hope they are doing well. and then one day, you run into them at a bus station (the haikyuu movie) and then you reminisce the good old memories until their bus is here and you part ways again.

Hi everyone, my name is Khaled Smeer. I am the manager of a large mall in Gaza before the war, and I am also an English translator. I live in the northern part of Gaza, and I created this campaign after my home was destroyed. Now, in northern Gaza, we are starving. We have nothing—no clothes, no food. Please, if you can help by sharing this or donating, I would be extremely grateful. I am trying to evacuate from Gaza when the border crossing opens. We need 5,000 USD for one person to leave. Thank you for reading my story. Thanks to everyone who does anything for Palestine My first goal will be 500 euros. I hope everyone will🥺

❤️🖤🤍💚

"is this too cliche?" who cares? bro, write what you have fun writing. stuff your manuscript full of your favourite tropes. the same themes you love. all inspired by things you grew up with. do it all. go off. load. it. up. be freeeee

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! ❤

Intimacy is not just about sex. It's having heart-to-hearts, staying up all night talking, sharing childhood memories, thoughts, fears, dreams & hopes for the future. It's uncontrollable laughter, direct eye contact and feeling each other without touching - it's exchanging energy