source: nottheworstmom on IG
Yeah, these would do numbers at the ren faire. I'm giggling about how her boobs come in like the nose of the star destroyer in A New Hope
Leather on bookboard, with hot foil stamping on the spine. The endpapers are a Japanese wave design, partially as a reference to Canaan House being on the water, and is also a reference to the fact that this book was a birthday present for @eebeesee, who is a giant weeb. (Fun fact: I bought that paper in 2012 and have been waiting uh, 11 years, to find the perfect project for it.)
Process under the cut.
Remember two months ago when I said I wasn't wild about doing another paperback-to-hardback conversion? Well. More fool me. (I did try and find a sewn hardback to take apart, but apparently this book was not sold as a sturdy hardback. Cue rant.)
I've tried debossing with leather before, so obviously, for embossing, I decided I'd just pick the most complicated design possible. I had to modify the skull a bit--taking out the IX, which did NOT cut well, and I had to make the lines around the glasses thicker.
After several hours of cricut cutting and experimentation, here is the cover pre-leather. (I also had to floss the skull's teeth with an awl to get some fuzz out, which I found very funny.)
Then, leather:
As you can see, I lose a lot of details in the teeth there, so I went around the edges with a heated brass stylus.
I bought a special skull stamp for the spine: it definitely wasn't made for heat, because while it did serve the purpose, it also came with a metal handle which made handling it awkward. (Oven mitts did not give me the necessary amount of dexterity. I ended up sort of wrapping a paper towel around the handle. My cousin has since informed me that we do own fire resistant gloves, but I did not remember this at the time.)
The stamp was also a pain to get even: it had to be at juuuuust the right temperature and pressure, or you'd either get too much or too little, as shown. It was also pretty picky about foil, but the brass color matched the endband cloth and insides best anyway, so that worked out. (White was a definite no.)
The other fun bit of this was doing the edges: I did them with black foil, but as we established in my earlier foiling experiments, that's not the most reliable. I think I got the best results so far on the top, but kept getting flakes on the others. I ended up painting the outside edge with ink, and then foiling on top of that. The bleed onto the pages ended up looking pretty neat, but since I hadn't done it on the top, I didn't do it on the bottom so that it wouldn't look weird on the inside. I'm not sure the foil added as much gloss as I was hoping for so next time I might just do the ink.
It did mean that I had to separate all the pages twice; I ended up bringing this to my girlfriend's haircut appointment and working on it in the corner. I hope it was the most strangely specific thing the stylist had seen someone doing when they tagged along.
SIEUN POPPY, 2022
Found this in a plant catalog and couldnβt stop laughing
internet politics and real-world politics have gotten so separated, and pretty soon all this internet weirdness is gonna come crashing into real life and politicians are gonna start throwing around words like βSJWβ and βanime communistβ and βdark enlightenmentβ and itβs just gonna be the most ridiculous fucking thing
LOONA β‘
Sinners studies in heavypaint
I do want to touch on one more thing. When black people were stolen from Africa and put on those ships. They stripped us of our culture, our language and our history. A lot of us in present day canβt even say where our ancestors came from exactly, we canβt speak the language, we donβt even know the names of our forefathers.
That music scene was so moving because it highlights that despite all of the terrible atrocities, we are connected. Past, present and future. Itβs in our soul, itβs in our very bones. We will always carry each other. Itβs spiritual and itβs unbreakable. That power is our birthright.
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