Latest Posts by girlcross - Page 3

good will hunting (1997) dir. gus van sant

this is your heartbreak

paint it, black the rolling stones | christina’s world andrew wyeth | power politics margaret atwood | spencer dir. pablo larraín | lives of girls and women alice munro | maddalena antonio ciseri | heinrich heine | @marcelduchampsucks | good will hunting dir. gus van sant | dark when it gets dark yves olade

supernatural (2005-2020) cr. eric kripke / 'mirror traps', hera lindsay bird

dean is literally the priest’s favorite sacrificial lamb (x)

☆ john winchester's journal | 1x12 - faith | 4x01 - lazarus rising | 12x19 - the future | 5x04 - the end | 6x20 - the man who would be king | john winchester's journal | 12x02 - mamma mia | john winchester's journal | 2x04 - children shouldn't play with dead things | john winchester's journal (x3) | 2x20 - what is and should never be | 6x20 - the man who would be king | supernatural season 5 disc 6 special feature commentary

we could get somebody else, but we want someone like you!

dean + gun. my chemical romance

w*ncesties dni!🔪

the carnivorous lamb, agustín gómez arcos / supernatural, dream a little dream of me & all hell breaks loose pt.2

john is god and god is john and john is god and—

leila chatti / richard siken / emery allen / ? / ethel cain

not w*

johngod part 1/?

[the hunter’s son watches the hunter. the hunter paints more rings on his glasses. everything is a target, says the hunter. no matter where you look. the hunter’s son says nothing, and closes his eyes.

- the stag and the quiver, richard siken | war of the foxes]

THAT PET YOU JUST COULDN'T KEEP AND COULDN'T AFFORD

7.01 meet the new boss, supernatural // nov. #9, @fuckingwhateverdude // 15.03 the rupture, supernatural // cop car, mitski // 1.22 devil's trap, supernatural // 1.10 asylum, supernatural // 1.18 something wicked, supernatural // dog motif, @famishedst // the dog, francisco goya // 5.16 dark side of the moon, supernatural // 5.22 swan song, supernatural // 'guardian' dog refuses to leave dead sister's body on side of the road, gabrielle chung // 2.19 folsom prison blues, supernatural // dog cage pictures, unsplash // 4.22 lucifer rising, supernatural // dogdog, abuse // 3.16 no rest for the wicked, supernatural // 14.02 gods and monsters, supernatural // how to break up a dog fight correctly and prevent them from happening, donald johnson // 10.03 soul survivor, supernatural // dog motif, @probably-whatever // deleted dialogue, the lighthouse // 15.19 inherit the earth, supernatural // putting the dog to sleep, the antlers

part 1

supernatural (2005-2020) cr. eric kripke / in the pines, alice notley

s.w.

love is a scorch mark on the ceiling.

₍ 🎞 ₎   isle of dogs   (2018)  rp  starters  ! featuring violent themes . some lines have been slightly adjusted for rp purposes .

i am not your pet. i never liked you.

oh, i'm full–grown, sweetheart. you don't have to worry about me.

i don't care about you. i won't wait for you.

i'm not a violent dog. i don't know why i bite.

you have a conspiracy theory?

sometimes i lose my temper and blow off a little steam, but i've never enjoyed it.

my friends think i like to fight, but it's just not true.

you took me in, like a stray dog.

i can see you've been mistreated.

who told you that dirty lie?

i lost all my spirit, i'm depressing.

i think i might give up.

are we eating him or is this a rescue?

i wouldn't drink that if i were you.

i recognize you from when i heard that rumor.

you're the best in a scrap. we all know that you like to fight.

you hungry? kill something and eat it.

nobody's giving up around here, and don't you forget it.

let's wait a second before we attack each other and tear ourselves to shreds.

if we don't drown, i'm gonna strangle you myself.

you cold? dig a hole in the ground, crawl into it, and bury yourself.

don't ask me to fetch that stick.

i don't care. i'm used to leftovers.

i'll always be loyal to you, but circumstances have radically changed for me.

i can't protect you efficiently under these conditions.

i was the one that tried to make you be loyal in the first place.

i'm not doing this because you commanded me to.

where do you get all these rumors? i mean, who tells them to you?

i'm doing it because i feel sorry for you.

that's highly confidential. um, anyway.

i don't know anything, i should've kept my mouth shut.

i can hear you. i can hear you.

i don't think i can stomach anymore of this garbage.

so how does it feel to be a former stray?

i guess it scared me.

this is my new favorite food. thank you.

i thought you knew all about me.

it wasn't my choice. i don't consider it my identity.

so you know a few tricks, then.

i'm gonna drag you out with my teeth, since you can't understand the plan.

i lost my train of thought. dammit!

only reason i even said that is because we're all probably going to die out here.

look at it that way. you're probably safer than i am.

i'll be compelled to defend myself with all the means at my disposal.

i was dying. do you judge me for that?

are you okay? how can i be of service to you?

you're not safe here. you shouldn't have come for me.

people talk, and i listen. always have.

come sit beside me. it's okay.

Possession / Easier Than Lying - Halsey / Girl, Interrupted / Suede - Tori Amos / The Face of Another / Thirteen Reasons Why - Jay Asher / Scarface / You First - Paramore / Shadow & Bone 1x08 / Richard Siken / Black Sails 2x10

I guess some things you can never leave behind, they don’t belong to the past. They belong to you :,)

Megan Chance, The Spiritualist // Edith Eger, The Choice (Google search results) // Daniel Defoe, Robinson Crusoe // Holly Black // Ariesa Ra // Andrea Bartz, We Were Never Here // J. U. Scribe, Roman Identity // Hannah Harrington

[Requested by @lynnimal]

2.02 | 2.13

Is the killer looking at God? A challenge of equals?

Brokeback Mountain (2005) dir. Ang Lee

Twan Eng Tan, The Gift of Rain // Makoto Shinkai, Your Name // Nicola Yoon, The Sun Is Also a Star // Pavana // Lang Leav, "Soul Mates" // S.E. Hall, Emerge // Hayao Miyazaki, Spirited Away // Hafiz

That Would Be Enough—Lin Manuel-Miranda // @lucidloving // Louise Glück, "Sunrise" // Arnold Lobel, Days With Frog and Toad: Tomorrow // @sproutlett // Alexandra Potter, The Two Lives of Miss Charlotte Merryweather // @forheksed

fyodor dostoevsky (the brothers karamazov), charles bukowski (a vote for the gentle light)

Mary Oliver, from “Green, Green is My Sister's House”, A Thousand Mornings

something that kills me about the hunger games is that they’re supposed to show that the capitol is necessary, that they keep people civilised because humans are inherently violent creatures and then the kids get to the arena and they care for each other. lamina mercy kills marcus, reaper gathers and covers their bodies, lucy gray stays with jessup as he dies, haymitch holds maysilee’s hand, katniss sings to rue and covers her in flowers, thresh lets katniss live, cato begs clove to come back to him, and katniss nurses peeta back to health. because these kids don’t want to kill each other. and it flies directly in the face of exactly what the hunger games stand for and still they do it. because people are good, there are just some who choose to do bad.

KNOW IT'S FOR THE BETTER // ON THE LONELINESS AFTER ABANDONMENT

S.A. Khanum "Rome Falls," Kingdoms in the Wild // boygenius Not Strong Enough // Fleurie Love and War // unknown // Sleeping At Last Mother // Catherynne M. Valente Deathless // @heavensghost // pinterest // Mitski I Don't Smoke

I’m sure someone has talked about this before but one thing I absolutely love about tbosas is how Snow’s descent into villainy is never once presented as something that was inevitable

So many villain origin stories portray this idea of a person who tries incredibly hard to be a good person, who takes every opportunity to be kind and to better themselves, but are ultimately doomed to fail by the narrative. Their environment and their circumstances make it impossible for them to be a good person, and while this is effective from a storytelling point of view it’s not exactly accurate to real life

In real life there is always a point where a bad person makes the decision to do something bad, they make the decision to prioritise themselves, their own power, money or desires over someone else. That’s how real life dictators are made, they are presented with every opportunity to be good, and they purposefully choose to not take it

This makes Snow’s storyline so effective because he is given so many opportunities to do the right thing and yet, at every single turn, he chooses to serve himself instead, exactly like how real dictators are made

Snow, unlike most people we see in the capitol, is in a unique position where he could genuinely have the chance to understand and relate to the people from the districts. He, unlike his classmates, is poor and spends most nights going hungry, he witnessed firsthand the cruelty of the capitol when Clemensia was bitten by the snakes for nothing more than lying about doing her homework, when his sister was forced to sell herself on the streets in order to feed the both of them

Throughout his book, the three people he is closest to are Tigris (who dislikes the hunger games, is a rebel, and a victim of the capitol forced to turn to prostitution), Sejanus (who is originally from district 2, dislikes the capitol and knows he will never be accepted there, and also a rebel) and Lucy Gray (who is a victim of the hunger games, from district 12, and is also treated horribly by the capitol). These are all people who gave him an opportunity to realise the cruelty of the system he was in, a chance to directly confront his prejudices and see that people from the districts are just the same as him, and yet he still refuses to take the chance to change

He is given every opportunity, he’s sent away from the capitol to be a peacekeeper in the districts, he forms personal connections with people from the districts, he helps Sejanus perform funeral rites, and yet at every moral crossroads he comes to he makes the wrong decision. He didn’t have to become a villain, and yet he made the choice to do so anyway, despite every chance he was given

I think it’s a really effective portrayal of Snow as a character, and it’s a very effective villain origin story for the type of villain that Snow is. It never once excuses him from his actions because it highlights just how accountable he was for his actions

On shame and longing

THE HUNGER GAMES (2012) dir. Gary Ross THE HUNGER GAMES (2008) by Suzanne Collins (pg. 298) THE HUNGER GAMES: CATCHING FIRE (2013) dir. Francis Lawrence CATCHING FIRE (2009) by Suzanne Collins (pg. 352) THE HUNGER GAMES: MOCKINGJAY — PART 2 (2015) dir. Francis Lawrence MOCKINGJAY (2010) by Suzanne Collins (pg. 388)

Buenos Aires, Argentina Miguel E. Plaza