Two types of dogs
(via)
photo by skalli85 ( my edits )
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āIām lost. And itās my own fault. Itās about time I figured out that I canāt ask people to keep me found.ā
ā Anne Sexton, A Self-Portrait In Letters
Yeah, have a cat
āYouāre not a kid anymore. You have the right to choose your own life. You can start again. If you want a cat, all you have to do is choose a life in which you can have a cat. Itās simple. Itās your right.ā
ā Unknown
A week in a catās life
(via)
A waitress walks up to one of her tables in a New York City restaurant and notices that the three Bulgarian businessmen seated there are furiously masturbatingā¦
She says, āWhat the hell do you guys think you are doing?ā
One of the Bulgarian men says, āCanāt you see? Ve arrrre all verrry, verrry hoongry.ā
The waitress makes a stroking motion and says, āSo how is whacking-off in the middle of the restaurant going to help that situation??ā
One of the other businessmen replies, āThe menu say, FIRST COME, FIRST SERVED!ā
This justifies killing
*digs these screenshots up from the depths of 2011 because Iām still amazed at the stupidity*
The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid
āThis film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror?Ā Are we dealing with Nietzscheās notion of āeternal returnā? (ā¦) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.ā āĀ CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON
Where you come to drink bullshit and feel it in the morning
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