Interview March 2008 - Michelle Buswell By John Midgley

Jerry, Layne & Sean - Alice In Chains Article ©️

'Fairies Looking Through a Gothic Arch' by John Anster Fitzgerald, c. 1864.

Layne, Debby Alison Brawford, Greg Swarrey, in Bellevue, Seattle, 1993.

The picture shows Greg's drawing (he's the same one in the first photo). And Layne with two friends It is also known that Greg, in addition to this painting, has several similar landscapes taken in the same place in the suburbs of Seattle, which also depict Layne’s image.

Kate Moss @ Jean Colonna Fall/Wint 1996

-1977

“Never Mind the Bollocks, Here’s the Sex Pistols”

Sex Pistols

Mrs. Dalloway, Virginia Woolf

JIM CARROLL: I was up at Sandy Daley's room at the Chelsea about a year after Patti and I had split up, and I put my hand around her waist and said, "We should get together again, Patti." I guess she must of been really hot for Sam Shepard, because she looked at Sandy and they started laughing—obviously all this girl talk had gone on—it was like, "Man, are you kidding? A year ago if you had said that to me I woulda jumped out the window, baby. But not now. Sorry, Jim." You know, she was like, "I told you you were gonna blow it if you didn't stay with me." So I did feel that, man, maybe it was a big mistake, but through all those vacillations that Patti went through I don't know if I could of handled that. In the Mapplethrope book it says she left me, after she picked my mind about poetry and got some recognition of her own, but it didn't happen that way. We just kinda drifted apart . . . you know, she was like, "I was faithful to you and you kept fucking the fashion model!" But we did talk a lot about poetry. Patti's poems were very different than mine—she had this whole Dionysian thing, whereas I was pretty Apollonian. That's why she was so successful with rock—she could just go nuts and counterpoint it with this sweet self and let go with this weird-angry-magic self, too. She could just let it all loose, but formwise she wasn't that disciplined, and to me that was really important. Patti was taking in everything I was saying about form, and a longer line, but I mean that was all technical stuff, and neither of us were going to change. I didn't like all her poems, but she had some really good lines in there.

Legs McNeil & Gillian McCain ֍ Please Kill Me: The Uncensored Oral History of Punk (1996)

Patti Smith & Jim Carroll

Venus/Pluto/Lilith in air houses 3rd, 7th, 11th house/or in air signs/Mercury in the 6th/8th/12th house/Mercury - Neptune aspects:

Angel Lin by Luka Booth for Vogue CS February 2025