i didnt hear what you said
hold on i need to blow my nose
wow
i feel kind of nauseous
is this anything
i don't know
this kind of reminds me of that one song
we can probably ignore that noise if you want to
why is my sock wet
it smells bad in here
that was weird
where are my glasses
ow
this is normal
sorry
just 2 chill people chilling
this is cool
can you say that again
are we good
youre actually naked
ROULETTE: BERLIN, Reel Queer, 2009
fuck you. [breaks you down into your base elements and deletes them one at a time]
Everytime I see a post that I disagree with my immediate reaction is ‘BOOOOOO, hissssss, tomato tomato!!!’
So just know you’ve been publicly shamed and pelted with vegetables in the townsquare inside my head if you’ve ever posted a bad take
There's something about the tmagp characters' motivations, and who they're willing to sacrifice, and how the people or things they prioritise act towards them, and how it goes for them.
Because
Celia is willing to sacrifice Sam, who loves her and who she genuinely does care about, to stay with Jack. And then there's a moment where she isn't sure she can go through with it, and she loses him anyway without having to act, and she'll probably never know exactly what choice she would have made in the end, even though she's consciously planned this for weeks.
Alice straight up abandons Teddy and Colin, who are both Not Doing Well, when they are explicitly asking her for help, to go and protect Sam, who has told her not to come after him. It's barely a decision for her - she quite clearly stops thinking about anything or anyone else.
Sam finds out that Celia betrayed him and STILL puts himself in danger to protect her. And ends up falling through the gap to another world, which is exactly what she was planning to do to him.
Gwen throws Lena under the bus the moment the opportunity comes up, purely for the sake of her own ambition, which is part of a broader pattern of decisions. And it's immediately obvious when she gets what she wanted that it's only going to go badly for her.
Idk idk it's the love and the need and the want of it all, and the ruthlessness that can come out of it, and the way they make or don't make their choices, and the consequences of it aaaaaa
there’s absolutely nothing better than reading a 100k word fanfic, that is until you remember you have a body that is starving, thirsty and incredibly sleep deprived and hasn’t used the bathroom since the sun set 8 hours ago
Night Mare
The Dyke Project manifesto printed on the back of estradiol and testogel boxes
Hunger Games didn’t really eat holes in my brain the way that it did for some other people but god the opening lines. The opening lines. Katniss wakes up in bed and immediately, instinctively reaches beside her, only to find the bed empty and cold. Before we even know her name – before we know literally anything about her or this world or her place in that world – we know that she loves someone. We know that she is reaching for where Prim should be, sleeping safe and warm beside her, but Prim is not there. She is not there, and her half of the bed is cold and empty. People talk about characters being “doomed by the narrative” when most of the time the character was literally just a well-foreshadowed death, but Prim WAS doomed by the narrative. It’s the very first thing we learned. It’s the most key, integral, important piece of information we’re given about everything that is about to happen: Every single choice Katniss makes is to protect her little sister, and it isn’t enough. In the end, Prim still dies. Prim was dead before the story even started. Katniss, reaching. Prim’s side of the bed was cold and empty. There is no version of this story where Prim could have been saved. Katniss, reaching. The very first thing she does in the series. She wakes, and she reaches, but Prim is already gone. THAT is how you do Doomed By The Narrative. Edit: Also it is key that there was literally nothing Katniss could have done differently. If she had not acted to save Prim, Prim would not have survived the Hunger Games. But by acting to save Prim, Katniss accidentally kicked off an entire rebellion and ultimately massively increased the amount of danger Prim was actually in. The key is that this is irrelevant. If Katniss had done literally anything differently, Prim still would have died. If Katniss had faltered or changed course at any point, Prim still would have died. There was never a point where Katniss could have changed Prim’s fate. There’s no version of this story where Prim lives to see the end of it. She’s dead before the story begins. That’s doomed by the narrative.
I bet transforming feels good as hell. Like when you have a really good stretch but More So
This post was inspired by me reading “Lol also I lied again. Only one more chapter now to end the story, I promise!” With 50k left to go. Like HAH that’s what YOU think! I however am from the all knowing mystical future and know better.
I love when I’m reading a fic and there’s an authors note saying something along the lines of “one chapter left!” “Gonna wrap this up soon!” And then I look and see that I’m literally less than halfway through an 80k fic. Muahaha you fucking thought! I feel like an all knowing oracle of the future. The author doesn’t even know what I do! They don’t know how The Muse is going to drag them along kicking and screaming for 30k longer than they anticipated. But I do!
༻they/he || fagdyke || 20 || nsft༺ chronically ill and disabled, insane fan of stuff and things, kinky pervert, creative/artist
112 posts