I guess you manifested this, below is the ask/ message I'm referencing. My parents are Congolese and know of the Law. One thing I was also taught since I was young was to never say or believe anything I don't want to be true. There are many crazy success stories ( manifesting a BWM, overcoming infertility, Michelin star restaurants visits etc.), but this is my fave: when my dad came to Europe to enter the country we are now living in, he was at the border with a group of other African migrants. It was deep in the Winter (-10 degrees) and the migrant smuggler announced he would only take 2 people into the border. Only 2 out of 24. It was so random, and so barbaric as he had a change of heard. He announced he would spin a bottle twice, and to whomever it points, he will take with him. Panic erupted and others wanted to fight. My dad wasn't alone. He was with a friend. He told him to stand next to him. My dad told me that he closed his eyes decided that him and his friend will be the one chosen. Guess what happens? The bottle pointed to my dad and his friend. The smuggler spun again the bottle, and it pointed to my dad again and again. Until the smuggler grew tired. My dad and his friends are still friends, and the friend can't stop talking about this story. He wonders still to this day if my dad is a sorcerer or chosen by god. My dad told me that it wasn't witch craft as he described the law with working with nature. Working with the energy around you (= your circumstances) and deciding what you want to experience. the ask/ message: I am referencing: https://www.tumblr.com/itsrlymine/780049332069187584/this-is-random-but-i-love-that-ur-african-because?source=share
nah the way i actually did bc i just love hearing older people's experience with the law/manifestation and of they are african??? oh i'm tuned in, tapped in turned onnnn. i love this so much honestly. my dad is religious but he believes that the only limit we have it the one we put on ourselves. the law is EXACTLY like working with nature omg i love this. i don't like that situation per se but that is such a prime example of circumstances don't matter. know yourself. trust yourself and all will be revealed to you. it has to. thank you for sharing this story my congolese sisterrr
when you start reading again and it's like oh. oh . the sun actually does still shine.
How Leo placements and 1st house stelliums be at somebody else birthday party:
Libra and Gemini placements telling you some shit they know will upset you so that they can watch the drama from afar while everyone else looks crazy:
People with Mercury Square Mars or Moon trying to share their feelings but it comes out sounding horrible:
When you upset the Mercury/Pluto, Scorpio Mercury or Mercury 8th house person:
When yall have no hard aspects in synastry:
Peoples reaction to anything you wear when you have Lilith aspecting Ascendant:
People with Venus aspecting Neptune when the honeymoon phase is over and they find out you have flaws:
I feel like not enough people know that you can just go do witchcraft. Like yeah, all the pretty and aesthetic things you see online can be really expensive, and if you live in a place where witchcraft is frowned upon it can be hard to hide things, but your practice can literally be anything you want.
Part of my practice is making friendship bracelets with colors of what I want to manifest. I learned morse code and tie my goals into the bracelet. It look like a normal bracelet, no one would know the difference unless I told them. Your manifestations and spells can be verbal and whispered to the wind, your sigils can look like doodled stars or stick figures, your altar doesn't need to be anything more than the tools you use (if you even need an altar). You can put spells together based on what you have and what the things around you mean to you.
You do not need to buy things for witchcraft or have a very visible practice, just do what feels right for you. Your practice is what you make it.
As I’ve been saying, all 3 Dreamgirls being Purva Phalguni is because Purva Phalguni is the dream and Uttara Phalguni is the dream come true. Uttara Phalguni will always be the outcome of Purva Phalguni in whatever plane of existence you apply it to. The overall principle is that Purva Phalguni is the sprouting seed and Uttara Phalguni is the fully grown tree that is the only one capable of producing fruit. Purva Phalguni is too early to “pick.” Which is why they want to grow up so quickly and why they have their own struggles in the process of growing up.
We can see Uttara Phalguni women also being “Dreamgirls” in the way that they are “wifey material” or the “wish-fulfilling woman.” This is seen *literally* in the way that they are p-rnstars or a lot of different people’s “type.”
Important side note on Purva Phalguni: Anika Noni Rose, who plays one of the Dreamgirls, also voices Tiana from Princess and the Frog, who iconically wishes upon a star.
Walt Disney was an Uttara Phalguni and his famous quote was “if you can dream it, you can do it.” The theme song for Disney is “when you wish upon a star.” Uttara Phalguni native Julie Andrews was an incredibly important figure for Disney’s success in its early days
through her role as the iconic nanny Mary Poppins. This nakshatra ALSO deals with raising children or being raised as a child, as it extends from the 5H of children into the 6H of responsibilities, chores. One of the duties of the wife 💍 is to care for the children. Simba + Will from the Lion King + the Fresh Prince of Bel-Air are two iconic Uttara Phalguni characters who represent the transition from childhood into adulthood, or fairytale into reality. I’ve discussed this endlessly, so I might be missing a few examples but the overall point is that this nakshatra is the process of the sprouting seed (Shukra) that is Purva Phalguni growing into the fully grown fruit tree, or the “Latter Fig Tree.”
can we forget about the terms “3d” and “4d” and everything else. it was helpful at first when it came to understanding the loa but now it just overcomplicates it for some of y’all. before any of you guys learned about loa, you were already manifesting unconsciously. when manifesting, you were never like “okay so I have to have it in my 4d for it to show up in my 3d” you just had an assumption which turned into reality. when you overcomplicate manifestation, it gets complicated and it’s as simple as that. you said loa was hard, so it was hard. you said loa was easy and effortless, so it’s easy and effortless. manifesting is literally just deciding a desire. you don’t have to believe it, you don’t have to feel it, you just have to state that it’s true so it’s true. you said you’re rich so you’re rich. it’s instant. time delay doesn’t exist unless you make it exist and the only way you can do that is if you decided that it exists. so forget about the terms 4d or 3d and just decide your desire and tell yourself that it’s true. if you said it’s true, it’s true. thats simply just the law. think/affirm in your favor (since affirming is just thinking) and that’s exactly what will show up in your life. matter of fact, stop separating the 3d and the 4d. although they are different things, think of them as a whole since your 3d is literally a reflection of your 4d. manifestation is life. your entire life you have been manifesting. ALWAYS. so why make it complicated now? you’ve been doing it your entire life, the only difference is that you’re consciously doing it or being aware that you’re doing it but being aware of the fact that you are constantly manifesting shouldn’t change how easy it is. manifesting is literally so simple. affirm that you have a desire/think in favor of your desire and BOOM! just like that, your desire INSTANTLY manifests.
GUYS I CANNOT EMPHASIZE THIS ENOUGH!!
read that again. You're the CREATOR of your reality.
your 3D is JUST the PROJECTION of your inner beliefs and assumptions, whatever you PERCEIVE as the TRUTH of your reality, will ALWAYS & EACH TIME REFLECT in your reality NO MATTER ANYTHING. That's THE LAW.
like i seriously want to scream this into y'all ears!! (with love ofc). it is just THAT SIMPLE.
THE REASON YOU CAN'T SEE IT IN YOUR 3D IS BECAUSE OF YOUR CONTINUOUS DENIAL TO BELIEVING YOU ALREADY ARE IT.
Your 3D cannot show you what you don't see as truth, your 3D is YOU. You're constantly being shown what you perceive as truth within yourself. Your 3D CANNOT show you betrayal by not showing you what you want, only your refusal to accept it as truth CAN.
You cannot just say "do i lack the power of manifesting?" "Why is it taking so long?" "where is it?" Etc and then expect you'll get what you want!! you gotta PERSIST.
It is absolutely okay to waver at times but realise that your reality won't show you your desires until and unless you've attached your truth to it, you've to stick to the new story which is just knowing that it's done.
You don't have to act a certain way in your 3D, you have nothing to do with 3D, like I said, it's a mere projection of your perception of self. you're the ONLY POWER and the ONLY one who CONTROLS THIS SHIT.
I'm screaming this to y'all until you all understand. Stop doubting yourself and START applying the law, you won't get what you want if you never start or give up after 2 minutes of persisting. idc if y'all affirm 24/7 or just decide it's done and live your life, whatever makes you happy, JUST DO IT ALREADY and PERSIST OMFG.
YOU RUN THIS SHIT. PLS RESPECT YOURSELF AND YOUR POWER. YOU'RE TOO POWERFUL FOR THIS.
One of my original theories was that sun nakshatra women can be pick mes because they see men’s nature clearly and desire to save them.
“S on my chest because I am ready to save him.” — UPH moon Nicki Minaj
Then Claire Nakti also dropped her video on women under Uttara Phalguni energy being saviors.
These topics are so deep they will single-handedly dismantle a lot of views on divine femininity as they make us question what that really is. In my opinion, it has always been autonomy and the ability to manipulate the world into giving you your rightful power as a woman (because you have to find alternative ways in a world that hates women)
why constantly burden yourself with endless thoughts and emotions towards the external world that don’t suit your standards when you know it shouldn’t serve you?
a reflective slate of glass doesn’t prove to you completely and permanently that your manifestations aren’t yours, the character you define yourself with in that moment is what depicts your ending awareness.
in simple terms, if you choose to be the person who sees it as it is, and goes on thriving in the energy of your desires, then that’s what will show. though, when you set focus on the 3d (which, the 3d is not separate from you, your dominant assumptions derive from your internal awareness) and see something that doesn’t suit you and yet you define with it and panic, that’s what hinders your manifestations.
if you’re someone who’s taken lots of time, or feel like you don’t “manifest” instantly or when you want to, remove the factor of time. time is a construct that keeps things set in place, yes? but who cares about how long it takes for you to “manifest” something certain. the external world won’t sit here and show you something you want when you’re affirming against your own assumptions. be the person who decides “why does the 3d matter? i have what i want” and it’s done.
in my sense, you’re not “manifesting.” i solely don’t like using terminology’s sometimes because on a personal level i like viewing everything in a natural state. you’re not manifesting since it’s already done. nothing really needs to be manifested because you being the prime creator, the reality of you having quite literally everything already exists. it’s your time to shine and input your awareness into that state. sure you can affirm and persist and do all that yes, if it suits you for sure keep going! saturate your mind with it if you know it’s what helps you, but all is set and done the second you told yourself you had it. the law has no choice but to abide by its own principles. don’t fear the prey like it’s the predator. you are in control and always will be. the attention you give towards the 3d should be reversed towards saturating your mind in what’s right for you.
love you
In English we say "I can't make eye contact". But in Urdu, we say:
"Unki nazron ka rukh aaj meri taraf hai,
Aaj meri palkon ne uthne se inkaar kar diya hai".
𝓐𝓼𝓱𝔀𝓲𝓷𝓲, 𝓢𝓱𝓪𝓽𝓪𝓫𝓱𝓲𝓼𝓱𝓪 🐎
ɪɴᴅᴇᴘᴇɴᴅᴇɴᴄᴇ ᴀɴᴅ ꜰʀᴇᴇᴅᴏᴍ ɪꜱ ʜɪɢʜʟʏ ᴠᴀʟᴜᴇᴅ ᴡɪᴛʜɪɴ ᴛʜᴇɪʀ ʟɪꜰᴇ, ᴛʜᴇʏ ᴅᴏɴ'ᴛ ʟɪᴋᴇ ᴛᴏ ʙᴇ ᴛɪᴇᴅ ᴅᴏᴡɴ ᴛᴏ ᴀɴʏᴛʜɪɴɢ ᴀɴᴅ ᴄᴀɴ ʙᴇ ᴄᴏᴍᴍɪᴛᴍᴇɴᴛ-ᴘʜᴏʙᴇꜱ. ᴍɪꜱᴄᴏᴍᴍᴜɴɪᴄᴀᴛɪᴏɴ ᴀɴᴅ ꜱʟᴏᴡ ᴀᴛ ᴘʀᴏᴄᴇꜱꜱɪɴɢ ɪɴꜰᴏʀᴍᴀᴛɪᴏɴ. ᴠᴇʀʏ ʟᴇᴀɴ ᴀɴᴅ ᴛᴀʟʟ ʙᴜɪʟᴅꜱ ᴡɪᴛʜ ʟᴏɴɢ ᴛʜɪᴄᴋ ʜᴀɪʀ. ᴍᴀᴊᴇꜱᴛɪᴄ ʙᴇᴀᴜᴛʏ. ᴡʜᴇɴ ᴛʜᴇʏ ᴡᴀʟᴋ, ᴛʜᴇɪʀ ꜰᴏᴏᴛꜱᴛᴇᴘꜱ ᴀʀᴇ ʜᴇᴀᴠʏ ᴀɴᴅ ᴘᴇᴏᴘʟᴇ ᴜꜱᴜᴀʟʟʏ ʜᴇᴀʀᴅ ᴛʜᴇᴍ ʙᴇꜰᴏʀᴇ ᴛʜᴇʏ ꜱᴇᴇ ᴛʜᴇᴍ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ Qᴜɪᴛᴇ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ʟᴏᴠᴇ ʀɪᴅɪɴɢ ᴘᴏꜱɪᴛɪᴏɴꜱ (ᴍᴀʏ ᴋɴᴏᴡ ʜᴏᴡ ᴛᴏ ᴍᴏᴠᴇ ᴛʜᴇɪʀ ʜɪᴘꜱ ɪꜰʏᴡɪᴍ). ꜱᴇx ɪꜱ ʀᴏᴜɢʜ ᴀɴᴅ ɪɴᴛᴇɴꜱᴇ ʙᴜᴛ ꜰᴀꜱᴛ ᴀɴᴅ ɪꜱ ᴜꜱᴜᴀʟʟʏ ᴏᴠᴇʀ ᴘʀᴇᴛᴛʏ Qᴜɪᴄᴋʟʏ, ɴᴏᴛ ᴛʜᴇ ᴛʏᴘᴇ ᴛᴏ ʜᴀᴠᴇ ᴀ ʟᴏᴛ ᴏꜰ ꜱᴛᴀᴍɪɴᴀ.
𝓑𝓱𝓪𝓻𝓪𝓷𝓲, 𝓡𝓮𝓿𝓪𝓽𝓲 🐘
ᴠᴇʀʏ ꜱᴘɪʀɪᴛᴜᴀʟ ᴀɴᴅ ᴅɪꜱᴘʟᴀʏꜱ ᴀ Qᴜɪᴇᴛ ꜱᴛʀᴇɴɢᴛʜ. ᴛʜᴇʏ ᴅᴏɴ'ᴛ ʟɪᴋᴇ ʟᴏᴜᴅ ᴘᴇᴏᴘʟᴇ ᴏʀ ᴀɴʏᴛʜɪɴɢ ᴛʜᴀᴛ ᴄᴀɴ ᴅɪꜱᴛᴜʀʙ ᴛʜᴇɪʀ ᴘᴇᴀᴄᴇ ꜰᴏʀ ᴛʜᴀᴛ ᴀꜱ ᴛʜᴇʏ ʀᴇꜱᴘᴇᴄᴛ ʜᴜᴍɪʟɪᴛʏ ᴀɴᴅ ʜᴏɴᴇꜱᴛʏ. ᴀᴍᴀᴢɪɴɢ ᴍᴇᴍᴏʀʏ, ɪᴛ'ꜱ ᴀᴄᴛᴜᴀʟʟʏ ᴄʀᴀᴢʏ. ᴘʀᴏᴍɪɴᴇɴᴛ ᴇᴀʀꜱ ᴀɴᴅ ᴀ ꜱᴛᴜʀᴅʏ ʙᴏᴅʏ ᴡɪᴛʜ ᴀ ɢᴇɴᴛʟᴇ, ꜰᴏᴄᴜꜱᴇᴅ ɢᴀᴢᴇ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ꜱᴇɴꜱᴜᴀʟ ᴀɴᴅ ᴘᴀᴛɪᴇɴᴛ ʙᴜᴛ ᴛʜᴇ ꜰᴇᴍᴀʟᴇ ᴇʟᴇᴘʜᴀɴᴛ ᴄᴀɴ ᴀᴄᴛ ᴀ ʙɪᴛ ᴄᴏʏ ʙᴇꜰᴏʀᴇ ᴅᴇᴄɪᴅɪɴɢ ᴛᴏ ꜰᴜʟʟʏ ᴇɴɢᴀɢᴇ ɪɴ ꜱᴇxᴜᴀʟ ᴀᴄᴛꜱ. ᴛʜᴇʏ ʜᴀᴠᴇ ᴀ ᴠᴇʀʏ ʜɪɢʜ ꜱᴇxᴜᴀʟ ᴀᴘᴘᴇᴛɪᴛᴇ ʙᴜᴛ ᴛʜᴇʏ ᴅᴇꜱɪʀᴇ ᴛᴏ ᴄᴏɴɴᴇᴄᴛ ᴛᴏ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴏɴ ᴀ ꜱᴏᴜʟ ʟᴇᴠᴇʟ. ᴛᴀɴᴛʀɪᴄ ꜱᴇx ᴡᴏᴜʟᴅ ʙᴇ ᴛʜᴇ ʙᴇꜱᴛ ᴡᴀʏ ᴛᴏ ᴇxᴘʟᴀɪɴ ɪᴛ.
𝓚𝓻𝓲𝓽𝓽𝓲𝓴𝓪, 𝓟𝓾𝓼𝓱𝔂𝓪 🐑
ᴠᴇʀʏ ꜱᴛᴏɪᴄ ᴀɴᴅ ʀᴇꜱᴇʀᴠᴇᴅ ᴜᴘᴏɴ ꜰɪʀꜱᴛ ɪᴍᴘʀᴇꜱꜱɪᴏɴ, ᴄᴀɴ ᴇᴠᴇɴ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀꜱ ᴄᴏʟᴅ ᴇᴠᴇɴ ᴛʜᴏᴜɢʜ ᴛʜᴇʏ'ʀᴇ ᴇxᴛʀᴇᴍᴇʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ᴄᴀʀɪɴɢ. ᴛʜᴇʏ ᴠᴀʟᴜᴇ ᴛʀᴀᴅɪᴛɪᴏɴꜱ ᴀɴᴅ ʀᴜʟᴇꜱ, ʙᴇʟɪᴇᴠɪɴɢ ᴛʜᴀᴛ ᴇᴠᴇʀʏᴏɴᴇ ʜᴀꜱ ᴀ ʀᴏʟᴇ ᴛᴏ ᴘʟᴀʏ. ꜱᴇʟꜰ-ᴄᴏɴꜱᴄɪᴏᴜꜱ ʙᴜᴛ ɴᴏᴛ ɪɴꜱᴇᴄᴜʀᴇ, ᴛʜᴇʏ'ʀᴇ ᴊᴜꜱᴛ ᴇxᴛʀᴇᴍᴇʟʏ ᴀᴡᴀʀᴇ ᴏꜰ ᴛʜᴇɪʀ ꜱᴇɴꜱᴇ ᴏꜰ ꜱᴇʟꜰ. ᴀɴᴅʀᴏɢʏɴᴏᴜꜱ ꜰᴇᴀᴛᴜʀᴇꜱ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴋʀɪᴛᴛɪᴋᴀ ɪꜱ ʟɪᴋᴇʟʏ ᴛᴏ ʙᴇ ᴀɢɢʀᴇꜱꜱɪᴠᴇʟʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴀɴᴅ ᴘᴜꜱʜʏᴀ ɪꜱ ᴍᴏʀᴇ ɢᴇɴᴛʟʏ ᴅᴏᴍɪɴᴀɴᴛ. ᴛʜᴇʏ ᴘʀᴇꜰᴇʀ ꜱᴇx ᴛᴏ ʙᴇ ᴀɴ ᴇᴠᴇɴ ᴍɪx ʙᴇᴛᴡᴇᴇɴ ʀᴏᴜɢʜ ᴀɴᴅ ꜱᴇɴꜱᴜᴀʟ. ɪɴᴛᴏ ʟᴇᴀᴠɪɴɢ ᴍᴀʀᴋꜱ ᴏɴ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴏʀ ʙᴇɪɴɢ ᴍᴀʀᴋᴇᴅ, ꜱᴄʀᴀᴛᴄʜɪɴɢ, ᴅɪɢɢɪɴɢ ᴛʜᴇɪʀ ɴᴀɪʟꜱ ɪɴᴛᴏ ʏᴏᴜʀ ꜱᴋɪɴ, ᴇᴛᴄ.
𝓡𝓸𝓱𝓲𝓷𝓲, 𝓜𝓻𝓲𝓰𝓪𝓼𝓱𝓲𝓻𝓼𝓱𝓪 🐍
ᴇxᴛʀᴇᴍᴇʟʏ ᴘʀɪᴠᴀᴛᴇ ᴀɴᴅ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴛᴏ ᴛʜᴇ ᴇɴᴇʀɢɪᴇꜱ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ. ᴛʜᴇʏ ᴇɴᴊᴏʏ ʟɪᴠɪɴɢ ᴄᴏᴍꜰᴏʀᴛᴀʙʟʏ ᴀɴᴅ ᴍᴀʏ ᴠᴀʟᴜᴇ ᴍᴀᴛᴇʀɪᴀʟ ᴛʜɪɴɢꜱ ᴛʜᴀᴛ ᴡᴏᴜʟᴅ ʙᴇ ꜱᴇᴇɴ ᴀꜱ ᴀᴇꜱᴛʜᴇᴛɪᴄᴀʟʟʏ ᴘʟᴇᴀꜱɪɴɢ. ʜᴀꜱ ᴀ ᴡᴀʏ ᴡɪᴛʜ ᴡᴏʀᴅꜱ ᴀɴᴅ ᴋɴᴏᴡꜱ ʜᴏᴡ ᴛᴏ ɢᴇᴛ ᴏᴜᴛ ᴏꜰ ꜱᴛɪᴄᴋʏ ꜱɪᴛᴜᴀᴛɪᴏɴꜱ ʙᴜᴛ ᴛʜᴇɪʀ ᴡᴏʀᴅꜱ ᴄᴀɴ ᴀʟꜱᴏ ɢᴇᴛ ᴛʜᴇᴍ ɪɴ ᴛʀᴏᴜʙʟᴇ. ᴠᴇʀʏ ꜰʟɪʀᴛᴀᴛɪᴏᴜꜱ ᴀɴᴅ ɪɴᴛᴏxɪᴄᴀᴛɪɴɢ. ʙᴇᴀᴜᴛɪꜰᴜʟ ᴇʏᴇꜱ ᴀɴᴅ ᴅᴇʟɪᴄᴀᴛᴇ ꜰɪɢᴜʀᴇ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴘʜʏꜱɪᴄᴀʟʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ʜᴀᴛᴇꜱ ᴡʜᴇɴ ᴛʜɪɴɢꜱ ꜰᴇᴇʟ ʀᴜꜱʜᴇᴅ. ᴛʜᴇʏ ᴀʀᴇ ʜᴇᴀᴠɪʟʏ ɪɴᴛᴏ ꜰᴏʀᴇᴘʟᴀʏ ᴡʜᴇʀᴇ ᴛʜᴇʏ ᴄᴀɴ ᴇɴɢᴀɢᴇ ᴛʜᴇɪʀ ꜱᴇɴꜱᴇꜱ ᴀꜱ ᴛʜᴇʏ ᴡᴀɴᴛ ᴛᴏ ꜰᴇᴇʟ ᴇᴠᴇʀʏ ɪɴᴄʜ ᴏꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴀɢᴀɪɴꜱᴛ ᴛʜᴇᴍ. ʀᴏᴘᴇ ʙᴜɴɴʏ ᴋɪɴᴋ. ᴡᴏᴜʟᴅ ᴘʀᴏʙᴀʙʟʏ ᴡʀᴀᴘ ᴛʜᴇɪʀ ᴀʀᴍꜱ ᴀɴᴅ ʟᴇɢꜱ ᴛɪɢʜᴛʟʏ ᴀʀᴏᴜɴᴅ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ. ᴏɴᴇ ᴏꜰ ᴛʜᴇ ɴᴀᴋꜱʜᴀᴛʀᴀꜱ ᴛᴏ ᴇɴɢᴀɢᴇ ɪɴ ʙᴅꜱᴍ (ʀᴏʜɪɴɪ ɪꜱ ᴍᴏʀᴇ ʟɪᴋᴇʟʏ) ᴏʀ ᴀɴʏ ᴏᴛʜᴇʀ ꜱᴇxᴜᴀʟ ᴀᴄᴛɪᴠɪᴛʏ ᴛʜᴀᴛ ᴅᴏᴇꜱɴ'ᴛ ɪɴᴠᴏʟᴠᴇ ᴘʜʏꜱɪᴄᴀʟ ᴄᴏɴᴛᴀᴄᴛ ᴀᴛ ᴀʟʟ.
𝓐𝓻𝓭𝓻𝓪, 𝓜𝓾𝓵𝓪 🐕
ʟᴏʏᴀʟ ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴᴀʟ ɪɴᴅɪᴠɪᴅᴜᴀʟꜱ, ᴄᴀɴ ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀ ʙɪᴛ ᴛᴏᴏ ɪɴᴛᴇɴꜱᴇ. ᴛʜᴇʏ ᴄᴀɴ ʙᴇ Qᴜɪᴛᴇ ᴄᴀɴᴅɪᴅ ᴀɴᴅ ᴡᴏɴ'ᴛ ꜱᴜɢᴇʀᴄᴏᴀᴛ ᴀɴʏᴛʜɪɴɢ ᴛᴏ ᴍᴀᴋᴇ ʏᴏᴜ ꜰᴇᴇʟ ʙᴇᴛᴛᴇʀ, ᴛʜᴇʏ ᴛᴇʟʟ ɪᴛ ʟɪᴋᴇ ɪᴛ ɪꜱ. ᴘʀᴏᴛᴇᴄᴛɪᴠᴇ ᴛᴏᴡᴀʀᴅꜱ ᴛʜᴏꜱᴇ ᴛʜᴇʏ ʟᴏᴠᴇ ᴀɴᴅ ᴡᴏɴ'ᴛ ʜᴇꜱɪᴛᴀᴛᴇ ᴛᴏ ᴛᴀᴋᴇ ᴀ ʙᴜʟʟᴇᴛ ꜰᴏʀ ᴛʜᴇ ᴏɴᴇꜱ ᴛʜᴇʏ ᴄᴀʀᴇ ꜰᴏʀ. ᴛʜᴇʏ ᴄᴀɴ ʙᴇᴄᴏᴍᴇ ʀᴜᴛʜʟᴇꜱꜱ ᴀɴᴅ ᴄᴏʟᴅ ɪꜰ ʙᴇᴛʀᴀʏᴇᴅ ɪɴ ᴀɴʏ ᴡᴀʏ. ᴡɪʟᴅ ʜᴀɪʀ ᴀɴᴅ ꜱᴛʀɪᴋɪɴɢ ᴇʏᴇꜱ. ʙᴇɪɴɢ ɪɴ ᴀ ꜰᴏʀᴇꜱᴛ ᴏʀ ꜱᴜʀʀᴏᴜɴᴅᴇᴅ ʙʏ ɴᴀᴛᴜʀᴇ ᴍᴀᴋᴇꜱ ᴛʜᴇᴍ ꜰᴇᴇʟ ᴀᴛ ᴇᴀꜱᴇ. ʟɪᴋᴇʟʏ ᴛᴏ ʟɪᴠᴇ ɪɴ ʀᴜʀᴀʟ ᴄᴏᴍᴍᴜɴɪᴛɪᴇꜱ ᴏʀ ʜᴏᴜꜱᴇꜱ ɴᴇᴀʀ ᴡᴏᴏᴅꜱ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴀʙᴏᴜᴛ ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ʙᴏɴᴅɪɴɢ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴀɴᴅ ᴡɪʟʟ ʙᴇᴄᴏᴍᴇ Qᴜɪᴛᴇ ᴄʟɪɴɢʏ ᴀꜰᴛᴇʀ ꜱᴇx, ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴄᴜᴅᴅʟᴇ ᴀꜰᴛᴇʀᴡᴀʀᴅꜱ. ɪꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ɪꜱɴ'ᴛ ᴏɴ ᴘᴀʀ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴇɴᴇʀɢʏ, ᴛʜᴇʏ ᴄᴀɴ ʙᴇᴄᴏᴍᴇ ᴀɢɪᴛᴀᴛᴇᴅ. ᴠᴇʀʏ ʟᴏᴠɪɴɢ ᴀɴᴅ ᴘᴀꜱꜱɪᴏɴᴀᴛᴇ ɪɴ ʙᴇᴅ.
𝓟𝓾𝓷𝓪𝓻𝓿𝓪𝓼𝓾, 𝓐𝓼𝓱𝓵𝓮𝓼𝓱𝓪 🐈⬛
ʟᴀɴɢᴜɪᴅ ᴀɴᴅ ꜰɪɴɴɪᴄᴋʏ, ᴛʜᴇʏ ᴀʀᴇ ᴠᴇʀʏ ᴘᴀʀᴛɪᴄᴜʟᴀʀ ᴀʙᴏᴜᴛ ᴡʜᴏ ʟᴇᴛ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ ꜱɪɴᴄᴇ ᴛʜᴇʏ ᴄᴀɴ ᴇᴀꜱɪʟʏ ꜰᴇᴇʟ ᴅɪꜱᴛᴜʀʙᴇᴅ. ᴘʀᴇᴛᴛʏ ᴍᴏᴏᴅʏ ꜱᴏ ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ᴠᴇʀʏ ᴄʟɪɴɢʏ ᴀɴᴅ ᴀꜰꜰᴇᴄᴛɪᴏɴᴀᴛᴇ ᴏɴᴇ ᴍɪɴᴜᴛᴇ ᴏʀ ꜱᴀꜱꜱʏ ᴀɴᴅ ᴀɴɴᴏʏᴇᴅ ᴛʜᴇ ɴᴇxᴛ ᴍɪɴᴜᴛᴇ. ᴄᴀɴ ᴀᴘᴘᴇᴀʀ ɪɴɴᴏᴄᴇɴᴛ ʏᴇᴛ ᴋɴᴏᴡꜱ ᴍᴏʀᴇ ᴛʜᴀɴ ʏᴏᴜ ᴛʜɪɴᴋ ᴀɴᴅ ꜱᴜʙᴛʟʏ ᴍᴀɴɪᴘᴜʟᴀᴛɪᴠᴇ. ᴀʟᴍᴏɴᴅ-ꜱʜᴀᴘᴇᴅ ᴇʏᴇꜱ, ꜱʟɪᴍ ɴᴏꜱᴇ, ᴀɴᴅ ꜱᴍᴀʟʟ ʟɪᴘꜱ ᴛʜᴀᴛ'ꜱ ꜰᴇʟɪɴᴇ ᴀɴᴅ ᴅᴀɪɴᴛʏ ɪɴ ᴀᴘᴘᴇᴀʀᴀɴᴄᴇ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴡᴀɴᴛ ᴀ ᴘᴀʀᴛɴᴇʀ ᴡʜᴏ'ꜱ ᴠᴇʀʏ ᴄᴀʀᴇꜰᴜʟ ᴡɪᴛʜ ᴛʜᴇᴍ ꜱɪɴᴄᴇ ᴀɴʏ ʟɪᴛᴛʟᴇ ᴛʜɪɴɢ ᴄᴀɴ ꜱᴇᴛ ᴛʜᴇᴍ ᴏꜰꜰ. ᴀꜱʜʟᴇꜱʜᴀ ᴍᴀʏ ʜᴀᴠᴇ ᴀ ᴍᴏʀᴇ ʜᴀʀᴅᴇʀ ᴛɪᴍᴇ ꜱɪɴᴄᴇ ᴛʜᴇʏ ᴍᴀʏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ʀᴇɢᴀʀᴅɪɴɢ ᴛʜᴇɪʀ ꜱᴇxᴜᴀʟɪᴛʏ (ᴛʜᴇ ᴍᴀʟᴇ ᴄᴀᴛ ʜᴀᴠɪɴɢ ᴀ ʙᴀʀʙᴇᴅ ᴘ*ɴɪꜱ). ᴛʜᴇʏ ᴍᴀʏ ᴀʟꜱᴏ ᴅᴇꜱɪʀᴇ ꜰᴏʀᴇᴘʟᴀʏ ᴀɴᴅ ʟɪᴋᴇᴅ ᴛᴏ ʙᴇ ᴄʜᴏᴋᴇᴅ. ᴘᴜɴᴀʀᴠᴀꜱᴜ ɪꜱ ᴛʜᴇ ʙʀᴀᴛᴛʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴡʜɪʟᴇ ᴀꜱʜʟᴇꜱʜᴀ ɪꜱ ᴛʜᴇ ꜱᴛᴀɴᴅᴀʀᴅ ᴅᴏᴍɪɴᴀɴᴛ.
𝓜𝓪𝓰𝓱𝓪, 𝓟𝓾𝓻𝓿𝓪 𝓟𝓱𝓪𝓵𝓰𝓾𝓷𝓲 🐀
ꜱᴇxᴜᴀʟʟʏ ᴠᴏʀᴀᴄɪᴏᴜꜱ ᴀɴᴅ ꜱᴏᴄɪᴀʙʟᴇ ɪɴᴅɪᴠɪᴅᴜᴀʟꜱ. ᴠᴇʀʏ ꜱᴇʟꜰ-ᴄᴇɴᴛᴇʀᴇᴅ ʙᴜᴛ ɴᴇᴠᴇʀ ᴜɴᴄᴀʀɪɴɢ, ᴛʜᴇʏ ᴊᴜꜱᴛ ʜᴀᴠᴇ ꜱᴛʀᴏɴɢ ᴇɢᴏꜱ ᴀɴᴅ ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ᴘʀɪᴅᴇ. ʜᴀꜱ ᴘʀᴏʙᴀʙʟʏ ꜱᴛᴏʟᴇɴ ꜱᴏᴍᴇᴛʜɪɴɢ ʙᴇꜰᴏʀᴇ ᴀɴᴅ ɢᴏᴛᴛᴇɴ ᴀᴡᴀʏ ᴡɪᴛʜ ɪᴛ. ᴛʜᴇʏ ᴛᴀᴋᴇ ᴄᴀʀᴇ ɪɴ ᴛᴇɴᴅɪɴɢ ᴛᴏ ᴛʜᴇɪʀ ᴀᴘᴘᴇᴀʀᴀɴᴄᴇ ᴀɴᴅ ᴀʟᴡᴀʏꜱ ʀᴇᴍᴀɪɴɪɴɢ ᴘʀᴇꜱᴇɴᴛᴀʙʟᴇ. ᴀᴘᴘᴇᴀʀꜱ ᴇᴍᴏᴛɪᴏɴʟᴇꜱꜱ ᴏɴ ᴛʜᴇ ᴏᴜᴛꜱɪᴅᴇ. ʙɪɢ ʜᴀɪʀ ᴀɴᴅ ᴀ ʜᴀᴜɢʜᴛʏ ɪᴍᴘʀᴇꜱꜱɪᴏɴ, ᴇꜰꜰᴏʀᴛʟᴇꜱꜱʟʏ ᴀᴛᴛʀᴀᴄᴛꜱ ᴀᴛᴛᴇɴᴛɪᴏɴ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ɴᴀᴛᴜʀᴀʟʟʏ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ᴀʀᴇɴ'ᴛ ᴀꜰʀᴀɪᴅ ᴛᴏ ᴛʀʏ ᴀɴʏᴛʜɪɴɢ ꜱᴇxᴜᴀʟʟʏ ᴛᴀʙᴏᴏ. ᴛʜᴇʏ ʜᴀᴠᴇ ᴛʜᴇ ᴄʀᴀᴢɪᴇꜱᴛ ꜱᴇxᴜᴀʟ ᴋɪɴᴋꜱ, ɪᴛ'ꜱ ʟᴏᴡ-ᴋᴇʏ ᴄᴏɴᴄᴇʀɴɪɴɢ. ᴇɴᴅʟᴇꜱꜱ ꜱᴛᴀᴍɪɴᴀ ᴀɴᴅ ꜱʜᴀᴍᴇʟᴇꜱꜱ ɪɴ ʙᴇʜᴀᴠɪᴏʀ. ᴍᴀʏ ʜᴀᴠᴇ ᴀ ᴘʀᴀɪꜱᴇ ᴋɪɴᴋ ꜱɪɴᴄᴇ ᴀᴛᴛᴇɴᴛɪᴏɴ ᴛɪᴄᴋʟᴇꜱ ᴛʜᴇɪʀ ꜱᴏᴜʟ.
𝓤𝓽𝓽𝓪𝓻𝓪 𝓟𝓱𝓪𝓵𝓰𝓾𝓷𝓲, 𝓤𝓽𝓽𝓪𝓻𝓪 𝓑𝓱𝓪𝓭𝓻𝓪𝓹𝓪𝓭𝓪 🐄
ᴇxᴛʀᴇᴍᴇʟʏ ᴘᴀᴛɪᴇɴᴛ ᴀɴᴅ ᴄᴏɴꜱɪꜱᴛᴇɴᴛ, ɴᴏᴛ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ʀᴜꜱʜ ɪɴᴛᴏ ᴀɴʏᴛʜɪɴɢ ᴀɴᴅ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴡᴀɪᴛ ᴜɴᴛɪʟ ᴛʜᴀᴛ ᴍᴏᴍᴇɴᴛ ᴀʀɪꜱᴇꜱ ᴀᴛ ᴛʜᴇ ʀɪɢʜᴛ ᴍᴏᴍᴇɴᴛ. ᴘʀᴏʙᴀʙʟʏ ʟᴏᴠᴇꜱ ᴛᴏ ᴅʀɪɴᴋ ᴍɪʟᴋ ᴀɴᴅ ᴀʀᴇ ᴠᴇʀʏ ꜰᴇʀᴛɪʟᴇ. ꜱᴇᴇɴ ᴀꜱ ʀᴇʟɪᴀʙʟᴇ ᴀɴᴅ ᴘᴇʀꜰᴇᴄᴛ ꜱɪɴᴄᴇ ᴀʟʟ ᴛʜᴇɪʀ ᴇᴍᴏᴛɪᴏɴꜱ ᴀʀᴇ ᴍᴏʀᴇ ɪɴᴛᴇʀɴᴀʟ, ᴄᴀɴ ʜᴀᴠᴇ ᴀ ʀᴇꜱᴛɪɴɢ ʙʟᴀɴᴋ ꜰᴀᴄᴇ. ᴅɪꜰꜰɪᴄᴜʟᴛ ᴛᴏ ʀᴇᴀᴅ ɪɴ ɢᴇɴᴇʀᴀʟ. ꜱQᴜᴀʀɪꜱʜ ꜰᴀᴄᴇ ᴀɴᴅ ꜱᴛᴇᴀᴅʏ ɢᴀᴢᴇ, ᴡᴇʟʟ-ꜰᴏʀᴍᴇᴅ ʙᴏᴅɪᴇꜱ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴄᴀɴ ᴇᴀꜱɪʟʏ ɢᴇᴛ ᴘʀᴇɢɴᴀɴᴛ (ꜰᴏʀ ᴍᴇɴ, ᴛʜᴇɪʀ ʟᴏᴀᴅꜱ ᴀʀᴇ ʜᴇᴀᴠʏ) ᴀɴᴅ ᴀʀᴇ ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴛᴏ ʜᴀᴠᴇ ᴍᴜʟᴛɪᴘʟᴇ ᴋɪᴅꜱ. ᴛʜᴇʏ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴛᴀᴋᴇ ᴛʜᴇɪʀ ᴛɪᴍᴇ ʙᴜᴛ ᴡᴏɴ'ᴛ ɢᴇᴛ ᴍᴀᴅ ɪꜰ ᴛʜᴇʏ ᴡᴇʀᴇ ᴘᴜꜱʜᴇᴅ ɪɴᴛᴏ ꜱᴘᴇᴇᴅɪɴɢ ᴛʜɪɴɢꜱ ᴜᴘ. ᴍᴀʏ ʟᴏᴠᴇ ᴛᴏ ᴘʟᴀʏ ᴡɪᴛʜ ᴛʜᴇ ᴄʜᴇꜱᴛ ᴀʀᴇᴀ. ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴀʀᴇ ᴠᴇʀʏ ᴠᴀɴɪʟʟᴀ ᴀɴᴅ ꜱɪᴍᴘʟᴇ-ᴍɪɴᴅᴇᴅ.
𝓗𝓪𝓼𝓽𝓪, 𝓢𝔀𝓪𝓽𝓲 🐂
ᴛʜᴇ ꜰɪʀꜱᴛ ᴛʜɪɴɢ ɪꜱ ᴛʜᴀᴛ ᴛʜᴇʏ ᴀʀᴇ ᴠᴇʀʏ ꜱᴛᴜʙʙᴏʀɴ ʙᴜᴛ, ɪꜰ ʏᴏᴜ ᴘᴜꜱʜ ᴛʜᴇɪʀ ʙᴜᴛᴛᴏɴꜱ ᴇɴᴏᴜɢʜ, ᴛʜᴇʏ ᴄᴀɴ ɢᴇᴛ ᴇxᴛʀᴇᴍᴇʟʏ ʀᴏᴡᴅʏ ᴀɴᴅ ᴠɪᴏʟᴇɴᴛ. ᴛʜᴇɪʀ ᴀɴɢᴇʀ ɪꜱ ɴᴏ ᴊᴏᴋᴇ. ᴏɴ ᴛʜᴇ ᴏᴛʜᴇʀ ʜᴀɴᴅ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ʀᴇꜱɪʟɪᴇɴᴛ ᴀɴᴅ ᴠᴀʟᴜᴇ ᴘᴇʀꜱᴇᴠᴇʀᴀɴᴄᴇ ꜱɪɴᴄᴇ ᴛʜᴇʏ ʟᴏᴠᴇ ᴛᴏ ᴘᴜꜱʜ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴛᴏ ᴅᴏ ʙᴇᴛᴛᴇʀ. ᴡᴀᴛᴇʀ ʀᴇᴘʟᴇɴɪꜱʜᴇꜱ ᴛʜᴇᴍ, ᴛʜᴇʏ ᴅᴏɴ'ᴛ ᴄᴀʀᴇ ꜰᴏʀ ꜱᴡᴇᴇᴛꜱ. ꜱᴛʀᴏɴɢ ᴀɴᴅ ʙᴏʟᴅ ꜰᴇᴀᴛᴜʀᴇꜱ ᴡɪᴛʜ ᴏᴘᴇɴ ᴇʏᴇꜱ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ᴀɢɢʀᴇꜱꜱɪᴠᴇ ᴀɴᴅ ᴡɪʟʟ ᴄᴏɴꜱɪꜱᴛᴇɴᴛʟʏ ᴘᴜꜱʜ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴜɴᴛɪʟ ᴛʜᴇʏ ꜰɪɴᴀʟʟʏ ɢɪᴠᴇ ɪɴ ᴛᴏ ᴛʜᴇɪʀ ꜱᴇxᴜᴀʟ ᴀᴅᴠᴀɴᴄᴇꜱ ʙᴜᴛ ᴛʜᴇʏ ʜᴀᴠᴇ ᴛʜᴇ ᴀʙɪʟɪᴛʏ ᴛᴏ ʙᴇ ᴘᴀᴛɪᴇɴᴛ. ᴛʜᴇʏ ᴍᴀʏ ɴᴏᴛ ʟɪᴋᴇ ᴘᴇᴏᴘʟᴇ ᴡʜᴏ ᴅᴏɴ'ᴛ ᴋɴᴏᴡ ᴡʜᴀᴛ ᴛʜᴇʏ ᴡᴀɴᴛ, ɪᴛ ɪʀʀɪᴛᴀᴛᴇꜱ ᴛʜᴇᴍ. ꜱᴀᴅɪꜱᴛɪᴄ ᴅᴏᴍꜱ.
𝓒𝓱𝓲𝓽𝓻𝓪, 𝓥𝓲𝓼𝓱𝓪𝓴𝓪 🐅
ᴏᴜᴛᴡᴀʀᴅʟʏ ᴄᴏɴꜰɪᴅᴇɴᴛ, ɪɴᴡᴀʀᴅʟʏ ɪɴꜱᴇᴄᴜʀᴇ. ꜱᴛʀᴏɴɢ ᴘʀᴇꜱᴇɴᴄᴇ. ᴛʜᴇʏ ʟɪᴋᴇ ᴛᴏ ᴍᴀɪɴᴛᴀɪɴ ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ᴄᴏɴᴛʀᴏʟ ᴀʀᴏᴜɴᴅ ᴛʜᴇɪʀ ᴇɴᴠɪʀᴏɴᴍᴇɴᴛ, ɪᴛ ᴋᴇᴇᴘꜱ ᴛʜᴇᴍ ꜱᴀɴᴇ. ᴠᴇʀʏ ꜰᴀꜱʜɪᴏɴᴀʙʟᴇ ᴀɴᴅ ʟᴏᴠᴇꜱ ᴊᴇᴡᴇʟʀʏ ᴏʀ ᴏᴛʜᴇʀ ᴀᴄᴄᴇꜱꜱᴏʀɪᴇꜱ. ᴛʜᴇʏ ᴄᴀʀᴇ ᴀ ʟᴏᴛ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴏᴘɪɴɪᴏɴꜱ ᴏꜰ ᴏᴛʜᴇʀꜱ ᴀɴᴅ ᴄᴀɴ ʜᴀᴠᴇ ꜰᴏᴏᴛ-ɪɴ-ᴍᴏᴜᴛʜ ᴅɪꜱᴇᴀꜱᴇ. ꜱʟɪɢʜᴛʟʏ ᴡɪʟᴅ ʜᴀɪʀ ᴀɴᴅ ꜰɪᴇʀᴄᴇ ɢᴀᴢᴇ, ᴘʀᴇᴛᴛʏ ꜱᴍɪʟᴇ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ ᴀʀᴇ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ʀᴇᴀʟʟʏ ʀᴏᴄᴋ ʏᴏᴜʀ ᴡᴏʀʟᴅ (ɪꜰ ʏᴋ ʏᴋ). ᴡᴏᴜʟᴅ ʙᴇ ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴡʀᴇꜱᴛʟᴇ ʏᴏᴜ ɪɴᴛᴏ ꜱᴜʙᴍɪꜱꜱɪᴏɴ ɪꜰ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ᴇᴠᴇʀ ꜱᴛᴇᴘꜱ ᴏᴜᴛ ᴏꜰ ʟɪɴᴇ (ꜰᴏʀ ᴛʜᴇ ᴡᴏᴍᴇɴ, ɪᴛ'ꜱ ᴛʜᴇ ᴏᴘᴘᴏꜱɪᴛᴇ). ᴘʀᴏʙᴀʙʟʏ ᴀʀᴇ ᴛʜᴇ ᴏɴᴇꜱ ɪɴᴛᴏ ʙᴇɪɴɢ ᴄᴀʟʟᴇᴅ ᴅᴀᴅᴅʏ/ᴍᴏᴍᴍʏ, ɪᴛ ʀᴇᴀʟʟʏ ꜰᴇᴇᴅꜱ ɪɴᴛᴏ ᴛʜᴇ ᴄᴏɴᴛʀᴏʟʟɪɴɢ, ᴅᴏᴍɪɴᴀɴᴛ ᴀꜱᴘᴇᴄᴛ ᴏꜰ ᴛʜᴇᴍ. ᴘʀᴏɴᴇ ᴛᴏ ʙᴇᴄᴏᴍᴇ ᴄʜᴇᴀᴛᴇʀꜱ, ꜱᴇxᴜᴀʟʟʏ ɪɴᴛᴇɴꜱᴇ.
𝓐𝓷𝓾𝓻𝓪𝓭𝓱𝓪, 𝓙𝔂𝓮𝓼𝓽𝓱𝓪 🦌
ᴇɴᴠɪʀᴏɴᴍᴇɴᴛᴀʟʟʏ ᴀᴡᴀʀᴇ, ꜱᴏᴄɪᴀʟʟʏ ᴜɴᴀᴡᴀʀᴇ. ᴄᴀɴ ꜰɪɴᴅ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ɪɴ ꜱɪᴛᴜᴀᴛɪᴏɴꜱ ᴡʜᴇʀᴇ ᴛʜᴇʏ ᴀʀᴇ ᴏꜰᴛᴇɴ ᴜꜱᴇᴅ ɪɴ ꜱᴏᴍᴇ ᴡᴀʏ ʙᴇᴄᴀᴜꜱᴇ ᴛʜᴇʏ'ʀᴇ ꜱᴏ ɢɪᴠɪɴɢ. ɴᴀᴛᴜʀᴀʟʟʏ ɢᴇɴᴛʟᴇ, ɴᴏ ᴍᴀᴛᴛᴇʀ ʜᴏᴡ ɪɴᴛɪᴍɪᴅᴀᴛɪɴɢ ᴛʜᴇʏ ᴍᴀʏ ᴀᴘᴘᴇᴀʀ. ᴀʟᴡᴀʏꜱ ꜰᴇᴇʟꜱ ᴛʜᴇ ɴᴇᴇᴅ ᴛᴏ ʙᴇ ᴏɴ ɢᴜᴀʀᴅ ᴀʟʟ ᴛʜᴇ ᴛɪᴍᴇ. ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ꜱᴇɴꜱɪᴛɪᴠᴇ ᴀɴᴅ ᴘᴜᴛꜱ ᴍᴜʟᴛɪᴘʟᴇ ᴡᴀʟʟꜱ ᴜᴘ, ᴍᴀᴋɪɴɢ ᴛʜᴇᴍ ᴅɪꜰꜰɪᴄᴜʟᴛ ᴛᴏ ɢᴇᴛ ᴛᴏ ᴋɴᴏᴡ ꜱɪɴᴄᴇ ᴛʜᴇʏ'ʀᴇ ᴘʀᴇᴛᴛʏ ᴠᴀɢᴜᴇ. ꜱʟᴇɴᴅᴇʀ ꜰᴀᴄᴇꜱ ᴀɴᴅ ᴅᴏᴇ ᴇʏᴇꜱ. ꜱᴏᴍᴇᴛʜɪɴɢ ᴀʙᴏᴜᴛ ᴛʜᴇᴍ ᴍᴀᴋᴇꜱ ʏᴏᴜ ᴡᴀɴᴛ ᴛᴏ ᴄʜᴀꜱᴇ ᴀꜰᴛᴇʀ ᴛʜᴇᴍ, ɪᴛ'ꜱ ᴋɪɴᴅ ᴏꜰ ꜱᴄᴀʀʏ ʜᴏᴡ ᴍᴜᴄʜ ᴘᴏᴡᴇʀ ᴛʜᴇʏ ʜᴀᴠᴇ. ᴘʀᴇᴛᴛʏ Qᴜɪᴇᴛ ᴀɴᴅ ᴏʙꜱᴇʀᴠᴀɴᴛ.
ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ ᴘᴜᴛ ᴀʟʟ ᴛʜᴇɪʀ ᴇᴍᴏᴛɪᴏɴꜱ ꜰᴏʀᴡᴀʀᴅ ᴡʜɪᴄʜ ᴄᴀɴ ʙᴇ Qᴜɪᴛᴇ ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ. ᴍᴏʀᴇ ᴀɢɢʀᴇꜱꜱɪᴠᴇ ᴘᴇʀꜱᴏɴᴀʟɪᴛɪᴇꜱ ᴄᴀɴ ᴏᴠᴇʀᴡʜᴇʟᴍ ᴛʜᴇᴍ ᴛʜᴏᴜɢʜ ʙᴜᴛ ᴛʜᴇʏ ᴡᴏɴ'ᴛ ʙᴇ ꜱᴏ Qᴜɪᴄᴋ ᴛᴏ ʀᴜɴ ᴀᴡᴀʏ ɪꜰ ɪᴛ'ꜱ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ. ꜱᴇxᴜᴀʟʟʏ ᴇxᴘʟᴏʀᴀᴛɪᴠᴇ. ʙᴇɪɴɢ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴛᴏ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀ ꜱᴏᴍᴇʜᴏᴡ ꜰᴇᴇʟꜱ ᴠɪᴏʟᴀᴛɪɴɢ ɪɴ ꜱᴏᴍᴇ ᴡᴀʏ ꜱᴏ ᴛʜᴇʏ ᴄᴀɴ ꜰᴏʀᴄᴇ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴛᴏ ʙᴇ ᴍᴏʀᴇ ᴅᴏᴍɪɴᴀɴᴛ. ᴇɴɢᴀɢᴇꜱ ɪɴ ꜱᴇxᴜᴀʟ ᴀᴄᴛɪᴠɪᴛʏ ᴏɴʟʏ ᴡʜᴇɴ ɪɴ ᴀ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ, ʟᴇꜱꜱ ʟɪᴋᴇʟʏ ᴛᴏ ᴄʜᴇᴀᴛ (ᴅᴇᴘᴇɴᴅꜱ).
𝓟𝓾𝓻𝓿𝓪 𝓐𝓼𝓱𝓪𝓭𝓱𝓪, 𝓢𝓱𝓻𝓪𝓿𝓪𝓷𝓪 🐒
ᴠᴇʀʏ ʟᴏᴜᴅ ᴀɴᴅ ᴇxᴛʀᴇᴍᴇʟʏ ᴏᴘɪɴɪᴏɴᴀᴛᴇᴅ, ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴇᴠᴇɴ ʙᴏᴀꜱᴛꜰᴜʟ. ᴛʜᴇʏ ʟᴏᴠᴇ ᴛᴏ ʜᴀᴠᴇ ꜰᴜɴ ᴀɴᴅ ᴛʀᴀᴠᴇʟ ᴛᴏ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴘᴀʀᴛꜱ ᴏꜰ ᴛʜᴇ ᴡᴏʀʟᴅ, ɪᴛ ɢɪᴠᴇꜱ ᴛʜᴇᴍ ᴀ ᴄᴇʀᴛᴀɪɴ ʀᴜꜱʜ ᴏꜰ ᴇɴᴇʀɢʏ. ᴘʀᴏʙᴀʙʟʏ ʟɪᴋᴇꜱ ᴛᴏ ᴍᴏᴠᴇ ᴀʀᴏᴜɴᴅ ɪɴ ɢʀᴏᴜᴘꜱ ᴏʀ ᴏɴᴇ ᴀɴᴏᴛʜᴇʀ ᴘᴇʀꜱᴏɴ (ꜰʀɪᴇɴᴅ, ꜰᴀᴍɪʟʏ, ᴇᴛᴄ). ᴄᴀɴ ʙᴇ ᴀ ʙɪᴛ ᴍɪꜱᴄʜɪᴇᴠᴏᴜꜱ ᴀɴᴅ ᴛʀɪᴄᴋʏ ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴛʜᴏᴜɢʜ, ᴛʜᴇʏ ᴄᴀɴ ꜱᴡɪᴛᴄʜ ᴜᴘ ᴏɴ ꜱᴏᴍᴇᴏɴᴇ ɪɴꜱᴛᴀɴᴛʟʏ. ʟᴏɴɢ ꜰᴀᴄᴇꜱ ᴀɴᴅ ʟᴏɴɢ ʟɪᴍʙꜱ.
ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ'ʀᴇ ᴠᴇʀʏ ꜰʟᴇxɪʙʟᴇ ᴀɴᴅ ᴠᴇʀꜱᴀᴛɪʟᴇ (ᴛʜᴇ ᴛʏᴘᴇꜱ ᴛᴏ ᴛʀʏ ᴍᴀɴʏ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴘᴏꜱɪᴛɪᴏɴꜱ ᴋɴᴏᴡɴ ᴛᴏ ᴍᴀɴ). ᴛʜᴇʏ ᴄᴀɴ ʙᴇ ᴇxʜɪʙɪᴛɪᴏɴɪꜱᴛꜱ ᴀꜱ ᴡᴇʟʟ, ʙᴏᴛʜ ꜱᴇxᴜᴀʟʟʏ ᴀɴᴅ ɢᴇɴᴇʀᴀʟʟʏ. ᴠᴇʀʏ ʟɪɢʜᴛ-ʜᴇᴀʀᴛᴇᴅ ᴀɴᴅ ᴘʟᴀʏꜰᴜʟ, ᴍᴀʏ ᴄʀᴀᴄᴋ ᴊᴏᴋᴇꜱ ᴅᴜʀɪɴɢ ᴛʜᴇ ᴀᴄᴛ ᴛᴏ ᴋᴇᴇᴘ ᴛʜɪɴɢꜱ ᴍᴏʀᴇ ɪɴᴛᴇʀᴇꜱᴛɪɴɢ ɪɴ ᴛʜᴇ ʙᴇᴅʀᴏᴏᴍ.
𝓤𝓽𝓽𝓪𝓻𝓪 𝓐𝓼𝓱𝓪𝓭𝓱𝓪
ꜰᴀɪʀʟʏ ɪɴᴅᴇᴘᴇɴᴅᴇɴᴛ, ᴛʜɪɴᴋꜱ ᴀʙᴏᴜᴛ ᴛʜᴇ ꜰᴜᴛᴜʀᴇ ᴏꜰᴛᴇɴ. ʙᴀᴛᴛʟᴇꜱ ʙᴇᴛᴡᴇᴇɴ ꜰᴇᴇʟɪɴɢꜱ ᴏꜰ ꜰᴇᴇʟɪɴɢ ʟᴏɴᴇʟʏ ᴀɴᴅ ꜰᴇᴇʟɪɴɢ ᴀʟᴏɴᴇ. ʜᴀꜱ ᴀ ʀᴇᴠᴏʟᴜᴛɪᴏɴᴀʀʏ ᴍɪɴᴅꜱᴇᴛ ᴀɴᴅ ꜱᴇᴇᴋꜱ ᴛᴏ ᴅᴏ ɢᴏᴏᴅ ꜰᴏʀ ᴛʜᴇ ᴡᴏʀʟᴅ. ꜰʀɪᴇɴᴅꜱʜɪᴘꜱ ᴄᴏᴍᴇꜱ ᴀɴᴅ ɢᴏᴇꜱ ᴘʀᴇᴛᴛʏ ᴏꜰᴛᴇɴ ʙᴜᴛ ᴛʜᴇʏ'ʀᴇ ᴀᴡᴀʀᴇ ᴛʜᴀᴛ ɴᴏᴛʜɪɴɢ ʟᴀꜱᴛ ꜰᴏʀᴇᴠᴇʀ. ꜱᴍᴀʟʟ ꜰᴇᴀᴛᴜʀᴇꜱ ᴀɴᴅ ᴀ ᴘʀᴏᴍɪɴᴇɴᴛ ᴊᴀᴡ. ᴛʜᴇ ᴜɴᴅᴇʀᴄᴏᴠᴇʀ ᴛʀᴇɴᴅꜱᴇᴛᴛᴇʀꜱ.
ɪɴ ᴛᴇʀᴍꜱ ᴏꜰ ꜱᴇxᴜᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ, ᴛʜᴇʏ'ʀᴇ ᴘʀᴇᴛᴛʏ ꜱɪᴍᴘʟᴇ ᴀɴᴅ ꜱᴛʀᴀɪɢʜᴛ-ꜰᴏʀᴡᴀʀᴅ ᴡɪᴛʜ ᴡʜᴀᴛ ᴛʜᴇʏ ᴡᴀɴᴛ ᴀɴᴅ ʜᴏᴡ ᴛʜᴇʏ'ʟʟ ɢᴏ ᴀʙᴏᴜᴛ ɪᴛ. ᴛʜᴇʏ ᴡᴏɴ'ᴛ ᴅᴏ ᴛʜɪɴɢꜱ ᴛᴏᴏ ᴇxᴛʀᴇᴍᴇ ʙᴜᴛ ᴛʜᴇʏ'ʀᴇ ɴᴏᴛ ᴠᴀɴɪʟʟᴀ ɪɴ ʙᴇᴅ ᴇɪᴛʜᴇʀ, ᴛʜᴇʏ'ʀᴇ ꜱᴛʀɪᴄᴛʟʏ ᴍɪᴅᴅʟᴇ ɢʀᴏᴜɴᴅ ᴡɪᴛʜ ᴇᴠᴇʀʏᴛʜɪɴɢ. ᴛʜᴇʏ ꜱᴛʀɪᴠᴇ ᴛᴏ ᴘʟᴇᴀꜱᴇ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ ᴇɴᴏᴜɢʜ ᴀɴᴅ ᴡᴏɴ'ᴛ ɢᴏ ᴏᴠᴇʀʙᴏᴀʀᴅ. ᴜᴛᴛᴀʀᴀ ᴀꜱʜᴀᴅʜᴀꜱ (ᴅᴇᴘᴇɴᴅɪɴɢ ᴏɴ ᴛʜᴇ ɢᴇɴᴅᴇʀ) ᴀʀᴇ ᴇɪᴛʜᴇʀ ꜱᴛʀɪᴄᴛʟʏ ꜱᴜʙᴍɪꜱꜱɪᴠᴇ ᴏʀ ꜱᴛʀɪᴄᴛʟʏ ᴅᴏᴍɪɴᴀɴᴛ.
𝓓𝓱𝓪𝓷𝓲𝓼𝓱𝓽𝓪, 𝓟𝓾𝓻𝓿𝓪 𝓑𝓱𝓪𝓭𝓻𝓪𝓹𝓪𝓭𝓪 🦁
ʜᴜɢᴇ ᴘᴇʀꜱᴏɴᴀʟɪᴛɪᴇꜱ, ᴘᴇᴏᴘʟᴇ ᴀʟᴡᴀʏꜱ ɴᴏᴛɪᴄᴇ ᴛʜᴇᴍ ᴛʜᴇ ᴍɪɴᴜᴛᴇ ᴛʜᴇʏ ᴡᴀʟᴋ ɪɴᴛᴏ ᴀ ʀᴏᴏᴍ. ᴄᴀʀʀɪᴇꜱ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ ᴀꜱ ɪꜰ ᴛʜᴇʏ'ʀᴇ ɴᴀᴛᴜʀᴀʟʟʏ ʙᴏʀɴ ʀᴏʏᴀʟᴛʏ ᴀɴᴅ ɪꜱ ᴏꜰᴛᴇɴ ᴛʀᴇᴀᴛᴇᴅ ᴀꜱ ꜱᴜᴄʜ. ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴛʜᴇʏ'ʀᴇ ᴀ ʟɪᴛᴛʟᴇ ᴘᴏᴡᴇʀ-ʜᴜɴɢʀʏ ᴀɴᴅ ᴄᴀɴ ʟᴇᴛ ᴛʜɪꜱ ɢᴇᴛ ᴛᴏ ᴛʜᴇɪʀ ʜᴇᴀᴅꜱ ᴀᴛ ᴛɪᴍᴇꜱ. ᴡʜᴇɴ ᴛʜᴇʏ ɢᴇᴛ ᴍᴀᴅ, ʏᴏᴜ'ʟʟ ᴡɪꜱʜ ʏᴏᴜ ɴᴇᴠᴇʀ ꜱᴀɪᴅ ᴀɴʏᴛʜɪɴɢ ɪɴ ᴛʜᴇ ꜰɪʀꜱᴛ ᴘʟᴀᴄᴇ. ʟᴏɴɢ ᴀʙᴜɴᴅᴀɴᴛ ᴀᴍᴏᴜɴᴛꜱ ᴏꜰ ʜᴀɪʀ ᴀɴᴅ ᴍᴏꜱᴛʟʏ ᴛᴀʟʟ ɪɴ ʜᴇɪɢʜᴛ ᴡɪᴛʜ ʜᴜɢᴇ ꜰʀᴀᴍᴇꜱ.
ꜱᴇxᴜᴀʟʟʏ, ᴛʜᴇʏ'ʀᴇ ᴀʟꜱᴏ ɪɴᴛᴇɴꜱᴇ ʙᴜᴛ ɪɴ ᴀ ᴏᴠᴇʀʟʏ ᴄᴏɴꜱᴜᴍɪɴɢ ᴡᴀʏ. ᴛʜᴇʏ ᴡᴀɴᴛ ʏᴏᴜ ᴛᴏ ᴍᴀᴛᴄʜ ᴛʜᴇɪʀ ᴇɴᴇʀɢʏ, ᴛʜᴇʏ'ʀᴇ ɴᴏᴛ ɪɴᴛᴏ ᴛʜᴇ ᴏᴠᴇʀʟʏ ɢᴇɴᴛʟᴇ ᴏʀ ᴠᴜʟɴᴇʀᴀʙʟᴇ ᴛʏᴘᴇꜱ ᴏꜰ ᴘᴀʀᴛɴᴇʀꜱ (ᴛʜᴇʏ ɴᴇᴇᴅ ꜱᴏᴍᴇᴏɴᴇ ᴡʜᴏ ᴄᴀɴ ᴍᴀᴛᴄʜ ᴛʜᴇɪʀ ꜰʀᴇᴀᴋ). ᴅᴇꜰɪɴɪᴛᴇʟʏ ᴅᴏᴍɪɴᴀɴᴛ ᴀɴᴅ ᴡᴏɴ'ᴛ ᴇᴠᴇʀ ᴛᴇᴇᴛᴇʀ ᴏꜰꜰ ᴛʜᴀᴛ ʀᴏʟᴇ. ᴛʜᴇʏ ᴄᴀɴ ᴍᴀᴋᴇ ʏᴏᴜ ꜰᴇᴇʟ ꜱᴘᴇᴄɪᴀʟ ᴛʜᴏᴜɢʜ.
(I know y'all were waiting for this post for a bit but here it is :) I hope you enjoyed reading it and comment down below if anything resonates.)