Accuracy is influenced by the ENTIRE chart.
Ketu 9th House - The 9th H can provide insight on your father. Ketu in 9th H can indicate a religious, cultured, foreign, freedom-loving/giving, detached father.
EX: Absent Father - Ketu 9th H - 9th ruler in retrograde. This person's father has been absent their entire life.
Saturn in 4th H - One indicator of a restrictive or lonely childhood. One may have only one parent. Or parents are attempt to restrict you. One may have been born to a physically small home. One may feel an emotional coldness to one parent.
in 4th, saturn aspects first and sixth house. You may look older or behave in a more mature manner. You may be reserved and cold in demeanour. You may at some point in life have a bone related injury or disease.
DK in 3rd H - Your relationship with siblings (or cousins if you are close to any of them) will be influenced by the spouse.
If DK is a well placed benefic like Jupiter or Venus the spouse can play as a mediator or advisor to you & them. Spouse may befriend them.
If DK Is an ill placed malefic, the spouse can intentionally or unintentionally clash with your siblings.
EX: Scorpio DK Sun 3rd H - after marriage the person slowly lost the relationship w siblings & cousins (who were like siblings to this person as they grew up next door to one another).
In this case, the spouse was a narcissistic person. They clashed w the person’s family - thus, the siblings & cousins slowly distanced themselves. The spouse was emotionally abusive & kept the person isolated. The marriage ended in divorce.
Scorpio is a karmic sign. DK SUN in scorpio can indicate a karmic relationship with the father &/or spouse. From this person’s chart, it can be seen they were meant to handle this karmic connection alone & independently.
Mars and/or Ketu in 2nd H Libra - This is one indicator after marriage, your relationship with family becomes distant - emotionally or physically you go far away. You are meant to deal with the karmas (good or bad) of the marriage alone.
EX: MARS CONJUNCT KETU IN LIBRA 2ND H - I have seen this as a person’s mother dying shortly (4 years after) they married. They were an only child & did not have a relationship w their father. Thus, they were truly without their family after marriage. This will not be the case for most people with this placement. This person’s chart had many other indicators & dasha periods were triggering specific placements.
EX.2: MARS CONJUNCT VENUS IN LIBRA 2ND H -This person moved 3 hours away after marriage. They had a bad relationship w the family - thus, they were emotionally distant and barely saw the family for almost a decade. The marriage was full of ups and downs - eventually they divorced & the person had to fall back on their family for a place to live. The relationship w the family is now okay although some resentment from childhood remains.
PLANETS IN LIBRA - These are important and activated in married life. How will depend on the planet, aspects & nakshatra.
The above is an example of this. Mars is a cutting energy. 2nd H shows family & resources (ex: money, possessions, voice) in vedic. In libra, this will be activated in marriage thus a person is likely to “cut ties” w family to some extent depending on the entire chart.
OKAYYYYY HELLOOOO YOU SHIFTED??!?? PACK IT UP MASTER SHIFTER 😩🫶🏽
BAE WHAT WAS THE METHOD PLEASE THESE ALMOST SHIFTS AND SHIFTING FOR TWO SECONDS ARE EATING ME ALIVE HELP A BISH OUTTTT
the anti-method (a.k.a., you were never here to begin with).
౨ৎ this isn’t a method (well, sorta). no steps, no trying, no reaching. it’s a glitch. a realisation. a quiet little crack in the mirror. it did make *me* shift !!!
there was never a door to open. never a distance to cross. you were never locked out. just lost in a dream, trying to wake up when you were already awake.
people talk about shifting like it’s a journey, a climb, a thing to chase. but what if it was always just a memory?? something lodged in the back of your mind, waiting for you to remember it? like a word on the tip of your tongue. like déjà vu.
you were already there. you just forgot.
i , lie or sit still. don’t try. don’t force. just let yourself exist, soft and untethered. feel your body like it’s not yours. just a borrowed costume, a dress-up game you forgot you were playing. limbs are foreign. the weight is someone else’s problem.
ii , ask yourself. " WHAT IF I ALREADY SHIFTED AND I JUST...FORGOT? " not “what if i go there,” not “what if i shift.” but what if i was always there? what if i just... blanked out for a sec?
iii , your brain will (probably) panic. it’ll start grasping at straws, trying to prove you’re still here. trying to reattach you to the illusion. let it fumble. let it glitch. just keep thinking :
◞ i already shifted. i just forgot. ◞ i’ve been there this whole time.
it’s not a theory. not a wish. just a fact you misplaced somewhere along the way.
iv , the mind collapses on itself. how do you know you aren’t already in your dr? how do you prove this isn’t the dream? the body stops feeling like yours. the world gets flimsy at the edges. and then? the illusion shatters.
v , you remember. not enter. not “get there.” just....remember. your dr? you were in it before you even asked. shifting? you never had to try. it was always just a breath away. you were never locked out. you just forgot the door was already open.
vi , you're there. like the ending of a lucid dream where you suddenly know without needing proof. and that’s it. you're there. you always were.
⊹ ︶︶ ୨୧ ︶︶ ⊹
the anti-method works for getting into the void as well, as it bypasses the idea of getting there entirely. instead of treating the void as a destination you have to reach, it flips the perspective :
you’re already in the void. you just forgot.
the void isn’t something you enter. it’s something you remember. it’s the default state, the space beneath everything else. but your mind, in its little desperate need to cling to reality, convinced you that you’re somewhere else. that you’re here instead of there. this method forces your brain into a logical spiral . . .
◞ how do i know i’m not already in the void? ◞ how do i prove this isn’t the dream? ◞ what if i just… forgot?
and because your brain can’t disprove it, the illusion starts to crack. your body stops feeling real. the world starts to feel dreamlike. the physical self detaches, and, poof, there you are. or rather, there you always were.
it works because it messes with the fabric of perception. if you stop believing in the difference between “here” and “there,” what’s left???? just being. just existing. and in that moment of realisation, the illusion of reality collapses. and you remember the void like an old childhood memory suddenly rushing back.
once you're in the void, once the realisation fully sinks in and the illusion crumbles, you're just there. infinite. detached. pure awareness. it’s like waking up from a dream, but instead of waking into your bedroom, you wake into nothingness. and then? well, you decide.
◞ if you want to affirm, affirm. ◞ if you want to shift, set your intention and let yourself go. ◞ if you want to just exist in the void, soak in the weightless, limitless nothingness.
there’s no next step because the void doesn’t require doing. it’s the ultimate being. you can shape it, or you can let it hold you. either way, you’re already exactly where you need to be.
what happens after? whatever you want. that’s the whole point.
౨ৎ and that is it. no trying, no reaching, just a little oh. moment. a déjà vu in the back of your mind. go play in the dreamscape. you were never here anyway.
you definitely don't require this method, or any method at all to either shift *or* get to the void, but method can be fun ! you can definitely try this one out if you wish.
I've always thought Jupiter ruled Nakshatras (Punarvasu, Vishakha, & Purvabhadprada) to be veryy magical with their themes of limitlessness, expansion, sheer spiritual abundance & power. I'm not sure if it has been talked about before, but something that always comes to mind when I envision Jupiterian Nakshatras or meet heavily Jupiter influenced people, is the concept of genies.
Jupiter's abundance and endlessly giving nature is known to be a blessing and a curse. A Jupiterian can be the sweet, generous, selfless friend who is there when you need them; providing you endless support, refuge & material generosity.
The dark side of this inherently generous 'wish-fulfilling' nature of Jupiter Nakshatras, is the possibility that they enable dark behaviours in others & themselves. Always saying yes, always being available and endlessly giving to the wrong type of cause or person, can make you complicit in the crime so to speak, even if the intention is simply to give, or give chances (Punarvasu's themes of second chances, 'return to the light'). Jupiter Nakshatras entail hugeee lessons regarding purpose (Vishakha, 'the Star of Purpose') & being intentional and wise as to how you use your power and influence (the infamous test of character in Purvabhadrapada 'the man with two faces').
These Jupiterian themes have always made me think of genies- wish fulfilling creatures who are inherently unable to say no to the wishes uttered to them. Having to just sit and watch people wish for dreadful things and just go... 'as you wish'. Obviously in real life, there really is a choice not to feed into others' and ones own toxic patterns but with Jupiterians, the urge to give, to be constantly available to others, can almost feel like it's not a choice. It's energetically intertwined in their make-up.
I would love to gather more examples, but it's 3am here and this was a bit of a spur of the moment thing I had to get out haha- I looked into a few of the most prominent 'genie' roles in movies and as I suspected, every single one features an actor/actress with strong Jupiter influence.
Jeannie from 60s sitcom 'I dream of Jeannie' - actress, Barbara Eden has Punarvasu Ascendant
Kazaam from 90s comedic film 'Kazaam' - actor/basketball player Shaquille O'Neal has Purvabhadrapada Sun
Genie from Disney's Aladdin - played in the live action movie by Will Smith, Vishakha Moon.
This genie theme really makes me think of all of the Jupiterian Nakshatras, but Vishakha especially. A friend of mine who is a Vishakha stellium always tells me about how it is said that Vishakha has the ability to generate 'instant karma'. So Vishakha natives to an extent greater than other Nakshatras will receive the raw manifested result of their thoughts/actions veryy quickly. Much like a genie granting instant wishes.
I was going to mention also that the whole genie archetype also reminds me of Rohini a bit- the wish-fulfilling aspect, the element of fulfilling desires without shame/inhibition. It's a little different in nature, but Rohini Nakshatra's got a similar theme where the native is incredibly nurturing of who or what sets their heart on fire, sometimes to a fault. Rohini is capable of immense growth but can forgo morality/practicality for the sake of immersion in the process of creation & sparking joy. Rohini's philosophy is something along the lines of 'let go of judgement because judgement inhibits creation and disrupts purity'. This is very true, but of course as humans on the divided and dense Earthly plane, we know that having a sense of judgement & boundaries is also important.
That was very wordy, but hopefully y'all see what I'm getting at lol. Although I'm more inclined to associate Rohini with wise old wizard dudes with cool beards & mad but genius scientists lol.
Back to Jupiterians-
I believe that Jupiter Nakshatra's 'remedy' is to eventually realise that they are not a slave to their giving nature, and the power lies in them to decide, & give only to a person, dream, goal or cause that truly is aligned with their own soul's path. Break free from the shackles lol- with wisdom hopefully. Without that element of wisdom, Jupiter can run wild with that discovered power.
Jupiterians struggling with discernment is why Jupiter Nakshatras oppose Venusian Nakshatras (Bharani opposes Vishakha; Purvaphalguni opposes Purvabhadrapada; Purvashadha opposes Punarvasu). Venus masters the fine art of 'necessary cruelty' sometimes ya gotta rip out the weeds, warn off the pigeons and trim the rose bush to make your garden a beautiful, pleasant, luxurious place. Jupiter can struggle with this, instinctively wanting to be a safe space for everyone and everything.
Jupiter ruled Nakshatras also partially oppose Solar Nakshatras (Krittika, Uttaraphalguni & Uttarashadha) illustrating the Jupiterian struggle with putting oneself first. Solar Nakshatras keep their energy strong and vibrantly resounding at their core; wheras Jupiter Nakshatras are kinda messy with their energy (lol, not necessarily in a bad way)- they disperse their energy everywhere, giving & giving. Both Solar & Jupiter Nakshatras deal with themes of limitless reserves energy, but in opposite, contrasting ways.
There's so much I could write about Jupiterians, I love Jupiter energy very much. I really love all of the Nakshatras lol, I mean how could you not? Every Nakshatra holds teachings that are integral to making the world a better place 💕🪷
Thankyou for reading!
A lot of people talking about mars nakshatra but one thing about them is they care too much. LIKE TOO MUCH about everything and anything they human or humanly possible, which gets made fun of or dogged at but it’s truly a wonderful and good thing. Shows we are alive. They will literally cry with, for you and because of you. They are not as conniving naturally but are smart thru self preservation. Underneath all the battle warrior is a very soft sensitive being. They don't know how to but would benefit from emotional contention, from others. They really look for connection but don’t really know how, its kind of rowdy messy or all over. They are more (probably) emotional than moon nakshtaras
swear to God that i get accused and harassed just for caring and being passionate about people places and things. Like if you are about the truth your enemy #1.
They deal with alot mental health issues, well i notice alot of other nakshtaras do. But they want to be loved and notice/taken into account because they really do feel and experience life lowly until they rise. They get very immersed in Maya and their senses. They can’t be detached like Saturn, Sun or Ketu or attached for benefit like Venus, Moon, Mercury or Rahu. They kind of just attached because they can or feel the need to. They may not be as ”giving” but thats why they benefit from relationships with Jupiter or Venus (if Venus wants to) where they kind of learn from, Sun too maybe.
Literally me:
astro observations about uranus in 9th house
-> like to question thoughts and philosophies
-> they have their own way of dealing with foreign languages, they usually mix languages and have ease with more than one language
-> mental freedom
-> they tend to prefer to keep their mind open to change positions
-> they don't believe in thoughts only based on warm defenses, which have no rationality
-> they don't feel the need to belong to something
-> they may feel misunderstood when it comes to beliefs and ideologies
-> open mind
-> tolerant
-> they can't handle people with a conservative mind
-> unique way of thinking, of seeing the world
-> quite spiritual, but not in a devout way
-> they may be interested in studies on genres, diversities
-> tendency to like to understand politics and how governments work
-> search for social justice
-> they are always learning
-> the person is interested in many things, but finds it difficult to keep studying the same subject need to take breaks
-> mind that likes to be stimulated especially by new subjects
> the person abruptly changes worldview with a certain frequency during life.
-> the person wonders about points in life that people don't normally ask about
-> modern views that can shock their family.
❌ afflicted:
-> utopian visions
-> intolerant
-> serious issues with authority figures
-> disinterest in higher education
-> fixed worldviews
-> loneliness
-> search for social justice in extreme and contradictory ways
Pushya Nakshatra can give people with these placements a stringent and intense personal nature, making them both compelling and difficult to relate to. Although they project an air of charm and magnetism, their inner nature remains firm and resolute, revealing a character that is hard to sway or soften. Outwardly, they display a strong, charismatic front, exuding an impenetrable presence. Beneath this cool, composed exterior lies a delicate, coy sheepishness that is often guarded and suppressed. This blend of jadedness and discomfort, coupled with their projected charisma, is a defining feature of those born under Pushya
In relationships, Pushya natives exhibit a frustratingly strained dynamic. Ruled by both Saturn and the Moon, they are known for their emotionally guarded nature, often requiring others to push past their tough boundaries to gain their care. This combination of Saturn's discipline and the Moon's emotional depth creates a strong sense of FOMO regarding human connection, contributing to their regrettable withholding of Cancerian lunar emotional expression. Their relationships can become one-sided, with emotions often delayed, suppressed, or carefully controlled.
Famous breakup songs by Pushya natives illustrate this dynamic. Selena Gomez, a Pushya Sun and Rising, captures the need to sever ties to connect with her emotional self in "Lose You to Love Me." Selena Gomez's turbulent, on-and-off relationship with Justin Bieber, often seen as detrimental to her emotional well-being, aligns with the Pushya tendency to engage with challenging dynamics rather than seeking warmer, more nurturing exchanges. Her regrettable actions toward a friend who donated a kidney to her, coupled with her continued use of the "Jelena" narrative for relevance despite both parties moving on, further illustrate the paradoxical and often detached nature of her emotional interactions. Similarly, Nico, with her Moon in Pushya, was frequently described as "unable to love anyone." Her deliberate attempt to obscure her beauty and be perceived as "ugly," despite her model appearance and surprising maternal connection to Alain Delon, reflects the emotional detachment characteristic of Pushya. Nico’s music, particularly in songs like “All Tomorrow's Parties” and “The Marble Index,” exudes a chilling, distant aura that aligns with the Nakshatra's influence of suppressed emotions and interpersonal discomfort. In “All Tomorrow's Parties,” her haunting and detached vocal delivery underscores a sense of emotional distance and isolation. “The Marble Index,” with its bleak and eerie atmosphere, further exemplifies the Pushya influence through its stark, emotionally repressed sound and lyrical themes. Cher Lloyd, another Pushya Sun, reflects strong attachment and desire only after separation in "Want U Back." Tommy Genesis, a Pushya Moon, exemplifies this influence in her song “Hair Like Water Wavy Like the Sea,” which is coldly tantric and dissonant, reflecting the Pushya Nakshatra's tendency toward emotional detachment and a unique, almost alienated allure. This sentiment aligns with the frequently expressed notion in Pushya natives' works of not finding another person like them. Alanis Morissette, a Pushya Rising, expresses attachment emerging post-heartbreak in "You Oughta Know," with songs like "Hands Clean" and "You Owe Me Nothing in Return" showcasing a transactional view of relationships, influenced by Saturn. Kate Bush, a Pushya Moon, explores this offbeat emotional landscape in "Wuthering Heights" and "Love and Anger," revealing the struggle between emotional expression and sheepishness. Celine Dion, the “My Heart Will Go On” singer and a Pushya Rising, reveals this nature in “Water from the Moon,” where her emotional investment in relationships appears to emerge only when there's something to strive for, contrasting with her otherwise robotic coldness. Additionally, despite rumors and public speculation, Celine has never come out as a lesbian or claimed that label, even though she’s rumored to have had a longtime girlfriend. Since the death of her husband and manager, she has become anorexic and has not publicly dated anyone, fueling rumors about her offbeat true personality or social awkwardness, humorously attributed to her being French-Canadian. Her literal approach to communication, devoid of sarcasm, is highlighted in her sharp comment about her slimness: “If I like it, I don’t want to talk about it. Don’t bother. Don’t take a picture,” she said. “If you like it, I’ll be there. If you don’t, leave me alone.” Lisa 'Left Eye' Lopes, a Pushya Rising, embodies similar traits. After leaving TLC to pursue a solo career and album, which resulted in a flop, and accidentally committing arson at her fiancé's home, rumors of mental illness contributed to her dissonant public image. Additionally, this detached delayed emotional nature is expressed by Iggy Pop, a Pushya Rising, evident in his song “Candy,” where emotional attachment is presented with a blend of nonchalance and sincerity, reflecting Pushya's paradoxical lunar-Saturnian nature.
Despite their lack of direct or warmer emotional expression, Pushya natives tend to attract significant attention due to their magnetic presence. This allure is often coupled with a delicate, robotic quality-an emotional detachment that can make them seem inaccessible or unfeeling. Their approach to romance is passive, relying on attraction rather than pursuit. This passive allure, combined with their tendency to "beat around the bush," gives them an air of casual detachment that can be both intriguing and frustrating to those seeking deeper connections. Men with this placement may seem smooth and confident but often reveal a more sheepish and coy side when confronted seriously, recoiling from direct emotional engagement. This can make them appear brusque or dull, with an icicle-like coolness contributing to their reputation for being undateable despite their occasional appeal. Milo Yiannopoulos, with a Moon in Pushya, expressed in a Vice video a preference for the 1950s lifestyle of having a wife and kids while secretly seeking out men for excitement, despite being gay. This sentiment reflects Pushya's sociopathic and often paradoxical relationship dynamics. Similarly, Iggy Pop, another Pushya native, has demonstrated this paradoxical nature. In a 2003 interview, when asked about his gay experiences, he said, “I'm to the left of tolerant, but l've never had a gay experience. Two or three times, excited gay friends wanted to, like, nibble my nuts - generally when I was passed out or distracted. And then l'd go, 'Hey! Bruce! Cut it out!' And that would be the end of that. The gayest it got is some guy approaching my scrotum with oral intent." His performances, including appearing naked, further illustrate his provocative and daft demeanor. This reflects the Pushya tendency toward surface-level relationships, where genuine emotional intimacy is often sidelined for more controlled, socially acceptable facades. Yet, even when not conventionally attractive or warm, they possess a unique charm that makes them compelling, offering a blend of jaded wisdom and captivating charisma. In social settings, they command a significant presence, often becoming the center of attention. Their strong, magnetic aura can overshadow others, but their delicate, antisocial quality can make them seem wooden or unfeeling. They can be fair and disciplined, but when slighted, they may exhibit a nasty streak, especially if their reputation is at stake. Their tendency to maintain social status can lead to a tendency to escape controversy, complicating their relationships. Pushya natives are seen as sexy yet asexual, possessing a magnetic allure that is both enticing and disconnected, making them difficult yet intriguing to interact with. Loretta Lynn, a Pushya Moon, subtly captures the possessive yet heavily understated nature of Pushya natives in her repressed sentimental songwriting, particularly in tracks like 'One's on the Way,' which, beneath its light objectivity, reflects a profoundly understated perspective on women's desperation, and 'You Ain’t Woman Enough,' where emotional care is expressed in a reserved, only manifesting in possessive “don’t even try” manner. After her husband passed, Loretta Lynn's long-time companion was her gay dressmaker, who lived platonically with her at the ranch as her full-time caregiver, reflecting preference for controlled, uncomplicated interactions similar to what is observed in Celine Dion and Milo Yiannopoulos, where deep emotional engagement is often avoided in favor of easier, more manageable relationships suiting their inhibited emotional nature.
In terms of their acting, Pushya natives often bring a distinctive and unsettling presence to the screen. This presence is marked by a restrained intensity that can lead to performances both acclaimed and criticized. Geraldine Chaplin's Sun in Pushya is evident in her eerie performance in “Remember My Name.” Her portrayal of a cold, antisocial character driven by repressed emotions captures the essence of Pushya's guarded and uncompromising nature. Selena Gomez, with her monotonous, dry voice, infuses her roles with a certain inaccessibility, resulting in performances that are notably lackluster yet compelling. Jack Nicholson and Peter O'Toole, both with Rising in Pushya, deliver masterful yet occasionally “hammy” dramatic performances. The clash between their natural reserve and the demand for emotional depth creates roles that are larger-than-life but somewhat disconnected. Kevin Spacey and Clint Eastwood, both with Moon in Pushya, are known for their portrayals of cold, stoic characters. Their performances are characterized by a lack of warmth and a focus on a smooth, robotic demeanor. Tom Cruise, another Moon in Pushya native, is more famous for his daring stunts than his emotional depth, reflecting the cold detachment often seen in Pushya actors. Willem Dafoe and Chace Crawford, with their icicle flair and sometimes wooden performances, further illustrate the Pushya influence. Lauren Bacall, a Pushya Rising from Old Hollywood, was known for her cool, composed roles, with her husky voice and limited emotional range reinforcing the characteristic detachment. Shia LaBeouf, also a Moon in Pushya, resorts to extreme method acting, such as sending a sex tape of himself for his audition for “Nymphomaniac,” which underscores his often vacant, disconnected demeanor. Pushya natives, influenced by Saturn and the Moon, often manifest a repressed, cold intensity that can be downright terrifying. James Woods, a Pushya Rising, exemplifies this with his chilling performance in “Videodrome” and his disturbing off-screen behavior. James Woods’ high IQ, CIA and 9/11 connections add to his detached, unsettling persona. His spot in Hollywood arguably being taken by Kevin Spacey, another Moon in Pushya, highlights the needed eerie role with unsettling energy in the industry. Wesley Snipes, a Pushya Moon, also embodies this intense nature. Known for his role in “Blade,” Snipes’ cold behavior is evident in a troubling incident where he reportedly punched Halle Berry, causing her permanent hearing loss. Similarly, Clint Eastwood, a Pushya Moon, is often associated with Hollywood conservatism and exhibits a surly, detached demeanor in his roles, reflecting the aggressive nature linked with Pushya placements. Angelina Jolie, a Pushya Rising, channels an icy intensity. A video of her in an acting class, where she chillingly says, “I’m going to hurt you,” demonstrates her ability to tap into darker aspects of her personality. Pushya Moon Monica Bellucci's role in “Irreversible” resonates deeply with the themes of Pushya Nakshatra, particularly through its portrayal of intense emotional detachment, the cold, relentless passage of time, and the dark, unsettling atmosphere that pervades the narrative. The film's reverse chronology mirrors Pushya's struggle with processing emotions, often delaying emotional responses in a way that gains clarity only through the need for closure. “Irreversible”’s brutal and unflinching depiction of violence and vengeance reflects Pushya's tendency towards emotional repression, capable of erupting into intense, sometimes destructive outbursts when provoked. The inherent detachment of the movie, coupled with a haunting sense of inevitability, highlights the Nakshatra's darker traits.
Pushya natives' musicality also reflects their characteristic qualities. Kate Bush’s “Experiment IV” showcases a blend of eccentricity and emotional distance, aligning with the Pushya Nakshatra’s influence. Similarly, Iggy Pop’s band The Stooges, particularly with their song “We Will Fall,” demonstrates the Pushya tendency toward offbeat and unsettling artistic expression. These musical examples underscore the Pushya natives' challenge of merging emotional depth with their often detached and robotic tendencies. Whether it’s Kevin Spacey’s smooth, emotionless portrayals, Jack Nicholson and Peter O'Toole’s dramatic yet disconnected performances, or Wesley Snipes’ and James Woods’ aggressive behaviors, these actors show a pattern. Their acting, marked by a chilling detachment and intense jadedness, makes their roles both memorable and unsettling. This aggressive, ice-cold presence is a defining characteristic of Pushya, giving their performances a haunting and impactful quality.
Similarly, Paris Hilton, with her Moon in Pushya, exhibits these traits through her frequent damage control efforts following allegations of bigotry, coupled with her self-description as asexual. This highlights the Pushya tendency to maintain emotional distance and control public image, engaging with controversies only when necessary and avoiding deeper emotional truths. Actors like Jack Nicholson and Kevin Spacey, both with Moon in Pushya, further illustrate these traits. Jack Nicholson, known for his detached and problematic sexual behavior, has avoided significant repercussions, reflecting the Pushya ability to manage public scrutiny while maintaining a distant, yet charming, demeanor. Similarly, Kevin Spacey has evaded full cancellation despite serious allegations, showcasing the Pushya trait of detachment and smooth nature, specifically toward his public image management amidst controversy. Jennifer Lopez, also with a Pushya Moon, exemplifies this dynamic in her off-and-on relationship with Ben Affleck, where the public narrative suggests a push-pull dynamic that aligns with the Pushya tendency to engage in emotionally challenging rather than straightforward, nurturing relationships. Halle Berry, with her Pushya Moon, has experienced a tumultuous abusive love life, an emotional disconnect influencing her choice in both partners and non-leading movie roles, further highlighting the influence of this Nakshatra's emotionally detached nature.
In more expressive situations, Pushya Nakshatra natives, typically nonchalant and dry, display a unique blend of charisma and detachment. This is evident in the performances and public personas of various celebrities. Kate Bush and Iggy Pop exemplify this with their offbeat randomness and quirky performances. Kate Bush’s theatrical and enigmatic style, as seen in her music videos and live shows, often carries a whimsical and cryptic quality that can be both alluring and unsettling. In contrast, Iggy Pop’s eccentricity is characterized by his punk-like energy and daft demeanor. His Countdown performance of “I’m Bored” vividly demonstrates this with its random and forced energy, while his pre-performance interview highlights his brash and unapologetically unconventional personality. Celine Dion’s public persona also reflects Pushya traits, notably in her “Carpool Karaoke” appearance. Despite her immense talent, Celine Dion has received feedback about appearing socially unaware or brash in casual settings, and her deeply sincere demeanor can sometimes come across as disingenuous. Jennifer Lopez, another Pushya native, has faced public mockery for being daft, such as with the “Jenny from the Block” persona, illustrating how Pushya’s blend of charm and detachment can lead to both allure and scrutiny. Additionally, Alanis Morissette’s haunting and overly somber parody of “My Humps” adds a layer of offputting and robotic non-dancing quality, further reflecting the Pushya Nakshatra’s influence. Together, these examples underscore how Pushya Nakshatra natives channel their magnetic presence and emotional depth into their public personas and performances, blending charm with a profound sense of daftness and outlandish forced quality.
In summary, the personalities and artistic expressions of those born under Pushya Nakshatra embody a detached post-ironic blend of charm and emotional reserve. Their magnetic yet distant nature makes them both captivating and elusive, often leaving others grappling with the tension between their charismatic allure and the cold, restrained undercurrents that define them. Pushya natives consistently reveal a guarded, sheepish sensitivity that is rarely overtly expressed. This unyielding reserve, coupled with their impenetrable public facades, reinforces their enigmatic presence—simultaneously drawing people in and leaving them exasperated with a sense of Saturnian delay of lunar expression.
Astrology Observations VII.
Krittika nakshatra is the most skeptical about spirituality and religion. Being the first sun ruled nakshatra Krittika is sharp and cutting with truth and anything of a lunar or devotional nature doesn’t innately attract them. They tend to accept their reality more than most.
On the other hand, Uttara Ashada is naturally very conscious about religion and spirituality and may have more inclination to practice the more physical acts of devotion or enlightenment such as yoga or meditation.
Dhanishta is truly their own brand of original, they have a funny and open way of expressing themselves that is truly captivating to others. They’re very honest about who they are and that’s what magnetizes others to them.
Dhanishta women have a very “succulent” and “rich” aura to them. It’s as if you want to take a bite out of their presence because it’s so warm and nourishing. Their internal softness and warmth bleeds through their external power and creates an intoxicating presence that can only be felt.
Mercury ruled women are rather mysterious and elusive. They’re extremely multi-faceted and internally rich they can be hard to pin down and get to know truly, they can put on many hats and are also very protective of their energy.
Shravana men are sensitive and artistically inclined particularly to music and singing.
Led Zeppelin album as eye-shadow palette
The Saturn Nakshatra stage is about reevaluating the quality and durability of the given house area in your chart.
That will wildly vary between charts as to how it manifests, but generally Saturn cleans up the mess that the Jupiterian expansion left behind and tests the fortitude of the house Saturn occupies in your chart. You will notice such effects in your life, even if you don’t get a Saturn Mahadasha in this incarnation, simply through the Antardasha of another Mahadasha period.
To give you an example, I have Saturn in the 4th house and I was born in the Saturn Mahadasha, which lasted until I was 11. Even though I was just a child, I had a lot of changes around me during that time (probably because my Saturn is in a Mars Nakshatra), and every housing/family situation I’ve been in during that time has been tested and ultimately what didn’t hold fell apart, until only what was really stable remained when my Dasha changed into Mercury. First, my parents split up and my mom moved out of my fathers apartment. Then, I lived with my grandparents at their house, but it was very small, so there was no long term room for me, I slept in the living room, and my grandparents were getting increasingly tired at raising a child at their age. After I moved into our new apartment with my mom, I still visited every weekend and every major holiday, until by the end of the Dasha my grandmother refused any more sleepovers, saying she was too old and tired for the work it took and family visiting was reduced to Sunday lunch.
Then there was the matter of family community (since my Saturn is in Aquarius). We used to have a very big community between all my aunts and uncles and cousins and their extended family, which resulted in Christmases of around 12 people. By the time my Saturn Dasha ended, my uncle got a divorce and moved abroad to work to be able to afford paying child support. As a result, the family gatherings we got through his marriage were cut, and our holiday celebrations were cut from 12 to 4 maximum 5 people. That change was permanent, and when the Saturn Dasha ended, the family stayed in that shape for a very long time, and only eroded slowly with deaths of family members over time.
I gave you this description so that you can check the Saturn Mahadasha or Antardasha periods in your own chart relative to its house position and observe the changes that took place in your life, and what remained after Saturn’s cleanup.
My Key Ingredient For Shifting
☾ * . ☄︎ * . ⭐︎* . * . ☄︎ * . ⭐︎
You could be doing everything right, but if you see yourself as trapped and trying to escape, that's what's going to reflect- you doing everything right and still being stuck, like a bird in the cage. You already know you have it, you already know you're there, you already know how. You're free- let yourself be free. Let it be true.
As Neville Goddard would say, "You cannot serve two masters or opposing states of consciousness at the same time. Taking your attention from one state and placing it upon the other, you die to the one from which you have taken it and you live and express the one with which you are united."
. ☾ * . ☄︎ * . ⭐︎* . * . ☄︎ * . ⭐︎
That's why the void is so sought out- it's complete freedom. You can get the same effect by manifesting freedom the same way you'd manifest anything else, you let yourself have it in imagination and then it reflects in the 3d. You let go of being trapped and pick up being free--freedom is just a state of mind, but it opens every single door.
That's also why people can shift without ever even knowing about it- their freedom is not limited. Same thing with people who can do it on the first try- their "doors" were never locked or closed, so there was nothing left to do but just walk through. They weren't putting obstacles in the way of themselves- they weren't stacking assumptions against themselves.
. ☾ * . ☄︎ * . ⭐︎* . * . ☄︎ * . ⭐︎
Truly, you can manifest anything by just releasing and letting go of the restricted mindset- your core state is pure awareness/consciousness/the void, free to choose anything. It's just the ego you're identifying with that has the limitations, but you're not your ego, or your mind, or your body- you surpass all of that. That's how shifting is possible in the first place.
If you want to be limitless, you can't keep putting limitations on yourself- let them go; stop trying to serve two masters. Are you walking through your world as limited or limitless? It might be more helpful to focus on that first before trying to shift to your DR. Manifest that you are always free, identify with limitless, and you've effectively given yourself the key to everything and anything you could ever desire.
The only thing that will ever stand in your way is your awareness that you place on limitations/ the assumptions/assumed states you carry around, but they're only illusions and reflections of your current mindset, fully malleable.
. ☾ * . ☄︎ * . ⭐︎* . * . ☄︎ * . ⭐︎
There is nothing in this reality or any other that can hold you back besides you. Let the entrapped identity go if you want to be free to access and choose and experience any reality you want.
And lastly, some words and identities that might also help ya out.
Confidence: the feeling or belief that one can rely on someone or something; firm trust. // a feeling of self-assurance arising from one's appreciation of one's own abilities or qualities.
Brazen Impudence: brazen means bold and without shame, while impudence refers to not being deterred by rejection or opposition // an unstoppable attitude in manifestation.
Courage: the ability to do something that frightens one's self // strength in the face of pain or grief.
Bravery: the quality or state of having or showing mental or moral strength to face danger, fear, or difficulty
. ☾ * . ☄︎ * . ⭐︎* . * . ☄︎ * . ⭐︎
loa still exists if you stop affirming and decide to give up. just because you quit doesn’t mean loa just disappears. you are either using it in your favor or you are letting your limiting beliefs win and stay in the same cycle. it is your choice and an easy one to make.
I know it’s not always easy to keep persistent with manifesting and loa but finding even a couple minutes to affirm throughout the day or before you go to bed or right when you wake up helps more than you think.
you don’t need to repeat affirmations 24/7. if you already have something and believe you have it why would you constantly keep telling yourself you have it? the main idea is to counter undesired thoughts. let’s say you’re manifesting money. in my opinion personally you don’t have to affirm for an hour saying your rich, for me that only produces more doubt because like i said before why would i be saying this to myself for an hour straight if i was already rich? what i do instead is try catch myself when i have doubts in that, or remind myself a couple times throughout the day like “im so glad im so successful. i am so rich. i have enough money to buy anything and everything i could ever want. it’s so nice being able to buy anything.” etc etc i also like making excuse for my doubts on the 3d.
like if i tell myself “well if i was so rich why am i working customer service?”
“oh just to keep busy throughout the day, i got too bored and have nothing better to do!”
or i just flat out ignore anything that makes me doubt my assumptions because why would i care about it if it doesn’t align with me? why would i put energy into something that isn’t meant for me?
i think it’s useful to view aspects you don’t like of your 3d as such. unimportant, distant, and not meant for you because you are meant so much more!!!!