22 Essential Literary Devices And How To Use Them In Your Writing

22 Essential Literary Devices and How to Use Them In Your Writing

hello, happy Monday. Hope you’re all having a wonderful day!

I will skip the pre-info and dive right into it.

What Is a Literary Device?

is a tool used by writers to hint at larger themes, ideas, and meaning in a story or piece of writing

The List of Literary Devices:

Allegory. Allegory is a literary device used to express large, complex ideas in an approachable manner. Allegory allows writers to create some distance between themselves and the issues they are discussing, especially when those issues are strong critiques of political or societal realities.

Allusion. An allusion is a popular literary device used to develop characters, frame storylines, and help create associations to well-known works. Allusions can reference anything from Victorian fairy tales and popular culture to the Bible and the Bard. Take the popular expression “Bah humbug”—an allusion that references Charles Dickens’ novella A Christmas Carol. The phrase, which is often used to express dissatisfaction, is associated with the tale’s curmudgeonly character, Ebenezer Scrooge.

Anachronism. Imagine reading a story about a caveman who microwaves his dinner, or watching a film adaptation of a Jane Austen novel in which the characters text each other instead of writing letters. These circumstances are examples of anachronisms, or an error in chronology—the kind that makes audiences raise their eyebrows or do a double-take. Sometimes anachronisms are true blunders; other times, they’re used intentionally to add humor or to comment on a specific time period in history.

Cliffhanger. It’s a familiar feeling: You’re on minute 59 of an hour-long television episode, and the protagonist is about to face the villain—and then episode cuts to black. Known as a cliffhanger, this plot device marks the end of a section of a narrative with the express purpose of keeping audiences engaged in the story.

Dramatic Irony. Remember the first time you read or watched Romeo and Juliet? The tragic ending of this iconic story exemplifies dramatic irony: The audience knows that the lovers are each alive, but neither of the lovers knows that the other is still alive. Each drinks their poison without knowing what the audience knows. Dramatic irony is used to great effect in literature, film, and television.

Extended Metaphor. Extended metaphors build evocative images into a piece of writing and make prose more emotionally resonant. Examples of extended metaphor can be found across all forms of poetry and prose. Learning to use extended metaphors in your own work will help you engage your readers and improve your writing.

Foreshadowing. At its core, storytelling has one ambition: to capture and sustain your reader’s attention and keep them reading your story. Foreshadowing, or slyly indicating a future event, is one technique a writer can use to create and build suspense.

Humor. Humor brings people together and has the power to transform how we think about the world. Of course, not everyone is adept at being funny—particularly in their writing. Making people laugh takes some skill and finesse, and, because so much relies on instinct, is harder to teach than other techniques. However, all writers can benefit from learning more about how humor functions in writing.

Imagery. If you’ve practiced or studied creative writing, chances are you’ve encountered the expression “paint a picture with words.” In poetry and literature, this is known as imagery: the use of figurative language to evoke a sensory experience in the reader. When a poet uses descriptive language well, they play to the reader’s senses, providing them with sights, tastes, smells, sounds, internal and external feelings, and even deep emotion. The sensory details in imagery bring works to life.

Irony. Irony is an oft-misunderstood literary device that hinges on opposites: what things are on the surface, and what they end up actually being. Many learn about dramatic irony through works of theater like Shakespeare’s Romeo and Juliet or Sophocles’s Oedipus Rex. When deployed with skill, irony is a powerful tool that adds depth and substance to a piece of writing.

Metaphor, Simile, and Analogy. Metaphors, similes, and analogies are three techniques used in speech and writing to make comparisons. Each is used in a different way, and differentiating between the three can get a little tricky: For example, a simile is actually a subcategory of metaphor, which means all similes are metaphors, but not all metaphors are similes. Knowing the similarities and differences between metaphor, simile, and analogy can help you identify which is best to use in any scenario and help make your writing stronger.

Motif. A motif is a repeated element that has symbolic significance to a story. Sometimes a motif is a recurring image. Sometimes it’s a repeated word or phrase or topic. A motif can be a recurrent situation or action. It can be a sound or a smell or a temperature or a color. The defining aspect is that a motif repeats, and through this repetition, a motif helps to illuminate the central ideas, themes, and deeper meaning of the story in which it appears.

Motif vs. Symbol. Both motifs and symbols are used across artistic mediums: Painters, sculptors, playwrights, and musicians all use motifs and symbols in their respective art forms. And while they are similar literary terms, “motif” and “symbol” are not synonyms.

Oxymoron. An oxymoron is a figure of speech: a creative approach to language that plays with meaning and the use of words in a non-literal sense. This literary device combines words with contradictory definitions to coin a new word or phrase (think of the idiom “act naturally”—how can you be your natural self if you’re acting?). The incongruity of the resulting statement allows writers to play with language and meaning.

Paradox. “This sentence is a lie.” This self-referential statement is an example of a paradox—a contradiction that questions logic. In literature, paradoxes can elicit humor, illustrate themes, and provoke readers to think critically.

Personification. In writing, figurative language—using words to convey a different meaning outside the literal one—helps writers express themselves in more creative ways. One popular type of figurative language is personification: assigning human attributes to a non-human entity or inanimate object in an effort to express a point or idea in a more colorful, imaginative way.

Satire. Satire is so prevalent in pop culture that most of us are already very familiar with it, even if we don’t always realize it. Satire is an often-humorous way of poking fun at the powers that be. Sometimes, it is created with the goal to drive social change. Satire can be part of any work of culture, art, or entertainment—it has a long history, and it is as relevant today as it was in ancient Rome.

Situational Irony. Irony: it’s clear as mud. Theorists quibble about the margins of what constitutes irony, but situational irony is all around us—from humorous news headlines to the shock twists in a book or TV show. This type of irony is all about the gap between our expectations and reality, and it can make a memorable and powerful impression when we encounter it.

Suspense. No matter what type of story you’re telling, suspense is a valuable tool for keeping a reader’s attention and interest. Building suspense involves withholding information and raising key questions that pique readers’ curiosity. Character development plays a big role in generating suspense; for example, if a character’s desire is not fulfilled by the end of the book, the story will not feel complete for the reader.

Symbolism. An object, concept, or word does not have to be limited to a single meaning. When you see red roses growing in a garden, what comes to mind? Perhaps you think literally about the rose—about its petals, stem, and thorns, or even about its stamen and pistil as a botanist might. But perhaps your mind goes elsewhere and starts thinking about topics like romance, courtship, and Valentine’s Day. Why would you do this? The reason, of course, is that over the course of many generations, a rose’s symbolic meaning has evolved to include amorous concepts.

Verisimilitude. Verisimilitude (pronounced ve-ri-si-mi-li-tude) is a theoretical concept that determines the semblance of truth in an assertion or hypothesis. It is also an essential tenet of fiction writing. Verisimilitude helps to encourage a reader’s willing suspension of disbelief. When using verisimilitude in writing, the goal is to be credible and convincing.

Vignette. A writer’s job is to engage readers through words. Vignettes—poetic slices-of-life—are a literary device that brings us deeper into a story. Vignettes step away from the action momentarily to zoom in for a closer examination of a particular character, concept, or place. Writers use vignettes to shed light on something that wouldn’t be visible in the story’s main plot.

I’ll make a post going into each of them individually in more detail later on!

Like, reblog and comment if you find this useful! If you share on Instagram tag me perpetualstories

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More Posts from Cardinalfandom and Others

1 year ago

painting of joan of arc but she's got a lil carabiner. is this anything.

1 year ago

can we as a society make puppetry cool again. like lets make it trendy. Mainstream. more people should get into doing it and more people should appreciate it. puppetry requires craftsmanship and charisma and physical acting and vocal performance!! you can’t get that from ai. it has a charm to it that neither 2D nor cg animation has. Have you ever watched a puppetry performance and realized you were genuinely convinced that the puppet was getting into bed or eating something or giving a hug that you wholly forgot there was some guy’s arm in there.

isn’t it lovely. to make a funny little guy to tell stories with. is that not so human of us. it’s such a lovely art form. I love you puppets I love you muppets I love you marionettes I love you handmade sock puppets I love you paper bags with googley eyes I love you armatures I love you I love you I love you!!!!!


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1 year ago

I think it's an unrecognized practice to allow yourself to outgrow and shed versions of yourself that were more socially successful than who you want or need to be now. Not every new chapter is bigger and bolder and hotter, I think that's a very modern social media "glow up" mindset and doesn't actually have any room for what real transformation looks like. Sometimes we change exactly as we need to and it's not what anyone else was hoping for and that's part of it being important and true.


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7 years ago

asoue Lemony: If I had been one of the Baudelaires myself, I would have stood at the edge of town for the rest of my life, whimpering with fear, rather than take even one step into the crow-covered streets...

atwq Lemony: "ha ha get scared later" and I proceeded to launch myself onto the outside of Hangfire's Murder Train


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1 year ago

I adore twin peaks because people talk about how opaque it is but like windom earle asked major briggs his greatest fear and the answer was "the possibility that love is not enough" and that's it that's the show. Love wasn't enough.

Not only that love wasn't enough, but that it was what fed the darkness in the woods.

Love is not enough, you have to break the cycle. Fix your hearts or die.

Twin Peaks is a show that tells you exactly what it's about like every three episodes but people don't see it because there's a horse in the living room.


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7 years ago

Do Hangfire and V.F.D. share a secret criminal past?

image

An overlooked aspect of “All The Wrong Questions”’s complex plotting is the apparently extensive knowledge Hangfire managed to compile on the V.F.D. organization. It seems that his sinister Inhumane Society acts as an evil (well, slightly more evil) counterpart to the volunteers, copying a number of their most frequent methods: disguises, arson, secret messages, trained animals, etc.

“The jig’s up for Snicket,” Stew sneered. “The boss told me to make sure he suffered. Hangfire has a particular revulsion for members of V.F.D.” [Shouldn’t You Be In School?, Chapter Twelve]

“That’s exactly wrong,” I said. “You’ve concocted a beautiful plan, Hangfire. I’m not going to mangle it.” He turned his mask to me. “But V.F.D. stands for the true human tradition of justice and literature,” he said. “I thought you’d find a lawless world an ugly place.” [Why Is This Night Different From All Other Nights?, Chapter Nine]

But we don’t exactly know HOW and WHY Hangfire got all this information. Dashiell Qwerty is young, but he’s clearly been the librarian of Stain’d-by-the-Sea for quite some time. When did V.F.D. start investigating the secrets of this town? And how does that factor in with the history of Inhumane Society? It seems that Hangfire and V.F.D. are much closer than either cares to admit.

The following article is highly speculative but nevertheless tries to paint a coherent narrative around Armstrong Feint’s start of darkness. Find out how V.F.D. created its own worst enemy after the cut.

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3 years ago

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my blog if you want to!)


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2 years ago

had a minor crisis when 12ft.io went down yesterday and thankfully it's back now but this seems like a good opportunity to compile a list of similar paywall-evading tools in case 12ft ever gets canned for real:

12ft.io: the legend himself. definitely my favorite of the bunch by virtue of being the easiest to use (and the easiest url to remember), but it's configured to disable paywall evasion for a handful of popular sites like the new york times, so you'll have to go elsewhere for those.

printfriendly: works great; never had any issues with removing paywalls, even on domains that don't work with 12ft.io. since this site is literally designed to make sites print-friendly, it might simplify the overall formatting of the page you're trying to access, which can be a good or bad thing. my only real issue is that the "element zapper" (which lets you remove content blocks from the print-friendly preview) is a little sensitive if you're browsing on a touchscreen device, which means you might accidentally delete a paragraph when you're just trying to scroll. but if that happens you can reload the page and it'll revert everything back to its original state.

fifteen feet: basically a 12ft clone, minus 12ft's restrictions. haven't used it much since I only discovered it yesterday in the wake of 12ft's 451 error but it seems to do the trick.

archive.today: an archival tool very similar to the wayback machine, but it also works as a de facto paywall removal tool. (the wayback machine seems to remove paywalls as well, but archive.today has better UX imo and is way faster to use.)

and an honorable mention for sci-hub: only works for scientific/academic journals, not random news articles, but the other sites listed above only work for random news articles and not academic publications so you gotta have this one in your toolbelt for full coverage. pubmed is your oyster.


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