Latest Posts by catradora333 - Page 2

“Be all the beautiful things you are, and be them without apology”

#my favorite ongoing series (▰˘◡˘▰)

There's something so special about the first book of some teen series. The Darkest Minds? It was a found family road trip before the shit hit the fan. One of the most comfortable things I'd ever read as a 14 year old. The Raven Boys? Youthful shenanigans with a side of magical ulterior motives. The Thief? A Good Girls Guide to Murder? Cinder? Percy Jackson? By the time you get to the end of almost any series you're so far in that you forget they were ever kids and that it was ever okay and that anything was ever unimportant. But the magical thing about the first book is that for just a brief moment nothing is deep and very little is complicated and everything hurts less than it will in the future.

I second this

i think that collective human culture has produced enough media where the protagonists forgive their abusive parents and from now on every abusive parent sublplot should end with their kid killing them with hammers and everyone telling them 'wow it was so cool and awesome of you to kill that bitch with hammers'

If I think too long about Parker constantly poking Eliot's wounds I go insane. Something something he sees himself as this unredeemable monster but she isn't afraid of him in the slightest and she shows him again and again that she's not scared because she knows him, she knows he's a good man despite what he used to do, even if he doesn't see that.

I need everyone to see this because the difference between Maria gently holding Luke's hand and leading him versus Sarah Jane fully Dragging this kid by the wrist is so funny, like miss girl's commitment to Not Being A Child Person, only to adopt and treasure this boy as the center of her universe twenty minutes later??? Tears, tears running down my face

I’m rewatching rn and this is very accurate

seriously though, something i love about the sarah jane adventures is just how poorly sarah jane manages to be a functional adult. start of the series, she has no friends except an alien computer and a robot dog. she’s fumbling her way through parenting every step of the way. she cannot interact with maria’s dad normally in any way. she takes this bunch of kids and goes, “yeah, you’re about as qualified as i was to start dealing with aliens, how do you feel about being in mortal danger?” the minute she feels like she’s about to lose anyone, she shuts down emotionally and pushes them away. she’s in her late 50s and she’s still figuring her shit out, and i love that for her.

So my older sibling jokingly said that the cloaked person in the flashback was the trickster (like the big dude with no eyes and scary teeth from Sarah jane adventures) cos we used to love Sarah Jane as kids but like the trickster is part of a group called the pantheon of Discord. The pantheon like Maestro. And if you go even further the beetle on Donna's back in turn left is part of the trickster brigade. And what was the beetle trying to do? Stop the doctordonna. And who has just come back? The doctordonna. And who caused the bigeneration? The pantheon. This theory is getting concerningly close to being true. If my sibling is right I'm gonna be so mad they will be insufferable.

Leverage OT3 Casual Touches

(Cont.)

This is mainly for @werewolfsmile and anyone else who wants to shout into the void with me about this ot3!

So far season 4 started off strong with lots of little ot3 moments I’ve been clocking on my latest rewatch. Today I watched “The Office Job” through “The Gold Job” and wanted to recap. Ngl it isn’t much…

Still good things but it was a lot of what we already see which is still beautiful. But mainly it was a lot of leaning, being in each others spaces, and a lot of the handshake. (For the purposes of this post I’m skipping “The Girls Night Out Job” and “The Boys Night Out Job” simply because those two are a whole other beast of ot3 moments that I would like to gif separately and also not a lot of touching (besides the handshake in the boys night) which is what we’re focusing on here.)

“The Office Job” is my favorite comfort episode of Leverage. Everything about is pure gold. Despite Hardison and Eliot arguing the whole time about a sandwich they still manage to pull together in the end and have one of the funniest moments in the episode which is of course topped off by the handshake. Once again mainly in each other’s spaces or leaning this episode.

“The Lonely Hearts Job” also such a great episode of basically the ot3 parent trapping Nate and Sophie and Eliot out here doing the absolute most showing he knows his team in the end of the episode.

As for casual touches a lot with Eliot and Parker (I feel like there’s always more with Eliot and Parker in trying to find more with Eliot and Hardison but mainly they just always lean in each others spaces and orbit each other, compared to Eliot and Parker which sometimes have a similar but different dynamic due to comparing how Parker in the beginning of the series was very adverse to touch. Not from Hardison and Eliot now though:)).

This scene starts out with them with a gap but they gradually get closer (I know this can happen when scenes are reshot. As I always say though let me read the subtext how I want. They were further apart then they got closer soooo)

My favorite thing is the shoulder bumping as they’re walking out. All I have to say.

Here they’re betting whoever gets the highest bid gets a steak which is super cute later because Eliot loses and puts up a fight about making it but then totally has heart eyes and smiles when he “loses” that argument too. Why wouldn’t he make his boyfriend a steak. There’s also a later scene I totally forgot to gif when they’re getting the guy flirting with Sophie out of the way and he calls Hardison (who’s in character) an idiot and I know Eliot did not need to take him down as hard as he did all I have to say.

And once again we have the leaning in each others spaces, shoulder touching, and once again the handshake. None of the other bachelors were standing this close on stage just saying.

Then we have “The Gold Job” where Parker literally gets up to sit next to Eliot? Wonderful. But then there’s some shoving but for context the whole scene was kinda tense because Hardison was running his first con. But then right before the camera changes Eliot moves closer!!!

But then they end up further apart again which I’m assuming may be due to reshoots.

Just generally the comfort between all of them gets me in these scenes. They’ve come a lot way and even though the beginning of season four I feel like shows this a lot more I’m still glad I’m finding scenes with their casual touches as I’m finishing out season 4.

That’s all I have for tonight :D I’m finishing up season 4 tomorrow so I’m sure I’ll be adding to this later.

Hope you like my gifs :) haven’t gifed in so long but I’m happy I’m learning again. Quality still needs work though.

Bonus:

Here’s a bonus gif of Eliot looking like he’s blowing a kiss in the button cam footage in “The Office Job” because I thought it was funny. This is once again getting added to my “why didn’t I notice this before” list. I just wanna know for whom Eliot. :)

Leverage OT3 Casual Touches

(Cont.)

This is mainly for @werewolfsmile and anyone else who wants to shout into the void with me about this ot3!

So far season 4 started off strong with lots of little ot3 moments I’ve been clocking on my latest rewatch. Today I watched “The Office Job” through “The Gold Job” and wanted to recap. Ngl it isn’t much…

Still good things but it was a lot of what we already see which is still beautiful. But mainly it was a lot of leaning, being in each others spaces, and a lot of the handshake. (For the purposes of this post I’m skipping “The Girls Night Out Job” and “The Boys Night Out Job” simply because those two are a whole other beast of ot3 moments that I would like to gif separately and also not a lot of touching (besides the handshake in the boys night) which is what we’re focusing on here.)

“The Office Job” is my favorite comfort episode of Leverage. Everything about is pure gold. Despite Hardison and Eliot arguing the whole time about a sandwich they still manage to pull together in the end and have one of the funniest moments in the episode which is of course topped off by the handshake. Once again mainly in each other’s spaces or leaning this episode.

“The Lonely Hearts Job” also such a great episode of basically the ot3 parent trapping Nate and Sophie and Eliot out here doing the absolute most showing he knows his team in the end of the episode.

As for casual touches a lot with Eliot and Parker (I feel like there’s always more with Eliot and Parker in trying to find more with Eliot and Hardison but mainly they just always lean in each others spaces and orbit each other, compared to Eliot and Parker which sometimes have a similar but different dynamic due to comparing how Parker in the beginning of the series was very adverse to touch. Not from Hardison and Eliot now though:)).

This scene starts out with them with a gap but they gradually get closer (I know this can happen when scenes are reshot. As I always say though let me read the subtext how I want. They were further apart then they got closer soooo)

My favorite thing is the shoulder bumping as they’re walking out. All I have to say.

Here they’re betting whoever gets the highest bid gets a steak which is super cute later because Eliot loses and puts up a fight about making it but then totally has heart eyes and smiles when he “loses” that argument too. Why wouldn’t he make his boyfriend a steak. There’s also a later scene I totally forgot to gif when they’re getting the guy flirting with Sophie out of the way and he calls Hardison (who’s in character) an idiot and I know Eliot did not need to take him down as hard as he did all I have to say.

And once again we have the leaning in each others spaces, shoulder touching, and once again the handshake. None of the other bachelors were standing this close on stage just saying.

Then we have “The Gold Job” where Parker literally gets up to sit next to Eliot? Wonderful. But then there’s some shoving but for context the whole scene was kinda tense because Hardison was running his first con. But then right before the camera changes Eliot moves closer!!!

But then they end up further apart again which I’m assuming may be due to reshoots.

Just generally the comfort between all of them gets me in these scenes. They’ve come a lot way and even though the beginning of season four I feel like shows this a lot more I’m still glad I’m finding scenes with their casual touches as I’m finishing out season 4.

That’s all I have for tonight :D I’m finishing up season 4 tomorrow so I’m sure I’ll be adding to this later.

Hope you like my gifs :) haven’t gifed in so long but I’m happy I’m learning again. Quality still needs work though.

Bonus:

Here’s a bonus gif of Eliot looking like he’s blowing a kiss in the button cam footage in “The Office Job” because I thought it was funny. This is once again getting added to my “why didn’t I notice this before” list. I just wanna know for whom Eliot. :)

For a minute, just for a minute, you made it feel like home. Maren and Lee in Bones and All (2022)

bones and all

Once again talking about missed causal touches of the leverage ot3 in season 4 in “The Cross My Heart Job” Eliot puts his arm around Parker just a little as he’s leading her and Hardison away from the hospital viewing window at the end. And I think he nudges Hardison’s shoulder too to get them moving like!!

(Quick little gif I did just to show it so sorry about the quality but still!!!!)

Like!!! I still stand by something happening in between season 3 and 4. You cannot tell me otherwise the ease this ot3 has amongst each other this season even after arguing for half this episode about the last con

@werewolfsmile I’m tagging you because I know you’ll agree

Leverage (2008–2012) & Leverage: Redemption (2021–) x DOCTOR WHO

I believe in you.

harry muttering to himself as he tries to pick a lock, remembering what parker taught him: not too much pressure on the wrench. nice and easy, like you're holding a woman's hand. gentle, gentle...

me: parker can give that instruction because she has held women's hands because she's bi

I NEVER NOTICED THAT ELIOT HAS LIL BRAIDS HERE… LIL BRAID TINY LITTLE BRAID IM LOSING MY MIND

Local house witch telling you to please learn basic housekeeping skills.

It’s not your fault if no one ever taught you but YouTube is a magical place and can teach you at your own pace.

oh uh. scuse me. just a lil snail crossing your dash

Seriously though, Leverage Redemption, when the hell is Tara Cole making an appearance? She better be coming in season two and I better get some quality Tara roasting the shit out of Harry for his lackluster theif skills and the fact that he used to be a lawyer and Tara being Breanna's vodka aunt who only shows up on holidays with outlandish stories about her torrid international affairs and special expensive gifts that are 100% stolen and I better get some quality sexual tension between her and Sophie

I want Tara to show up and reveal she's become a den mother for one of the Leverage International teams and it's like her own personal version of The Ocean's 8 team full of badass theif ladies and yes they are gay

Leverage Redmption hire me as a writer I already have the episode in my mind I'll do it for free, just please bring back my sarcastic jaded Quantico trained crime wife please

Everytime someone says bring back Nate, I shiver with dread.

And for someone who's a really big fan of Nate, I really would hate having to see him come back to Redemption. I saw on a Facebook group I'm in where someone asked how Nate would react to the Jackal Job, and I remember thinking that Nate, the Catholic man, would either not be a supporter or simply not be able to empathize or participate in the con without prejudice.

Look, OG Leverage has a place in my heart for a reason, but I cannot justify bringing back Nate at all. Nate's story could never fit into Redemption for a variety of reasons.

OG Leverage took the experiences Nate had and made a point in every episode why the man does what he does.

OG Leverage was about revenge first and foremost, then doing the right thing after, then building something more.

You know the reason why the stories never mentioned the disabled, the LGBTQ+, or the plain old voiceless of immigrant communities (this one was touched on but not really)?

It's because it wasn't Nate's story to tell. The original message was, if you are in a position where you have been wronged, then you should have the power to make it right. You deserve a second chance. That's why he always dealt with the scammers, the rich white men, the corporate greed, etc. He always tried to give people a second chance from a dumb or honest mistake, or to right someone's wrong.

That's why the Black Book was so important by the end of OG Leverage. It closed Nate's story with the idea that what has been wronged will be righted even if it meant taking a less than legal approach by others who are willing to bring justice to light.

Redemption is not that story. I mean it is, but it isn't. Redemption is the story where those less fortunate, those who are inherently going to lose no matter what they do, get a voice. They deserve a say in how they are treated, and they, as much as the impoverish and the naive, can have the power given back to them.

It's shown with victims like the elderly, the disabled, the people of color, the young who don't quite fit the social norm, and the LGBTQ+ community.

Through Harry Wilson, Redemption also shows us that those with power, need to take responsibility for their actions.  It is not enough to fight those in power, but that people like Harry - who do have power, are vitally needed to change the system.

Redemption does not need to see Nate to accomplish this story, but the fact remains that the message Nate started is still here, if not more refined and nuanced than ever before.

Nate should not come back to Redemption because his story was told in OG, and now, a new story can begin where the crew can be expanded and fight for what's right as well as give every victim of an injustice, an opportunity to tell their story as well.

Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.

Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.

Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.

And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.

In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.

Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)

For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.

i think it’s noteworthy that parker finds a way, multiple times, to pretend to be with hardison in a con. she kisses him in the first david job, she pretends she’s meeting him to have sex in the wedding job, they pretend they’re getting a marriage visa in the zanzibar marketplace job, and they act like they’ve been making out in the jailhouse job. and i can’t think of a time that she’s done that with any of the others?? tell me if im wrong but i don’t think she’s fake-made-out with anyone else, at least.

i mean, parker stabs or breaks the fingers of guys who flirt with her or touch her. yet in the first david job she kisses hardison. in season one, when she’s still so resistant to touch and her heart is so guarded. its just for the con, of course. but a fake kiss, something she can easily write off - that’s all she can do at that stage. she can’t offer her heart, she won’t let herself get attached, and really it takes until the long way down job (ie season 4) for her to start accepting that she is capable of loving and being loved. in season 1, when she was entirely closed off, a fake kiss is all she can do with her feelings for hardison pretzels. she keeps taking the opportunity to kiss him or be together, without the consequence of Having To Talk About It and all the problems she knows would come with that. her method of coping with Emotions is to let herself get into a bunch of mini fake dating AUs with him lol.

i think its worth bringing up because ive mentioned how sweet hardison is with her, and we all talk about how much he cares for her and shows patience and understanding, but its certainly not one-sided! parker’s enamoured with him since pretty early on. her way of showing it is just different and somehow both far less and way more direct lol. they both put effort into figuring each other out and learning to be in a relationship, not to mention that trying to be capable of a healthy relationship with hardison is one of the biggest driving forces behind parker’s character growth. he’s so important to her (and they’re so important to me <3).

“Parker cycles through every character in this episode. This episode’s the one where we show you she can inherit the mantle. She manipulates like Sophie, she masterminds like Nate, she does electronics like Hardison, and she takes advantage of her surroundings like Eliot.” - John Rogers, ‘The Broken Wing Job’ DVD Commentary

the dichotomy between an attack dog vs a guard dog is like. an attack dog is sent out to carry out violence. it's starved and abused to ensure aggression. it has no other purpose outside of Attacking at the whim of its master. it's constantly on guard because a threat can come from any direction at any time. it's the dog chained up in a basement that's only set loose when there's something to kill.

but a guard dog is protecting instead of attacking. instead of being sent out to fight, it comes home to defend the house. it may be constantly on watch for an external threat, but it is content to lay with the sheep until a wolf comes to the door. the guard dog has a warm place to sleep, and is well fed and treated like a member of the household. it's free to leave at any time but it stays to protect the house anyway. do u get it. do u understand.

the funniest part of the leverage pilot is that Parker and Hardison have guns for like 30 seconds. We see them get confiscated by Nate then, I'm assuming, the police. Then they never have guns again. Those two took one look at Eliot and went "yeah we don't need 'em anymore, Ponytail's got this." It's possible it's just one of those pilot vs rest of series character changes or something something trusting this stranger so much that they immediately shift how they protect themselves something something respecting how much he hates guns something something it's love at first con, your honor.

In case anyone is having a bad night:

Here is the fudgiest brownie in a mug recipe I’ve found

Here are some fun sites

Here is a master post of Adventure Time episodes and comics

Here is a master post of movies including Disney and Studio Ghibli

Here is a master post of other master posts to TV shows and movies

*tucks you in with fuzzy blanket* *pats your head*

You’ll be okay, friend <3

I adore them

(really in my feels about the ot3 because of the @powerpolyculeshowdown so here's some propaganda)

parker and hardison allow eliot to be sillier. more ridiculous. outragous, even. eliot sings the stupid ditties hardison writes special for him, and he rolls his eyes at parkers pokes and prods and the occasional "accidental" face slap, and eliot can express himself for what actually bothers him no matter how nitpicky, versus having to calculate what he should say. (he still argues with hardison that throwing in on a brewpub was a stupid plan given its risk, no matter how many times hardison claims it was always a gift for him.) eliot laughs more. real laughs; you can tell because his smiles look more and more like grimaces: the way his ma perked her mouth which his dad always teased her about (though it was his favorite thing about her), rather than the wide toothy grins eliot learned because he knows, tactically, they are best for charming. parker and hardison let him not feel like he's a monster. or... parker tells him she always thought the big bad wolf had a bad rap, and hardison says some stupid shit about monsterfucking being the hip thing the kids are into these days, anyway.

hardison and eliot allow parker to feel deep. it's food that tastes like a hug and it's gadgets made just for her and it's loving and being loved and it's being one another's real families. she doessn't want to run away, anymore. or... she wants to run but with her friends beside her. or... running cons is all she's ever wanted to do, and all she did, for so long. parker is good at it. she loves it. she loves that hardison and eliot love it too. but... feeling deep is also being deep. she's no longer just her piles of money because she is no longer afraid of herself. her past. the memories that hurt. the habits she thought she needed to grow out of but always missed. these habits, like bleeping sounds that arent words and hands move move moving. hands that were once made to stay now can fly because hardison buys her fidgets and designs some just for her and keeps locks in lucille for when parker feels like infinity and needs the vibrations of ticktickticks to bring her back to herself. and eliot lets her braid and unbraid his hair; he won't let her blow dry it, not yet, but... he lets her pet his hair while it's still hot, now. it frizzes his hair a little, and parker feels her pulse rush throughout the day knowing she did that to him. eliot and hardison kiss her knuckles when they burn.

parker and eliot allow hardison to be mean. vindictive. he is nicer than he needs to be. wants to be... what he needs to be is nonthreatening, for the most part, in many places. he knows what it means to be him: tall and black and queer and gaining muscle and too smart for his own damn good and so very, very tenderhearted. hardison loves so damn deep, and he cares so damn much, but part of caring (the other side of a coin) is not giving a fuck. it's the boiling point of rage and betrayal. the i need to walk away from this fight because you are dead wrong and imma about to say something imma regret, so go fix yourself. the im not gonna forget, im not going to forgive, and im going to get my revenge. parker and eliot would not have questioned hardison's joy at securing the capture of the men that put him in that damn coffin; they hold space for him to be fully himself with all his ugly parts and his petty parts and the parts that do bring hardison shame if he thinks about it for too long. they know he's not perfect, and that? that feels like safety and love and forever to hardison.