Classpect Powers And Skill

Now THAT’s what I call a fusion aspect!

I got a request for one of my first fusion aspects, so I decided to redo it with new colors, and fix those pesky stray pixels. Here it is! Denial Remastered.

Request courtesy of @whimsicalpaws

ʜᴏᴍᴇꜱᴛᴜᴄᴋ: ᴛʜᴇ ᴛᴡᴇʟᴠᴇ ᴀꜱᴘᴇᴄᴛꜱ

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HD: Imgur Album

The heart aspect is clearly connected with lions (the trolls’ heart player being Leo the lion, and the Prince of the aspect having the lion-headed God Yaldabaoth as a denizen), but I wonder if that means anything for any of the other aspects?

Maybe it’s lions for heart and dragons for mind?

The lion is the symbol of God, and is king of the land animals, while the dragon is the devil and the king of the skies. Nepeta is a lowblood who uses her physical strength instead of psychic powers, and Dirk is Homestuck’s resident manly dudebro machofighter, and Yaldabaoth is the God of the physical realm; meanwhile dragons are capable of a whole bunch of powers associated with psychics (laser eyes, telepathic communion) and Terezi was a master manipulator.

(of course, heart is the aspect of the soul, not the body, so part of a heart hero’s quest must be rejecting some of this focus on the physical aspect and becoming more spiritual; so I wonder what the equivalent of this is for mind heroes?)

on the page right after talking about lowly Pages and noble Lords, Caliborn does drop this line pretty clearly in support of keyword theory:

uu: WHEN I SAID "MEANT TO SERVE". SERVE MEANT MORE THAN ONE THING. YOU KNOW. LIKE KICK MY ASS??

it's, ironically, a very literalist permutation of keyword theory - in Calliope's paradigm a Page serves their aspect, while to Caliborn a Page merely serves, full stop - but it certainly seems to put a big roadblock in the way of the many interpretations theory of classpect.

but the fact that Alternia's entire society is built on this idea of pompous, regal Princes and servile Pages and Maids still feels quite explicit in its implications about Caliborn's perception of class, i.e. that he sees "class" in literal terms, as a synonym for "caste". I guess it's possible Calliope and Caliborn merely have different headcanon "keywords" for each caste, but it'd be hard to believe unless we had a case where they openly disagreed with each other on the interpretation of a class...

i guess it's also worth keeping in mind that Calliope and Caliborn's interpretative modes are still different: Calliope observes while Caliborn authors (the fact that this is sort of the inverse of what one would instinctively assume about the twins is worth thinking about). so when Calliope "observes" the Prince as a destroyer class, she's actually re-interpreting the vision of the Prince imposed on reality by Caliborn. as long as we're still tentatively comparing class and gender I'll be annoying and pull out the quote for the millionth time:

oUr view of hUman cUlture indirectly inflUenced alternia’s development, which in tUrn affected yoUrs [...] it’s all so very circUitoUs and arbitrary.

Cut content

The following content was cut from the essay DOOM for purposes of thematic consistency (that is, it didn’t add much to the reader’s understanding of the Doom Aspect’s symbolism) but is preserved here for posterity.

Mental illness

It takes a certain kind of person to bear up under all this pressure. Sollux’s visions, at one point likened to a chronic pain condition, leave him fatalistic and irritable, with a temperament that can change from calm to angry, from proud to self-recriminating, in an instant. Accordingly, the narration dubs him bipolar. This is precisely backwards. While Sollux’s fatalism is reminiscent of depression, the key characteristic of depression is listlessness, a lack of feeling and motivation, and Sollux is anything but unmotivated. Similarly, though mania (and the less well known hypomania) can take many forms, it is most commonly associated with a feeling of euphoric joy, another trait largely absent from Sollux’s emotional makeup.

More importantly, bipolar mood swings are measured in days, not instants. Because of this, it is actually impossible for a story that packs nearly all of its action into discrete segments of no more than 24 hours to convey the full experience of bipolarity in any meaningful way. Ultimately, Homestuck is a work designed to challenge both reader and author, and with that challenge unfortunately comes the possibility of failure.

Mituna continues this theme of authorial challenge. Like most of the dancestors, he is presented first as a joke, a mockery of the psychologically disabled, the full weight of his story and sacrifice only reluctantly hinted at by Aranea after the fact. He is part of the Hussnasty Hell (medium link), a complex, artistically lofty experiment that by design can be very difficult to properly digest after enduring the bitter, unpleasant first bite.

Vriska Serket, whose lusus constantly demands she feed it, received Cetus as a denizen, a monster known for eating every single fish on the Land of Light and Rain.

More obviously the number 8 is homophonic with the word ‘ate’ (and also takes the shape of the infinity, related to the ouroborous symbol depicting a snake eating itself), and in Homestuck’s symbology the sun - the symbol of the light aspect - is something that is meant to be ‘eaten’ by black holes.

 Homestuck Aspect Division Theory

A while ago, a friend of mine told me about a friend that had a theory. Instead of having extra Aspects aside from the canonical 12 ones (No, I’m not counting Piss or Lips as canon), given they are more or less the Basis of Creation, the fundamental powers from which the new Universe is made (Space and Time, Order and Chaos, Life and Death, Mind and Soul…), more than having extra, off-canon Aspects, in big enough Sessions the 12 Aspects split into smaller chunks.

I loved this idea, so I began to work on two divisions, thinking that the Session before the Trolls had 48 Players, and ended up making an Expanded Aspect Chart. Three sets of Aspects! The original with 12, the first division with 24, and the second division with 48, to give a total of 84 symbols, with their respective names and colors! I’ll explain what each of them means below the cut.

Keep reading

The recent discussion of the-character-sheet-as-a-soul led me down a very strange mental rabbit hole which ended with “could the character sheet be a piece of origami?”

I do not know nearly enough about origami to continue

(With reference to this post here.)

There's probably some design space to be explored in using flexagons as character sheets.

To illustrate, imagine a martial arts RPG where a character's stats vary depending on what stance they're in, with each of their stances' traits being written on one particular face of a flexagon, and some cost – probably an action economy cost – associated with changing stances (i.e., reconfiguring the flexagon).

Consider the traversal network of a hexatetraflexagon, for example:

Presuming a character's initial stance is represented by face 1, at the start it would be possible to transition to the stances contained on faces 2, 3 and 5, while the stances contained on faces 4 and 6 would be inaccessible.

Lots of fun tactical possibilities there, assuming you could find a way to express a sufficiently rich set of mechanical traits in such limited writing space!

The Lands kind of stick out as an anomaly in Homestuck’s cosmology. They’re not constant, like Skaia and the Veil are; they’re not evolved through prototyping like imps and carapacians; they’re not drawn from mythology like the Denizens; and they’re not made from Thoughtstuff like Prospit and Derse. On a cursory glance they seem to be the one example of something being created ex nihilo in paradox space, a realm that is supposed to contain “essentially nothing new”. So naturally, figuring out the genesis of the Lands would be a great stride toward unlocking Homestuck as a whole.

Obviously the logical first assumption is that the Lands are generated from the players themselves somehow; grinding metal for the swordsman, industrial pipeworks for the pipe smoker’s heir; and this makes perfect sense for as long as we see Sburb as a game whose goal is to guide players into adulthood. But that’s only one side of the coin; every aspect of the game, from frog breeding to prototyping, should also serve the game’s other primary purpose, which is as reality’s method of reproduction. So the question “why are the Lands the way they are” is just as important as the “what are they” question.

My first hypothesis was that if every one of the Lands in the Medium has its own breed of frog, then this could be a means of introducing genetic diversity to the Genesis Frog; a frog with lava-resistant genes, for example, might make a very different to a frog with genes from the Land of Dew and Glass. But I realise now that we don’t even need to introduce this new idea; the grist hoards in the center of each planet already act as a unique genetic code for each session’s Frog.

And since the grist essentially acts as the “essence” of each planet - oil grist for an oil world, chalk grist for a chalk world - we can also view the grist as the “essence” of its associated Hero. This is more pronounced in the trolls’ grist, with Tavros’ grists being brown-orange and Vriska and Gamzee having blue and purple respectively in [S] Make her pay. (We also observe here that Karkat has green grist, but you can make of that what you will.)

And I think this sheds some further light on how the Ultimate Alchemy ties into the alchemy of the self; the process of creating a universe involves the very alchemical components that make up a person. Using one’s inner essence to create an entire world could also be seen as a way of making the internal, external?

So the genesis of a new universe is the contribution of several individuals’ essences to be mixed in one central subterranean hub… i.e. exactly how troll reproduction works, indicating that the jadeblood is suited to the role of frog breeder even moreso than may have originally been thought.

100% correct

Honestly Heir of Blood is practically every generic anime man protagonist that exists godtier cause the main character delevopmental structure is just creating various bonds or being destined to have these bonds from the beginning for some grand quest the protagonist has eother inherited by virtue of being main character or some kind of prophecy accordingly

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