Your FYP

Vedic astrology observations

Part 7

Feminine archetype and appearance focused

Preface

In general, yoni animals of big three(especially moon's) nakshatras play a huge role in how a person looks and what they embody. Two people who share one or more yoni animals in big three might look similar, even if all the nakshatras are different. Also, for example, if someone has Uttara Phalguni in big three, and another person has Krittika or Uttara Ashadha(other two sun nakshatras) and Uttara Bhadrapada(U.Phalguni's yoni match), then they will likely have similar appearances and nature too. Both of have them have a Sun nakshatra and a Cow yoni nakshatra in big three. This is one of the interesting ways to look at the bigger picture while interpreting.

Bharani girls/women look divine in high fantasy/period(especially medieval)/mythical inspired looks. Long hair, headbands/diadems, low contrast/ethereal coloring, dresses that show the body/skin but don't hug it tightly, flowy fabrics. Unique pieces in general are best for them. They should avoid modern trends that are too constricting and structured. Their faces tend to have a unique beauty too so they should think outside of what's generic to see their own true essence. Also, their eyes are usually the best part of their face, they have a look of anticipation, innocence and fire in them. Makeup should be serving that beauty of their eyes, and their lips have a unique shape too, the sides of it are pulled downwards, but they're rarely too thick. Too much makeup in general is detrimental to them. They should not be afraid to appear delicate. Everything about how Bharani women should be styled must be focused on embracing and nurturing their natural beauty. They really should not try too hard. Looks should fit the person, not the other way around, that is true for everyone but especially for Bharani girls/women.

Pushya, Uttara Phalguni, Uttara Bhadrapada, Revati(?), Krittika, Rohini and Mrigashira might feel good/look good in a "milkmaid" look/aesthetic. What's interesting is that all of these nakshatras are associated with cows. The first three nakshatras listed might embody that aesthetic more. One of Pushya's symbols is the cow udder, so is Revati's. Pushya's fully in Cancer, and has associations with milk and nurturing. Saturn has associations with agriculture. Uttara Bhadrapada is another Saturn ruled nakshatra and its yoni animal is the cow, although it might lean towards more etheral looks than the sheep/goat yoni Pushya, due to it being in Pisces. Uttara Phalguni's milkmaid look might be more earthy. Mrigashira and Rohini can sometimes wear this look, due to them being in Taurus. Three fourths of Krittika is also in Taurus, and it's another goat/sheep yoni nakshatra that has associations with nurturing, but not as much as Pushya.

^^ To expand on the Cow yonis from above, they look really good with braids(so does Mrigashira but for different reasons). Cow yonis should lean into "traditional",natural clothing. That really allows them to show their femininity. They look really good with their hair down and with clothes that are comfortable. Like, they might look the best with a hoodie or a simple jacket and slightly discheveled hair. Big ballgowns also look amazing on them, as well as regal attire. They also might wear/incorporate elements that has personal significance to them, usually in relation to their close loved ones/family/community, a family heirloom or something that shows where their loyalty lies. (Please tell me this makes sense)

Cat yonis usually have medium to high contrast coloring, especially Ashlesha. Eyeliner looks divine on them, so does lipstick, usually with a rich red or pink color. Punarvasu might look ethereal and perfect in softer shades though too. They're the ones from the two more likely to have low constrast in coloring. I'd say if Punarvasu is light pink, Ashlesha is red. Punarvasus also have mixed/warmer tones than Ashlesha. They both might look good in Silver but Punarvasus should also try wearing gold(Jupiter's color). Punarvasu might look amazing with no lipstick at all too, but lip gloss or moisturizer is still desirable. They both also usually have really nice skin. If not, taking care of its health might really transform their appearance. Lastly, I think these two nakshatras look better if they feel a certain sense of control over their lives😅😭 hear me out. Like how Cats usually bathe themselves(but still smell nice???😭) and have a private, sort of weird and adorable "self-care" routine, these women approach everything in a careful, gradual but determined way, and I think that they need to settle into certain ways of taking care of presenting themselves. They need to feel a sense of safety and assuredenss in it on some level. They need to feel neat and tidy.

Rat yonis on the other hand have low to medium contrast. Purva Phalguni might have lower constrast than Magha. They look best in gold rather than silver. Purva Phalguni is one of the nakshatras that can benefit from having and sticking to staple looks/pieces, so they should not be afraid to do that. Similar to Bharani, they should avoid excess makeup too, but if they truly enjoy something, no matter how camp it seems, then they should go for it, with some discernment. Overly controlled looks are also not the best for them. Maghas usually have bold/noticable hair and they should lean into it. Usually these people don't fuss about appearance in details, but rather go for big statement pieces, like a big gold bracelet or chuncky earrings.

Tiger yonis, unlike cow yonis, will benefit from trends/structured and modern looks. Chitra especially is the nakshatra that likes to fit into certain aesthetics, but I'd advise them to avoid natural looking clothes that fit Cow yonis so well. Instead they should go for tight tops, shorts, tighter dresses, punk rock, fitted garments. If Cow yonis look good in big ballgowns, Tiger Yonis should go for formal dresses that are not flared but still look classic. Vishkhas should wear smudged eyeliner(my opinion lol). A little intensity and fierceness looks really good on Vishakhas but they should avoid excess otherwise like plague. Chitras might have a liscence to overaccessorize sometimes but Vishakhas do not. Also, Chitras can lean into softer/coquettish aesthetics but Vishakhas should aim for something more simple but intense and fierce, and they should not be afraid to mix feminine and masculine elements.

Jyeshta women have a very specific look. Their eyes are rich and intense, usually brows and eyelashes help with the intensity. These women might look really good with earrings, especially round-shaped ones, or a round necklace, given that Jyeshta's symbol is a round talisman. Their eyes are deep and piercing, but not really sharp, their shape could be soft. They could also have doe eyes but the ones that have intelligence, wisdom and worldly depth reflected in them. Dark hair flatters these women a lot, especially if they have Jyeshta moon or ascendant, but that's not a rule. Overall their look is intense, mercurial but regal. Their image should showcase their integrity. Any clothing that seems a little too frivolous or childish is not for them. They could find that they enjoy wearing quality but comfortable pieces that look simple. They can definitely play around with style though, given that they're a Mercury nakshatra, and can look good in something more "excessive". However, I've noticed that, even then, Jyeshta women still prioritize minimalism on some level. If they wear something more "out there" it must be once in a while, just to symbolically display their power. A lot of the times their most excessive outfits are not that excessive to others.

Punarvasu might be another nakshatra that makes its female natives look good in longer dresses. It's a very feminine nakshatra, despite being ruled by a masculine planet. Generally, cat yonis have distinctive faces. Punarvasu, being the soft one out of those two nakshatras, as well as having connection to spirituality and "godhood", influences appearance in a very unique way. These women might benefit from wearing long, soft, flowly garments that cover the body, maybe even a cape or a veil pulled backwards, but the face should be visible. It gives a "divine", "goddess-like", supernatural element to their appearance, which is true to their essence.

Vanar yonis are another pair of nakshatras that are more ethereal looking. They should avoid compact/structured garments and should not be afraid to wear anything oversized, within reason. Shravanas generally tend to be a little longer and slimmer, due to it being in the Saturn-ruled Capricorn, but they don't have the Venusian fierce, Aphrodite look that Purva Ashadhas have. Instead, they're smoother and colder, almost too subdued/neutral than their yoni consorts. Purva Ashadhas can have a more robust bone structure and look "healthier", but their etheriality can have an "earthly"/material element to it unlike Shravana, if that makes sense. This is also the yoni type that can get away with wearing anything weird: the type of choices that make you scratch you head and think "why would anyone go for this" but they somehow look fine and sometimes even good on them. This applies to Shravanas more. Quirky makes them look and feel good. Vanar means "being from other dimensions". According to vedic, they live in forests. Their yoni animal is literally not an actual common "animal" as most think of them, although "Vanar" has been interpreted as "Monkey". It's not inaccurate exactly, since these natives usually do have slightly protruding ears(like elephant yonis) but I think tossing out the origin of the word leaves out an important association.

Dead bodies that walk in the night, living bodies suddenly possessed by new owners and deadly aspirations, bodies without sensible form, and a body of unnatural laws in accordance with which tortures and executions are meted out — some examples of the logic of supernatural horror. It is a logic founded on fear, a logic whose sole principle states: "Existence equals nightmare." Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure.

Thomas Ligotti, Songs of a Dead Dreamer

“X celebrity is the most beautiful woman in the world etc etc.” Uh no it’s my mom and also a random girl i saw while i was at work once

art will save you, being unreasonably passionate about something niche will save you, letting past sources of joy show you the way back to yourself will save you, earnestness over composure will save you, the natural world will save you, caring for something bigger than yourself will save you, daring to be seen will save you, kindness not as a whim but a principle will save you, appreciation as a practice will save you, daring to try something new will save you, grounding will save you, love will save you, one good nights sleep will save you

punarvasu । पुनर्वासु

𑁍 meaning — “return to the light”

𑁍 shakti [divine power] — "vasutva prapana shakti" the ability to gain wealth or substance

𑁍 presiding deity — ADITI

the sanskrit word aditi (अदिति) means "boundless," "limitless," "freedom," or "innocence"

𑁍 punarvasu is of the deva (godly) clan and belongs to the the merchant caste; its primary motivation is artha — the pursuit of wealth, material well-being and prosperity; artha (अर्थ) in sanskrit means meaning or purpose

𑁍 the vimshottari lord is jupiter, brihaspati - guru of the gods; the realm of ether - beyond space

Jacob's Dream, William Blake, Punarvasu moon

For further insights into the cosmic function of punarvasu and Aditi

I will be quoting an excerpt from 'DIVINE HORSEMEN: THE LIVING GODS OF HAITI' — MAYA DEREN

Here, I liken the haitian goddess Erzulie to the vedic Aditi as they represent the same archetype and symbolism

"Myth is the facts of the mind made manifest in a fiction of matter." — maya deren, punarvasu ketu (below)

Erzulie: Goddess — The Tragic Mistress

Voudoun has given woman, in the figure of Erzulie, exclusive title to that which distinguishes humans from all other forms: their capacity to conceive beyond reality, to desire beyond adequacy, to create beyond need. In Erzulie, Voudoun salutes woman as Divinity of the dream, the Goddess of Love, the muse of beauty.

It has denied her emphasis as mother of life and of men in order to regard her (like Mary, with whom Erzulie is identified) as mother of man's myth of life — its meaning. In a sense, she is that very principle by which man conceives and creates divinity.

Thus, to man himself, she is as mistress.

𑁍

Erzulie moves in an atmosphere of infinite luxury, a perfume of refinement, which, from the first moment of her arrival, pervades the very air of the peristyle, and becomes a general expansiveness in which all anxieties, all urgencies vanish.

The tempo of movements becomes more leisurely, tensions dissolve and the voices soften, losing whatever aggressive or strident tones they may have had. One has the impression that a fresh, cooling breeze has sprung up somewhere and that the heat has become less intense, less oppressive.

𑁍

She is provided with a fresh white or rose silk handkerchief which she arranges carefully around her hair.

Perfume is imperative, and there may be powder as well. A white or rose dress of delicate cloth, with lace or embroidery, has been keps in readiness for her. And, finally, she is brought not one necklace, but several, of gold and pearls, along with earrings and bracelets and her three wedding bands.

The careful, unhurried accumulation of costume is an act which, step by step, rejects the primitive, the "natural condition", and, step by careful step, instructs the fortunate attendants in the idea of beauty, the sense of form, and, above all, the cumulative painstaking process by which a work of man — be it art or myth — is created.

The Goddess examines each article minutely; where alternative choice exists, her considered selection, her indecision are very pointed; each effect is critically scrutinized, often rejected and rearranged. The very process of this creative transformation becomes so significant that whether it is a large audience or a small family who await her, or how long they may have to wait, ceases to be of any consequence.

What is of consequence is the act itself, and the demonstration of the fact that such an act can transfigure the female into the feminine.

Her voice is a delicate soprano; her every gesture, movement of eyes, and smile, is a masterpiece of beguiling coquetry; with her, human relationship becomes itself significant rather than merely a means to an end.

She may visit her altar chamber and be pleased that the flowers are fresh, for flowers are her passion.

kalu uchis, punarvasu ☉

𑁍

She may ask for a favorite song, for she loves to dance and is the most graceful of all loa; or she may simply give audience to her admirers, and by her postures and attitudes transform the crude chair in which she sits into a throne.

Above all, she favors desserts, decorated cakes and confections of all kinds. Or, if she has arrived on an impromptu visit, she may be content with a sip of the crême de menthe or the champagne which, theoretically, should always be ready for her appearance.

𑁍

As Lady of Luxury, she gives gifts constantly;

her own perfume, the handkerchief she wears, the food and money which she distributes generously.

She particularly rewards those who are handsome, or who dance well, or whose personality pleases her. She never neglects one who is devoted to her.

𑁍

an altar to maîtresse erzulie, mistress erzulie, metres elizi freda

As Lady of Luxury she is, above all, Goddess of Love, that human luxury of the heart which is not essential to the purely physical generation of the body. She is as lavish with that love as she is generous with her gifts. She treats men with such demonstrative affection that it might seem, at times, embarrassing. She will embrace them, and kiss them, caress them, sit with an arm around those to both sides of her.

Nothing is meted out or budgeted, there is more than enough; this is her way of loving, this is the divine fecundity of the heart. A heart is, indeed, her symbol, most often the pierced heart identified with Mary.

She, who is the wealthiest of the loa, the most frequently gifted with luxurious accoutrement, suffers for not being "served" enough.

She, who is the most complimented, most beloved, most often wedded in the sacred marriage of devotee and divinity — she who is Goddess of Love — protests that she is not loved enough."

Inevitably then – she begins to weep. Tenderly they would comfort her, bringing forward still another cake, another jewel, pledging still another promise. But it would seem that nothing in this world would ever, could ever, answer those tears. It is because of these tears that the women, who might otherwise resent her, are so gentle. In their real, reasonable world there is no grief like this.

this weeping is so inaccessible to reason that one thinks, inevitably, of a child's innocence of reason. It is this sense of innocence which emanates from her that makes her identification with the Virgin Mary somehow seem truer than her promiscuity, than even the fact that the devotion of prostitutes makes of her almost their patron saint.

lana del rey, punarvasu mercury

She is the divinity of the dream, and it is in the very nature of dream to begin where reality ends and to spin it and to send it forward in space, as the spider spins and sends forward its own thread.

The labor of Erzulie is as endless as the capacity of man to dream and, in the very act of accomplishing that dream, to have already dreamed again. It is upon this diminutive feminine figure that man has placed the burden of the most divine paradox — He has conceived her without satisfactions, without balance, to insure an overwhelming balance against his own satisfactions. This is the meaning of the merciless muse, the most unhappy Medusa.

Erzulie is the loa of the impossible perfection which must remain unattainable. Man demands that she demand of him beyond his capacity. The condition of her divinity is his failure; he crowns her with his own betrayals. Hence she must weep; it could not be otherwise.

The wound of Erzulie is perpetual: she is the dream impaled eternally upon the cosmic cross/roads where the world of men and the world of divinity meet, and it is through her pierced heart that "man ascends and the gods descend".

Rose & dahlia by Salvador Daví, Punarvasu Rising

𑁍

Joy and woe are woven fine,

A clothing for the soul divine;

Under every grief and pine

Runs a joy with silken twine.

It is right it should be so;

Man was made for joy and woe;

And when this we rightly know,

Safely through the world we go.

— William Blake, punarvasu moon, "Auguries of Innocence" (1863)

"If the doors of perception were cleansed every thing would appear to man as it is, infinite."

— William Blake, "The Marriage of Heaven and Hell" (1790)

Lana del rey has mercury in punarvasu, and her music had a very fantastic, ethereal feel that almost lulls you into a dream-like state.

Her lyrics often reflect punarvasu themes of dreams, fantasy, sorrow, heart-ache, luxury, excess, affection

lyrics to lana's 'video games'

I say, "You the bestest" / Lean in for a big kiss / Put his favourite perfume on

It's you, it's you, it's all for you / Everything I do / I tell you all the time / Heaven is a place on earth with you

They say that the world was built for two / Only worth living if somebody is loving you

lyrics to 'honeymoon'

There are violets in your eyes / There are guns that blaze around you / There are roses in between my thighs / And fire that surrounds you

It's no wonder every man in town / Had neither fought nor found you / Everything you do is elusive / To even your honey dew

our honeymoon / Dreaming away your life

do you really want your desires?

more specifically, are you sure that you're consciously manifesting your desire/s at all? it may occur to you as though THINKING about your desires, thinking about manifesting then putting it off for "the right moment" or when things 'click' for you is going to conjure your desires into reality without you actually changing your assumptions. but in the meantime, the feeling of lacking your desires consumes you. what you desire so desperately continues to feel so far out of reach, but in reality is sitting right before you. you end up hoping that you'll wake up one day with everything you've dreamed of but know deep down it won't happen, rather than simply persisting in the assumption that you do. yet, as you've heard countless times prior, do consider how fortunate you are to have knowledge of and allow yourself to believe in a concept so foreign to others. how fortunate you must be to have what you want by assuming that you do, when there are so many people unaware of this. it does feel pointless when you persist and see no movement. it does feel like nothing will change because not much has changed in the past. but I implore you to persist regardless, stay with unwavering faith in the 4D, because the law cannot fail, and it most certainly cannot fail you.

"You are already that which you want to be, and your refusal to believe it is the only reason you do not see it." - the og loa blogger Neville hehe

I don't see anyone being slut-shamed more than chitra and uttaraphalguni women

What vedic twitter accounts do you follow

@Courtstrology

@MaghaPPhalguni

@Gkmastrology

@maghastrology

@AstroCounselVik

@anoooradha

@poshbehaviour

@lunagiiselle

@bhaviieeii

@DHANISHTAVENUS

@Astrotalaya

@Vedicbutterfly3

@TheAstroSapienn

@venusin8h

@multidguidance

@7hMoonMars

@fashionastro

@thevenusianwho

@amundaliniii

@m0onhugs

@veda_padma

@shravanaflower

@Dercio_Lichucha

@tia_visagie

Rohini is the birth of Eve or the cosmic “woman” herself and Uttara Phalguni is her awakening. 🍎 🐍

———

UPH moon Doja Cat’s “Woman” is my theme song for this nakshatra. In the video, she also dresses as the Tree of Life (another name for the Banyan tree). It’s the tree which Adam and Eve ate off in the Garden of Eden in order to maintain immortality. In Tuck Everlasting, UPH sun Alexis Bledel must make the decision to drink from a tree to become immortal so she can live with her love interest (played by a Krittika native) forever. Krittika is Adam, immortal in the Garden of Eden, and that’s EXACTLY how this book/movie captures him.

It takes his father, played by a UBP (the funeral cot) sun, to teach her that death is part of the Circle of Life and that no life is worth living if it cannot end. He tells her this so that she doesn’t choose to remain immortal and stuck as a girl forever. He persuades her to grow older and create her own life and to not hold her life back for a boy who will forever be stuck unaware in the Garden of Eden (Krittika = Adam’s birth). This plot says a lot about Uttara Phalguni women in my opinion, and how they won’t let themselves be held back by anything including men. It also connects to how this nakshatra is all about growing up and how these natives, as children, oftentimes need guidance to grow up, especially from outside of their own family (usually their fathers are not present in some way. Look at Simba & Will from the Fresh Prince).

The Tree of Life connects to amrita (the Elixir of Life; immortality). Aryaman is King of the Immortal Ancestors, who are only immortal because their consciences are embedded within their descendant’s DNA. This ultimately alludes to the fact that our ancestors are simply past versions of ourselves, which is seen directly in the incredibly Uttara Phalguni coded chow Avatar. Aang is Uttara Phalguni DOWN to the point where he learns to align his chakras. Aryaman is the ruler of the sevenfold path towards enlightenment. He essentially represents manhood or the path of the Arya as well.

Uttara Phalguni is pure life force energy in the first pada. In the last three padas, it is life force energy growing on Earth (6H). It is the soul within us all. The collective conscious. That’s why these natives appeal to many. They are relatable and highly sought after in terms of status, creativity, success and they are also desired by many. It is also why they set trends and are “milked” by the industry. Think of Doja, who has called herself a “cash cow.” She is the only female rapper to give Nicki Mnja credit on a song outside of Megan. They’re both UPH moon. UPH is the beneficiary of the ancestor’s fruits. The descendant who inherits fruits from previous generations. Doja has even said this on “Attention.” Think of how Britney Spears was the first real, modern archetype of a “pop star.” After her era was over, it was Nicki Minaj who became the pop/rap mogul that created trends and styles that the masses highly enjoyed mimicking. These women’s consciousness are so creative and powerful that they create personas that the world loves to mimick and take inspiration from. That’s why they are the BLUEPRINT along with Krittika & UA. For every generation (UPH= generations) there is a famous Uttara Phalguni woman who enters the spotlight and amazes the masses with her unique identity and creativity which then churns their respective industry and inspires the world.

Manifesting physical changes in appearance without surgery, is it possible?

Okay, so it is 100% possible to change your physical appearance, including your bone structure, with just manifestation. This isn’t just some abstract idea or a wild theory yk it’s based by the way your mind, body, and energy work together. If you want to reshape your face, jawline, or even your posture, manifestation can absolutely make it happen.

Your body is constantly changing...and bones are living tissue, and they go through a process called remodeling. This means that your skeleton isn’t static...and yk it’s being rebuilt throughout your life. When you focus your mind on a specific outcome, like sharper cheekbones or a more defined jawline, you’re sending signals to your mind causing the change...

Science already supports the idea that your mind has a direct impact on your physical reality. The placebo effect proves this...people experience real, measurable physical changes just because they believe something is working.

Let’s not forget about neuroplasticity. Your brain is designed to adapt to new patterns and ideas...when you repeatedly on a certain change of the appearance you desire, your brain starts to treat that vision as reality.

Epigenetics takes this even further. This is the science of how your thoughts, environment, and behaviors can influence how your genes express themselves. While your DNA remains the same, your body’s response to your mindset can alter the way your genes activate, affecting everything. By focusing on your ideal appearance and holding that image in your mind, you’re literally programming your body to align with it.

It’s not just theoretical...it’s practical. When you fully belief that you’re changing, the changes start to actually happen. For example, if you’re manifesting a sculpted jawline, your body might instinctively start making micro..adjustments, like improving your posture, chewing in ways that tone your face, or even activating dormant muscles. These small, consistent changes create visible results over time.

Yk what the actual truth is? manifestation has no limits. If you can believe it, you can achieve it. Your body is far more adaptable than you’ve been led to believe. The main key is strong belief only. You don’t need surgery or external validation...everything you need to change is already within you.

So, yes, you can reshape your face. Yes, you can change your bone structure. Yes, you can manifest the appearance you’ve always dreamed of. All it takes is the courage to believe in your power and the commitment to see it through.

So believe that it's already yours and see how you'll be shocked by your own desired apperance when you'll look at mirror..