It really felt like rediscovering the fragments. So, that’s my advice. Just write the fragment. Make that fragment as whole as you can, because, guess what? It’s going to open the door to another one, and another one, and another one.
Andre Dubus III, from “Silver,” Five Points (vol. 17, no 1, Winter 2015-2016)
Fiestas de amor y poesía. 1911.
Internet Archive
Josh O’Connor and Emma Corrin for Vanity Fair
O’Connor’s suit by Hermès; shirt and pocket square by New & Lingwood; ring by Hancocks London. Corrin’s clothing by CELINE by Hedi Slimane.
PHOTOGRAPHS BY BRETT LLOYD; STYLED BY TOM GUINNESS.
Echo Park, Los Angeles
© Sinziana Velicescu
Art News: Heartbreaking Basquiat drawings go on view at the Acquavella Galleries
Yayoi Kusama (Japanese, b. 1929), Coffee Cup, 1979. Acrylic on canvas, 18 x 15 in.
Cy Twombly, - Leda and the swan (part i), 1980. / acrylic and oil on paper, 47 ¾ x 29 ½ in., 121.4 x 75 cm. - Leda and the swan (part ii), 1980. / acrylic and oil on paper, 47 5/8 x 29 ½ in., 121 x 75 cm. - Leda and the swan (part iii), 1980. / oil on reverse of an artist’s proof on handmade paper, 25 ½ x 19 ¾ in., 64.7 x 50. 3 cm. - Leda and the swan (part v), 1980. / paper with square printing, 17 1/8 x 13 ½ in., 43.5 x 34.4 cm. - Leda and the swan (part iv), 1980. / poster with a black and white reproduction of a work dated 1975, folded 14.6 cm from above 17 ¾ x 19 in., 45 x 48.3 cm. - Leda and the swan (part vi), 1980. / oil on paper with transparent tape in all four corners, 14 1/8 x 13 ¼ in., 35.8 x 33.5 cm.
Jeff Divine
“Basement Please”, Pipeline, Oahu, 1974
Chromogenic print
Dmitry Vyshemirsky