Could You Imagine The Vibes On That Boat After Odysseus’ Crew Go Against His Word And Open The Bag

Looks like we can’t isolate, ignore, ibuprofen our way out of this one boys

Me: I’m having such a good time

Brain: sure would suck if you get hit with a low mood, and go nonverbal, and come off as rude and uninterested in your friends

Me:

Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

My take on the MBTI from the perspective of an ENTJ

1. ENTP: Smart, fun people; easy to get along with.

2. INTP: I want a piece of your mind.

3. INTJ: Cool and mysterious, but the males are annoying

4. ENTJ: Hyperfocused on success to the point that it's unhealthy

5. ENFJ: The chronic need to be the center of attention is excusable because y'all have a good heart

6. ENFP: Y'all put too much effort into acting like you don't care if you're liked by everyone for being "quirky", but you do.

7. INFP: Pathetic; really need to stop letting people walk all over themselves

8. INFJ: Sage wisdom, kind heart

9. ISFJ: Lowkey boring ngl

10. ISFP: You make sure to stand out in your own ways

11. ESFP: Annoying, self-indulgent, the lack of awareness is ghastly. Often wonder what it is like to be in your head because you seem to have no self-critique whatsoever.

12. ESFJ: Kind-hearted, too kind in fact, because nobody thinks of you when the day ends.

13. ESTJ: Y'all are just annoying

14. ESTP: Charming, very, very charming.

15. ISTP: Coolest people I know

16. ISTJ: Boring; more like tiring

How each type look during an argument

This is GOLD

ENFP problems

- people not realizing that you want to be alone, but don’t know how to say it in a nice way.

- always ending up in the middle of arguments because you see both sides, causing your friends to get angry at you for not choosing theirs.

- not being able to stick to one thing because you’ll forget about it later.

- feeling like a “therapist” to people because they always vent to you and ask for your advice.

- wanting to be a leader, but dealing with conflict with your friends stresses you out. So you can’t give constructive criticism.

- your energy comes from people, but too much will overwhelm you. Always being in a cycle of surrounding yourself to isolating yourself.

- wanting to help people, but not knowing how.

- worried that you’re being manipulative all the time.

- not being able to let people go, leading into destructive relationships because you think about how they used to be, and they can be like that again.

- when your social energy is at 0% and you need time alone but you can’t get it.

- when your social energy is recharged and you feel horrible for pushing your friends away.

- getting ideas all the time for random projects, but never going through with it. Leaving a ton of papers all over your desk that you don’t want to get rid of.

- worried you’re not yourself. That you’re just someone that changes around every personality to fit their aura.

(These are just some of my experiences)

odysseus: whaT DO YOU MEAN MOVE THE BED????

penelope: oh sorry i thought we were playing the ask stupid questions game

ADHD Ask!

1.When were you diagnosed?

2.What type do you have? (Hyperactive, Inattentive, Combination)

3.Do you stim?

4.What is your favorite stim toy?

5.Looking back what behaviors did you do that you now realize are ADHD related that no one noticed?

6.Did you ever receive special education services because of your ADHD?

7.What are the positive qualities you have associated with ADHD?

8.What techniques help you cope with your ADHD?

9.Do you have any comorbid diagnoses?

10.What sensory things do you love?

11.What sensory things do you hate?

12.What is your experience with RSD (Rejection Sensitive Dysphoria)?

13.What part of ADHD do you struggle with most?

14.What part of ADHD have you learned to love?

The End of the world as we know it- Armin Arlert

Armin watches as a bloodbath of horror unfolds in front of him, the sounds of cries echoing the infinity of deaths that occur in less than an instant. Armin's chest swells with fear as his comrade's blood splatters like paint on a disgusting canvas of death. With Armin standing on the city's rooftops, he could see that this could be the last time he ever felt the air fill his lungs, the last time he could grasp the feeling of life before it was ripped away by the jaws of death.

Armin finally looks at the girl beside him as the steam gusts toss his hair around in the daylight. He noticed how her arms were lifeless at her side, her swords numbly clasped in her hands, long forgotten. He knew she was thinking the same thing he was;

“How are we going to get out of here alive?"

The thought causes Y/n’s hands to tremble. She couldn't imagine this being her final moment; her mind wouldn't let her. All she knew was that she was terrified and that she was paralyzed. She takes a hesitant breath.

“Y/n?”

As he glances up into her eyes, Armin's calm voice rises, a little sob escaping from the back of his throat. She cocks her head slightly, her gaze locked with Armin's cold blue ones, focusing on his words.

"I have something to say to you. I've never had the the words, or even the confidence, to say this to you before."

Armin takes a tentative step forward and reaches out to take herhand. He immediately observed a difference in the experience surrounding them when he joined their fingers together. The horrors he felt inside were contrasted by her warm, reassuring touch.

“So I'm just going to say it. I adore you. I've always admired you. Everything about you is unique. The way your eyes smile before your lips do, how you laugh at every stupid joke anyone tells you even if it's not funny, and, most importantly, how you have always comforted others even when you are in pain.”

Her vision became blurry as tears streamed down her cheeks after hearing Armin's confession.

"You're lovely, beautiful, and sweet. I don't know what life would be like without you, and I never want to find out. Y/n, I, I..."

Before Armin could finish his sentence, he felt Y/n’s lips brush against his. That kiss was the sweetness of passion, a million loving thoughts condensed into a single moment.

*********************

Hey! The writer here. This is my first official Armin one piece! I love this man sm omg.

I’ve seen a lot of posts about how “no one mourns the Wicked” is actually about Galinda, but I’ve been listening to it again, and I gotta say, I think the song is actually about the Wizard with rather dark implications.

Don’t get me wrong, I’m sure Galinda thinks and believes it’s about her. But Galinda became good in the end, she was Elphaba’s friend, Elphaba and Fiyero miss her, and Galinda has friends in Oz, the musical ends with one of Elphaba’s flying monkeys getting the ability to talk to her and Galinda can help them now. She’s mourning Elphaba, and she might be alone in that, but in other respects, she isn’t alone or dead or wicked or forgotten.

The same cannot be said of the Wizard. “The Wicked’s lives are lonely” is very much about him. Even at the height of his power, he had to isolate himself so that no one could see he was a fraud. When Elphaba threatened him, he became paranoid and spent his days in isolation and fear. Whereas Galinda, even at her worst and limited power, has always been well known. The Wizard has left Oz, and the people don’t seem to question it because they have Galinda now, and they know Galinda and they love Galinda, while the Wizard was more an idea than a man. He never visited them, he never did what Galinda does for them. No one misses him, why would they? Galinda fills his role, what little of it there was, a thousand times over. The lyric “no one cries they won’t return” fits the Wizard best, not Galinda. People are thrilled to see her, and don’t seem to care that he’s gone, while Galinda cries for Elphaba.

Also “the wicked cry alone” applies to the Wizard too, when he mourns Elphaba. Yes, Galinda technically mourns for her alone too, but at least Galinda has the Animals, the few that can still say some words. The Wizard cries, but Galinda doesn’t cry with him, because the Wizard is crying over his own actions as well as her death, and Galinda has no sympathy for him, no one does, and that’s his own fault for making them hate Elphaba. Also the song says “Nothing grows for the wicked, they reap only what they’ve sown” and the story that Galinda tells during the song isn’t her and Elphaba’s story (that’s later), but Elphaba’s and her father’s story, specifically, how the Wizard brought about Elphaba’s existence and set himself on this path. Galinda asks if people are born wicked or have it thrust upon them, which is ironic because the Wizard is the reason Elphaba was born AND why she was vilified.

Then we have “no one lays a lily on their grave” and “the wicked die alone”. I’ve pointed this out in other posts, but it’s never confirmed in any or at least most versions of Wicked/Wizard of Oz source material that the Wizard makes it home or has any way to do so. I’m not sure what the movie is gonna do about this, or if they’ll attempt to repair the balloon or heavily imply he dies, but the Wizard dying alone in his grief and no one missing him while instrumentals of “no one mourns the wicked” play in the background certainly takes care of that problem.

Also “woe to those who spurn what goodness is, they are shown” also applies to the Wizard. He has a whole song in part 2 about goodness being a matter of perception and rejects Elphaba’s plea to help the Animals. He vilifies her goodness and believes, truly, that he is the hero because he has declared himself so, and that he is a good “father to the nation” because he declared it. He makes himself the subjective decider of goodness. It’s only in the end, when he realizes what he’s done to Elphaba that he has regrets and begins to see and understand the evil he has done. Elphaba is what he “misses when he’s misbehaved” as the song says, and although none of the villagers know that, Galinda witnessed it and knows that the Wizard missed the opportunity to be a father, which was all he claimed to ever want. It’s a missed opportunity, information he would not have been missing and discovered earlier had he acted differently, and “missed” in the sense that he misses the daughter he threw away.