The primordial horror of Ashlesha🐍
And a timeless tale
You might have heard that in vedic posts on the internet Bharani and Ashlesha are almost always talked about when topics of femininity, mother nature, primordial feminine, female passivity, raw sexuality and feminine harshness (in any sense) are being discussed. And for good reason too. Bharani and Ashlesha_ two mleccha nakshatras associated with feminine planets (Bharani's nakshatra lord Venus and Ashlesha's rashi lord Moon) and saturated with feminine symbolism, are both connected to primordial, raw, pure power of passive femininity.
I'm going to explore Ashlesha's role in this in a less sexual and more internal context.
Do recommend this for Jyeshtas, Revatis, Bharanis and Punarvasus too, as the themes are going to be familiar to all of these, in different ways.
The medicine and the poison, the monster and the pure angel
To start with, Ashlesha's main symbol_ the coiled serpent, already spells danger. Something is reaching its critical point and cannot be contained, for better or for worse.
Ashlesha's power is vishashleshana shakti ("Vish" means poison, "ashlesha" means control). Ashlesha, having the power to control its energy, power and reactions, learns how to be immune to things, out of necessity.
In a way, Ashlesha's power is to simply have power over things, but that exchange of energy between you and the thing/person you're controlling can be dangerous.
4th house and the sign of Cancer deal with the spiritual/mental/emotional safety of the person, 4th house sitting at the bottom of the zodiac wheel. Being a water sign and ruled by the Moon, it is related to extreme vulnerability and energy flow. Moon is dependancy. Ashlesha's nakshatra lord_ Mercury, is the nervous system. Ashlesha is the very force that binds and connects your emotions to your nerves and their sensations.
Sidenote: Ashlesha is about nourishing(Moon's sign) the nerves(Mercury ruled), Hasta is about controlling(Mercury's sign) the nourishment(Moon ruled).
Those reptilian instincts, that primal awareness and animalistic conciousness that Ashlesha leaves you with are as vulnerable as they are scary. To the person themselves, they have been stripped bare of their defences, and no matter how hard they try to find a way to be safe, it feels like the only safety is in no defence. Building or cultivating defence is not natural to the pure, passive Ashlesha. It requires some kind of action, and any action, in its essence, requires the disregard of absolute receptivity_ the state in which Ashlesha is naturally in (Bharani too, by the way).
Ashlesha is about not lying to yourself about your weaknesses, it's about knowing how vulnerable you really are. In a way, it's also about testing the limits of pain to know how much you can hurt, how much of that pain you really feel and have been repressing, how much of it you can handle. It's about settling in your nature and slowly gaining strength, so that your weaknesses are not really weaknesses, but just parts of you that have not yet reached their full potential. It's not a place of excess, but a place of economy and necessities.
From the viewpoint of the feminine, it's their natural place_ the watery, sensitive, impressionable, pure force. But it does not want to stay in that one place. It's known that still water is dangerous, it's been associated with all kinds of unpleasant things. Being in the state of Ashlesha is like that_ it's like the water that has nowhere else to go and wants to flow (release) with any opportunity to do so, but there's danger there too.
For the feminine in that state, there is danger in staying and there is danger in going.
There is a lot of concern for purity because it recognizes that it needs to move on but it absolutely cannot do so without doing it correctly, or the purpose will be defeated and all the work will be wasted.
Some hate medicine, some favor all kinds of vaccinations. Ashlesha needs to build immunity but it's also paramount for it to feel everything with as little interference as possible, preferably none at all. Purity has to be radical.
So, there is struggle and patience built into them. But whatever they do, in the end, their strength, their energy, their power is growing towards a critical point. It's like if you take a sensation from one part of the body to the other or if water goes from one end of the vessel toward the other_ it's still there, the only temporary relief might be moving that energy inside you, waiting more and more impatiently towards that perfect opportunity to release.
So we go back to the start_ the coiled serpent, the dangerous force, the deep need.
In terms of sexual energy, the feminine is both intensely desirous and incredibly cautious. The need/desire of Ashlesha to move on to the next stage while waiting indefinitely to do so because of safety concerns can be interpreted as the desire/need for sexual experience, and the fear of abuse/not being pure anymore. The theme of the complete passivity is intertwined with this nakshatra, as if the origin and rules that were set in Bharani demand to be fulfilled.
The law of nature and the passive feminine are restrictive and suffocating to masculine, active forces. If the feminine does not settle and gain power through her natural passivity (flow, receptivity, being as opposed to doing), then she's at the risk of being annihilated.
The result of Ashlesha nakshatra: "destruction of the victim"
No mention of who the victim is. The point is, that in Ashlesha, a place of dependancy, attachment and control, where everyone is either the abuser or the abused, there is no place for mercy. The stronger one wins.
This is the game of subtelty and ruthlessness_ trying to gain some sense of humanity after feeling like a dangerous, vulnerable animal_ a monster that wants to take, because it's an innocent creature that has little.
But no matter how much you wait, how much you gain, it's all going to turn to poison, unless you can dare to oppose.
To break the chain_ it's a risk, but what else is there to do when safety becomes a cage?
But the smart, calculative Ashlesha knows the dangers, it just waits for when it's strong enough to attack, it waits until it knows every medicine and poison, until it hurts so much that it does not hurt anymore, so that when it faces the enemy, the victim will no longer be a victim, but an opponent, who has been hiding its strength under the covers of fragility, who uses what others called a weakness to strike. Until the poison is medicine and the tears are poison, it waits. But when the milk turns sour and the gentle touch suffocates, it's ready to go.
The tale of Snow White
🍎🪞
Crediting Claire Nakti for mentioning this association in her Ashlesha video
Snow White's story is a great example of how Ashlesha's energies play out.
I'm not going to go into too much detail of why it's related to Ashlesha, as I think it's going to be obvious as I go on, but the key associations are: the pure young woman (reinforced by the symbolism and imagery that her name evokes), the controlling feminine authority, danger, poison, power struggles.
I love the 2012 film "Mirror Mirror", because it does not hesitate to show the power struggle between Snow White and the evil queen. The struggle is depicted mostly through metaphors and/or symbolism in the original tale.
It'd be great to mention that Snow White's tale is said to be based on actual real life women. The first_ Margaretha von Waldeck who lived in the 16th century Germany, died young and as evidence by her last letter suggests (her handwiting indicated that her hand was shaking), she died by being poisoned, and it was also known that her stepmother was jealous of her. She also lived in a town where children had to work in the mines (inspiring the seven dwarves).
In "Mirror Mirror" Snow White is played by Ashlesha moon 🐈⬛ Lily Collins, and Evil Queen is played by Magha moon 🐀 Julia Roberts.
There is tiny chance that Lily is Pushya moon but that would only be true if she was born before one in the night, so I'd say she's Ashlesha, especially after observing her.
The beginning of the movie: the queen is sitting on her lavish golden throne (Magha's symbol), dressed in an equally lavish golden dress (Sun's color), positioned above Snow White, who is forced to kneel before her. The Queen is weaving her insults and humiliations into her words that seem genuinely caring at first, even Snow White falls for it in the beginning. That's how the feminine repression and bullying works in Ashlesha_ it's all the more powerful because it's gradual and seems non-threatening, especially to masculine people.
As always, the villain and the hero are determined by which nakshatra is the focus of the story. In this case, from Ashlesha's perspective, the its enemy nakshatra_ Magha, is obviously the villain. This theme of "whose story is this" is another display of the power struggle in this transition. I highly recommend watching this film, because for all of its jokes and slight changes, it still retains the original message.
"The kingdom fell into an icy despair..."
_ narration from the queen
Ashlesha's yoni animal is the male cat, Magha's is the male rat, its enemy yoni. As Magha comes directly after Ashlesha and begins the second stage of nakshatras, marking the start of the sign of Leo, together they also mark the first gandanta point.
The Evil Queen is a blatant example of a Magha character, especially symbolically. It is implied and then obvious that she married the king for power and material advantages. Her ego is almost cartoonishly bloated, and all of these qualities are amazingly contrasted to Snow White_ a quieter character, who is naturally humble and subtler, not as direct as the rat yoni Magha.
In the beginning of the film she's dressed in a more golden dress, symbolizing her merging with and submission to the queen, stuck in the helpless state. After she gets the bravery to sneak out into the town, she wears a hooded cape the color of cooler, brighter yellow (more her coloring). When she comes back to attend the ball, she wears a pure white (symbolizing her purity and cool energy, resonant to Ashlesha) dress as her swan (grace, humility) costume. The Queen is dressed in bright red as a peacock (confidence, vanity, pride). That white dress is the one she stays in as she runs away and finds the home of the seven dwarves, the same white as the snow in the forest. In this adaptation, the whole kingdom is in an eternal winter under the queen's enchantment, just like the Ashlesha stage.
As she finds dwarves, they quickly become each other's allies and supporters, and, in a way, it taught her her own power. As she was gathering strength to attack and become the new ruler of the kingdom, she already was a ruler of her new tiny kingdom (dwarves_ her new family).
In the Ashlesha stage there is a separation from the things you were clinging to. At first it's seen as a tragedy, but with distance and time, the individual realizes that it needed solitude. Snow White is forced to run away (because of danger, to literally not die), but she thrives away from the queen (restrictive, abusuve influences). There's another side to this: an avoidant person, aware of its sensitivity, who does not realize how much they crave real connection. Attachment to the "wrong" people and environments and longing for the "right" ones is the issue here, along with the paradox of needing to escape and move on (critical point, built up tension and energy) but risking the much needed purity by doing so (just what I've discussed above).
Since a lot of the time the vulnerable Ashlesha feels dependant on outside forces, the movement is forced, for better or for worse, but it never recoils completely or gives all of its energy away, as it feels like it has to remain guarded.
Snow White learns to fight on her own, with the support from a genuinely nurturing environment.
She starts to wear a blue dress (cool toned, contrasting Queen's gold and red) while she's literally fighting on the side of the Queen's exiles.
When the prince joins her and the dwarves, they hear the "beast" that has been terrorizing the kingdom. She locks everyone else in the hut so that she alone can face the enemy (even though they don't let her), which is a key point in retaining your power in the state of Ashlesha. Her desire to face it alone shows not only the growth of her bravery, but mainly, her strength, as it was precisely what allows bravery for her.
There's a blatant display of power from snow white, right at the end, after she reclaims the kingdom (and at the end she's wearing a blue dress with a bright golden-orange ribbon_ finding her own power and embracing it, without losing herself). It's the last test and a chilling reminder that Ashlesha's stage is prolonged, almost never over, and can subtly sneak up on you and defeat you if you lower your guard.
At her wedding with the prince, she's given a ripe, red apple.
"And so it was Snow White's story, after all"
_ the magic mirror.
She gives the Queen her apple back, finally cleansing herself completely from that poison and using it to harm her enemy. Now she's the one in power, repeating the queen's own words back to her.
The result of Ashlesha nakshatra: the destruction of the victim.
The individual moves to Magha nakshatra_ ruling, power, lineages, detachment from the body (Ashlesha is the attachment to the body), and takes their own place on their throne.
...
Gif credits to @tecrystali , @xiaolanhua , @elvencantation .
Pictures are from Pinterest.
Thank you so much for reading 💕
From father’s house to husband’s house to a grave that still might not be her own, a woman acquiesces to male authority in order to gain some protection from male violence.
Right Wing Women, Andrea Dworkin
i think peak historical fiction is when there is a random ass major historical figure but as a comedic relief side character. like geoffrey chaucer being a naked gambling addict in a knight’s tale or leonardo da vinci being cinderella’s fairy godmother in ever after. like. nothing can top that.
reports saying pakistan has retaliated. i'm sick to my fucking stomach the people of kashmir don't deserve this. the people of pakistan don't deserve this. no one fucking wants this except the hindutvadis salivating and falling over themselves at the notion of destroying muslims. fucking hell.
I am going to share with you (some) examples we can find regarding the existence of shifting throughout the ages, simply to show that it has always been a concept that has always existed.
― #01: The Theory of Ideas - Plato: The world we live in is only an imperfect copy of another more perfect and eternal world: the world of Ideas or Forms; everything we see and touch is only an imperfect version of its perfect Idea or Form, which exists on another plane. Our world is changeable and deceptive, while the world of Ideas is immutable and true - In both cases (this and shifting), there is an idea that our everyday perception is not the only way to understand what is ‘real’.
― #02: Dualism - Descartes: Best known for his method of doubt, where he questioned everything he couldn't be absolutely certain of — one of his biggest contributions was mind-body dualism, which argued that the mind (thinking, non-physical) and the body (material, physical) are separate substances. He believed that while the body operated like a machine following physical laws, the mind was something different—immaterial and not bound by space or time.
― #03: Buddhism - Anicca & Anatta: These 2 principles explain that: 1) everything is constantly changing, including the self, time, and the material world. There is no static "reality"—what we perceive is always shifting. And 2) the self is an illusion—a construct created by memories and thoughts.
― #04: Modal Realism - David K Lewis: American philosopher from the last half of the 20th century; his theory explains how all logically possible worlds are as real as our world (the real or actual world). Every decision, every event, every possibility exists somewhere in a parallel reality. These worlds are not just hypothetical or imaginary; they exist in the same way our universe does, just in separate dimensions.
― #05: Time traveler Party - Stephen Hawking: He experimented to test whether time traveling (aka, shifting) to the past was possible. He hosted this 'traveler's party' on June 28, 2009 — but he only sent out the invitations after the event had already happened. The idea was that if time travel were real, someone from the future would see the invitation and travel back in time to attend.
― #06: Syntergic Theory - Jacobo Grinberg: If you've been in the shifting community for some time now, you already know him: a neuroscientist and psychologist known for researching on consciousness, the brain, and mystical experiences. His theory suggested that the brain doesn’t just perceive reality, but actively constructs it by interacting with a universal holographic energy field (which contained all information, and mystical experiences like telepathy could be explained by tuning into different parts of it). Mysteriously, he disappeared in 1994, after his theory gained popularity.
― I have presented shifting through philosophers, religions, scientists, and intellectuals' viewpoints, you still believe that shifting is impossible...?
A lot of people talking about mars nakshatra but one thing about them is they care too much. LIKE TOO MUCH about everything and anything they human or humanly possible, which gets made fun of or dogged at but it’s truly a wonderful and good thing. Shows we are alive. They will literally cry with, for you and because of you. They are not as conniving naturally but are smart thru self preservation. Underneath all the battle warrior is a very soft sensitive being. They don't know how to but would benefit from emotional contention, from others. They really look for connection but don’t really know how, its kind of rowdy messy or all over. They are more (probably) emotional than moon nakshtaras
swear to God that i get accused and harassed just for caring and being passionate about people places and things. Like if you are about the truth your enemy #1.
They deal with alot mental health issues, well i notice alot of other nakshtaras do. But they want to be loved and notice/taken into account because they really do feel and experience life lowly until they rise. They get very immersed in Maya and their senses. They can’t be detached like Saturn, Sun or Ketu or attached for benefit like Venus, Moon, Mercury or Rahu. They kind of just attached because they can or feel the need to. They may not be as ”giving” but thats why they benefit from relationships with Jupiter or Venus (if Venus wants to) where they kind of learn from, Sun too maybe.
Literally me:
loa still exists if you stop affirming and decide to give up. just because you quit doesn’t mean loa just disappears. you are either using it in your favor or you are letting your limiting beliefs win and stay in the same cycle. it is your choice and an easy one to make.
I know it’s not always easy to keep persistent with manifesting and loa but finding even a couple minutes to affirm throughout the day or before you go to bed or right when you wake up helps more than you think.
you don’t need to repeat affirmations 24/7. if you already have something and believe you have it why would you constantly keep telling yourself you have it? the main idea is to counter undesired thoughts. let’s say you’re manifesting money. in my opinion personally you don’t have to affirm for an hour saying your rich, for me that only produces more doubt because like i said before why would i be saying this to myself for an hour straight if i was already rich? what i do instead is try catch myself when i have doubts in that, or remind myself a couple times throughout the day like “im so glad im so successful. i am so rich. i have enough money to buy anything and everything i could ever want. it’s so nice being able to buy anything.” etc etc i also like making excuse for my doubts on the 3d.
like if i tell myself “well if i was so rich why am i working customer service?”
“oh just to keep busy throughout the day, i got too bored and have nothing better to do!”
or i just flat out ignore anything that makes me doubt my assumptions because why would i care about it if it doesn’t align with me? why would i put energy into something that isn’t meant for me?
i think it’s useful to view aspects you don’t like of your 3d as such. unimportant, distant, and not meant for you because you are meant so much more!!!!
I'm still so fascinated by Everyone is You Pushed Out. So, I want to talk about it more. It deserves another post.
What do you keep expecting from others?
I keep noticing that this is something I trip up on. When you've had certain expectations of people or of a certain person for a long period of time, it can feel difficult to think that they can change. For example, my boyfriend is known for being really shy. So, every time I see him, I don't expect him to talk my ear off or open up much about things going on in his personal life. I've only ever seen the version of him in my 3D that's more reserved, so that's what I expect every time.
Additionally, with people you don't know, it can either feel really easy or really challenging to change your expectations of them. Let's say you always expect bad things from the US president (not trying to get political, this is just a good example). Then, you'll keep hearing the bad things he's doing every time you turn on the news or talk to friends who feel worried, too. But, of course, this seems like a very big expectation to change, especially since he is someone who's well-known and highly valued by a lot of people, so please don't put yourself down for having negative expectations.
But, considering everyone reflects us in some way, it is very much possible to change our expectations of someone else, which will then change how they are. Having negative expectations or ones that won't benefit our circumstances/situation can make manifesting someone feel more challenging. With that being said, we have to figure out how we can change those expectations when we want to turn a situation around.
How good self concept can help change others
What things do you value in yourself or in others? Do you know? It's really good to have an idea of what qualities you value in yourself and what ones you'd like to see in others. Understanding that and affirming what you want to see is what will help change your own mindset as well as how others act.
This is why one of the methods that's encouraged for romantic SPs is coming up with a list of qualities and traits you want to see in them. Having a well-drawn up, organized list of qualities is what gives us a clear idea of what we're looking for and can make it super easy to manifest someone. This can also be done for anyone in your life. Like, what qualities make someone a good boss? What qualities make someone a good friend?
When you better your self concept, you'll change who you interact with, too. Speaking from my own experience, when I realized I don't need to complain and seek validation from others, I didn't want that quality in my best friend. My (now ex) best friend was that exact type of person because they reflected me. But now they're out of my life because I realized I don't like that quality about myself and stopped giving that person the validation they were expecting from me.
Yes, I know I said in my first post that you don't need good self concept to change others. I still stand by that. It is not needed. But, it can help when you do. Having a clearer idea of what you value and what you love about yourself can create better expectations of and experiences with others.
Focus on having good expectations, not negative ones
Going back to what I said in my last section, keep the good qualities in mind, not the bad ones. I'll give an example. After dealing with some bad past relationships with men, you might expect that "all (or most) men are bad." You'll hear a lot of people say it, too. Then, whenever a new crush comes into your life, there will be at least one bad quality in him that creates a poor relationship or makes you lose romantic feelings for him.
This is when you should view your life as if it's an algorithm (because it pretty much is). If you perceive yourself as someone who's single and thinks badly of men, then you will keep having undesirable men flirt with you and keep hearing other single women talk about how bad men are. It's like when you're scrolling through TikTok and "like" the videos of women ranting about their bad dates with men. TikTok processes that this is the type of content you enjoy watching and will keep showing you more videos of women talking about their horrible dates. Life itself works the very same way.
Imagine your subconscious as TikTok or YouTube. What you like and what you feed it (what you keep watching and favoriting/liking) is what it'll keep producing into your reality. You see where I'm coming from?
here is a reminder that loss and fears aren’t real. you can’t lose anything because everything is you. you can’t lose your person because they’re you. fears aren’t real because you’re the one who chooses how everything goes. you’re the one who is deciding everything so what is there to fear ? you’re fearless and always the winner. this is who you’re being from this moment forward. no more belittling yourself. no more underestimating the law. how can you be the god of your reality and still have fears ? what are you fearing ? yourself ? do you not trust yourself enough ? think about it. you trusted to be with someone despite your fears yet you can’t do that for yourself ? when really the only person you’ll ever have is you. you have to trust yourself and know that fears are nothing. whenever you’re fearing something, think of someone who doesn’t have that fear and see how their life is going. fear of abandonment ? observe a friend who doesn’t have that fear and see how their life is like. that should be “proof” enough for you that it’s ridiculous and it all has to do with you. why do people who fear absolutely nothing and 100% believe in themselves and who they are always receive everything they want ? why is everyone obsessed with them ? why do they not get abandoned, betrayed, etc. ? why can’t that person be you ? be fearless because you have nothing to lose but self. if you lose self, you lose everything. choose self, choose a fearless identity, don’t get shaken up by some stupid thoughts in your head, and fully KNOW that you’re safe and secure. give that to yourself within.
One thing about being a journalist is seeing how differently men behave off and on camera.
They will admit believing in the most sexist, cruel, disgusting, inhumane things, laugh about them, even be proud of them when it’s just me listening (I enable them to feel safe), yet go absolutely mute if I want to record it.
WELL SAY IT, say what you said to me—say how women are lazy thus choose prostitution, say that allowing them to vote ruined our society, say that women should be forced to make babies to save the economy—make that joke again how one drunk man is smarter than three women with PhD’s—that was so awfully funny. Let me inform the citizens; let me show what men around them think.
But they know all too well in what circumstances they can spit their hate without consequences. They know when not to attach their names.
They are always aware.
RANDOM VEDIC OBSERVATIONS
ᴛʜᴇ ᴍᴏᴠɪᴇ ɴᴏꜱꜰᴇʀᴀᴛᴜ ɪꜱ ᴀʟʟ ᴀʙᴏᴜᴛ ʙʜᴀʀᴀɴɪ ᴅᴜᴇ ᴛᴏ ᴛʜᴇᴍᴇꜱ ᴏꜰ ꜰᴏʀʙɪᴅᴅᴇɴ ʟᴏᴠᴇ, ꜰᴀᴛᴇ, ᴅᴇᴀᴛʜ ᴀɴᴅ ʀᴇʙɪʀᴛʜ
ᴛʜᴇ ᴅɪꜱɴᴇʏ ᴄʜᴀʀᴀᴄᴛᴇʀ, ᴍᴜʟᴀɴ, ɪꜱ ᴄᴏɴɴᴇᴄᴛᴇᴅ ᴛᴏ ᴍᴀɢʜᴀ ᴅᴜᴇ ᴛᴏ ᴛʜᴇ ᴛʜᴇᴍᴇꜱ ᴏꜰ ᴀɴᴄᴇꜱᴛʀʏ, ꜰᴀᴍɪʟɪᴀʟ ʙᴏɴᴅꜱ, ᴀɴᴅ ᴜᴘʜᴏʟᴅɪɴɢ ᴏɴᴇ'ꜱ ʟᴇɢᴀᴄʏ (ᴛʜᴇ ᴀᴄᴛʀᴇꜱꜱ, ʟɪᴜ ʏɪꜰᴇɪ, ᴡʜᴏ ᴘʟᴀʏᴇᴅ ᴍᴜʟᴀɴ ʜᴀꜱ ᴀ ᴡʜᴏʟᴇ ᴍᴀɢʜᴀ ꜱᴛᴇʟʟɪᴜᴍ)
ᴍᴇʀᴄᴜʀʏ-ᴋᴇᴛᴜ ᴀꜱᴘᴇᴄᴛꜱ ᴄᴀɴ ᴍᴀᴋᴇ ꜱᴏᴍᴇᴏɴᴇ ᴠᴇʀʏ ʙʟᴜɴᴛ ɪɴ ꜱᴘᴇᴇᴄʜ ᴏʀ ʜᴀᴠᴇ ᴀ ꜱᴘᴇᴇᴄʜ ɪᴍᴘᴇᴅɪᴍᴇɴᴛ
ᴀꜱʜʟᴇꜱʜᴀ ᴡᴏᴍᴇɴ ᴛᴇɴᴅ ᴛᴏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ᴡɪᴛʜ ᴛʜᴇɪʀ ꜰᴇᴍɪɴɪɴɪᴛʏ ᴡʜɪʟᴇ ᴀꜱʜʟᴇꜱʜᴀ ᴍᴇɴ ᴛᴇɴᴅ ᴛᴏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴍᴀꜱᴄᴜʟɪɴɪᴛʏ
ꜱᴘᴇᴀᴋɪɴɢ ᴏꜰ ᴍᴀɢʜᴀ, ᴍᴀɢʜᴀ ɴᴀᴛɪᴠᴇꜱ ʜᴀᴠᴇ ᴀ ᴛᴇɴᴅᴇɴᴄʏ ᴛᴏ ᴀᴘᴘᴇᴀʀ ᴀʀʀᴏɢᴀɴᴛ ᴏʀ ᴄᴏɴᴄᴇɪᴛᴇᴅ ꜱᴏᴍᴇᴛɪᴍᴇꜱ (ᴇx: ᴛʏʟᴀ)
ʜᴀᴠɪɴɢ ᴀꜱʜʟᴇꜱʜᴀ ɪɴ ᴛʜᴇ 4ᴛʜ ʜᴏᴜꜱᴇ ᴍᴇᴀɴꜱ ʜᴀᴠɪɴɢ ᴀ ᴍᴏᴛʜᴇʀ ᴡʜᴏ ᴡᴀꜱ ᴠᴇʀʏ ᴄᴏɴᴛʀᴏʟʟɪɴɢ ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ꜱᴍᴏᴛʜᴇʀɪɴɢ
ᴀʟʟ ᴠᴇɴᴜꜱɪᴀɴ ɴᴀᴋꜱʜᴀᴛʀᴀ ᴡᴏᴍᴇɴ (ʙʜᴀʀᴀɴɪ, ᴘᴜʀᴠᴀ ᴘʜᴀʟɢᴜɴɪ, ᴘᴜʀᴠᴀ ᴀꜱʜᴀᴅʜᴀ) ʜᴀᴠᴇ ᴀ ᴛᴇɴᴅᴇɴᴄʏ ᴛᴏ ᴄʀᴀᴠᴇ ᴛʜᴇ ᴅᴇꜱɪʀᴇ ᴏꜰ ꜱᴜʙᴍɪꜱꜱɪᴏɴ ᴀɴᴅ ʏɪᴇʟᴅɪɴɢ
ꜱᴜɴ-ᴅᴏᴍɪɴᴀɴᴛ ᴡᴏᴍᴇɴ ᴀʀᴇ ᴛʜᴇ ᴅᴇꜰɪɴɪᴛɪᴏɴ ᴏꜰ ᴀ ɢɪʀʟʙᴏꜱꜱ
ᴋᴇᴛᴜ-ᴅᴏᴍɪɴᴀɴᴛ ᴍᴇɴ ᴀʀᴇ ɴᴏᴛ ᴍᴀʀʀɪᴀɢᴇ ᴍᴀᴛᴇʀɪᴀʟ, ɪɴ ꜰᴀᴄᴛ, ᴛʜᴇʏ'ᴅ ᴘʀᴏʙᴀʙʟʏ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴊᴜꜱᴛ ᴅᴀᴛᴇ ꜱᴏᴍᴇᴏɴᴇ ꜰᴏʀ ᴀ ʀᴇᴀʟʟʏ ʟᴏɴɢ ᴛɪᴍᴇ ᴜɴᴛɪʟ ᴛʜᴇʏ ᴅᴇᴄɪᴅᴇ ᴛᴏ ꜰɪɴᴀʟʟʏ ᴘᴜᴛ ᴀ ʀɪɴɢ ᴏɴ ᴛʜᴀᴛ ꜰɪɴɢᴇʀ
ᴠᴇɴᴜꜱɪᴀɴ ᴍᴇɴ ʟᴏᴠᴇ ᴛᴏ ꜱᴘᴏɪʟ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ, ᴛʜᴇɪʀ ʟᴏᴠᴇ ʟᴀɴɢᴜᴀɢᴇ ɪꜱ ʜᴀɴᴅɪɴɢ ʏᴏᴜ ɢɪꜰᴛꜱ
ɪ ɴᴏᴛɪᴄᴇ ᴛʜᴀᴛ ꜰᴇᴡ ᴜᴛᴛᴀʀᴀ ʙʜᴀᴅʀᴀᴘᴀᴅᴀ ᴡᴏᴍᴇɴ ʜᴀᴠᴇ ᴘʟᴀʏᴇᴅ ʟᴇꜱʙɪᴀɴ ʀᴏʟᴇꜱ ɪɴ ᴍᴏᴠɪᴇꜱ (ᴇx: ᴅʏʟᴀɴ ɢᴇʟᴜʟᴀ ɪɴ ꜰɪʀꜱᴛ ɢɪʀʟ ɪ ʟᴏᴠᴇᴅ)
ᴅʜᴀɴɪꜱʜᴛᴀ ᴀɴᴅ ᴘᴜʀᴠᴀ ʙʜᴀᴅʀᴀᴘᴀᴅᴀ ɴᴀᴛɪᴠᴇꜱ ᴀʀᴇ ꜱᴏ ᴅᴀɴɢᴇʀᴏᴜꜱʟʏ ꜱᴇxʏ ɪɴ ᴀ ꜰʟᴀᴍʙᴏʏᴀɴᴛ ᴡᴀʏ, ɪ ʟᴏᴠᴇ ᴛʜᴇᴍ ꜱᴏ ᴍᴜᴄʜ. ᴛʜᴇʏ ᴀʟꜱᴏ ʜᴀᴠᴇ ᴘʀᴇᴛᴛʏ ʟᴀʀɢᴇ ᴍᴏᴜᴛʜꜱ ᴀɴᴅ ᴡɪᴅᴇ ꜱᴍɪʟᴇꜱ ᴛʜᴀᴛ ᴊᴜꜱᴛ ʟɪɢʜᴛᴇɴꜱ ᴜᴘ ᴛʜᴇɪʀ ᴡʜᴏʟᴇ ꜰᴀᴄᴇ (ᴇx: ʙᴀʀᴀᴄᴋ ᴏʙᴀᴍᴀ, ᴍᴀᴅɪꜱᴏɴ ʙᴇᴇʀ, ᴍᴇɢᴀɴ ᴛʜᴇᴇ ꜱᴛᴀʟʟɪᴏɴ, ʙɪʟʟ ꜱᴋᴀʀꜱɢᴀʀᴅ)
ꜱʜʀᴀᴠᴀɴᴀ ɴᴀᴛɪᴠᴇꜱ ᴀʀᴇ ᴏɴᴇ ᴏꜰ ᴛʜᴇ ᴍᴏꜱᴛ ʀᴇʟɪᴀʙʟᴇ ᴀɴᴅ ᴛʀᴜꜱᴛ-ᴡᴏʀᴛʜʏ ꜰʀɪᴇɴᴅꜱ ᴏᴜᴛ ᴛʜᴇʀᴇ ʙᴜᴛ ᴘᴇᴏᴘʟᴇ ᴜꜱᴜᴀʟʟʏ ᴍɪꜱᴛʀᴇᴀᴛ ᴛʜᴇᴍ
ʏᴏᴜ ᴡᴀɴᴛ ꜱᴏᴍᴇ ᴀᴍᴀᴢɪɴɢ ʜᴏᴛ ᴀɴᴅ ʜᴇᴀᴠʏ ꜱᴇx ᴛʜᴀᴛ'ʟʟ ʟᴇᴀᴠᴇ ʏᴏᴜ ꜰᴇᴇʟɪɴɢ ꜱᴀᴛɪꜱꜰɪᴇᴅ ꜰᴏʀ ᴀ ʟᴏɴɢ ᴛɪᴍᴇ? ꜰɪɴᴅ ᴀ ᴘᴜʀᴠᴀ ᴘʜᴀʟɢᴜɴɪ ᴏʀ ᴜᴛᴛᴀʀᴀ ᴘʜᴀʟɢᴜɴɪ ᴍᴀɴ, ᴛʜᴇʏ ʀᴇᴀʟʟʏ ᴋɴᴏᴡ ʜᴏᴡ ᴛᴏ ᴍᴏᴠᴇ ᴛʜᴇɪʀ ʜɪᴘꜱ ɪꜰʏᴋᴡɪᴍ
ᴍᴜʟᴀ ᴀɴᴅ ᴘᴜʀᴠᴀ ᴀꜱʜᴀᴅʜᴀ ᴡᴏᴍᴇɴ ʜᴀᴠᴇ ꜱᴜᴄʜ ᴀ ᴡᴀʏ ᴡɪᴛʜ ᴡᴏʀᴅꜱ, ᴛʜᴇʏ ꜱᴏᴜɴᴅ ꜱᴏ ᴘᴏᴇᴛɪᴄ ᴀɴᴅ ᴇᴛʜᴇʀᴇᴀʟ ᴡʜᴇɴ ᴛʜᴇʏ'ʀᴇ ᴛᴀʟᴋɪɴɢ ᴀʙᴏᴜᴛ ꜱᴏᴍᴇᴛʜɪɴɢ ᴅᴇᴇᴘ ᴏʀ ᴘᴇʀꜱᴏɴᴀʟ
ᴡᴀɴɴᴀ ʀᴇᴀʟʟʏ ʟᴇᴛ ʟᴏᴏꜱᴇ ᴀɴᴅ ʜᴀᴠᴇ ꜱᴏᴍᴇ ꜰᴜɴ? ᴄᴀʟʟ ᴜᴘ ᴀɴ ᴀʀᴅʀᴀ ɴᴀᴛɪᴠᴇ
ᴋʀɪᴛᴛɪᴋᴀ ᴀɴᴅ ᴘᴜꜱʜʏᴀ ɴᴀᴛɪᴠᴇꜱ ʜᴀᴠᴇ ᴀ ʜᴀʙɪᴛ ᴏꜰ ʙɪᴛɪɴɢ ᴛʜᴇɪʀ ɴᴀɪʟꜱ
ᴄʜɪᴛʀᴀ ɴᴀᴛɪᴠᴇꜱ ᴀʀᴇ ᴛʜᴇ ᴛʏᴘᴇ ᴏꜰ ᴘᴇᴏᴘʟᴇ ᴛʜᴀᴛ ᴡɪʟʟ ɢᴇᴛ ʏᴏᴜ ɪɴᴛᴏ ꜱᴏᴍᴇ ᴛʀᴏᴜʙʟᴇ ɪꜰ ᴛʜᴇʏ ᴅᴏɴ'ᴛ ᴄᴏɴᴛʀᴏʟ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ
(And that's all for now! If it resonates with you, comment below. If you feel confused about something in relation to vedic, don't be afraid to reach out! Have a good day/night!)