You Don't Need The Void State To Manifest Whatever You Want

Let's talk about 3D/4D

There’s no 3d or 4d, just now. You have it now or you don’t. I believe all the 3D/4D stuff is confusing and complicated. If I want something, I'm going to decide I have it, in my 3d and 4d, bc it is the truth for me now. 

I used to be a believer in just fulfill my imagination only, but honey… the “3d” is also imagination. 

I think people who use terms (3d and 4d) in order to manifest, don’t truly realize that the “3d” can be changed instantly.

here is a reminder that loss and fears aren’t real. you can’t lose anything because everything is you. you can’t lose your person because they’re you. fears aren’t real because you’re the one who chooses how everything goes. you’re the one who is deciding everything so what is there to fear ? you’re fearless and always the winner. this is who you’re being from this moment forward. no more belittling yourself. no more underestimating the law. how can you be the god of your reality and still have fears ? what are you fearing ? yourself ? do you not trust yourself enough ? think about it. you trusted to be with someone despite your fears yet you can’t do that for yourself ? when really the only person you’ll ever have is you. you have to trust yourself and know that fears are nothing. whenever you’re fearing something, think of someone who doesn’t have that fear and see how their life is going. fear of abandonment ? observe a friend who doesn’t have that fear and see how their life is like. that should be “proof” enough for you that it’s ridiculous and it all has to do with you. why do people who fear absolutely nothing and 100% believe in themselves and who they are always receive everything they want ? why is everyone obsessed with them ? why do they not get abandoned, betrayed, etc. ? why can’t that person be you ? be fearless because you have nothing to lose but self. if you lose self, you lose everything. choose self, choose a fearless identity, don’t get shaken up by some stupid thoughts in your head, and fully KNOW that you’re safe and secure. give that to yourself within.

Venus Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 (part 2) 𝐨𝐟 𝐩𝐚𝐫𝐭 𝟒

warning⚠️: violent imagery & details, femicide, mentions of cannibalism and rape.

Venus exalting in Pisces signifies Venus' desire of indulgence & excess, as Pisces represents what is extremely vast, otherworldly and boundless, as its ruler, Jupiter, expands whatever it touches — this allowing Venus to be completely unrestrained (to the point of vampirism, even). It's very ironic that Venus nakshatras can express this nature as well, being that they're often associated with exclusivity, restriction and high standards. But then again, it is the attainment of godliness or worthiness that opens these boundless vampiric themes in the first place, which I will be shortly exploring. So, it won't come as a surprise that Venus nakshatras are seen heavily dominating the most violent or cannibalistic films I could find.

The 12th house is symbolic of transcendence and high powers, further amplifying this planet's desire to merge with something beyond the physical, this realization often leading to a kind of violent indulgence or sense of superiority to the point of total corruption.

This very consuming nature of Venus, where one's soul rots from their excess and indulgence, can be seen in the novel The Picture of Dorian Gray, written by Purva Phalguni ASC native Oscar Wilde.

The consequence of hedonism is what Oscar Wilde explores, as we follow the main character of the story who wishes to remain young & beautiful forever, while the portrait of him ages. And as he indulges in a life of excess and debauchery, he soon discovers that the portrait manifests his true moral decay. With Venus nakshatras, you'll see this play of beauty, innocence & youth alongside darkness, corruption & evil.

This particular concept of transformative hidden evils and the corruption of innocence beyond human control can also be studied in The Omen movies, where a young innocent boy, usually by the name Damien, turns out to be the Antichrist. Just like how Dorian Gray is the source of loss and corruption, despite his outer beauty, Damien's presence, though an innocent child, causes chaos and death, reinforcing themes of predestination and the inescapable power of evil.

The Omen (1976); Bharani Moon native Harvey Spencer Stephens as the Antichrist, Omen III: The Final Conflict (1981); Purva Phalguni Moon native Sam Neill as the Antichrist, The Omen (2006); Bharani Moon native Seamus Davey-Fitzpatrick as the Antichrist, 666: The Child (2006); Bharani Moon native Booboo Stewart as the Antichrist.

Bharani nakshatra, ruled by Lord Yama, embodies cosmic law and necessary destruction through karmic balance. The birth of the Antichrist is significant and inevitable. In these films, the child is literally divinely protected, as anyone who tries to kill him is immediately eliminated by unseen forces. Bharani represents the womb and the tomb, the character embodying this paradox as his birth brings death to humanity's faith — marking the end of innocence and the beginning of darkness & corruption. The Antichrist is literally meant to bring hell on earth, the fires to come merely a symbol of purification instead of senseless chaos.

The ones who wield evil, or a predatory kind of power, such as the character Jennifer in the movie Jennifer's Body, can be viewed as symbols of purging flames. After all, all three Venus nakshatras are Ugra nakshatras. The movie plays with the idea that being a corrupted, or “monstrous”, force can make one the instrument of judgment. So, Jennifer's selective killing essentially reflects the discriminatory nature of Venus.

Jennifer Check, played by Purva Ashada ASC Megan Fox, transformed into a predatory creature of a higher power and purpose, being a necessary evil who takes out the weak, the unworthy, and the opposing predatory force — males, who symbolize entitlement, exploitation, and agents of femicide. The Venusian is simply a force of reckoning, behind all of her beauty and seduction. In my Venus Dominant Themes part 1 post, I talked about Venus nakshatras embodying an equalizing, or domineering force of retribution and judgement. Jennifer's Body is this theme at its peak, as she was murdered by the male force as an innocent, so therefore goes on to brutally kill the boys at her high school after becoming demonic — this making her an apex predator in a world where women are always at the bottom of the hierarchy. She now became the punisher, in a sense, as there is justification for her monstrosity.

Purva Ashada is associated with cleansing & purification, connecting to her killing sprees where she devours the impure to restore balance. Bharani represents karmic retribution, acting as an agent of vengeance and justice. Purva Phalguni, on the other hand, represents pleasure, indulgence and beauty leading to one's downfall, as explored in the novel The Picture of Dorian Gray, and the journey in overcoming such temptations.

This is why Purva Phalguni needs Magha, or a strong Ketu force, to balance out its excess and chaotic compulsions. In Jennifer's Body, the main pairing is Ketu x Venus, where Needy is embodying Ketu's reducing force, as she is the only one to eliminate her demonic best friend. I already spoke of Ketu nakshatras being forces of destruction in order to reduce and drain, and Venus nakshatras overlap in this theme of vampirism as well, but they're also boundless and compulsive, which explains this nakshatra lord pairing.

Also, I talked about the compulsive eating and consuming nature in Bharani nakshatra through the character Dre in the series Swarm. There's a scene where Jennifer compulsively eats to satisfy her predatory urges, as her body is in a heat of transformation. Purva Ashada is also influenced by the Pitta dosha (which explains the presence of Venus nakshatras in cannibalistic movies).

Damien, from The Omen, is also another necessary evil, embodying a correction of the existing order. He is merely fulfilling a greater purpose beyond individual morality.

Purva Ashada Sun Seamus Davey-Fitzpatrick as Damien.

Like the religious doctrines say, the Antichrist is simply the precursor to the Second Coming, being the reason of a shift where the weak, the unworthy, and the sinners are removed (as, in Purva Ashada, it is the stage of cleansing and washing, however violent and chaotic this purification process goes).

The monstrous-feminine is a genre that is associated with Venus nakshatras, highlighting monstrosity being shaped inside the feminine which expresses rage & desire through themes such as violence, body horror and mortality. This concept essentially rejects traditional femininity, as it symbolizes a consuming power which cannot be contained.

In the movies Ginger Snaps, also starring a Purva Ashada native playing an apex predator, and Jennifer’s Body, the monstrous-feminine takes the form of godly transformation and insatiable hunger.

The character, Ginger, has an important transformation to werewolfism, mirroring the awkwardness in puberty and the intensifying sexual awakening. But much like Jennifer Check, this transformation represents an animalistic, bloodthirsty rage, along with sexual empowerment & female autonomy — making them the ones who sit right on top of the food chain.

Notice Ginger's bird skull necklace. Venus nakshatra characters, who represent a primal force, often decorate themselves with animal jewelries, to further signify this theme of being “king of the jungle”. This aspect of being apex predators relates a lot to hunting, too.

So usually, with these characters being bloodthirsty demons, there's a loss of control, as intense compulsions take over them when they dive more into the violence, which turns them into lethal predators who hunt for sport.

Purva Ashada Moon Katharine Isabelle as Ginger Fitzgerald in Ginger Snaps.

Bharani, Purva Phalguni, Purva Ashada are constellations which are said to be favourable for activities that require violence, force, weapons, confronting enemies, demolishing structures, setting fires, capturing others with force etc. These nakshatras are good for hunting and committing acts of brutality.

Purva Phalguni Sun, ASC Keanu Reeves plays John Wick who is a legendary hitman known as "Baba Yaga". Baba Yaga is a fearsome role in folklore who is an elderly deformed woman living in a hut surrounded by a fence made of human bones or skulls, this title that he has earned in the criminal underworld signifying him as a “king of the jungle” archetype. John Wick is characterized by his ruthless pursuit of vengeance and exceptional killing skills, making him good at hunting other humans to bring them to punishment.

Kraven the Hunter is portrayed by Purva Phalguni ASC native Aaron Taylor Johnson, who is a big-game hunter of people who are criminals, smugglers, mobsters and mercenaries.

Notice the animal claw necklace, signifying his animalistic dominance, just like with Ginger's necklace signifying her predatory power.

Now, the masculine expression of the monstrosity genre through Purva Ashada immediately puts the character Tighten, from the animation Megamind, to mind.

Purva Ashada ASC Jonah Hill voices Tighten, who reflects a fragile, toxic masculinity after attaining higher powers. He possesses brute force, while having extreme rage issues from his sense of entitlement & inability to handle rejection.

Tighten believes he is superior, but due to his immaturity, he's unable to actually wield his power to conquer — as some of these Venusians often do when they put themselves on top of the whole food chain.

Superiority means the exclusivity of others, and Venus naturally represents exclusivity in multiple ways. This also manifests into the hatred or discarding of others when this superiority means to reign dominion.

Although I briefly typed Chris Hemsworth as an Uttara Phalguni Moon native in my Sun Dominant Themes exploration, I do believe he could still possibly be a Purva Phalguni Moon native, as he plays the character Thor, who can summon Mjolnir because he is worthy to, as those who are worthy can be the only ones to. You see this theme of godliness, worthiness, superiority being repeatedly played through these Venus nakshatras, but especially through Purva Phalguni & Purva Ashada, as these are nakshatras which test the ones walking their journey.

Even Natalie Portman, who has Purva Phalguni Moon, becomes Lady Thor, and is one of the exclusive few deemed worthy & superior enough to lift & summon Mjolnir!

But back to superior, non-heroic characters.

Sephiroth from Final Fantasy has been voiced by Bharani Sun native Lance Bass, Purva Ashada Sun native George Newbern, and recently Purva Phalguni Sun & Bharani Moon native Tyler Hoechlin. He is literally driven by a belief in his own superiority and exceptionalism, seeing himself as the rightful ruler of humanity, believing that he is destined to bring about a new world order. Not only does he want to become god, but he seeks to also punish humans as well for vengeance.

As much as Venusians make great supervillains who seek to conquer through dominance, this general theme of their superiority/godliness extends to characters who are written to be good and just. Like Superman, for example.

Often been depicted with strong messianic symbolism, Superman is a superior figure who constantly sacrifices himself for the greater good of humanity, embodying the idea of a benevolent saviour who came from the heavens, not of human but for humanity — being portrayed, usually, as beyond human flaws.

General Zod is one of Superman's most formidable foes, if not the most, as he possesses powers which can level Superman's, making him beyond dangerous once he sets foot on Earth.

Zod is depicted as a ruthless and imposing leader, capable of inspiring both fear & loyalty in his followers, being the superior creature he is. Another thing of superiority is that it causes fear and mass obedience. General Zod is portrayed by Purva Phalguni ASC native Michael Shannon in Man of Steel.

Omni-Man is another character that can level Superman on a power level, although he's from another comic universe altogether. Like Superman, Omni-Man is an extraterrestrial being who possesses godlike strength, flight, and invincibility. He is voiced by Purva Ashada Sun native J. K. Simmons. But unlike Superman, who represents a benevolent god, Omni-Man represents a tyrannical god, wanting to reign dominion rather than co-existing with humanity.

Typical of this discriminatory god-like archetype, he sees humans as weak and expendable, his fatherhood being defined by wanting his son to abandon humanity altogether — as he believes that strength determines worth, justifying his brutality, cruelty and genocidal tendencies.

The pursuit or attainment of godliness inevitably leads to the devaluation of humanity itself, as seen through the Purva Ashada character Omni-Man. His belief that superiority requires shedding humanity and sameness altogether creates a chilling detachment which justifies the brutality and oppression of those deemed insignificant. Being of a species known for god-like superpowers, he prides himself in the very traits that make him dangerous, his massacres and destruction simply a demonstration of dominance. A reminder of how vampiric and gothic the Venus nakshatras can be, on a massive scale, Omni-Man exemplifies how godliness, often defined by superiority from the Venus rulership, ultimately leads to the dehumanization and brutalization of others.

In part 1 of this Venus nakshatra series, I talked about the act of brutality, especially through the feminine, often being provoked in the first place, the feminine being an agent of swift vengeance against their rapists or abusers. But it seems that the act of brutality itself is an appreciated form of art for the masculine, through these Venus nakshatras, especially brutality inflicted on the female body. In these movies, especially from their posters alone, you'll see how Venus men are very particular about women being the subject their torture p*rn.

For example, Martyrs (2008), is a torture p*rn meant to bring pleasure from its excessive, excruciating displays of pain. The grueling, nonstop butchery is thoroughly explored in a long 99 minute runtime which will likely scar viewers for life. This movie was made & directed by the Purva Phalguni Moon native Pascal Laugier. The most violent scene in it is the female protagonist being flayed alive. Notice the poster showing the brutalization of the female form.

On the right is the poster for the torture p*rn movie, The Curse of Doctor Wolffenstein (2015), clearly displaying the victimization of a female. The movie is about a devilish doctor whose limbs rot from drinking a portion that turned him immortal, so he recklessly goes mutilating and murdering villagers to harvest their limbs. Nothing and no one will be safe from him even years after his resurrection. Bharani Sun native Marc Rohnstock created & directed this gore-fest.

Faces of Death (1978) stars Bharani Moon Michael Carr, playing Dr. Francis B. Gröss, who shows a collection of the most gruesome deaths around the world. As the poster says, it has been banned in 46 countries, and it is considered to be one of the most shocking documentaries ever.

Cannibal Holocaust (1980), directed by Bharani Sun director Ruggero Deodato, is banned and heavily censored throughout the world. It is a found footage about a group of filmmakers who experience brutal deaths at the hands of a flesh-eating South American tribe. Another poster of this movie has a woman as the subject of grueling torture (bottom, right).

Bharani Moon native Umberto Lenzi created & directed the cannibalistic torture p*rn movies, Cannibal Ferox and Mangiati Vivi! (Eaten Alive). This discriminatory displays of torture or “punishment” against women in these posters and the excessive violence against women in these horrific visuals, created by Bharani men, makes an indirect connection to Lord Yama, the overseer of the most brutal tortures known to hell, reflecting this nakshatra’s interplay of sexuality, pain, pleasure and even deviancy, but expressed in very discriminatory ways.

Natural Born Killers (1994), directed by Bharani Moon William Oliver Stone, is about two lovers who go on a murder spree, killing more than 50 people. The story is written by Bharani Moon native Quentin Tarantino. The violence in the movie is used abundantly, and liberally, in the form of graphic murder, beatings, and torture. Bharani Moon native Rob Zombie is a slasher/horror filmmaker whose made many violent, satanic movies such as The Lords of Salem, 3 from Hell, The Devil's Rejects etc. He made movies such as 31 and House of 1000 Corpses which are about surviving against homicidal maniacs and serial killers, which display moments of mayhem, violence and mental torture. Literally as if one is trapped in hell trying to make it out of the parade of maniacal demons, a kind of atmosphere that a Bharani native would be exhilarated to artistically reenact.

Though not Bharani, Purva Phalguni ASC native Aaron Taylor Johnson portrayed a perverted nightmarish character, in Nocturnal Animals, who reigned terror over an innocent family with his gang of degenerates one night, similar to the plot in House of 1000 Corpses in which a couple finds themselves in terror in a home of serial killers.

spoilers!: him, and his gang, brutally rape and murder the wife and daughter, leaving the male unharmed but no doubt traumatized.

Hell is filled with demonic executioners, servants of the Devil, demons, who are agents of torture relishing in misery, turning the torments into parades of cruelty where victims are displayed, mocked, and tormented in front of other suffering souls to intensify their dread. There are different kinds of demons in Naraka (hell), such as the flesh-eaters or those who force sinners to relive their crimes through hallucinations. Not the least bit surprising that Venus nakshatras may also embody such evil, barbaric and even illusory beings.

In Avengers: Age of Ultron (2015), the character Scarlet Witch, played by Purva Phalguni ASC native Elizabeth Olsen, was first introduced as a mysterious villain, operating like a demonic agent of chaos, as she puts every Avenger under a spell where they hallucinate their dreadful past or future. There is an obvious relation to black magic with these nakshatras.

Purva Phalguni, being ruled by Bhaga, the god of pleasure and fortune, makes it associated with sensual indulgence, luxury, and excess. The intoxication of pleasure, the escapism into ecstasy which, taken into extremes, can descend into corruption & decadence, highlights Satanic or Luciferian philosophies which emphasize unrestricted desire.

Satanism is about rejecting imposed morality in favour of self-exploration and personal power, both connecting to self-gratification and may even lead to greed. So this nakshatra carries this exact energy, as it defies rules to revel in what the world deems sinful. Gluttony, desire, pride, lust, greed etc.

Even some depictions of hell aren't solely about burning in eternal fire and damnation, but literally being trapped in a never-ending, grotesque cycle of pleasure and consumption which winds up turning into torture itself. This reflects Purva Phalguni’s ability to push indulgence beyond joy, into addiction, self-destruction and pain (as better explored in the novel The Picture of Dorian Gray).

Devil’s Advocate (1997) is a movie which mirrors this shadow side of Purva Phalguni, strongly showcasing excessive pleasure, indulgence, vanity, and the seductive nature of power. It is directed by the Purva Ashada Sun native Taylor Hackford, and it stars Purva Phalguni Sun & ASC native Keanu Reeves, alongside Purva Phalguni ASC native Charlize Theron, who is tempted into sin by the Devil himself, who turns out to be his father.

Keanu Reeves' character basically overcomes these shadow aspects of this nakshatra, rejecting power and temptation to instead embrace integrity, free will and moral responsibilities. This directly reflects the Sun rulership over this nakshatra, which is what it should all come down to. Purva Phalguni is a journey where one's self-control is tested when gifts of true power and opportunities of indulgence come along. Keanu Reeves' character in Devil's Advocate symbolizes the higher, dharmic qualities of the nakshatra. By the end of the movie, unlike Dorian Gray will ever, he chooses real love over false abundance. The native was meant to be challenged in controlling their urges. Being a royal nakshatra, and of solar nature, it thrives on dignity and honour, rather than manipulation and control, as the trap of vanity and self-obsession is supposed to be overcome in this cycle. In my Ketu Dominant Themes part 2 post, I talked about the possible case of self-obsession/self-indulgence in Ketu nakshatras. This gives even more perspective on how Venus nakshatras are supposed to transcend from where the passively-consuming-Ketu-nakshatras left of.

But it's very interesting that in Hindu and Buddist traditions, hell itself is not an eternal punishment of the fallen, but it is rather the place of cleansing the impure and ungodly. The brutal, immense punishments exist to purify the souls of the corrupt before their rebirth, these tortures assisted by Lord Yama's fierce yamadutas and demons. So this concept can be seen in the duality in the Venus nakshatras, which manifest in the specific way of compulsivity vs self-punishment, falling into pleasure vs liberation, indulgence vs self-restraint (and how one implements high standards for oneself to transcend). Venus, also known as Shukra, was the guru of the Asuras (demons), teaching them how rise, despite being cast aside by divine forces, by giving them knowledge on how to even challenge the gods, highlighting the potential of purification but also of liberation.

I guess you manifested this, below is the ask/ message I'm referencing. My parents are Congolese and know of the Law. One thing I was also taught since I was young was to never say or believe anything I don't want to be true. There are many crazy success stories ( manifesting a BWM, overcoming infertility, Michelin star restaurants visits etc.), but this is my fave: when my dad came to Europe to enter the country we are now living in, he was at the border with a group of other African migrants. It was deep in the Winter (-10 degrees) and the migrant smuggler announced he would only take 2 people into the border. Only 2 out of 24. It was so random, and so barbaric as he had a change of heard. He announced he would spin a bottle twice, and to whomever it points, he will take with him. Panic erupted and others wanted to fight. My dad wasn't alone. He was with a friend. He told him to stand next to him. My dad told me that he closed his eyes decided that him and his friend will be the one chosen. Guess what happens? The bottle pointed to my dad and his friend. The smuggler spun again the bottle, and it pointed to my dad again and again. Until the smuggler grew tired. My dad and his friends are still friends, and the friend can't stop talking about this story. He wonders still to this day if my dad is a sorcerer or chosen by god. My dad told me that it wasn't witch craft as he described the law with working with nature. Working with the energy around you (= your circumstances) and deciding what you want to experience. the ask/ message: I am referencing: https://www.tumblr.com/itsrlymine/780049332069187584/this-is-random-but-i-love-that-ur-african-because?source=share

nah the way i actually did bc i just love hearing older people's experience with the law/manifestation and of they are african??? oh i'm tuned in, tapped in turned onnnn. i love this so much honestly. my dad is religious but he believes that the only limit we have it the one we put on ourselves. the law is EXACTLY like working with nature omg i love this. i don't like that situation per se but that is such a prime example of circumstances don't matter. know yourself. trust yourself and all will be revealed to you. it has to. thank you for sharing this story my congolese sisterrr

Princess Margaret had Punarvasu Moon, Magha Sun. And she's been played by a Jupiter nakshatra native, and two Ketu nakshatra natives, in the series The Crown.

Vanessa Kirby — Ashwini Sun.

Helena Bonham Carter — Magha Moon.

Lesley Manville — Purva Bhadrapada Sun & Moon.

Vanessa Kirby slightly resembles her the most to me. She does also look Jupiterian to me... her birthtime is currently unavailable.

Her focus was on the men of this nakshatra which is exactly why I have focused on the women of this nakshatra consistently for over a year now. Everything I’ve been sharing is everything she’s saying, just from the male perspective (which I do touch on from time to time, especially in regards to the sevenfold path towards enlightenment and becoming a gentleman, which Aryaman is said to be godhead of and why he is known as a “noble man” or “gentle man”). For men, this nakshatra represents discipline over the lower centers and rising up to pay respect to the yoni as the ultimate source of all power and creation. For women, this nakshatra looks like releasing control over her lower centers and finding comfort in her sexuality and embodying herself as the creator of all life (and finding a man who is worthy enough to see her worth as well). This is why this nakshatra is the awakening of the female sexuality overall. It’s the spiritual awakening of both primordial masculine and feminine energy through paying respects to the yoni as the ultimate source of creation.

Instead of “Kundalini” awakening she interprets it as “Shakti awakening”. Both are the same.

The video was amazing and I can’t wait to see her pov on the women of this nakshatra :)

while dhanishta and revati possess an innate sense of rhythm and musicality, purva phalguni, jyeshtha, uttara ashadha and shatabhisha are the true musical genius nakshatras

bharani possesses the skill of evoking intense emotion through their works of art. chitras are virtuosic. magha, ardra and shravana command the stage.

Looking back at my post regarding ketu and Venus I have to say I may consider Venus not the full incarnation but the creation and passage into incarnation. Sun is the fully realized consciousness. Ketu is the raw and unformed cellular data the force of life, Venus is the refinement and passage into life and the sun is the fully realized life form and incarnation.

This conclusion is tied to the “first” nakshatras Ashwini and Bharani, but learned that Krittika is sometimes considered the first nakshatra. This makes sense when you take into account Revati being the guide into the other side and transcendence, Ashwini being the unconscious and rawness of the void, Bharani being the passage into the next life and Krittika being the ‘first man’ or the first realized conscious.

Uttara Phalguni & Dhanishta women are so similar to me. Interesting because the Vasus (Dhanishta’s deities) stole Kamadhenu (Uttara Phalguni). By the way, Uttara Phalguni is typically associated with Nandi, but I saw the strong connection between the wish-fulfilling cow & the wish-fulfilling woman mentioned in Uttara Phalguni’s sutra. Then I noticed someone else saw the connection between Uttara Phalguni & Kamadhenu (shreemastrology on Twitter).

The same way Claire Nakti mentioned how there is always a Dhanishta woman for each generation who is a sex symbol (I really hope she doesn’t take that video down but I think it’s still up so go watch if you haven’t!!), I’ve noticed the same for Uttara Phalguni. One of the women she mentioned actually had an Uttara Phalguni placement as well (Sophia Loren)

There was Sophia Loren, Olivia Newton John, Britney Spears, Nicki Minaj, and now Doja Cat.

These women are naturally different in their own expression of this trope, but considering how Uttara Phalguni is the center stage & the objectified female form, it makes complete sense why these women rise to the spotlight continuously. They eventually become “cash cows” because sex sells, and Uttara Phalguni is the feminine expression of sexuality (hence its associated with the sex organs, lips, left hand, the blossoming of a flower. Lips & flowers are symbolic of the Yoni. It’s also why this nakshatra is the awakening of Shakti. It’s just that society has distorted and tainted how natural and beautiful the awakening of Shakti is.)

Aryaman also rules the traditions of a group of people. This might extend into the traditions of a society which produces (Uttara Phalguni is all about producing fruit + being wish-fulfilling) media that makes $. In other words: pop culture. This nakshatra is the idea of capitalism & industries within itself. And what runs industries at the end of the day? The idea that sex sells. The same way people exploit the female form is the same way humans exploit the Earth, as women are vessels of Mother Nature ♍️

Laura Mulvey coined the term “Male Gaze.” Not only did she have Ashlesha sun with potential Krittika moon, but Uttara Phalguni Venus (DK) conjunct Uttara Phalguni Rahu.

how i manifested (+revised) my dream body ౨ৎ

This is my first post on my new account, though I am NOT new to the law and NOT new to loablr either. This post is specifically about how I manifested my dream body instantly with no technique besides knowing :)

PART ONE - the old story

In the old story, I was so fixated on my body and my weight all of the time, I was tracking my calories and weighing myself and my food obsessively and constantly gaining and losing weight. Back then, my beliefs were that 1) Excess food causes weight gain, 2) If I don't track my food and weigh myself, I will become too fat/skinny, and 3) There is something wrong with my body, and I need to diet/exercise to fix it.

Noticing these beliefs were key to changing the way I viewed food and my body, and therefore changing how I knew food to effect me and how I knew my body to be.

When I was overweight, I knew my body was too big, I knew I was eating too much, I knew excess calories made me gain weight. When I was underweight, I knew I had no appetite, I knew I was too bony, I knew that exercise makes you gain muscle which is why I had none, etc. I had to identify the limiting beliefs that made me know my body was a certain way.

PART TWO - writing the new story

Once I identified the beliefs that were holding me back and kept me from my goals ("I know I eat too much, even if I affirm I'm skinny, I'm still going to gain weight."), I could then change them. I wrote down a list of these beliefs, like I did above, and came up with reversals. For example;

"I overeat, so I will gain weight" -> "Calories aren't even real, so I can eat whatever I want and stay the same weight."

"I eat junk food, so I'll never be skinny" -> "I love how fast my metabolism is, I can eat junk all day and still stay so skinny." or "Junk food is just like other foods. Raspberries can't make me fat so neither can hamburgers."

"I don't exercise enough to be toned" -> "It's crazy how I'm naturally so toned and fit without trying."

The key for me was changing key beliefs that kept me dieting and exercising to lose weight, to sever the tie between calories consumed and weight, and hours exercising and muscles. These are limiting beliefs. We literally create our reality. Not ice cream, not soda and chips, none of that can overcome YOU as a divine creator. It sounds silly when you spell it out like that, doesn't it?

PART THREE - how i did it

Okay, now we understand that the secret is to change the rules of our own reality to allow us to know a higher truth (my higher truth? I am a skinny legend). So how do we put this into practice?

All you have to do is know. You set these rules, so you know they are true, reality is bound to them. You must know you are successful, know that reality is in the 4d, and feel truly satisfied in that realm. You can do this using whatever method you need to, but personally, I just knew deep within me that I was my ideal weight, and that nothing could change that, that is simply the reality, that is simply the way things are. I thought about old pictures I took of myself, and remembered how skinny I looked in them, I thought about the last time I saw my friends and how much littler they said I'd gotten, I thought about the last time I stood on the scale and how it read the exact weight I knew myself to be. And I just knew, deep within me, that was simply how things were.

And the last step, for me, was to feel truly joyful at this realization. To feel satisfied it came into fruition. Without seeking confirmation, because I already KNEW.

And what do you know? Pictures of myself in my phone from weeks ago, they were my ideal body. The girl I saw in the mirror when I stood up from my meditation? She had my ideal body. My clothes? XS and S, all of them. I had revised my ideal body all the way back to the day I bought them. And confirmed this by checking pictures I took in the dressing room.

I'm telling you right now it is possible if you know in your heart you've always had your desire. It's always been fulfilled within you. You make the rules because you are a divine creator. Nothing outside of you can change what you know to be true.

That's all for now ౨ৎ