abusing tumblr image limits to put together my emergency disco propaganda kit. for future reference or something
🐈⬛🎐
Being insane but cognitively aware of how insane you are is a special kind of hell because you know that you aren't normal and you can pinpoint the behaviors that label you as other and make people kinda go quiet and twitchy around you but you can't change them or your neurosis so you're stuck in a brutal cycle of trying to emulate normal people and failing horribly cus you know in theory how normal people look and act but in practice you can never change what you are and everyone else knows it too and this goes on forever until you die
Its so sad there isnt a jorking it equivilent for food
some backgrounds i painted from episode eleven of scavengers reign
background designs by: darina laposvskaya
#now I'm gonna be pedantic and say that the kids in narnia don't have powers #unless you think being british is a superpower #which c.s. lewis low-key did believe so actually your kind of right
"magical girl" is not just a girl with magical powers, it's a specific genre. magical girl characters need to be from a work within that genre or they can be from a work that doesn't fall into the magical girl genre if the particular character plays on the tropes of the magical girl. think about the definition of "superhero" instead. captain america is a superhero bc he comes from the superhero genre. the crimson chin from the fairly oddparents is a superhero bc his design and behavior draw on the superhero genre. but you would never call the kids from narnia superheroes just bc they save the world using their powers
usamericans and europeans love to moralize objective economic categories by transposing the relations of oppression to a good-and-bad dynamic which affects everyone as individuals, so that a statement of fact without any bearing on their individual personhood becomes an accusation to them, one that must simply not be true because their self-imposed moralization goes against the real oppression they do face, an oppression which has of course also been unnecessarily moralized, resulting in a completely self-fabricated contradiction between being oppressed (good and righteous) and benefitting from the oppression of others (bad and despisable)
Theodor Adorno, Minima Moralia:
Fascism was the absolute sensation: in a statement at the time of the first pogroms, Goebbels boasted that at least the National Socialists were not boring. In the Third Reich the abstract horror of news and rumour was enjoyed as the only stimulus sufficient to incite a momentary glow in the weakened sensorium of the masses. Without the almost irresistible force of the craving for headlines, in which the strangled heart convulsively sought a primeval world, the unspeakable could not have been endured by the spectators or even by the perpetrators. In the course of the war, even news of calamity was finally given full publicity in Germany, and the slow military collapse was not hushed up. Concepts like sadism and masochism no longer suffice. In the mass-society of technical dissemination they are mediated by sensationalism, by comet-like, remote, ultimate newness. It overwhelms a public writhing under shock and oblivious of who has suffered the outrage, itself or others. Compared to its stimulus-value, the content of the shock becomes really irrelevant, as it was ideally in its invocation by poets; it is even possible that the horror savoured by Poe and Baudelaire, when realized by dictators, loses its quality as sensation, burns out. The violent rescuing of all qualities in the new was devoid of quality. Everything can, as the new, divested of itself, become pleasure...
my dealer: got some straight gas. this strain is called “linguistics class” you'll be zonked out of your gourd
Me: yeah whatever. i dont feel nothin.
50 minutes later: dude i swear there's invisible words in these sentences
my ∅ friend, pacing: the determiner phrases are lying to us
reblog to pet his bald head
The Colour Out Of Space (Salvador Sanz)