Day 5: Lunar Witchđ
Gus is best boyâď¸
The Batman:
Bruce Wayne:
Damian: Father make them stop
Bruce, fucking with him: whatâs got you throwing a hissy? Youâre whistling dixie son. Put a kibosh on the gobbledygook itâs time to break
It would be very funny to me if the Batkids started using slang from the eras they were created in. Like this doesnât change their ages it just makes them all seem weirder than usual
For example-
Dick Grayson: And the old geezer was an eager beaver who helped us find the glitterati who was throwing the party. We all cut a rug but I tells yous clams he may have but Bruce is a dead hopper if I ever saw one. Anything he tells you is floy floy
*Everyone staring at him like heâs lost it*
Jason: Gag me with a spoon. Iâm hella done youâre wiggin me out Dickie. Aight imma motor out of here dweebs
Steph: yeah not so much. gonna bounce with Jay.
Tim: That made sense...not. Dick youâre bugging out
Damian clutching Dukeâs arm in a death grip: Thomas what is happening should we leave?
Duke: Bet little D we should dip. This is a big yikes
people arguing over fanon vs. canon batfam is so funny considering the comics wouldnt know character consistency if it hit them over the head with a steel bat
#i said iâm a bisexual having a panic attack
selina kyle digatti and kate kane in bombshells united #13
Miles canât stop looking at the sword.
Gavin, the guy who owns the antiques store where Miles works, said that he got it at some car boot sale. When Miles had asked if Gavin got any contact information for the previous owner he had just shrugged and said no because it was âprobably a fakeâ.
The sword is not a fake.
Miles isnât quite sure how he knows that, nothing about the sword or Milesâs slightly vague knowledge of antiquities should inform him of the fact, but heâs certain itâs true. The sword is real and powerful and important. He just canât figure out why yet.
Itâs in a glass case in the centre of the shop although you can barely tell that the glass is there from the number of times Miles has polished it. All in an attempt to see the sword a little more clearly. The metal is shining silver steel, while the handle is well worn and a brassy colour. Twisting patterns cover the cross guard and worm their way up the base of the blade, eventually narrowing into a single line that reaches all the way to the tip of the blade. Whenever Miles focuses too hard on those patterns they seem to move and shift and it makes him dizzy enough that he has to look away.
A part of him worries that if he didnât look away the patterns really would begin to move.
Heâs sat at the till and the shop is empty so he turns his gaze towards the books he keeps behind the counter. He shouldnât really keep them there, they belong to the shop and should be kept visible where someone might buy them. The problem with that is the fact that Miles knows no one would buy them. He knows it the same way he knows the sword is important and the patterns on it would start to shift if he dared look to long and his older sister is the most important person in the entire world. Miles knows that no one would buy the books if he left them out in the shop because theyâre meant for him.
He picks up one of the books. Itâs a deceptively thin volume with writing so dense he sometimes has to use a magnifying glass to read it. The pages are wafer thin but surprisingly strong, enough so that when Miles tried to tear one once, just to see if he could, he hadnât even managed to leave a mark. The content of the book is an eclectic mix of folklore, the occult and religion. The different areas should clash horribly but somehow this book, just like all the others Miles has stashed away, presents it all in such a cohesive manner that itâs hard to remember why the different subjects shouldnât fit together right.
Just as heâs getting into it the loud rumble of a motorbike engine pulls up outside the shop and heâs broken from his stupor. He looks out the window to see Ariana, his sister, get off her bike and take off her helmet to release a swishing curtain of golden hair.
She walks with an aura of complete confidence that Miles has always admired. The bell over the door dings as she comes in and she grins as she pushes her hair out of her eyes. The movement reveals a multitude of glinting, silver piercings in her ear that for some reason shimmer with the same aura as the sword.
Ariana approaches his desk and Miles shakes himself from his thoughts.
âYour engineâs way too loud.â
Ariana shrugs. âItâs exactly as loud as it should be, youâre just jealous.â
âIt makes you sound like you have a small dick.â Miles replies, going back to his book as Ariana lovingly flips him off.
She leans back from his desk and scans across the shop like she does with every room she enters. Miles has never quite figured out why she does that but he supposes itâs just a tic of hers. As soon as Arianaâs eyes alight on the sword she begins to walk towards it, her movements somewhat trance like.
âWhatâs up with this?â she asks.
Miles looks up at her, not quite sure how to answer. âWhat do you mean?â
Ariana turns to look at him, squinting. âDonât you get a weird vibe off it?â
âHuh.â Miles puts his book down and sits up a little straighter. âYeah, I do. Thought it was just me.â
Ariana just nods. âCan I hold it?â
Miles is meant to say no. The shop is still open. Gavin is just in the back room and could come through to see him fucking about at any moment.
âSure.â he shrugs.
Ariana grins the way she usually does when Miles does something she approves of. She tends to think he lives his life a little too safe so these moments are few and far between but Miles appreciates them whenever they arrive. Miles gets up from behind the counter, grabbing the key to the cabinet from the hook itâs kept on. As he unlocks the door he realises that heâs leaving smudge marks on the glass and feels a moment of annoyance that theyâre going to make it a little harder to keep his eyes fixed on the patterns of the sword later. He takes the sword and hands it very carefully to Ariana. The edges are wicked sharp, a fact he knows from experience.
She grasps the handle and for a moment Miles thinks that the patterns are about to shift. That theyâre about to twist and shift and creep up Arianaâs hand the same way they appear to creep up the flat of the blade. Thereâs a second where Miles thinks his sisterâs body is about to become shot through with the silver glint of metal and instead of feeling worried heâs entirely ready to watch the process in fascination.
Thatâs not what happens. Nothinghappens.
Ariana lets the tip of the sword droop, a mirror of her disappointment. âI thought that something-â She waves her hands in the air, lacking the words to explain what unnatural event she was actually hoping for.
Miles nods. He gets what she means. âNot this time I guess.â Then, despite not having thought of the words before theyâre out of his mouth. âIt will though, when it has to.â
Ariana looks at him in confusion and Miles imagines that the expression must match his own fairly well. Instead of questioning him though she just looks back to the sword, eyes tracing the patterns that flow over it. âOkay,â she says, and puts the antique gently back in its case.
She sticks around to chat a little after that but heads off when it becomes apparent that the both of them are too distracted to make good conversationalists. Miles notices that as Arianaâs motorbike peels off she keeps the sound of the engine a little quieter than when she came in and he feels a moment of pride over her heading his advice.
~
Weeks pass.
Ariana keeps visiting Miles at work. Keeps staring at the sword, staying still for longer than he thought she had the patience for, while Miles keeps reading his books full of strangeness and tradition and magic.
On one visit she brings her girlfriend, Grace with her. Miles likes Grace. Sheâs been around since before Ariana even thought of forming her definitely-not-a-biker-gang. When Ariana introduced the two of them Miles may have gained a small crush on Grace but that quickly faded in the face of how an alliance between the two of them could be used to torment his sister.
âHave you come to see the sword?â Miles asks once the two motorbikes are parked outside and Ariana and Grace are coming through the door. He has an open history textbook in front of him instead of one of his more arcane times this time. It feels like a waste of time to be studying something for his a-levels instead of something he enjoys but needs must and all that.
Grace grins at him, brown skin crinkling mischievously as she raises her hands to do finger quotes. âYou have to see the weird sword Grace, itâs weird and I want to have it and I would look so badass killing a dragon with it.â
Miles snickers while Ariana pulls a face of mock betrayal. âKilling dragons? Bit ambitious. Maybe you could kill a lizard or something. A small one.â
Ariana sticks her tongue out like the mature twenty year old she is and walks towards the sword. Miles throws her the keys since sheâs come over for this enough times that heâs stopped being nervous about being spotted by Gavin whoâs never around anyway.
Ariana unlocks the door and holds the sword carefully in her hands for a moment before passing it to Grace who takes it gamely.
âHuh,â Grace says once itâs in her hands, eyes fixed on the ever shifting patterns of the blade. âYâknow, it kind of is weird.â
âI told you,â Ariana crows triumphantly as Miles rolls his eyes and turns back towards his textbook. Ariana and Grace pass the sword between them for a little longer, commenting on the patterns and feeling the warmth of the metal in their hands. They get bored of this fairly quickly and begin to mime out some sword fights which Miles has to put a stop to as apparently his great seventeen years of life experience make him the most mature person in the room.
At least Grace looks slightly sheepish as she hands the sword back.
âYouâre coming over for dinner on Sunday, right?â Miles asks as some sort of peace offering.
Grace grins. ââCourse I am. Wouldnât miss it for the world.â
The three of them smile the kinds of smiles at each other that require a near lifetime of knowing and loving to summon up.
Itâs a shame that everything goes to shit before they can make it to Sunday dinner.
~
Ariana does not panic. Ariana is a born leader full of charisma and certainty and a sly cunning that no one ever seems to expect from her. She does not panic.
âShit shit shit shit!â Gabe yells from the bike next to her, just loud enough to be heard over the wind, and Ariana wonders if a bit of panicking might be in order.
The monster behind them, made of shadows and starlight and darkness, is gaining. Their bikes can only go so fast and apparently eldritch abominations go faster. Ariana thinks faster though.
She sticks an arm out to signal where they should turn, not confident that everyone will be able to hear her voice over the rushing wind and thunder of engines. Sheâs been utterly certain of the path sheâs been leading the others on but itâs only now that she realises that sheâs taking them to the antique store. Sheâs taking them to the sword.
Sheâs also leading the monster in the direction of her little brother. But sheâll deal with the moral implications of that at a later date.
They twist and turn though narrow streets, taking every shortcut they can. Even despite how hidden their route is, Ariana is struck by the thought that they should have seen someone by now. The sun only went down, what, half an hour ago? The streetlights have barely turned on but she hasnât spotted a single person since the abomination started chasing them.
For a moment she wonders if Miles will even be there when they get to the antiques store.
No, she thinks, No heâll be there.
And since when has Arianaâs little brother let her down?
They screech up to the curb and Ariana is reminded slightly hysterically of all the times when Miles told her that making her engine sound so loud was annoying. None of them bother with kickstands, letting motorbikes that all of them have put a lot of work into crash to the pavement. The sound is barely audible over the crushing, crunching, roaring the creature behind them makes as it moves but Ariana still sees some of her friends wince at the noise.
Miles must have heard the commotion coming towards him because heâs stood there holding the door open as the group of them run from their fallen steeds to the shop. Ariana breathes a sigh of relief at the sight of her brother even as fear rises in her gut over what might be about to happen to him.
Gabe gets in there first, heâs always been the fastest. Then Lance, then Grace. The rest of them follow quickly with Ariana taking up the rear so no one gets left behind.
The moment sheâs in the door slams behind her. Penny and Lance, the strongest of the group, are the ones who hold it closed. Ariana turns to see the rest of the group staring slack-jawed either at each other or at the monster which has backed up in order to take a run up towards the door.
The rest of the group, with the exception of Miles.
âMiles, give me the key.â Ariana instructs.
He should know that thatâs what heâs meant to do. Miles always seem to know what heâs meant to do a little better than anyone else and Ariana needs the sword. But instead of giving her the key to the glass case Miles is flicking through the strange books he keeps behind the counter faster than Arianaâs eyes can follow.
âMiles, the key,â she insists. Then when no response is imminent, âFuck this.â She walks over to the swordâs case and shatters the glass with her elbow. When she grabs the sword it feels warm and right in her hands. The patterns appear to shift and swirl and morph more desperately than ever before and Ariana thinks that they must be mere moments from attaining the right shape.
Before she can turn to face the monster, Miles has vaulted over the desk and is right in front of the door with an open book in his hand. âItâs not ready yet.â he calls back to Ariana. âWe need a few more minutes.â
âWe donât have a few more minutes.â Ariana grits out, tightening her grip on the sword.
âWe will.â Miles says and cuts himself on a knife Arianaâs pretty sure he pick-pocketed from Lance.
Arianaâs pretty sure that Lance is about to make a move to stop her insane little brother but remembers just in time that itâs his job to keep the door closed. The monster is going to be crashing into it in the next three seconds so itâs probably a good thing that he does. Beside him and Penny, Miles is using the blood of his cut to scrawl weird symbols into the door frame, muttering words that Ariana doesnât recognise under his breath.
He takes a step back the moment before the monster hits the door and for one shining instant Ariana hears the sigils sing.
The creature hits the door and glass that should have shattered holds firm, the magic Ariana now realises is reinforcing it gleaming in the hazy brightness the streetlights offer. Itâs impossible. Itâs wonderful.
âNice one.â she chokes out towards Miles, a relieved grin on his face.
âEveryone get some of their blood on the sword.â Miles instructs as he stands, back straight and a level of confidence to him that Ariana isnât sure sheâs seen before. âItâs the only way this works.â
Ariana was expecting Grace to step forward first but Gabe manages to beat her to it, lowering himself to one knee with a grin on his face and exposing some of the skin of his shoulder once heâs in front of Ariana.
âKnight me!â he cries, loud and brazen and not entirely joking.
Ariana smiles in return and touches the sword to his shoulder. The blade sinks into his skin with barely any effort on her part at all. Once Gabeâs blood has touched the sword Ariana moves on to the next person. She wishes that she could linger on every one of her friends but Ariana is far to pragmatic for such things.
Everyone kneels in front of her. Grace and Lance and Kay and Ben and Penny. She touches her sword to the shoulders of every one of her closest friends and watches their blood sink into the metal. After a couple of people she realises that the blood is rising again along the patterns nearer the hilt, highlighting them in red. Eventually she gets to Miles.
âIâm not kneeling to my sister.â
âSmart,â Ariana replies with a smile. âI might kick you.â
âGo for my hand. Just above the first cut.â
Miles holds his hand out and Ariana rests the sword where he directed her. It sinks into Milesâs flesh just like it did everyone elseâs. The patterns on the sword take on a sheen similar to whatever had lit up the door when magic had been all that was holding it closed.
âYou have to do it as well.â Miles says once the sword has taken his blood. âWeâre all equals here.â
He says it like itâs a joke but Ariana canât imagine why he wouldnât be entirely serious about such a thing.
âGrace?â she asks, because she wants everything to put her on the same level as her friends, âWould you do the honours?â
Grace smiles and takes the sword, grip on it firm and gentle and strong. Ariana kneels to her, thinking hard about how much she loves the woman in front of her, how much she loves everyone in the room. Grace touches the sword to Arianaâs shoulder and it burns.
Ariana pushes the pain to the furthest reaches of her mind and stands to take the sword back. All the blood thatâs been offered to it now flows in rivulets through the patterns, bright and shining. As Ariana looks at the sword she realises that the patterns have finished shifting but there isnât enough time for her to inspect their shape properly.
âWhat next?â she asks Miles, since although she doesnât like to cede authority to someone else, particularly her little brother, for some reason they will definitely be discussing later he seems to have a better idea of whatâs going on than anyone else in the room.
Miles shrugs rather unhelpfully. âI donât know. Where we go from here is up to you.â
Distantly Ariana thinks that the words are meant to fill her with some sort of foreboding. That the pressure of seven lives that arenât hers on her shoulders should be too great a burden for most twenty-year-olds to bear. Instead it just feels right. Like the weight is resting exactly where it should be.
âOkay.â she says, allowing the authority she normally tries to tone down take full control of her voice, âHereâs the plan.â
~
The plan is to hit it. Really hard.
âIs anyone else not loving this?â Miles asks uncertainly as everyone gets ready to rush the creature with whatever weapons theyâve managed to scrounge up. âI am very much not loving this.â
âYouâve already agreed to bow to my far superior judgement, so quit complaining and figure out whatever magic you can use to hit it.â Ariana calls back to him
Lance claps Miles on the shoulder. âThere, there.â he grins, âAriana hasnât got any of us killed yet.â
Miles groans louder and Ariana gets ready to tear the door down.
âOn three Iâm charging.â she calls loudly. âEveryone ready?â
A shout of âYes,â echoes through the room. Even Miles partakes in it.
Ariana takes a breath.
âOne.â she shouts. Lance readies his stance a little, the wooden pole heâd found steady in his grip.
âTwo.â Grace shifts slightly. The switchblade in her hands glinting in the dim light of the shop.
âThree.â
Miles makes a gesture as if cutting through the air and the glimmer that had covered the door disappears. Along with the door. The creature is so surprised at the sudden lack of resistance that it stumbles. Stutters.
They charge and edge of Lanceâs pole reaches it first, pinning the creature to one of the shopâs walls. Grace gets there next, or at least her blade does. She throws her knife towards the mass of creature that had been reaching towards the pole to tear it out. The glinting silver of the knife disappears into the monsterâs blinding darkness and the rumbling, crowing, crying noise the creature makes rises to deafening volumes as it flinches.
With all that distracting the thing, it isnât so difficult for Ariana to drive her sword deep, deep into the centre of the mass of shadow and light and wrongness.
Red light arcs through the monster like lightning. It flashes from its insides in a fireworks display of destruction until the creature crashes. Shatters.
Ariana is splattered with the remains of the first thing sheâs ever killed.
âHoly shit.â Kay whispers, the old metal bedpan sheâd been holding like a baseball bat drooping slightly.
âYeah.â Penny agrees. She isnât holding anything and Ariana wonders if sheâd just been planning to punch the monster into submission. âHoly shit.â
Everyone stands in stunned silence at their victory for a moment. Then Miles walks slowly forwards and pulls the bloodied sword from the remains of the creature where Ariana had dropped it. He bows down, the movement only seeming to be half-joking, and holds the sword out in his hands for Ariana to take.
âMy liege,â he says, and something in his tone isnât quite right. Itâs sarcastic, sure, but it isnât quite as sarcastic is itâs meant to be.
Itâs then, looking down at the sword in her brotherâs hands, that Ariana realises that now the swirling patterns are still you can just about make out that they spell the word âExcaliburâ.
âWait, what the fuck?â
compilation of quotes i have saved on my phone that make me lose my mind
Jenny Slate, Twitter
Maggie Smith, Good Bones
Unknown, Untitled
Christopher Citro, Our Beautiful Life When Itâs Filled With Shrieks
Anne Carson, Euripides
I.B. Vyache, Conversations Over Sanguinaccio Dolce
@bipeds, Tumblr
Natalie Wee, Our Bodies & Other Fine Mechanics
HBO Succession
Richard Siken, Landscape With A Blur Of Conquerers
Nezuko wakes up shaking.
Is it really waking up if you were already conscious, just out of control? As she looks at her brother's bloody form it certainly feels like the first time sheâs opened her eyes since arriving in the forest. But who can really be sure?
His throat has been torn out. His clothes have been ripped to shreds. Underneath the ragged strips of cloth thereâs barely anything left of him. Just some bone, some gristle. The inedible parts. His face is almost entirely whole though. As tears fill her eyes Nezuko wonders if this is because something deep down stopped her from being able to destroy her brothers face, but she knows that the only reason that part of him was left untouched is that there isnât that much flesh there.
His eyes are glassy and unseeing.
Dead.
âNo,â she whispers, the magnitude of this atrocity finally settling on her shoulders. âNo, no, no, no-â
Her refrain only stops once she jams her hand in her mouth. Her jaw keeps moving as if trying to continue the refusal to accept reality and soon her hand is bleeding from the places where her teeth sink into it. The taste of her own blood sends a disjointed euphoria shooting through Nezukoâs brain and she jerks her hand back in horror. Desperate to somehow scrub away what she just did she shovels snow into her mouth to wash away the taste. She keeps chewing on it, pain zapping through her teeth from the cold, until she can spit it out without a trace of pink in the puddle of drool and bile she creates.
She scrubs the blood from her face so desperately that the snow makes small cuts in her skin. Better to be covered in her own blood rather than her brotherâs though.
The thought makes her look back towards Tanjiroâs body. Her tears finally begin to fall.
âI did that,â she admits, the salt of her tears stinging as it floods her cuts and scrapes. She kneels down next to Tanjiroâs body. He looks peaceful and Nezuko hates it. Hates the way it reminds her how kind he was. How he would have forgiven her for doing this without question. âI did this. And I wonât ever let it happen again. Not to anyone.â
The forest grows silent for a moment in acknowledgement of her vow. Or maybe in shock that a demon would commit to such a thing.
After sheâs said her prayers over his body she carefully takes out Tanjiroâs earrings. Nezuko doesnât have her ears pierced yet so she just forces the metal through her ear lobes and is surprised by the lack of pain.
All thatâs left is to bury him.
~
Almost as soon as sheâs finished heaving snow back on top of the grave dawn begins to break. Before the first rays of light can inch above the horizon a primal fear takes hold of Nezuko and she sprints for the nearest cover. A cave that she digs herself into, deep enough that the sunlight will never touch her with its poison. Itâs before she even realises itâs what sheâs doing that she falls unconscious and begins to dream of brothers and blood and hell.
Nezuko sleeps for a very long time.
Tell me Iâm wrong