but they communicate so much.
When Eomer first returns with a wounded Theodred, an entire dialogue is shared between Eomer and Eowyn without a single word passing between them.
This mutual look of concern, they're both on the same page.
Eowyn then goes on to look at Theodred's wound. It's interesting that Eomer now looks curious above all things, he's waiting on Eowyn's judgement.
Eowyn looks at the wound and grimaces. It's bad. Theodred isn't going to survive this.
She looks to Eomer, who looks back at her in grim resignation.
They go to Theoden to inform him of the situation. As Eomer walks by Eowyn, he doesn't speak to her or interrupt her, but he puts his hand on her back as he passes. Even when the focus is on other things, he is giving her that gesture of support and fondness. That it is done without fanfare shows that this sort of affection is commonplace.
They both stand before the throne, both of them united in their attempt to reach through to their uncle. They're a team, a unit.
Eomer throws down proof that Saruman, who Grima is trying to protray as a friend to Rohan, is sending his soldiers to terrorise their people.
Eowyn gives Grima a death glare, challenging him to refute her brother's accusations. She's on Eomer's side, Eomer's team.
Eomer sees Grima looking at Eowyn, and knows what he wants. It fills him with fury.
Eowyn sees her brother choking Grima against the wall. She looks on in cold silence, then walks away.
When Aragorn reveals that the beacons have been lit, Eowyn rushes into the throne room, drawing to a stop at Eomer's shoulder. They wait together for Theoden's judgement.
When it comes, and Theoden sends Eomer to muster the troops, Eomer bows, but even before he has fully straightened up, his eyes go to his sister.
Again, no words exchanged, simply a look of common understanding. They both know what the risks are, they both know what is at stake, for the world, for their country, for their family.
Before Eomer leaves, he touches Eowyn's arm, before walking away.
With Eomer gone, we see a steely determination come into Eowyn's eyes. Now there's something Eomer's missing, now Eomer's back is turn and there's something about sister that she's keeping from him. She's riding to battle.
The one time they speak to each other, they're in opposition. About Merry, about Eowyn, about war.
The words are harsh. Eomer is stern, Eowyn is defensive.
But Eomer puts his hand on Eowyn's shoulder. He doesn't say "I don't want you to get hurt, I don't want you in battle", but that hand on her shoulder, tells the audience that's exactly what he's saying.
Those small moments of physical affection culminate in one great moment, when stern, stoic Eomer discovers Eowyn on the battle field, and breaks down in tears, cradling her and rocking her like she's a child.
And his devotion to her ultimately shown in him sitting small and hunched, tucked in on himself, crouching down in armour for what seems to have been a lengthy space of time, as he sits by her side, waiting for her to be healed.
This is such an effective way of showing to an audience that two characters love each other, when there is a limited time window. The movie needed to crack on to cover the ground it needed to cover, and with so many important dynamics to reveal to the audience, the creators needed to be time effective. Eomer and Eowyn don't share much screen time, but the looks exchanged, the passing moments of intimacy, tells us clearly that these are two people greatly fond of each other, and have been fond of each other a long time.
The lack of spoken dialogue almost enhances it. Little is said between them because little needs to be said. They already know. The one time they do speak, it's when they're quarrelling, because that's the only moment when they need to use words. The rest of the time, a gesture, a look, is enough.
A Fflam being fflamtastic is a new comic page worth a Tumblr.
I'm obsessed, actually, like parts of the story that reflect Eowyn's (and Eomer's but mostly Eowyn's) story from LotR sort of in an "each stanza rhymes" kind of way until it occurs to you that Miranda Otto is narrating with this sort of implication that it's Eowyn herself telling the story and reading it through her own experiences plus the fact that it's mostly a behind the scenes sort of story and all the great deeds were attributed to other people (Hera isn't even named in the appendices) alongside the explicit statement that Hera isn't remembered in any of the songs, making this something Eowyn either heard passed down in a non-traditional way, reconstructed from historical evidence she found herself, or possibly learned about from Gandalf, which loops back around into Eowyn's own complex with regards of all the great deeds being done by the men and not remembered for great deeds in songs -- and like okay maybe I'm reading too much into it but I'm obsessed okay
MicroFlashFic on Twitter did a lovely series for Holy Week and I wanted them preserved in one place.
All tweets described/text copied into the alt text for each screenshot.
Howl choosing "H. Jenkins" for the shop's sign wich is the one and only moment in the series he actually uses his legal initials, as "H" can stand for "Howl" and "Howell" in the same time
Lettie being so angry about Prince Justin calling her "a sweet lady" that she said that she would prefer ever Howl over him. Wich is. Telling.
The King assuring that he never pushed Justin off and that everyone who knows them both wouldn't assume that.
Sophie being so RAGED with the whole weedkiller and daffodils situation she wasn't saying A SINGLE FULL WORD for about a page in the least. All of the sounds were like "argh!" and "Sophie gave the wordless glump of range"
The seven-league boots having the funniest description of use ever, as every time someone used it then the effects were simply narrated as "Zip!"
Howl raises the skull and quotes Hamlet directly to it, wich becomes a hundred times funnier when you remember that this Skull is canonically and ironically the only "person" in the room who can understand the reference.
Howl saying "Denmark" in the same sentence. And, again, they're in a fairly tale fantasy word. Sophie has absolutely no clue what to hell is Denmark. For Howl this is the basic knowledge of elementary school level.
Poor Percival being almost KILLED for transforming in the middle of a valley because people thought he's a WEREWOLF.
Poor Percival being STROKED with information of him being made of part of two other people right after experiencing heavy trauma, beheading, physical damages, not really well-planed adopting and moving a house.
Percival describing laying on the shelf and looking at the other parts of himself. What a lovely kids book.
Sophie accidentally making cayenne pepper magical. She would make a great seller-witch career because she doesn't need to know the spell in order to make. She takes random powder. She says it will do the duel fair. It makes the duel fare by making an opponent sneezing uncontrollable (wich is also just a way cayenne pepper affects people lmao)
Sophie's first thoughts after she heard that Howl is leaving the black door knob where it is being "Of course! There's miss. Angorian!'. Sophie, dear, he has a family out there.
Michael, apparently, hiding the money under the same brick Sophie will soon describe in CITA as "the brick where we're hiding money from Howl"
Miss Angorian and Howl acting like the spell in a modern Wales is the most normal thing ever. "That's a spell!!" "Oh yeah of course I suspected that"
“Didn’t know I used to fly up the wing for my university, did you, Mrs. Nose?” “If you were trying to fly, you must have forgotten how,” aka Sophie absolutely not understanding modern world sport terminology
Drunk Howell trying to get through the door MULTIPLE times, bumping on it before "discovering" the door
Calcifer "taking" that huge mention they lived (and almost never visited) in without buying it. It was literally said the owner is just Not Here.
Sophie loosing an acces to her own room. Wich must be really sad.
Witch of the Waste leaning on a swing when literally capturing Howl's family
Additionaly: Howl canonically NOT altering his clothes while rushing to save his family. He was running around in a long-sleeved medieval closes on a welsh playground
Sophie and miss Angorian having a whole fight over the guitar pulling it back and forward while it was making horrible sounds
Sophie literally pushing miss. Angorian off the house using the said guitar
Howl immediatly reacting when someone mentioned that the star Michael tried to catch looks sad.
Scarecrow literally running around with parts of Justin's body on its sticky shoulders for eighty percent of the book's finale
Howl saying he could be "the evil fairy at his own christening" which is probably a reference to the "Sleeping Beaty". Also. rises a question: did Howl HAD a christening. There's a huge chance he actually did.
Ben and Justin just. smiling at each other for enough amount of time for Sophie's narrative to say "If she had paid any attention she would see them". Am I interuppting something???
Lettie hating Howl's courting SO MUCH she asked Percival to bite him several times.
Additionally: Ben apologising to Howl for trying to bite him. That's also probably first time they're interacting
Howl ignoring all of it because sOPHIE HATTER
So I'm a little too obsessed now and ordered this and the art book (which comes out in February) and it's got some very interesting information about ages and relationships that'll be very useful going forward so I'll drop the ages below and anything else interesting I found
Helm: 55 years old, king for 5 years at this point in time, spent almost his entire life fighting the hill tribes and Dunlendings. This is what makes him a king who dislikes to be challenged ok his authority and decisions
Héra: 19 years old, deep love for nature and especially the more fantastical kind, her horse is Ashere. The rest, I'm sure you remember from the movie itself
Lief: 16 years old, main roles are protecting the old maps and scrolls that keep the laws and customs recorded
Haleth: 30 years old, first in line to the throne, not expected to rule for another 20 years based on Helm's own life. A brawler by nature, he's very intimidating to those who threaten his family and he's known as one of their best warriors skilled in sword, spear and axe
Háma: 22 years old, more of a gentler spirit than his father and brother, more passionate about the songs and legends. He likes to think of himself as a warrior poet and is always carrying his carved lyre. A skilled swordsman but an expert with bow and arrow
Fréaláf: 28 years old, lord of harrowdale and first marshal of the Riddermark, the highest military rank and is charged with protecting Edoras and the surrounding lands. His horse is named éored. He was raised alongside his cousins and so has a deep bond with them all but is not above teasing them frequently. He's also very ready to stand up to Helm if he believes a decision unwise
Olwyn: 45 years old, lady's maid to Héra but more become a mentor than a simple maid or servant. Thought in many battles over the years and has known great loss but finds ways to move forward and doesn't suffer fools. She sees herself in Héra as only she and a few others know Olwyn's past as a shield maiden
Freca: 40 years old, lord of the west-march. He claims to be descended from the fifth king of Rohan, Fréawine but his hair and beard instead cast doubt and suggest the Dunlendish blood runs through his veins instead. Has very little love for the kings of Rohan. Spends a lot of time dwelling on what he doesn't have and pays little heed to the king refusing summons to attend the witan
Wulf: 20 years old. Only son of Freca. His mother has also passed like with Héra. Quiet and intense most of the time, dressing in sombre colours. His belief that Héra loves him is very fragile. Expert in swords and bows. Has very little personal ambition at the start, growing up under his father's shadow and subject to his father's whims, despite this he loves his father and should anything happen he'll repay it tenfold. Should his youthful affection be spurned, that love will turn into a pathologically hatred for Helm, Héra and all the people of Rohan
General Targg: born and raised in Dunland, he has become a trusted advisor to Freca and will likely be key to Wulf's own reign. He is wise and calm but in the heat of battle will fight fiercely yet he retains a deep sense of honour as a warrior
@spring-into-arda
For a moment, the stars were obscured by puffs of smoke and the glorious rain of multicolored sparks that danced above them - starbursts of color waterfalling down in splendid chaos until one last explosion split the night and unleashed the image of a dragon over Tirion for what he suspected was the very first time.
“Fireworks, you say,” Feanor said thoughtfully.
“Indeed!”
Even after his unexpected release from the halls of the dead, Feanor was not much given to wishing to be in company with most of the Valar or Maiar. He probably would not have approached this one if he had not for a moment mistaken him for a Man; the long white beard fit far better within Vaire’s tapestries than in the usual guises of the Maiar, and he had hoped for the chance to speak with one.
Still. This “Gandalf” was interesting enough to talk to. Especially since -
“Are those more I spy behind you?”
Gandalf turned to look at his stock in what almost seemed like surprise. “And so it is! I confess, I had expected someone to run off with them by now. They certainly would have in the Shire.”
“They are extra, then? Not needed for tonight’s showing?”
Gandalf puffed thoughtfully on his pipe. “Not needed, no . . . Did you have another purpose in mind for them?”
“The color is most remarkable; I wondered if you had experimented with other elements - the noise, for example, is impressive in volume, but hardly harmonious; what have you tried with that?”
An unexpected flare of delight flared in the maia’s eyes. “A worthy project! And one I would be deeply honored to embark upon with you. If all of us may turn our minds to such things, perhaps we can hold the world healed indeed!”
this is fred, the dot.
fred wants to grow into a beautiful tree, but sadly has no branches
reblog to give fred a branch
i will post fred status updates as he grows
the weird schrödinger's emotion that is "that character death was narratively satisfying and emotionally impactful and ultimately the best way to handle their character arc" simultaneously with "noooo but I wanted them to live :( :( :("
just a heeeaaads up that some of these art commission scammers are upgrading their technique
they will now actually take notes of things that really happened in your fic, they make it sound personalised and genuine, but there's a way they talk that feels weirdly artificial, there's always a vague mention of some 'ideas' they have, if it raises your hackles trust those instincts and tread carefully, because ultimately-
suddenly changing up their writing style is a big red flag, wanting to take you off platform to some other site showcasing their 'art' is an even bigger red flag, REAL ARTISTS DO NOT DO THIS
no matter how genuine they sound, trust NOBODY advertising their art in your comment section, trust NOBODY who wants to take you off platform, NEVER go to that secondary location
STREET SMARTS!
it's been nearly five years, and i'm still upset we never got a dousy hug.
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
277 posts