🅼🅰🅽🅸🅵🅴🆂🆃🅸🅽🅶 🅸🆂 🆆🅰🆈 🅴🅰🆂🅸🅴🆁 🆃🅷🅰🅽

punarvasu । पुनर्वासु

𑁍 meaning — “return to the light”

𑁍 shakti [divine power] — "vasutva prapana shakti" the ability to gain wealth or substance

𑁍 presiding deity — ADITI

the sanskrit word aditi (अदिति) means "boundless," "limitless," "freedom," or "innocence"

𑁍 punarvasu is of the deva (godly) clan and belongs to the the merchant caste; its primary motivation is artha — the pursuit of wealth, material well-being and prosperity; artha (अर्थ) in sanskrit means meaning or purpose

𑁍 the vimshottari lord is jupiter, brihaspati - guru of the gods; the realm of ether - beyond space

Jacob's Dream, William Blake, Punarvasu moon

For further insights into the cosmic function of punarvasu and Aditi

I will be quoting an excerpt from 'DIVINE HORSEMEN: THE LIVING GODS OF HAITI' — MAYA DEREN

Here, I liken the haitian goddess Erzulie to the vedic Aditi as they represent the same archetype and symbolism

"Myth is the facts of the mind made manifest in a fiction of matter." — maya deren, punarvasu ketu (below)

Erzulie: Goddess — The Tragic Mistress

Voudoun has given woman, in the figure of Erzulie, exclusive title to that which distinguishes humans from all other forms: their capacity to conceive beyond reality, to desire beyond adequacy, to create beyond need. In Erzulie, Voudoun salutes woman as Divinity of the dream, the Goddess of Love, the muse of beauty.

It has denied her emphasis as mother of life and of men in order to regard her (like Mary, with whom Erzulie is identified) as mother of man's myth of life — its meaning. In a sense, she is that very principle by which man conceives and creates divinity.

Thus, to man himself, she is as mistress.

𑁍

Erzulie moves in an atmosphere of infinite luxury, a perfume of refinement, which, from the first moment of her arrival, pervades the very air of the peristyle, and becomes a general expansiveness in which all anxieties, all urgencies vanish.

The tempo of movements becomes more leisurely, tensions dissolve and the voices soften, losing whatever aggressive or strident tones they may have had. One has the impression that a fresh, cooling breeze has sprung up somewhere and that the heat has become less intense, less oppressive.

𑁍

She is provided with a fresh white or rose silk handkerchief which she arranges carefully around her hair.

Perfume is imperative, and there may be powder as well. A white or rose dress of delicate cloth, with lace or embroidery, has been keps in readiness for her. And, finally, she is brought not one necklace, but several, of gold and pearls, along with earrings and bracelets and her three wedding bands.

The careful, unhurried accumulation of costume is an act which, step by step, rejects the primitive, the "natural condition", and, step by careful step, instructs the fortunate attendants in the idea of beauty, the sense of form, and, above all, the cumulative painstaking process by which a work of man — be it art or myth — is created.

The Goddess examines each article minutely; where alternative choice exists, her considered selection, her indecision are very pointed; each effect is critically scrutinized, often rejected and rearranged. The very process of this creative transformation becomes so significant that whether it is a large audience or a small family who await her, or how long they may have to wait, ceases to be of any consequence.

What is of consequence is the act itself, and the demonstration of the fact that such an act can transfigure the female into the feminine.

Her voice is a delicate soprano; her every gesture, movement of eyes, and smile, is a masterpiece of beguiling coquetry; with her, human relationship becomes itself significant rather than merely a means to an end.

She may visit her altar chamber and be pleased that the flowers are fresh, for flowers are her passion.

kalu uchis, punarvasu ☉

𑁍

She may ask for a favorite song, for she loves to dance and is the most graceful of all loa; or she may simply give audience to her admirers, and by her postures and attitudes transform the crude chair in which she sits into a throne.

Above all, she favors desserts, decorated cakes and confections of all kinds. Or, if she has arrived on an impromptu visit, she may be content with a sip of the crême de menthe or the champagne which, theoretically, should always be ready for her appearance.

𑁍

As Lady of Luxury, she gives gifts constantly;

her own perfume, the handkerchief she wears, the food and money which she distributes generously.

She particularly rewards those who are handsome, or who dance well, or whose personality pleases her. She never neglects one who is devoted to her.

𑁍

an altar to maîtresse erzulie, mistress erzulie, metres elizi freda

As Lady of Luxury she is, above all, Goddess of Love, that human luxury of the heart which is not essential to the purely physical generation of the body. She is as lavish with that love as she is generous with her gifts. She treats men with such demonstrative affection that it might seem, at times, embarrassing. She will embrace them, and kiss them, caress them, sit with an arm around those to both sides of her.

Nothing is meted out or budgeted, there is more than enough; this is her way of loving, this is the divine fecundity of the heart. A heart is, indeed, her symbol, most often the pierced heart identified with Mary.

She, who is the wealthiest of the loa, the most frequently gifted with luxurious accoutrement, suffers for not being "served" enough.

She, who is the most complimented, most beloved, most often wedded in the sacred marriage of devotee and divinity — she who is Goddess of Love — protests that she is not loved enough."

Inevitably then – she begins to weep. Tenderly they would comfort her, bringing forward still another cake, another jewel, pledging still another promise. But it would seem that nothing in this world would ever, could ever, answer those tears. It is because of these tears that the women, who might otherwise resent her, are so gentle. In their real, reasonable world there is no grief like this.

this weeping is so inaccessible to reason that one thinks, inevitably, of a child's innocence of reason. It is this sense of innocence which emanates from her that makes her identification with the Virgin Mary somehow seem truer than her promiscuity, than even the fact that the devotion of prostitutes makes of her almost their patron saint.

lana del rey, punarvasu mercury

She is the divinity of the dream, and it is in the very nature of dream to begin where reality ends and to spin it and to send it forward in space, as the spider spins and sends forward its own thread.

The labor of Erzulie is as endless as the capacity of man to dream and, in the very act of accomplishing that dream, to have already dreamed again. It is upon this diminutive feminine figure that man has placed the burden of the most divine paradox — He has conceived her without satisfactions, without balance, to insure an overwhelming balance against his own satisfactions. This is the meaning of the merciless muse, the most unhappy Medusa.

Erzulie is the loa of the impossible perfection which must remain unattainable. Man demands that she demand of him beyond his capacity. The condition of her divinity is his failure; he crowns her with his own betrayals. Hence she must weep; it could not be otherwise.

The wound of Erzulie is perpetual: she is the dream impaled eternally upon the cosmic cross/roads where the world of men and the world of divinity meet, and it is through her pierced heart that "man ascends and the gods descend".

Rose & dahlia by Salvador Daví, Punarvasu Rising

𑁍

Joy and woe are woven fine,

A clothing for the soul divine;

Under every grief and pine

Runs a joy with silken twine.

It is right it should be so;

Man was made for joy and woe;

And when this we rightly know,

Safely through the world we go.

— William Blake, punarvasu moon, "Auguries of Innocence" (1863)

"If the doors of perception were cleansed every thing would appear to man as it is, infinite."

— William Blake, "The Marriage of Heaven and Hell" (1790)

Lana del rey has mercury in punarvasu, and her music had a very fantastic, ethereal feel that almost lulls you into a dream-like state.

Her lyrics often reflect punarvasu themes of dreams, fantasy, sorrow, heart-ache, luxury, excess, affection

lyrics to lana's 'video games'

I say, "You the bestest" / Lean in for a big kiss / Put his favourite perfume on

It's you, it's you, it's all for you / Everything I do / I tell you all the time / Heaven is a place on earth with you

They say that the world was built for two / Only worth living if somebody is loving you

lyrics to 'honeymoon'

There are violets in your eyes / There are guns that blaze around you / There are roses in between my thighs / And fire that surrounds you

It's no wonder every man in town / Had neither fought nor found you / Everything you do is elusive / To even your honey dew

our honeymoon / Dreaming away your life

magha

as the hidden octave put it, "magha is about bringing the ancestors into the future with new bodies"

as said in the vedas,

"prajām anu prajāyase tad u te martyāmṛtam" "In your progeny, you yourself are born, that is, o mortal, immortality for you."

"svāṃ prajāṃ pitaraṃ pitryaṃ saha āvareṣu adadhus tantum ātatam" "The ancestors have placed their ancestral power in their own later offspring, as a thread stretched”

"this is why we do our worship to our ancestors in brahmanism, and perform śrāddha rituals for the dead. because what they chose to do, how they chose to live forms an important part of our person, which is then moulded by the environment around us. through honouring them, we are respecting the “us” in ourselves." — kiron krishnan

magha natives are often highly family oriented, & their family often plays a major role in their life, image and achievements

michael jackson (magha moon) and his siblings, managed by their father joe jackson, first embarked on their musical careers via the band 'The Jackson 5'

The Jackson 5 in 1972. From left to right: Tito, Marlon, Michael, Jackie, and Jermaine Jackson.

magha is associated with ethno-national pride and inherited ancestral gifts and merits

tyla seethal (magha moon) is from johannesburg, south africa.

'they never had a pretty girl from jo'burg

see me now, and that's what they prefer'

— lyrics from tyla's song 'jump'

when jennifer hudson asked tyla how is feels to represent her country, she replied

"it feels so good. I've always wanted to have a South African on the same stages as the greats.

I just feel like that's the goal, and I really want to become an example for other African artists wanting to do the same"

tyla won a grammy award for 'best African music performance'

tyla in johannesburg, for her 'Jump' music video

in a 'what's in my bag' interview with vogue, tyla revealed that she carries a 3 kg bag of maize meal

"so in south africa, we use this to make pap. pap is like this (the maize meal), hot water and some salt. It's a workout to make," she said after revealing the south african staple

the presiding deity of magha are the pitris, the ancestors — magha natives are acutely aware of this thread which ties the generations of a lineage together, and we see this reflected in the lives and works of magha natives

magha's family oriented nature

When you go through an Uttara Phalguni’s discography you’re likely going to find a song about them contemplating the nature of a woman & her power and autonomy/cayani shakti (why I like to call this nak “feminine excellence” or “the Woman herself”)

Examples:

Beyoncé — “Grown Woman” (especially because this nakshatra is specifically the state of a girl growing into a woman which is why they’re often late bloomers, avoidant towards accepting “womanhood,” or rebellious when it comes to accepting the roles that woman “should” embody)

Doja Cat — “Woman”

Mariah the Scientist — “From A Woman”

Britney Spears — “I’m Not A Girl, Not Yet A Woman” | “Womanizer”

Side note — Britney has a song called “Heaven on Earth” and Mariah the Scientist has a song called “Heaven is a Place On Earth”. If you’ve been along with me in my journey in discovering the nature of Uttara Phalguni for well over a year, you know that this nakshatra is about finding Paradise on Earth after mankind’s Fall From Grace.

OKAYYYYY HELLOOOO YOU SHIFTED??!?? PACK IT UP MASTER SHIFTER 😩🫶🏽

BAE WHAT WAS THE METHOD PLEASE THESE ALMOST SHIFTS AND SHIFTING FOR TWO SECONDS ARE EATING ME ALIVE HELP A BISH OUTTTT

the anti-method (a.k.a., you were never here to begin with).

౨ৎ this isn’t a method (well, sorta). no steps, no trying, no reaching. it’s a glitch. a realisation. a quiet little crack in the mirror. it did make *me* shift !!!

there was never a door to open. never a distance to cross. you were never locked out. just lost in a dream, trying to wake up when you were already awake.

people talk about shifting like it’s a journey, a climb, a thing to chase. but what if it was always just a memory?? something lodged in the back of your mind, waiting for you to remember it? like a word on the tip of your tongue. like déjà vu.

you were already there. you just forgot.

i , lie or sit still. don’t try. don’t force. just let yourself exist, soft and untethered. feel your body like it’s not yours. just a borrowed costume, a dress-up game you forgot you were playing. limbs are foreign. the weight is someone else’s problem.

ii , ask yourself. " WHAT IF I ALREADY SHIFTED AND I JUST...FORGOT? " not “what if i go there,” not “what if i shift.” but what if i was always there? what if i just... blanked out for a sec?

iii , your brain will (probably) panic. it’ll start grasping at straws, trying to prove you’re still here. trying to reattach you to the illusion. let it fumble. let it glitch. just keep thinking :

◞ i already shifted. i just forgot. ◞ i’ve been there this whole time.

it’s not a theory. not a wish. just a fact you misplaced somewhere along the way.

iv , the mind collapses on itself. how do you know you aren’t already in your dr? how do you prove this isn’t the dream? the body stops feeling like yours. the world gets flimsy at the edges. and then? the illusion shatters.

v , you remember. not enter. not “get there.” just....remember. your dr? you were in it before you even asked. shifting? you never had to try. it was always just a breath away. you were never locked out. you just forgot the door was already open.

vi , you're there. like the ending of a lucid dream where you suddenly know without needing proof. and that’s it. you're there. you always were.

　　　　　　　　　　  ⊹　 ︶︶　 ୨୧　 ︶︶　 ⊹

the anti-method works for getting into the void as well, as it bypasses the idea of getting there entirely. instead of treating the void as a destination you have to reach, it flips the perspective :

you’re already in the void. you just forgot.

the void isn’t something you enter. it’s something you remember. it’s the default state, the space beneath everything else. but your mind, in its little desperate need to cling to reality, convinced you that you’re somewhere else. that you’re here instead of there. this method forces your brain into a logical spiral . . .

◞ how do i know i’m not already in the void? ◞ how do i prove this isn’t the dream? ◞ what if i just… forgot?

and because your brain can’t disprove it, the illusion starts to crack. your body stops feeling real. the world starts to feel dreamlike. the physical self detaches, and, poof, there you are. or rather, there you always were.

it works because it messes with the fabric of perception. if you stop believing in the difference between “here” and “there,” what’s left???? just being. just existing. and in that moment of realisation, the illusion of reality collapses. and you remember the void like an old childhood memory suddenly rushing back.

once you're in the void, once the realisation fully sinks in and the illusion crumbles, you're just there. infinite. detached. pure awareness. it’s like waking up from a dream, but instead of waking into your bedroom, you wake into nothingness. and then? well, you decide.

◞ if you want to affirm, affirm. ◞ if you want to shift, set your intention and let yourself go. ◞ if you want to just exist in the void, soak in the weightless, limitless nothingness.

there’s no next step because the void doesn’t require doing. it’s the ultimate being. you can shape it, or you can let it hold you. either way, you’re already exactly where you need to be.

what happens after? whatever you want. that’s the whole point.

౨ৎ and that is it. no trying, no reaching, just a little oh. moment. a déjà vu in the back of your mind. go play in the dreamscape. you were never here anyway.

you definitely don't require this method, or any method at all to either shift *or* get to the void, but method can be fun ! you can definitely try this one out if you wish.

✨ uranus in 9th house ✨

astro observations about uranus in 9th house

-> like to question thoughts and philosophies

-> they have their own way of dealing with foreign languages, they usually mix languages and have ease with more than one language

-> mental freedom

-> they tend to prefer to keep their mind open to change positions

-> they don't believe in thoughts only based on warm defenses, which have no rationality

-> they don't feel the need to belong to something

-> they may feel misunderstood when it comes to beliefs and ideologies

-> open mind

-> tolerant

-> they can't handle people with a conservative mind

-> unique way of thinking, of seeing the world

-> quite spiritual, but not in a devout way

-> they may be interested in studies on genres, diversities

-> tendency to like to understand politics and how governments work

-> search for social justice

-> they are always learning

-> the person is interested in many things, but finds it difficult to keep studying the same subject need to take breaks

-> mind that likes to be stimulated especially by new subjects

> the person abruptly changes worldview with a certain frequency during life.

-> the person wonders about points in life that people don't normally ask about

-> modern views that can shock their family.

❌ afflicted:

-> utopian visions

-> intolerant

-> serious issues with authority figures

-> disinterest in higher education

-> fixed worldviews

-> loneliness

-> search for social justice in extreme and contradictory ways

maybe I’d be more open to religion if there was a religion that didn’t present women as an extension of men and males as the default

I’ve noticed these feline predatory-animal yonis love pampering and glam.

Ashlesha, Punarvasu (Cat)

Chitra, Vishaka (Tiger)

Dhanishta, Purvabhadrapada (Lion)

Like they seriously spend a lotta time on looking their best: clothes, makeup, hair, exercise, tanning, spas, massages, etc.

They just have this ✨glamorous✨ vibe to them

Rarely do you catch them slipping with their physical appearance.

They also love just relaxing and doing nothing. But they always know the right time to strike. They spend a lot of time on surveillance versus action.

Some celebs I think of immediately are

Mariah Carey (Punarvasu moon)

Kimora Lee Simmons (Dhanishta moon)

Megan thee stallion (Dhanishta Sun, Ashlesha Lagnesh and Atmakaraka)

Kim Kadashian (Chitra Sun)

Beyonce (Vishaka Moon)

Grace Kelly (Vishaka Sun & Purvabhadrapada moon)

Marilyn Monroe (Ashlesha Ascendant & Dhanishta Moon)

These Divas 💅

Saturn Atmakaraka: Finding Light on the Path of Karma

"Saturn , has a tall and thin body, has yellow eyes and is airy (vata) in constituition; he has large teeth, is lazy and has coarse hair." Parashari 3.28-29

In Vedic astrology, the concept of AtmaKaraka is one of the most profound and revealing in the natal chart. The atmaKaraka, also known as the “soul indicator”, is the planet that bears the greatest responsibility for the individual’s spiritual journey. It represents the greatest challenges, lessons and the path that the soul must take in this life to achieve growth and fulfillment. The planet with the highest degree in any sign becomes the AtmaKaraka, “the significator of self” or “self-indicator”. This, as the lord of the Ascendant, can become the most powerful planet in your chart. It is the most important planet to consider when judging an individual’s spiritual nature, particularly in relation to its position in the ninth harmonic chart (navamsha). He provides us with a key to the aspirations of the soul. We often consider its position, such as the Ascendant, and read the chart indications accordingly.

This planet not only guides the purpose of life, but also indicates internal obstacles that a person needs to overcome to find their true identity. The AtmaKaraka position shows how we deal with our weaknesses, how we develop spiritually and where we should invest energy to evolve. The Atmakaraka carries the most important karmic lessons for this incarnation, becoming a key to understanding destiny and the soul’s inner motivations. Although there are many other important points in the birth chart, the Atma is special because it is a direct representation of the qualities that our soul has already mastered in past lives and those that still need to be worked on. Depending on which planet occupies this position, the nature of these lessons varies profoundly. AK influences how we approach challenges in different areas of life, right down to our spiritual worldview.

Saturn is traditionally the most difficult of the major planets, the legendary king of the malefics, that's why Saturn Atmakaraka is the most challenging. He often faces challenges in life, especially in the areas of work, health and relationships. Saturn is the significator of life itself. It indicates fate, term of life, longevity. A strong Saturn protects the life. Saturn is the planet to be propitiated in old age. He indicates the regime necessary for full life and longevity, violating which we suffer from premature decay and death. Though Saturn possesses a higher and more beneficent side, at least from the standpoint of the spiritual life, even this is stern and exacting, hard to live up to and to endure, a power of discipline, asceticism and solitude.

Saturn brings limitation and obstruction, hindrance in self-expression and in self-manifestation, which may become oppression and adversity. He is also known for being the God of Death, while Jupiter is a kind God. As Jupiter is the God of joy, he is the God of sorrow. Saturn is the significator of disease, old age and death; the great enemies of human life, which overcome all life bound by time. Therefore, the placement of Saturn in Atmakaraka is the ultimate issue of our life and destiny, the hard facts or the harsh reality that we must face. Because Saturn in the Atmakaraka indicates that the person may feel that his or her life is too tied to issues of responsibility, the need to make sacrifices or deal with pain and suffering in a constructive way. Here, destiny does not present itself easily or immediately, but is forged with perseverance, patience and facing the harshness of reality. For those with Saturn Atmakaraka, reality may seem harsher and so they may become depressed in the face of it. They refuse to give in to destruction but destruction is the necessary counterpart for creation, as is decay and death required for new life and growth.

Saturn gives bad luck, misfortune, difficult karma. It is the planet of bad karma or unhappy destiny. However, these may come upon a soul not because it has been bad or slow to evolve in past lives. Some souls, particularly those who are more advanced, may seek such things as a means of faster and deeper spiritual growth in life. Anyone can turn to the Divine in prosperity, but who can do so in great adversity? Such is the measure of a great soul. Saturn is also the suffering that makes us grow inwardly.

The influence of Saturn is to delay, to hold back. As the slowest of the planets, he slows things down, holds back their development. Those retarded in mind or speech are often under the strong affliction of Saturn. He makes us deaf and blind, stunted or deformed.

Saturn is the significator of old age, the God of time, who brings on all the degenerative processes of aging, the failure of our faculties and our powers. To the such a badly placed Saturn causes premature aging. Saturn takes away our vitality, on a physical or on a mental level. He causes depression, melancholy, self-pity and gives rise to worry, fear and anxiety. As a nervous planet, Saturn obstructs nerve functioning. He may cause numbness, paralysis or degenerative neurological disorders. His obstructing and repressing influence on the mind may promote neurosis or insanity. Saturn is behind most diseases, particularly chronic, degenerative diseases, diseases of old age, including arthritis and Cancer. As representing decay he can cause an accumulation of waste materials in the body and often is a point of devitalization in the chart.

As the planet of the ego, Saturn is also the planet of fear, on which the ego is based. Saturn creates fear and darkness in the mind. It makes us feel that we cannot overcome things, that life is against us. It makes us doubt ourselves, doubt even the Divine, and makes us prey to dark fears, fantasies, and phobias.

Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.

Saturn is the God who eats his own children, who devours his own progeny. He raises people up, but eventually brings them down in a very precipitous fall. Those who are under the spell of their basic values ​​will eventually be destroyed by them. He shows falsehood for what it is, in which there is the revelation of the enduring value of truth.

Saturn is not only in many ways the lowest of the planets, it is also the highest. Its lesson is the most difficult, but the most rewarding. Saturn is the grandfather spirit and lawgiver, our guiding ancestor. He represents not only the negative influence of the past that constrains us, he represents the positive spirit of the past that brings order and consistency to our lives. Saturn in Hindu mythology is the son of the Sun. The Sun moves in a chariot driven by Saturn. Saturn is the darkness, death and sadness that we must overcome for the revelation of the true light. He is the guardian of the mysteries of truth - which is possible only through a very precise and demanding cultivation of attention. Saturn is the yogi in meditation. He can give complete detachment and independence. He is the one who stands alone and goes beyond the limitations of the masses. It shows the path of transcendence, though necessarily difficult, by which all limitations can be overcome by resorting to our true and unlimited Self. In this respect, the power of Shiva, the lord of the yogis, the god of death and transcendence, can work through Saturn.

Saturn in the Atmakaraka places the individual on a path of self-improvement, where life experiences often involve long periods of effort without immediate rewards. The soul, in this case, seeks fulfillment that can only be achieved through discipline and acceptance of limitations, whether in relation to external issues (such as social responsibility, work and professional life) or internal issues (such as overcoming fears, insecurities and deep psychological issues).

Saturn here forces the person to face reality as it is, without illusions or escapes, leading the soul to mature and become more aware of the responsibilities it carries, whether in terms of individual karma or in relation to the collective. Life may seem like a constant search for stability, security and structure, but at the same time, Saturn demands patience to accept that the fruits of this search will not come immediately. Therefore, Saturn in the Atmakaraka is a position that brings depth and intensity to the spiritual and personal journey, challenging the individual to find greater meaning through experiencing the harshness of life, while working tirelessly to build something lasting, grounded and realistic.

GUYS I CANNOT EMPHASIZE THIS ENOUGH!!

YOU'RE THE CREATOR OF YOUR REALITY.

read that again. You're the CREATOR of your reality.

your 3D is JUST the PROJECTION of your inner beliefs and assumptions, whatever you PERCEIVE as the TRUTH of your reality, will ALWAYS & EACH TIME REFLECT in your reality NO MATTER ANYTHING. That's THE LAW.

like i seriously want to scream this into y'all ears!! (with love ofc). it is just THAT SIMPLE.

THE REASON YOU CAN'T SEE IT IN YOUR 3D IS BECAUSE OF YOUR CONTINUOUS DENIAL TO BELIEVING YOU ALREADY ARE IT.

Your 3D cannot show you what you don't see as truth, your 3D is YOU. You're constantly being shown what you perceive as truth within yourself. Your 3D CANNOT show you betrayal by not showing you what you want, only your refusal to accept it as truth CAN.

You cannot just say "do i lack the power of manifesting?" "Why is it taking so long?" "where is it?" Etc and then expect you'll get what you want!! you gotta PERSIST.

It is absolutely okay to waver at times but realise that your reality won't show you your desires until and unless you've attached your truth to it, you've to stick to the new story which is just knowing that it's done.

You don't have to act a certain way in your 3D, you have nothing to do with 3D, like I said, it's a mere projection of your perception of self. you're the ONLY POWER and the ONLY one who CONTROLS THIS SHIT.

YOU'RE GOD.

I'm screaming this to y'all until you all understand. Stop doubting yourself and START applying the law, you won't get what you want if you never start or give up after 2 minutes of persisting. idc if y'all affirm 24/7 or just decide it's done and live your life, whatever makes you happy, JUST DO IT ALREADY and PERSIST OMFG.

YOU RUN THIS SHIT. PLS RESPECT YOURSELF AND YOUR POWER. YOU'RE TOO POWERFUL FOR THIS.

reality is old news. what you are seeing is just a delayed projection of past assumptions. do not react to it. do not engage with it. it is a rerun of a show you no longer care about. the moment you stop feeding into the contradictions, they wither. the moment you accept that what you want is already done, reality will course-correct. until then, it is an echo chamber of your previous doubts.