Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
273 posts
Rewatching Narnia has made me realize two things:
all of them, in those first few scenes especially, are just so young. like they are children children. when you watch Narnia as a kid yourself, you don't really notice but wow theyre really all infants in that first film???
The Pevensies without a doubt are the most accurate representation of siblings in any movie ever
Some more headcanons when the Pevensies come back to England:
-All of them have a strange lisp from living in Narnia for so long. When they are together, they will often speak Narnian, and when asked about the origins of the strange language no one else understands, all they give you is a mysyerious smile.
-It is absolutely impossible to get a rise out of Susan. When taunted, ridiculed or tested by other girls who envy her confidence, all she will do is smile and offer some words of advice. She has dealt with threats far more serious and deadly than high school British kids, and she finds their little power plays nothing but funny Soon, it becomes an unwritten rule not to mess with her. She'll smile back and kill you with kindness.
-Edmund and Peter spend the first few weeks learning how to walk without a sword at their side. All their adult lives, they've worn one, and they still compensate for the weight slightly. Especially Peter, commander of the armies, feels extremely naked without his blade.
-Lucy has the hardest time getting used to England again. The girls her age are mean and stupid, and she finds it hard not to call them out on it. Her intelligence is often mistaken for arrogance. She throws herself into dancing, the one thing Narnia has given her that is of use in the normal world.
-Edmund is completely changed, overnight it seems. Where he was first a nagging, annoying brat, he now seems a beacon of calmness and wit, able to solve any problem. The bond with his brother Peter is so strong the two seem to be able to read each others minds. This is especially true during fencing class, where they are the two best students by a distance. They move so in sync some people wonder if they are twins
-The first time the Pevensies ride horses together again the rest of class gasps audibly. They all seem to grow taller in the sadle, and they communicate with their horses in a way that seems impossible.
-Peter never gets used to the disrespect other kids show him, and will respond to every insult with a blow. He doesn't get over what they have lost , and writes story after story about the most beautiful imaginary world he calls Narnia. His teachers, from English to theology to history, all agree that he should be a writer. But the fighting only gets worse. Soon, kids have to gang up on him to even be able to touch him. And when Edmund decides to help, it's basically a wrap. He is far smarter than he lets on, and his back is always so straight it seems like he is 3 inches taller than his classmates. Bullies learn to avoid him, and he is fiercly loyal to his friends, even if that gets him in trouble.
-There is a rumour that the Pevensies are royals or at least nobles . No one knows from where, but the war could have changed things. Either way, they are everyone's favorite gossip subject.
The Pevensie children are too old for their age.
Their mom notices, at the dinner table. She sees no nagging children, no stupid fights. She sees Lucy eating and speaking with perfect manners, Edmund analysing the economy and war with concerning skill, Susan being gracious but poised, like a diplomat.
Their father sees it in Peters eyes the first time they get into a fight. When he moves to punish Edmund for speaking out of turn, Peter calls him out on it. When his gaze meet his eldest son's, he's leveled by the war he sees behind it, the tensed muscle in his arm, the knuckles white around his knife. He's seen that before, in other soldiers. He doesn't know how to react.
Other children notice, too. Talking to all the Pevensie kids at the same time is like being the only one left out of a secret, and the way they touch and tease each other speaks of a history far deeper than their polite demeneor lets on. And when they walk they fall in line, as if there is a natural hierarchy between them.
The first time anyone picks a fight with Edmund, Peter comes home with a three week suspension and blood around his mouth. He looks more alive than you've seen him in weeks.
When Susan gets back in the pool after Narnia, she wins all the contests. Coaches can't explain how to beat her, because they don't understand how she's doing it, either. She seems to almost disappear when underwater.
Lucy, always gay and golden-haired, starts dancing, and never misses a step. She moves with an elegance that no 10 year old should have, and all the girls want to be friends with her
Edmund soon becomes the best student in his faculty. He always seems to know the right thing to say, and teachers laud his ability to think through complex problems. His mouth does get him in trouble sometimes, but the boy seems uncatchable, always talking his way through the cracks. And if not?
No one actively fears Peter, but everyone is a little scared of him sometimes. He's tall for his age, sure, but there is something else, some other air that seems to give him an authority far beyond what's normal for a teenage boy. He's nice enough, but teachers can't stand it, and bullies learn very quickly that pissing him off means missing teeth and black eyes.
The Pevensies are not quite inhuman, but not fully mortal, either
Ok we all talk about the Pevensies’ trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too
They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he’s all grown up. Even Edmund, who went away surly and withdrawn. She doesn’t know her children haven’t seen her in over a decade.
They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.
It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.
(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you’d think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)
Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don’t remember anything. One time in class Susan forgets Earth is round and wants to die.
Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)
Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It’s a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he’s High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)
Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)
Lucy doesn’t have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah
Lucy loves to climb into her siblings’ laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she’s upset, he’ll tickle her and tell bad jokes until she’s smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom’s lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor’s house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she’s back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.
But if Lucy looks out the window, all she’ll see is the rain over London, so it’s not only a cold and grey sort of day, it’s a lonely sort of day too.
Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren’t that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he’s going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it’s simply a matter of course.
“Doesn’t the rain sound familiar?” says Lucy in a solemn, wistful way.
Their mother doesn’t know what that means, but her siblings must, because Susan says, “Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.
(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he’s grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)
I'm trying to prove something.
Dominic Toretto once said "I don’t have friends, I got family" with that in mind, that will be our intro for today! Although we find that iconic line cheesy as cheese, the audience loves a great found-family setup.
Something about how a bunch of misfits and inconsiderate douchebags developing to be a family of their own in spite of their quirkiness and tragic backgrounds makes us love them more than the typical and already functional groups. Like most families, there is the father, the mother, and the child. The rest is kind of subjective.
I've talked a little bit about actual families via [The Addams Family] but I think Found Families are a different breed. Let's discuss that and explain why we love them so much~
While conversing with a friend I've met on Tumblr. My friend suggested that I should watch the show < Shadow and Bone > based on the Grisha Trilogy by [Leigh Bardugo] The story mainly follows Alina Starkov who lives in a world divided by the haunting dark cloud placed at the center of the three counties known as; The Fold.
Aside from the main plot you can already guess if you know enough fiction. The show features a merry band of dangerous outcasts. The Six of Crows from Ketterdam. Led by the cunning leader; Kaz "Dirty Hands" Brekker.
The team is supported by, Inej Ghafa The Assassin, Nina Zenik The Heartrender, Jesper Fahey The Sharpshooter, Matthias Helvar The Convict, and Wylan Van Eck The Runaway. Like every group that shares this type of beat. The teammates do not trust one another and are only united for the cause.
This will develop as the series goes on and their trust will change from strangers to allies to family beneath the backdrop of a sinfully cut-throat and exciting city. While the series only showed Five of the Six so far. I've grown very quickly to love this group for their chemistry and their respective motivations to stay as a team.
What's so interesting to watch is, despite how typical this trope is. I still couldn't keep my eyes off this concept. It's so much fun to see the Six interact even though for now, it's just Kaz, Inej, and Jesper (also, The Goat; Milo) planning a heist to kidnap our heroine. On the other end of the world, we learn about Matthias and Nina. The Convict and The Witch (Matthias's words, not mine)
Dysfunctional groups like these feel very human. They don't act like they care for the world or for one another but instead, grow in the process.
Similarly, another dysfunctional group called < The Guardians of The Galaxy > shares the same vibes as the Six. Their talent is great but it's their destructive tendencies or personal vendettas that make them less like heroes. Rather, they are people who just so happened to be doing heroics.
Part of the trick in making fun found families is the will to condense the group down to about four or three characters. In most Shonen manga/ anime, the main character (eg, Naruto) is often supported by a lancer character (eg, Sasuke) and the heart (eg, Sakura) There is also the mentor/senior (eg, Kakashi) and it will always be these four. Other examples like Harry (Potter) and Co are good samples of the main trio with a mentor (Hagrid).
It's rare that we find trios with no mentor figure. Such is the case of another show I recently watched, < Lockwood and Co > based on the book series by [Jonathan Stroud] For a quick summary, Lockwood is set in London with one big exception. The city/ world at large is haunted by lethal ghosts (AKA The Problem) and only kids can sense them. Therefore, fight them.
The main cast consists of Anthony Lockwood, the cool and fearless badass gentleman who is strongest with Sight. George Karim, an all-rounder but a highly talented Researcher. Finally, our main character, Lucy Carlyle. An incredibly talented girl who's the most gifted with Hearing and Touch. Unlike the other agencies which are by the book and led by a Supervisor (an adult). Lockwood is purely independent but is unfortunately small and always in trouble with the law due to their incredibly dangerous methods.
Still, they are the best at what they do. Hunting ghosts while solving the bigger mystery behind The Problem. Despite their terrible coordination, the team has proven themselves to be better and far more personal with the cases they crack. Making it less like a job.
They are reminders that less is better. The cast plays the role of Hero, Lancer, and Heart very well and their chemistry is great and funny. Anthony and Lucy will sometimes bud heads, George will do his own thing making two of his partners incredibly proud and, you might see some tender/real moments between them.
Lockwood also removes the typical hero's journey of losing a mentor figure and instead makes the characters each other's mentors. The team relies on one other with their lives to survive every mission and navigate through life as a whole.
It felt more organic for them to grow together because there's a sense for when an adult shares a piece of advice (no matter how good it is) feels very smug and dull. The characters feel like actual teens because the setting for the agency sounds like something actual teens will do. Break the rules and do right for the fun or for some deep-rooted conspiracy that the world has yet to know.
From the dysfunctional groups like the Six or the Guardians to the power of Three. There is one other interesting layer to the Found Family troupe. The Disbanded Found Family.
While most stories tell of how the team came to be, rare stories tell of how they split off and are no longer on speaking terms. For a while, The MCU's Avengers were at war with one another during < Captain America; Civil War > With Steve Rogers and Tony Stark budding heads harshly over the Sokovia Accords.
Seeing a well-rounded team break up is difficult for the characters and the audience because. For all the disagreements they had with one another, they've developed along the way to be close like a family. Seeing them split is like watching a divorce happening on screen and it's heartbreaking and sometimes a little bit awesome because you've got the best of the best competing to declare their superiority.
Perhaps one of the best examples I have seen is through < Kuroko No Baskue > where our main character; Tetsuya Kuroko entered High School and vowed to defeat/ beat some sense to his Former Junior High School Basketball Team with his newfound team; Seirin High
Kuroko's former team is famously known as The Generation of Miracles; an elite team of young talents that excel on the court, thus making them prodigies of their generation.
The Miracles consist of; Daiki Aomine (The Power Forward Beast), Shintarō Midorima (The Star Shooter), Atsushi Murasakibara (The Ultimate Center), Seijūrō Akashi (The Emperor's Eye) and Ryōta Kise (The Perfect Copycat) From the little we have seen, the team is passionate about the sport they play and they share a very brotherly relationship with one another.
As the series develops, we learn more about their personal relationships with Kuroko and with each other. We see the infighting between them and we learn about how their respective egos build. We learn about their vow during graduation and we get to see them reunited once again.
The series as a whole function in two ways. Kuroko develops new relationships with his new team and Kuroko confronts his old team to mend their relationship. It tackles the dysfunctional team setup at its lowest state and rekindles the flame for the respective parties to be healed. Also, it's really cool to see such a colorful cast together.
With that said, it's a wonder for why Found Families are a timeless troupe no matter the settings. But, like how Amanda Waller sets up Task Force X/ The Suicide Squad. Sometimes it's not by choice and it always starts out bumpy.
What I find fun in teams like the ones mentioned is that they share a common language in spite of their unique flavors. The teams are built on trust, a common goal, and the willingness to open up. For all the gimmicks, the core values stay the same.
We, the audience love a good Found Family because in an indirect way. We wanted a group like that. We longed to have a group that we can call family but, the reality of it all is. It's really up to how the characters interact with one another.
Every circle is different and no matter the status or the seasons. All are maintained by the will to reach out. It's something I hope to use for my own team in the process. To have [Them be there for you, Cause you're there for Them too]
Thanks for reading
- Caw4B -
Why aren’t more people talking about them! They are everything to me right now. She is so smart and sassy. He is so protective of her and loyal. The Night Agent is one of my favorite things right now. Peter and Rose have my heart right now.
Wet cat vibes😂😂
Only a few episodes in and love him already
okay i thought i’d try night agent and i’m so endeared by peter
it would be so incredibly dumb of netflix to not renew the night agent…. it’s one of their best shows. ever.
I watched the first episode of The Night Agent while I was painting my nails this evening and it is like, THEE most trope-y thing of "woman nearly dies over something she's accidentally tied up in and has no idea what's going on, but a calm and collected under pressure dude helps her through it and even though she's been warned not to trust anyone, she's decided to trust him because otherwise she's alone".
But consider this, I LOVE this trope and I am already strapped in, on board, ready to eat this up.
Like, oh you're gonna be absolutely in control over the phone and talk this lady through where to hide and keep checking in to make sure she's okay? You're gonna keep her safe when people jump out to attack you? You're gonna try and keep her calm while people are shooting at you and gently bandage her minor wound afterwards? You're gonna stay because she asked you to? Because it makes her feel safe? All in the first episode?!?! Sign me TF up. I can't wait until we get to the point where HE gets injured trying to save her and she has to help bandage HIS wounds. Top tier tropes for sure. Love this for me. Sorry I watched The Bourne Identity 700 times as a teen as if it's my fault that movie is a banger.
I saw a comment on tiktok before watching todays episode of Wolfpack and someone was like “I used to really like Harlan but what he did was inexcusable” and I was worried because I really like Harlan (love the entire pack) and then I watched and I burst out laughing when I realized the “inexcusable” thing he did was have sex with some random girls boyfriend in her house. He’s funny, mean, and gay and you think I’m gonna root against him? 🤨
you’re my son. 🥺
Cutiesss
happy kuroko bday 🎂
I absolutely adore the clothes that Lucy wears. Just because there’s isn’t a huge range (which would be weird if there’s was since she came to London with a single bag) and also they’re unique to her style. She has a thick jacket for when she goes to cases (since they do get very cold) but also comfy clothes for hanging about the house. I also love the dress she wore to the ball as it felt like something a teenager would pick out. It’s suitable for the ball but it isn’t some massive ball gown or mini dress. It looks like something she could afford and would want to wear. There’s also no stupid sexualisation that sometimes comes with these types of shows where her practical outfit for missions may be on the tight side. It’s just clothes for a teenager that’s so clearly her style. Also practically all of the outfits are blue which I love. A small detail like a characters favourite colour being in their clothes just really helps to flesh out the show.
I also love the use of clothes when it comes to Lockwood. It’s so clearly his armour so when we see him without it it’s almost jarring how much more vulnerable and younger he looks. ALSO DONT GET ME STARTED ON THAT LOCKWOOD WORE PINK SOCKS FOR MOST EPISODES BUT WHEN THEY WENT TO THE BALL HE WORE BLUE ONES TO MATCH LUCYS DRESS😭😭. I just love the small attention to details
lucy carlyle + comfy
I feel like this is an accurate representation of my current mental state
I couldn’t put into words why that scene left such an impact on me but you just did perfectly and might I say OUCH.
THIS SCENE IS SO MULTI-FACETED AND I LOVE IT SO MUCH AND I HAVE TO TALK ABOUT IT!
Anthony being touch starved and Lucy touching him so tenderly like that affects him so much from the get-go obviously cuz it fulfills that need. It also highlights their quickly burgeoning feelings/connection with each other but in the CRUELEST way cuz the reason she's touching him is not because she wants to but because she's possessed.
But, its not only just that she is acting in love with him (making the connection between them so hard to ignore) when its not really her that hurts but she's acting as if she loves him while he (his role) is HURTING her. With Anthony's past being so traumatic, you just KNOW he internalizes that shit even though its not really even Lucy talking and its not even him she's talking about. It hurts him to have Lucy act in love with him but also she's acting as if she has to FIGHT to believe he's not hurting her. She's acting as if loving him is causing her physical pain and that's horrifying for him cuz the one thing Anthony absolutely believes is that he hurts the people he loves. So to be slapped in the face with his growing feelings for Lucy but in a way that pulls at all of his trauma strings in the harshest soul twisting way?
Right after that you have Lucy reliving how Annabel choked to death to seal the traumatic incident with a cherry on top, finalizing Lockwood's internal fear that he kills the people he loves and is left alone.
Not to mention as the series goes on we see that Anything absolutely cannot STAND the idea of having hurt Lucy or her being unhappy with him even though he makes stupid decisions. Almost as if this incident triggered in him a crippling desire to never hurt her... So she'd never look at him like that again. Like he's everything... But also as if he destroyed everything in her to the point she fears him.
So in quick summation we have:
Lucy acting in love with Anthony under possession of a ghost while he very much does have growing feelings for her; and the love the ghost in her playing out being an abusive kind, the kind you have to convince yourself isn't harmful, forcing Anthony to relive his trauma and self-depreciate even more about the fact that it's hard to love him because all he can leave behind for his loved ones is hurt. Combine that with the traumatic way she relives Annabel's death and Anthony's genuine worry of Lucy's possession being... well... dangerous as is.
This scene is so beautifully acted. Ruby and Cameron's chemistry is insane. The way they portrayed that much range of emotion in such a short but impactful scene early on.
EDITED TO ADD: I also forgot to talk about the costuming cuz its the softest we've seen Lockwood in the whole series. All three characters are in their pajamas but Lockwood specifically is in a simple gray hoodie. Something that invokes comfort and relaxation. He's tense during the scene because of the situation but he's completely vulnerable as well. There's absolutely nothing for him to hide behind. No witty quips will work when Lucy can't hear him and he's fearing for her life, no physical force can be used to fight her either... And his emotional barriers are all down too. Not only because of the unexpectedness from the multi-targeted assault on his emotions but because he didn't exactly have time to prepare for such a thing occurring either. @locklyleiscanon pointed this out i think but Lockwood uses his suit as an armor. And he's not wearing it. There's no weapons near him. He's completely defenseless when it comes to Lucy in this moment as well as all the warring emotions that are overtaking him.
The first time I watched the scene my first thought was literally how soft and vulnerable Anthony looks. I didn't even have reference for the rest of the show (that he wears suits almost always) but it was a striking detail. Not just the vulnerability on Lockwood's face but in his body language and clothing as well.
Here's an edit I saw that made it all easiest to visualize and word for me:
Props to the person who made the edit cuz the close up scene and the slow motion at Just the right moment makes this so plainly visible to see.
This incident is simultaneously the best and worst thing to happen to Lockwood regarding his feelings for Lucy. It shows him early on just how much he needs her, but reminds him of all the reasons why he can't have her.
For the sake of my sanity it needs to be renewed
I honestly love it so much. It makes me feel grounded and safe.
You better believe I have watched the entirety of Lockwood and Co three times. I’m absolutely enamored with this show. What a love letter to the original content. What an incredible adaptation. So yes, I’m gonna be streaming this show in the background for the next month because everybody involved in this deserves another season. The actors and crew have earned it and the fans have too.
I will go feral if we don’t get to see Hollow Boy and Creeping Shadow adapted now. Can you fricken imagine
Please!!
Friends. If you do nothing else this week, please. Please stream Lockwood and Co as much as you can. The completed viewing hours matter so much and this story deserves a season two. The fandom has grown exponentially in the last three weeks, people are loving the show and finding the books. It has more than earned that renewal but Netflix needs the numbers to authorize it.
Let’s give them no choice.
It’s really interesting to see it analysed like this
So something interesting I’ve noticed is how people treat Lockwood’s character especially how they handle his obvious suicidal tendencies. I mean, Winkman picked up on it within literal minutes of meeting the kid it’s not like he’s hiding it well, but anyways
George: George treats Lockwood’s tendencies as something you have to work around. He doesn’t really like it, but he doesn’t try to hard to stop it farther than telling Lucy she has to be able to tell him no or she’ll “make him worse”. We see this and we know George cares about him a whole deal and we know that they’ve been bets tied for a while now and yet George hardly knows anything personal about Lockwood. George doesn’t extend a helping hand so Lockwood doesn’t attempt to take it
Kipps: We all see how Kipps treats Lockwood’s disregard for life. He believes that there is no saving Lockwood and the best thing they could do is let him kill himself before he drags someone down with him, which we see when he talks to Lucy saying “you don’t know what he’s really like” and something along the lines of “you better leave before he drags you down with him”. Kipps not only doesn’t extend that helping hand but he takes it and runs from Lockwood as fast as he can, and so Lockwood doesn’t even pretend to like him (plus he’s a bit of a jerk but they’re all jerks Lockwood just has a tolerance for some of them)
Lucy: And here’s where it gets interesting. Unlike the others she doesn’t run away or dance around the problem, she looks it dead in the eyes and tells it to stop. She offers Lockwood her hand again and again and each time she does it Lockwood gets a little closer to taking it because each time she does it is a time no one else tried. Everyone had given up on him, decided that he was a lost cause and his fate was sealed, but Lucy just wouldn’t stop and so when she offered her helping hand, Lockwood took it. Yeah he doesn’t quite know what to do with it now that he has it but the fact that he took it is what important. It’s why she was only there for a couple months or so and he was opening that door when George couldn’t even ask about it after a year of living with the man
The reason why I love Lucy and Lockwood together so much is this. It’s because Lucy never gave up on him and it gave Lockwood hope in himself. The two make each other better people and that’s amazing
no, you don’t but he will look after you anyway
ALL I KNOW IS PAIN
I agree with everything that was said and have nothing to add😅. NETFLIX I NEED SEASON 2
If you have ever thought about watching Lockwood & Co. on Netflix, even in passing, please do so! Right now! This is your sign, it's the perfect time!
I apologize for being the asshole who cross-tags, I swear it's not normally me. But hear me out, I mean this with my chest: if you're someone who enjoys the YA genre whatsoever - especially when it comes to ~a group of young people~ banding together to ~fight off supernatural threats~ - then Lockwood & Co is perfect for you! (see I'm doing you a favor, just trust me😂)
It's about ✨the unique characters, the found family, the mysteries, the worldbuilding, the slowburn, the vintage/modern aesthetic, the soundtrack, the cluttered kitchen coziness, the cinematography, the attention to detail, the layers and nuanced storytelling!!!✨ It's literally the most captivating YA-led show I've ever seen, and I'm a big fan of Stranger Things and Shadow & Bone.
It's the character work in Lockwood & Co that makes it stand out from the rest. The main trio fills the hole in my heart. They're so unique and flawed and SHAPED, and the way they interact/work together is like crack for your soul. It's ridiculous how addicting their dynamic is.
Let's see what Twitter has to say...
Brief character descriptions under the cut, cause you're already this far, so why not?
This is Lucy Carlyle! She is wildly talented, takes no shit, and has suffered a lot in her past but holds so, so much capacity for loving others. She is sassy, practical, empathetic, and grounding.
This is Anthony Lockwood, aka tumblr babygirl who uses a facade of confident swagger to mask the well of pain he harbors underneath. He is charismatic, ambitious, reckless, and soft hearted.
And this is George Karim. He is the MOST precious bean who is a brilliant researcher, though struggles sometimes with feeling out-of-step. He is sarcastic, excitable, unashamed, and dedicated.
At the end of the day - all I can say is sorry for the brief invasion into your tag, but also THANK YOU for your consideration in reading this, and thanks in advance for checking out Lockwood & Co 😉💖✨ I cannot emphasize enough how much you won't regret it!
Okay so, I was watching Lockwood & Co right, as you do, specifically the episode after Lucy and Lockwood jump into the Thames to escape from glitter sword
So, when they get back we see them getting dressed out of their wet clothes and it’s such an important scene that they included and here’s why:
There’s the scene with Lucy and it shows her looking at the necklace, but not putting it on. She picks it up and she gives it a sad almost regretful look before she puts it down and we know that she was fiddling with it with the Penelope meeting which is what clued Penelope in so to her it signifies Lockwood and their relationship and she isn’t putting it on but she isn’t throwing it away either. She’s mad at him, she definitely hasn’t forgiven him, but she’s not tossing him away either.
Now Lockwood, this is the one that got me excited. We have seen him wearing “normal” clothes in front of Lucy before. It would seem to be the obvious decision that, since they believe everything is over and the next step is to go to sleep, to get into comfortable clothes. But Lockwood doesn’t do that. Lockwood is one of those individuals who use the way they dress as a defense, a sort of armor, and when Lockwood gets dressed he dresses in his usual suit and tie, in his armor before he goes down to talk with Lucy. He has no clue where he stands with Lucy anymore, that ease he shows earlier with that sweater and t-shirt is gone and he’s preparing himself for the worst case scenario. He’s preparing himself for Lucy to leave him and then he walks in and Lucy’s wearing regular Lucy clothes (but then again, she doesn’t use her clothes as armor) and she’s not facing him and he’s so nervous and scared and you can see it on his face. He’s not wearing his coat, he still has hope that maybe just maybe he hasn’t completely fucked everything up but he doesn’t know and it scares him
IDK Lockwood and him using clothes as armor makes me emotional everytime does anyone else see this???
I love them so much 😭😭
Not to state the obvious, but I've been watching for like the 400th time and from what I can gather from the wound bandaging scene, Lockwood's opinion matters to Lucy that's why she's so touched when Lockwood said he believed her
And then there's the whole eating thing--Lockwood buttering her toast, prior to that Lucy being famished in the first episode; Lucy calmly forgiving him and pulling the eggcup joke to tell him it's okay she's not giving up on him it's just another day and then them eating midnight breakfast as they wait for George, that just reeks of them being "each other's home" warmth idk how else to put it
so i haven't read the books but something i so far really love about lockwood & co is the costume design, particularly with Lucy and Lockwood.
Lockwood spends most of the show dressed up in a pretty, pressed suit, sleeves rolled up and tie removed as necessary, but every so often we see him in a plain white t-shirt, a hoodie, but only in his home, only with his team. But even his suit isn't perfectly formal, the fact that he's still kind of a kid peeks through- pink socks and worn-out sneakers and undone top buttons and rolled up sleeves like the layers frustrate him.
Lucy's outfits, once she escapes the ill-fitting, ugly, and ultimately not very protective uniform of her old company, wears clothes that are practical but still very feminine. Thick sweaters and leggings under her skirts and jackets that actually look as warm as they are cute. Her clothes never compromise that she is, at heart, a young girl, without getting in the way with too-tight fabrics or too-loose skirts or any other male-gaze-style costumes.
I dunno, I just love when costume designs reflect things about characters, especially in terms of practicality.
One of my favourite scenes hands down
Something about... THIS scene
And... ngngnfnds it's something about Lucy not being herself // Lockwood being TOO much of himself...
The words are coming from Lucy's mouth, but they aren't hers; those are Lucy's hands, but she isn't the one using them... an otherworldly force chose Lockwood to be her scene partner here, and once again it's about external voices seeing Lucy's feelings for him before she knows it herself...
And then there's something about how it's in direct contrast to Lockwood, who is PARTICULARLY aware of himself in that moment... this is one of the few times we get a full scene of Lockwood stripped down to a tshirt+hoodie instead of his usual suit+tie number (my brain is buzzing over this, since I presume the suit is sort of a costume for him, with the purpose of masking his inner self/vulnerability)... AND ALSO because this is arguably the first physical romantic scene they share, and while he is clearly concerned and confused about her behavior, the fact that he is having to reckon with Feeling Something Else Too is written all over his face...
I know this take isn't super book-accurate, but it feels almost allegorical to this idea that Lockwood is the one who is being caught off guard and having to realize his feelings early on... versus Lucy, who is there, and she's participating in the dance, but she's also being stopped from experiencing her feelings to the fullest by something within her...
Anyway, I'm sorry this is an absolute rambling MESS because my brain doesn't quite have its thoughts together, but I needed to post this right now immediately, hope you all understand 👋
I honestly love them all so much and I can’t wait to start reading the books just to see more of the world. Netflix better fucking renew it.
Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.
Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.
How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!
This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:
How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.
We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.
George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.
The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.
There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.