I think, if I had to describe what Succession is like in just one small moment from the show, it would probably be Kendall going to breakfast, a shell of a person, immediately followed by Tom's "bad news about my hymen" and it somehow in no way undercutting the tension and sense of dread in the scene
Cooking horror game where you play as a cook working in the galley of a ship in the 1800s. There’s some kind of supernatural nautical horror story going on in the background but you barely notice this because you spend all day cooking in the galley.
Tiny creatures tattoo sheet! These (and more) can be claimed as tattoo tickets in my shop, just make sure to read my FAQ before buying C:
Sometimes I’m in a suit, sometimes I’m slutted up…
they should invent a past that doesn't beat inside me like a second heart
Like I’m literally destroying my life… but I’m having fun I guess?
Pros of hyperfixiation:
Happy!
Art ideas
Life is good
Cons of hyperfixiation:
I am going to blow up
All my art is of the same guy
If I don't think about this 24/7 I get violent
Happy trans day of visibility to all who celebrate! I will not be very visible today because I am infact confined to my bed like a Victorian child due to The Horrors (chronic illness relentlessly kicking my ass). Wishing joyous adventures and love to all, and crazy slutty t4t sex to all who participate <3
Hunger Games didn’t really eat holes in my brain the way that it did for some other people but god the opening lines. The opening lines. Katniss wakes up in bed and immediately, instinctively reaches beside her, only to find the bed empty and cold. Before we even know her name – before we know literally anything about her or this world or her place in that world – we know that she loves someone. We know that she is reaching for where Prim should be, sleeping safe and warm beside her, but Prim is not there. She is not there, and her half of the bed is cold and empty. People talk about characters being “doomed by the narrative” when most of the time the character was literally just a well-foreshadowed death, but Prim WAS doomed by the narrative. It’s the very first thing we learned. It’s the most key, integral, important piece of information we’re given about everything that is about to happen: Every single choice Katniss makes is to protect her little sister, and it isn’t enough. In the end, Prim still dies. Prim was dead before the story even started. Katniss, reaching. Prim’s side of the bed was cold and empty. There is no version of this story where Prim could have been saved. Katniss, reaching. The very first thing she does in the series. She wakes, and she reaches, but Prim is already gone. THAT is how you do Doomed By The Narrative. Edit: Also it is key that there was literally nothing Katniss could have done differently. If she had not acted to save Prim, Prim would not have survived the Hunger Games. But by acting to save Prim, Katniss accidentally kicked off an entire rebellion and ultimately massively increased the amount of danger Prim was actually in. The key is that this is irrelevant. If Katniss had done literally anything differently, Prim still would have died. If Katniss had faltered or changed course at any point, Prim still would have died. There was never a point where Katniss could have changed Prim’s fate. There’s no version of this story where Prim lives to see the end of it. She’s dead before the story begins. That’s doomed by the narrative.
VIDEODROME (1983) dir. DAVID CRONENBERG
༻they/he || fagdyke || 20 || nsft༺ chronically ill and disabled, insane fan of stuff and things, kinky pervert, creative/artist
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