Punarvasu । पुनर्वासु

punarvasu । पुनर्वासु

𑁍 meaning — “return to the light”

𑁍 shakti [divine power] — "vasutva prapana shakti" the ability to gain wealth or substance

𑁍 presiding deity — ADITI

the sanskrit word aditi (अदिति) means "boundless," "limitless," "freedom," or "innocence"

𑁍 punarvasu is of the deva (godly) clan and belongs to the the merchant caste; its primary motivation is artha — the pursuit of wealth, material well-being and prosperity; artha (अर्थ) in sanskrit means meaning or purpose

𑁍 the vimshottari lord is jupiter, brihaspati - guru of the gods; the realm of ether - beyond space

Jacob's Dream, William Blake, Punarvasu moon

Punarvasu । पुनर्वासु

For further insights into the cosmic function of punarvasu and Aditi

I will be quoting an excerpt from 'DIVINE HORSEMEN: THE LIVING GODS OF HAITI' — MAYA DEREN

Here, I liken the haitian goddess Erzulie to the vedic Aditi as they represent the same archetype and symbolism

"Myth is the facts of the mind made manifest in a fiction of matter." — maya deren, punarvasu ketu (below)

Punarvasu । पुनर्वासु

Erzulie: Goddess — The Tragic Mistress

Voudoun has given woman, in the figure of Erzulie, exclusive title to that which distinguishes humans from all other forms: their capacity to conceive beyond reality, to desire beyond adequacy, to create beyond need. In Erzulie, Voudoun salutes woman as Divinity of the dream, the Goddess of Love, the muse of beauty.

It has denied her emphasis as mother of life and of men in order to regard her (like Mary, with whom Erzulie is identified) as mother of man's myth of life — its meaning. In a sense, she is that very principle by which man conceives and creates divinity.

Thus, to man himself, she is as mistress.

𑁍

Erzulie moves in an atmosphere of infinite luxury, a perfume of refinement, which, from the first moment of her arrival, pervades the very air of the peristyle, and becomes a general expansiveness in which all anxieties, all urgencies vanish.

The tempo of movements becomes more leisurely, tensions dissolve and the voices soften, losing whatever aggressive or strident tones they may have had. One has the impression that a fresh, cooling breeze has sprung up somewhere and that the heat has become less intense, less oppressive.

𑁍

She is provided with a fresh white or rose silk handkerchief which she arranges carefully around her hair.

Perfume is imperative, and there may be powder as well. A white or rose dress of delicate cloth, with lace or embroidery, has been keps in readiness for her. And, finally, she is brought not one necklace, but several, of gold and pearls, along with earrings and bracelets and her three wedding bands.

The careful, unhurried accumulation of costume is an act which, step by step, rejects the primitive, the "natural condition", and, step by careful step, instructs the fortunate attendants in the idea of beauty, the sense of form, and, above all, the cumulative painstaking process by which a work of man — be it art or myth — is created.

The Goddess examines each article minutely; where alternative choice exists, her considered selection, her indecision are very pointed; each effect is critically scrutinized, often rejected and rearranged. The very process of this creative transformation becomes so significant that whether it is a large audience or a small family who await her, or how long they may have to wait, ceases to be of any consequence.

What is of consequence is the act itself, and the demonstration of the fact that such an act can transfigure the female into the feminine.

Her voice is a delicate soprano; her every gesture, movement of eyes, and smile, is a masterpiece of beguiling coquetry; with her, human relationship becomes itself significant rather than merely a means to an end.

She may visit her altar chamber and be pleased that the flowers are fresh, for flowers are her passion.

kalu uchis, punarvasu ☉

Punarvasu । पुनर्वासु

𑁍

She may ask for a favorite song, for she loves to dance and is the most graceful of all loa; or she may simply give audience to her admirers, and by her postures and attitudes transform the crude chair in which she sits into a throne.

Above all, she favors desserts, decorated cakes and confections of all kinds. Or, if she has arrived on an impromptu visit, she may be content with a sip of the crême de menthe or the champagne which, theoretically, should always be ready for her appearance.

𑁍

As Lady of Luxury, she gives gifts constantly;

her own perfume, the handkerchief she wears, the food and money which she distributes generously.

She particularly rewards those who are handsome, or who dance well, or whose personality pleases her. She never neglects one who is devoted to her.

𑁍

an altar to maîtresse erzulie, mistress erzulie, metres elizi freda

Punarvasu । पुनर्वासु

As Lady of Luxury she is, above all, Goddess of Love, that human luxury of the heart which is not essential to the purely physical generation of the body. She is as lavish with that love as she is generous with her gifts. She treats men with such demonstrative affection that it might seem, at times, embarrassing. She will embrace them, and kiss them, caress them, sit with an arm around those to both sides of her.

Nothing is meted out or budgeted, there is more than enough; this is her way of loving, this is the divine fecundity of the heart. A heart is, indeed, her symbol, most often the pierced heart identified with Mary.

Punarvasu । पुनर्वासु
Punarvasu । पुनर्वासु

She, who is the wealthiest of the loa, the most frequently gifted with luxurious accoutrement, suffers for not being "served" enough.

She, who is the most complimented, most beloved, most often wedded in the sacred marriage of devotee and divinity — she who is Goddess of Love — protests that she is not loved enough."

Inevitably then – she begins to weep. Tenderly they would comfort her, bringing forward still another cake, another jewel, pledging still another promise. But it would seem that nothing in this world would ever, could ever, answer those tears. It is because of these tears that the women, who might otherwise resent her, are so gentle. In their real, reasonable world there is no grief like this.

this weeping is so inaccessible to reason that one thinks, inevitably, of a child's innocence of reason. It is this sense of innocence which emanates from her that makes her identification with the Virgin Mary somehow seem truer than her promiscuity, than even the fact that the devotion of prostitutes makes of her almost their patron saint.

lana del rey, punarvasu mercury

Punarvasu । पुनर्वासु

She is the divinity of the dream, and it is in the very nature of dream to begin where reality ends and to spin it and to send it forward in space, as the spider spins and sends forward its own thread.

Punarvasu । पुनर्वासु

The labor of Erzulie is as endless as the capacity of man to dream and, in the very act of accomplishing that dream, to have already dreamed again. It is upon this diminutive feminine figure that man has placed the burden of the most divine paradox — He has conceived her without satisfactions, without balance, to insure an overwhelming balance against his own satisfactions. This is the meaning of the merciless muse, the most unhappy Medusa.

Erzulie is the loa of the impossible perfection which must remain unattainable. Man demands that she demand of him beyond his capacity. The condition of her divinity is his failure; he crowns her with his own betrayals. Hence she must weep; it could not be otherwise.

The wound of Erzulie is perpetual: she is the dream impaled eternally upon the cosmic cross/roads where the world of men and the world of divinity meet, and it is through her pierced heart that "man ascends and the gods descend".

Punarvasu । पुनर्वासु
Punarvasu । पुनर्वासु

Rose & dahlia by Salvador Daví, Punarvasu Rising

𑁍

Joy and woe are woven fine,

A clothing for the soul divine;

Under every grief and pine

Runs a joy with silken twine.

It is right it should be so;

Man was made for joy and woe;

And when this we rightly know,

Safely through the world we go.

— William Blake, punarvasu moon, "Auguries of Innocence" (1863)

"If the doors of perception were cleansed every thing would appear to man as it is, infinite."

— William Blake, "The Marriage of Heaven and Hell" (1790)

Lana del rey has mercury in punarvasu, and her music had a very fantastic, ethereal feel that almost lulls you into a dream-like state.

Her lyrics often reflect punarvasu themes of dreams, fantasy, sorrow, heart-ache, luxury, excess, affection

lyrics to lana's 'video games'

I say, "You the bestest" / Lean in for a big kiss / Put his favourite perfume on

It's you, it's you, it's all for you / Everything I do / I tell you all the time / Heaven is a place on earth with you

They say that the world was built for two / Only worth living if somebody is loving you

lyrics to 'honeymoon'

There are violets in your eyes / There are guns that blaze around you / There are roses in between my thighs / And fire that surrounds you

It's no wonder every man in town / Had neither fought nor found you / Everything you do is elusive / To even your honey dew

our honeymoon / Dreaming away your life

More Posts from Itsmymochichim and Others

1 month ago

The primordial horror of Ashlesha🐍

And a timeless tale

You might have heard that in vedic posts on the internet Bharani and Ashlesha are almost always talked about when topics of femininity, mother nature, primordial feminine, female passivity, raw sexuality and feminine harshness (in any sense) are being discussed. And for good reason too. Bharani and Ashlesha_ two mleccha nakshatras associated with feminine planets (Bharani's nakshatra lord Venus and Ashlesha's rashi lord Moon) and saturated with feminine symbolism, are both connected to primordial, raw, pure power of passive femininity.

I'm going to explore Ashlesha's role in this in a less sexual and more internal context.

Do recommend this for Jyeshtas, Revatis, Bharanis and Punarvasus too, as the themes are going to be familiar to all of these, in different ways.

The medicine and the poison, the monster and the pure angel

To start with, Ashlesha's main symbol_ the coiled serpent, already spells danger. Something is reaching its critical point and cannot be contained, for better or for worse.

Ashlesha's power is vishashleshana shakti ("Vish" means poison, "ashlesha" means control). Ashlesha, having the power to control its energy, power and reactions, learns how to be immune to things, out of necessity.

In a way, Ashlesha's power is to simply have power over things, but that exchange of energy between you and the thing/person you're controlling can be dangerous.

4th house and the sign of Cancer deal with the spiritual/mental/emotional safety of the person, 4th house sitting at the bottom of the zodiac wheel. Being a water sign and ruled by the Moon, it is related to extreme vulnerability and energy flow. Moon is dependancy. Ashlesha's nakshatra lord_ Mercury, is the nervous system. Ashlesha is the very force that binds and connects your emotions to your nerves and their sensations.

Sidenote: Ashlesha is about nourishing(Moon's sign) the nerves(Mercury ruled), Hasta is about controlling(Mercury's sign) the nourishment(Moon ruled).

Those reptilian instincts, that primal awareness and animalistic conciousness that Ashlesha leaves you with are as vulnerable as they are scary. To the person themselves, they have been stripped bare of their defences, and no matter how hard they try to find a way to be safe, it feels like the only safety is in no defence. Building or cultivating defence is not natural to the pure, passive Ashlesha. It requires some kind of action, and any action, in its essence, requires the disregard of absolute receptivity_ the state in which Ashlesha is naturally in (Bharani too, by the way).

Ashlesha is about not lying to yourself about your weaknesses, it's about knowing how vulnerable you really are. In a way, it's also about testing the limits of pain to know how much you can hurt, how much of that pain you really feel and have been repressing, how much of it you can handle. It's about settling in your nature and slowly gaining strength, so that your weaknesses are not really weaknesses, but just parts of you that have not yet reached their full potential. It's not a place of excess, but a place of economy and necessities.

From the viewpoint of the feminine, it's their natural place_ the watery, sensitive, impressionable, pure force. But it does not want to stay in that one place. It's known that still water is dangerous, it's been associated with all kinds of unpleasant things. Being in the state of Ashlesha is like that_ it's like the water that has nowhere else to go and wants to flow (release) with any opportunity to do so, but there's danger there too.

For the feminine in that state, there is danger in staying and there is danger in going.

There is a lot of concern for purity because it recognizes that it needs to move on but it absolutely cannot do so without doing it correctly, or the purpose will be defeated and all the work will be wasted.

Some hate medicine, some favor all kinds of vaccinations. Ashlesha needs to build immunity but it's also paramount for it to feel everything with as little interference as possible, preferably none at all. Purity has to be radical.

So, there is struggle and patience built into them. But whatever they do, in the end, their strength, their energy, their power is growing towards a critical point. It's like if you take a sensation from one part of the body to the other or if water goes from one end of the vessel toward the other_ it's still there, the only temporary relief might be moving that energy inside you, waiting more and more impatiently towards that perfect opportunity to release.

So we go back to the start_ the coiled serpent, the dangerous force, the deep need.

In terms of sexual energy, the feminine is both intensely desirous and incredibly cautious. The need/desire of Ashlesha to move on to the next stage while waiting indefinitely to do so because of safety concerns can be interpreted as the desire/need for sexual experience, and the fear of abuse/not being pure anymore. The theme of the complete passivity is intertwined with this nakshatra, as if the origin and rules that were set in Bharani demand to be fulfilled.

The law of nature and the passive feminine are restrictive and suffocating to masculine, active forces. If the feminine does not settle and gain power through her natural passivity (flow, receptivity, being as opposed to doing), then she's at the risk of being annihilated.

The result of Ashlesha nakshatra: "destruction of the victim"

No mention of who the victim is. The point is, that in Ashlesha, a place of dependancy, attachment and control, where everyone is either the abuser or the abused, there is no place for mercy. The stronger one wins.

This is the game of subtelty and ruthlessness_ trying to gain some sense of humanity after feeling like a dangerous, vulnerable animal_ a monster that wants to take, because it's an innocent creature that has little.

But no matter how much you wait, how much you gain, it's all going to turn to poison, unless you can dare to oppose.

To break the chain_ it's a risk, but what else is there to do when safety becomes a cage?

But the smart, calculative Ashlesha knows the dangers, it just waits for when it's strong enough to attack, it waits until it knows every medicine and poison, until it hurts so much that it does not hurt anymore, so that when it faces the enemy, the victim will no longer be a victim, but an opponent, who has been hiding its strength under the covers of fragility, who uses what others called a weakness to strike. Until the poison is medicine and the tears are poison, it waits. But when the milk turns sour and the gentle touch suffocates, it's ready to go.

The tale of Snow White

🍎🪞

Crediting Claire Nakti for mentioning this association in her Ashlesha video

Snow White's story is a great example of how Ashlesha's energies play out.

I'm not going to go into too much detail of why it's related to Ashlesha, as I think it's going to be obvious as I go on, but the key associations are: the pure young woman (reinforced by the symbolism and imagery that her name evokes), the controlling feminine authority, danger, poison, power struggles.

I love the 2012 film "Mirror Mirror", because it does not hesitate to show the power struggle between Snow White and the evil queen. The struggle is depicted mostly through metaphors and/or symbolism in the original tale.

The Primordial Horror Of Ashlesha🐍

It'd be great to mention that Snow White's tale is said to be based on actual real life women. The first_ Margaretha von Waldeck who lived in the 16th century Germany, died young and as evidence by her last letter suggests (her handwiting indicated that her hand was shaking), she died by being poisoned, and it was also known that her stepmother was jealous of her. She also lived in a town where children had to work in the mines (inspiring the seven dwarves).

In "Mirror Mirror" Snow White is played by Ashlesha moon 🐈‍⬛ Lily Collins, and Evil Queen is played by Magha moon 🐀 Julia Roberts.

There is tiny chance that Lily is Pushya moon but that would only be true if she was born before one in the night, so I'd say she's Ashlesha, especially after observing her.

The Primordial Horror Of Ashlesha🐍
The Primordial Horror Of Ashlesha🐍

The beginning of the movie: the queen is sitting on her lavish golden throne (Magha's symbol), dressed in an equally lavish golden dress (Sun's color), positioned above Snow White, who is forced to kneel before her. The Queen is weaving her insults and humiliations into her words that seem genuinely caring at first, even Snow White falls for it in the beginning. That's how the feminine repression and bullying works in Ashlesha_ it's all the more powerful because it's gradual and seems non-threatening, especially to masculine people.

As always, the villain and the hero are determined by which nakshatra is the focus of the story. In this case, from Ashlesha's perspective, the its enemy nakshatra_ Magha, is obviously the villain. This theme of "whose story is this" is another display of the power struggle in this transition. I highly recommend watching this film, because for all of its jokes and slight changes, it still retains the original message.

"The kingdom fell into an icy despair..."

_ narration from the queen

Ashlesha's yoni animal is the male cat, Magha's is the male rat, its enemy yoni. As Magha comes directly after Ashlesha and begins the second stage of nakshatras, marking the start of the sign of Leo, together they also mark the first gandanta point.

The Evil Queen is a blatant example of a Magha character, especially symbolically. It is implied and then obvious that she married the king for power and material advantages. Her ego is almost cartoonishly bloated, and all of these qualities are amazingly contrasted to Snow White_ a quieter character, who is naturally humble and subtler, not as direct as the rat yoni Magha.

The Primordial Horror Of Ashlesha🐍
The Primordial Horror Of Ashlesha🐍

In the beginning of the film she's dressed in a more golden dress, symbolizing her merging with and submission to the queen, stuck in the helpless state. After she gets the bravery to sneak out into the town, she wears a hooded cape the color of cooler, brighter yellow (more her coloring). When she comes back to attend the ball, she wears a pure white (symbolizing her purity and cool energy, resonant to Ashlesha) dress as her swan (grace, humility) costume. The Queen is dressed in bright red as a peacock (confidence, vanity, pride). That white dress is the one she stays in as she runs away and finds the home of the seven dwarves, the same white as the snow in the forest. In this adaptation, the whole kingdom is in an eternal winter under the queen's enchantment, just like the Ashlesha stage.

The Primordial Horror Of Ashlesha🐍

As she finds dwarves, they quickly become each other's allies and supporters, and, in a way, it taught her her own power. As she was gathering strength to attack and become the new ruler of the kingdom, she already was a ruler of her new tiny kingdom (dwarves_ her new family).

In the Ashlesha stage there is a separation from the things you were clinging to. At first it's seen as a tragedy, but with distance and time, the individual realizes that it needed solitude. Snow White is forced to run away (because of danger, to literally not die), but she thrives away from the queen (restrictive, abusuve influences). There's another side to this: an avoidant person, aware of its sensitivity, who does not realize how much they crave real connection. Attachment to the "wrong" people and environments and longing for the "right" ones is the issue here, along with the paradox of needing to escape and move on (critical point, built up tension and energy) but risking the much needed purity by doing so (just what I've discussed above).

Since a lot of the time the vulnerable Ashlesha feels dependant on outside forces, the movement is forced, for better or for worse, but it never recoils completely or gives all of its energy away, as it feels like it has to remain guarded.

Snow White learns to fight on her own, with the support from a genuinely nurturing environment.

She starts to wear a blue dress (cool toned, contrasting Queen's gold and red) while she's literally fighting on the side of the Queen's exiles.

When the prince joins her and the dwarves, they hear the "beast" that has been terrorizing the kingdom. She locks everyone else in the hut so that she alone can face the enemy (even though they don't let her), which is a key point in retaining your power in the state of Ashlesha. Her desire to face it alone shows not only the growth of her bravery, but mainly, her strength, as it was precisely what allows bravery for her.

Transition to Magha

There's a blatant display of power from snow white, right at the end, after she reclaims the kingdom (and at the end she's wearing a blue dress with a bright golden-orange ribbon_ finding her own power and embracing it, without losing herself). It's the last test and a chilling reminder that Ashlesha's stage is prolonged, almost never over, and can subtly sneak up on you and defeat you if you lower your guard.

At her wedding with the prince, she's given a ripe, red apple.

The Primordial Horror Of Ashlesha🐍
The Primordial Horror Of Ashlesha🐍
The Primordial Horror Of Ashlesha🐍
The Primordial Horror Of Ashlesha🐍

"And so it was Snow White's story, after all"

_ the magic mirror.

She gives the Queen her apple back, finally cleansing herself completely from that poison and using it to harm her enemy. Now she's the one in power, repeating the queen's own words back to her.

The result of Ashlesha nakshatra: the destruction of the victim.

The individual moves to Magha nakshatra_ ruling, power, lineages, detachment from the body (Ashlesha is the attachment to the body), and takes their own place on their throne.

...

Gif credits to @tecrystali , @xiaolanhua , @elvencantation .

Pictures are from Pinterest.

Thank you so much for reading 💕

1 month ago
One Of My Original Theories Was That Sun Nakshatra Women Can Be Pick Mes Because They See Men’s Nature

One of my original theories was that sun nakshatra women can be pick mes because they see men’s nature clearly and desire to save them.

“S on my chest because I am ready to save him.” — UPH moon Nicki Minaj

Then Claire Nakti also dropped her video on women under Uttara Phalguni energy being saviors.

These topics are so deep they will single-handedly dismantle a lot of views on divine femininity as they make us question what that really is. In my opinion, it has always been autonomy and the ability to manipulate the world into giving you your rightful power as a woman (because you have to find alternative ways in a world that hates women)

2 months ago
The Hardest Pill To Swallow . . If You Don’t Assume, It Won’t Work
The Hardest Pill To Swallow . . If You Don’t Assume, It Won’t Work
The Hardest Pill To Swallow . . If You Don’t Assume, It Won’t Work

the hardest pill to swallow . . if you don’t assume, it won’t work

this isn’t tough love. this isn’t a scolding. this is just the mechanics of reality. this isn’t about blame. it’s not your fault, but it is your responsibility (i saw this quote somewhere and i really liked it, anyway). reality is malleable, but only if you stop acting like you’re at its mercy. stop waiting for permission. stop refreshing the page, stop tapping the glass. it’s done. act accordingly.

consider your brain an old, glitchy computer, whirring in the corner of your psyche, choking on its own outdated code. your subconscious doesn’t know what’s real versus imagined, it only knows the instructions you give it. and if those instructions are “this isn’t happening, i don’t see it, i don’t believe it,” well, congratulations, the system registers that as the blueprint. and it prints that out. over and over. like a bureaucratic nightmare, a kafka novel of your own making.

this is not to say that doubt is failure, doubt is human, doubt is a thrum in the background of any great creation. but if doubt is the occasional rainstorm, belief is the structural integrity of the house. belief holds. belief carries. belief is the scaffolding between you and the impossible, and without it, you are just standing in an empty field, waiting for architecture to spontaneously occur.

there’s a reason schrodinger’s cat remains the most infuriating hypothetical in quantum mechanics, because the cat is both alive and dead until you open the box. the observer collapses the wave function. and in this case, you are the observer. if you don’t believe it, you keep the box shut. if you do believe it, the universe is already rearranging itself around your conviction.

this is not new-age drivel. this is not a vision board with a quote about perseverance peeling off in the humidity. this is physics. have you ever thought about someone, and then they text you five minutes later? that’s the speed at which reality moves when you don’t get in your own way. you didn’t sit there clutching your skull, willing them into existence, you just assumed, with ease, with god-tier nonchalance. and because you weren’t scrutinising the timeline like a detective with a corkboard and red string and bloodied eyes, the message came through. the only thing standing between you and everything you want is the way you react to its absence. the hand-wringing, the despair, the creeping doubt, it’s a full-time job, and it pays in absolutely nothing.

which brings me to my next point: trying. trying is the problem. trying implies effort, and effort implies resistance, and resistance is another way of saying “i don’t actually believe i have this.” and you know what people do when they have things? they stop worrying about whether they have them. a person in possession of an apple does not pace the room, clutching their chest, whimpering, “but do i really have it?” they just eat the apple.

and before you say, “but look at my reality, it’s contradicting me,” i will say this once, and you must etch it into your mind like scripture: reality is old news. what you are seeing is just a delayed projection of past assumptions. do not react to it. do not engage with it. it is a rerun of a show you no longer care about. the moment you stop feeding into the contradictions, they wither. the moment you accept that what you want is already done, reality will course-correct. until then, it is an echo chamber of your previous doubts. ignore it like it’s a tabloid headline about a scandal that never actually happened.

flip the switch. decide, assume, move forward. no more “manifesting,” no more “waiting.” you don’t wait for what’s already yours. you don’t question a chair’s ability to hold you up before sitting down. you don’t send a letter and then agonise over whether the mail system still exists. you assume. you know. and so it is.

and before the panic sets in, no, this does not mean you must be a perfect disciple of unwavering belief. doubt will creep in, as it always does. you will have moments of existential dread, of scrutinising, of muttering “but what if” into your hands at 2 a.m. this is fine. this is human. just don’t let it become the dominant narrative. there will be moments where you feel like you're nowhere, like your manifestations have abandoned you and you're left with nothing but the weight of your own effort. do not, under any circumstances, entertain this lie. i will personally resurrect the fear of god just to drill this into you: do not. what you do instead is cry a little, wipe your face, and then lock the fuck in, because i swear on everything, sometimes, all it takes is a stretch of nothing to summon an abundance of everything. let the doubt pass through like an intrusive thought you refuse to entertain, like a pigeon that landed in your cafe but is not, in fact, your problem.

maybe this reminds you of when the soviets tried to scientifically disprove intuition, only to realise they had unintentionally proved it instead. maybe this reminds you of every ghost story you’ve ever heard, how the only ones who see them are the ones who expect to.

anyways. it’s all already happening. your only job is to get out of the way.

The Hardest Pill To Swallow . . If You Don’t Assume, It Won’t Work
2 months ago

stop fighting with the 3d

Stop Fighting With The 3d

why constantly burden yourself with endless thoughts and emotions towards the external world that don’t suit your standards when you know it shouldn’t serve you?

a reflective slate of glass doesn’t prove to you completely and permanently that your manifestations aren’t yours, the character you define yourself with in that moment is what depicts your ending awareness.

in simple terms, if you choose to be the person who sees it as it is, and goes on thriving in the energy of your desires, then that’s what will show. though, when you set focus on the 3d (which, the 3d is not separate from you, your dominant assumptions derive from your internal awareness) and see something that doesn’t suit you and yet you define with it and panic, that’s what hinders your manifestations.

if you’re someone who’s taken lots of time, or feel like you don’t “manifest” instantly or when you want to, remove the factor of time. time is a construct that keeps things set in place, yes? but who cares about how long it takes for you to “manifest” something certain. the external world won’t sit here and show you something you want when you’re affirming against your own assumptions. be the person who decides “why does the 3d matter? i have what i want” and it’s done.

in my sense, you’re not “manifesting.” i solely don’t like using terminology’s sometimes because on a personal level i like viewing everything in a natural state. you’re not manifesting since it’s already done. nothing really needs to be manifested because you being the prime creator, the reality of you having quite literally everything already exists. it’s your time to shine and input your awareness into that state. sure you can affirm and persist and do all that yes, if it suits you for sure keep going! saturate your mind with it if you know it’s what helps you, but all is set and done the second you told yourself you had it. the law has no choice but to abide by its own principles. don’t fear the prey like it’s the predator. you are in control and always will be. the attention you give towards the 3d should be reversed towards saturating your mind in what’s right for you.

love you

2 months ago

they're mad at her for this. oh my god

They're Mad At Her For This. Oh My God
2 months ago
What The Fuck

what the fuck

What The Fuck
What The Fuck

girl BREAK FREE FROM YOUR HUSBAND ENTIRELY

DIVORCE

2 months ago
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家
Chinese Fashion By 被窝探险家

chinese fashion by 被窝探险家

2 months ago
Manifesting Physical Changes In Appearance Without Surgery, Is It Possible?
Manifesting Physical Changes In Appearance Without Surgery, Is It Possible?
Manifesting Physical Changes In Appearance Without Surgery, Is It Possible?

Manifesting physical changes in appearance without surgery, is it possible?

Okay, so it is 100% possible to change your physical appearance, including your bone structure, with just manifestation. This isn’t just some abstract idea or a wild theory yk it’s based by the way your mind, body, and energy work together. If you want to reshape your face, jawline, or even your posture, manifestation can absolutely make it happen.

Your body is constantly changing...and bones are living tissue, and they go through a process called remodeling. This means that your skeleton isn’t static...and yk it’s being rebuilt throughout your life. When you focus your mind on a specific outcome, like sharper cheekbones or a more defined jawline, you’re sending signals to your mind causing the change...

Science already supports the idea that your mind has a direct impact on your physical reality. The placebo effect proves this...people experience real, measurable physical changes just because they believe something is working.

Let’s not forget about neuroplasticity. Your brain is designed to adapt to new patterns and ideas...when you repeatedly on a certain change of the appearance you desire, your brain starts to treat that vision as reality.

Epigenetics takes this even further. This is the science of how your thoughts, environment, and behaviors can influence how your genes express themselves. While your DNA remains the same, your body’s response to your mindset can alter the way your genes activate, affecting everything. By focusing on your ideal appearance and holding that image in your mind, you’re literally programming your body to align with it.

It’s not just theoretical...it’s practical. When you fully belief that you’re changing, the changes start to actually happen. For example, if you’re manifesting a sculpted jawline, your body might instinctively start making micro..adjustments, like improving your posture, chewing in ways that tone your face, or even activating dormant muscles. These small, consistent changes create visible results over time.

Yk what the actual truth is? manifestation has no limits. If you can believe it, you can achieve it. Your body is far more adaptable than you’ve been led to believe. The main key is strong belief only. You don’t need surgery or external validation...everything you need to change is already within you.

So, yes, you can reshape your face. Yes, you can change your bone structure. Yes, you can manifest the appearance you’ve always dreamed of. All it takes is the courage to believe in your power and the commitment to see it through.

So believe that it's already yours and see how you'll be shocked by your own desired apperance when you'll look at mirror..

Manifesting Physical Changes In Appearance Without Surgery, Is It Possible?
Manifesting Physical Changes In Appearance Without Surgery, Is It Possible?
Manifesting Physical Changes In Appearance Without Surgery, Is It Possible?
2 months ago

Mercury Nakshatras & Manipulation

Manipulation (n) 1. “to manage or utilize skillfully.”

Mercury represents skill, precision, accuracy and overall the ability to craft one thing into another.

In Tarot, the Magician card is closely tied to the planet Mercury. Depicted on the card is a man fully supplied with the tools he needs to create infinitely.

Without Mercury, the material world would not exist as it does now. Mercury Nakshatra Natives often function as the “Magician” archetype becoming extremely skillful & successful at the material world.

ASHLESHA 🐍

These natives are skilled at manipulating the masses. Given the lunar rulership here, the Moon traditionally represents the mind and masses. It’s evident that the “hive mind” exists prominently in society, and Ashlesha natives often have a influential hand at crafting the current thoughts, ideas, trends and philosophies people follow or agree with in a mental sense. Often contributing to controlling the hive mind itself. They’re extremely persuasive and adept at verbal & non verbal communication. They can often persuade the masses to believe and listen to what they are saying, no matter what it is. Given the snake symbolism present in this Nakshatra, they tend to have hypnotic speech and articulation, usually entrancing people through communication. Their words tend to have an impact directly on other’s nervous system, which connects to the poison bite of a snake. They’re extremely skilled at psychology and prying into the minds of others. Due to this, they can manipulate even the strongest minds, hence why their intellectual influence is often seen in a global scale. It’s widely known they are skilled at manipulating the opposite sex through seduction as well. Mental strategy is one of these native’s greatest talents. Arguably one of the most popular books on mental strategy: “The 48 Laws Of Power” is written by an Ashlesha Moon native, Robert Greene. Many well known politicians, actors, speakers, authors have a primary Ashlesha placement. Since the Moon represents women, they often tend to be good at manipulating women or being influential in concepts and literature relating to women. These natives are often responsible for trendy lingo, popular terms, pop culture, and originating concepts people debate over on the internet daily. Without Ashlesha, the framework of modern media & pop culture probably wouldn’t exist as it does.

JYESTHA ☂️

Jyestha natives are skilled at manipulating the material world. They tend to be dominant, competitive and persistent. Although some natives keep these traits hidden, at their core they strive for achievement and success. They have a strong seed of desire planted within and are good at motivating themselves towards achievement. Paired with the Mars rulership of the sign Scorpio, there’s an evident ruthlessness they have with pursuing their goals. They use their sheer will power to create the reality they want for themselves, not stopping until they achieve it. They are usually seen at the top of their field or craft, dominating their competition. They’re also skilled at psychology, and can persuade and manipulate others through their words and actions. Additionally, with this Mars Rashi rulership, they’re skilled at manipulating their physical body and often excel at sports, pilates, yoga, breath work etc. They’re able to consistently push past their limit physically, mentally and psychologically. Someone known as “the greatest” in their field was NBA player, Michael Jordan, who has Jyestha Moon. We’ve also witnessed Jyestha Ascendant native, Kim Kardashian amass large wealth for herself due to her ability to manipulate her image and reputation, and consequently manipulate the masses through her impact in the media. These natives don’t quit until they win, and with the inherent dominance within them, they dominate their own weaknesses and turn them into strengths. They usually amass a lot of wealth for themselves due to their effort and insatiable appetite for success and victory. They manipulate they’re own skill set until produces results for them and in general know how to manipulate their surroundings to work in their favor.

REVATI 🥁

These natives are skilled at manipulating reality itself. If the concept of manifestation had a mascot, it would be Revati. These natives are inherently removed from reality energetically. They tend to be detached and unreachable, where they are able to see everything from an outsider’s perspective. They can often feel like aliens themselves. But it’s only from the outside perspective where we can create reality right in front of us. Being the last Nakshatra, they are adaptable and changeable to any surrounding. With the adept ability to be all things to all people. They see reality from a Birds Eye view, in a way that’s almost impossible to see without having this Nakshatra as a primary placement. Revati is the playful trickster that plays with reality for fun, testing limits and boundaries, toying with it all. To them everything in life is malleable, through this belief they do seemingly impossible things. But to the Revati native, they’re fully aware that anything is possible, and we have the power to create anything we put our minds to. Given the Jupiter rulership of the sign Pisces, these natives have a profound sense of faith and belief. Almost blindly so. But with faith being a key ingredient in the formula of manifestation, these natives use it to their advantage. Many manifestation coaches, spiritual guides, and authors/bloggers that talk about manifesting have prominent Revati in their chart. They generally have a powerful influence in spiritual and creative industries. Similar to Ashlesha, they help shape the trends of the collective consciousness.

📝In conclusion, Mercury is one of the most influential planets over the material world, and through these Nakshatras we can see Mercury’s influence manifest in various different ways. But the commonality is that these energies most prominently help to influence, shape, sculpt and manipulate reality as we know it now.

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