Really incredible detail: Agatha is the one to take the Death Tarot card and lay it on top of the Queen of Cups card that represents Lilia. At the moment, Agatha was only trying to end the trial and stop the swords. She had no malicious intent in the move. But, in a way, she sealed Lilia's fate.
She's a witch killer even when she doesn't intend to be.
“I knew liking girls could be hard when you’re also a girl. It usually was, at least for a while. But it was beautiful too. So fucking beautiful. Liking girls when you’re a girl was power. It was light. Hope. Joy. Passion. Sometimes it took girls who liked girls a little while to find that. But when they found it, they flew.”
— Alice Oseman, Loveless
Don’t you just love it when horrible people ruin stuff for everyone else
In Revolutionary Girl Utena, the main character Utena is a girl (it says so in the title), but very conspicuously uses the masculine first person pronoun 僕 (boku) and dresses in (a variation of) the boys school uniform. Utena's gender, and gender in general, is a core theme of the work. And yet, I haven’t seen a single translation or analysis post where anyone considers using anything other than she/her for Utena when speaking of her in English. This made me wonder: how does one’s choice of pronouns in Japanese correspond to what one’s preferred pronouns would be in English?
There are 3 main differences between gendered pronouns in Japanese vs English
Japanese pronouns are used to refer to yourself (first-person), while English pronouns are used to refer to others (third-person)
The Japanese pronoun you use will differ based on context
Japanese pronouns signify more than just gender
Let’s look at each of these differences in turn and how these differences might lead to a seeming incongruity between one’s Japanese pronoun choice and one’s English pronoun choice (such as the 僕 (boku) vs she/her discrepancy with Utena).
Part 1: First-person vs third-person
While Japanese does technically have gendered third person pronouns (彼、彼女) they are used infrequently¹ and have much less cultural importance placed on them than English third person pronouns. Therefore, I would argue that the cultural equivalent of the gender-signifying third-person pronoun in English is the Japanese first-person pronoun. Much like English “pronouns in bio”, Japanese first-person pronoun choice is considered an expression of identity.
Japanese pronouns are used exclusively to refer to yourself, and therefore a speaker can change the pronoun they’re using for themself on a whim, sometimes mid-conversation, without it being much of an incident. Meanwhile in English, Marquis Bey argues that “Pronouns are like tiny vessels of verification that others are picking up what you are putting down” (2021). By having others use them and externally verify the internal truth of one’s gender, English pronouns, I believe, are seen as more truthful, less frivolous, than Japanese pronouns. They are seen as signifying an objective truth of the referent’s gender; if not objective then at least socially agreed-upon, while Japanese pronouns only signify how the subject feels at this particular moment — purely subjective.
Part 2: Context dependent pronoun use
Japanese speakers often don’t use just one pronoun. As you can see in the below chart, a young man using 俺 (ore) among friends might use 私 (watashi) or 自分 (jibun) when speaking to a teacher. This complicates the idea that these pronouns are gendered, because their gendering depends heavily on context. A man using 私 (watashi) to a teacher is gender-conforming, a man using 私 (watashi) while drinking with friends is gender-non-conforming. Again, this reinforces the relative instability of Japanese pronoun choice, and distances it from gender.
Part 3: Signifying more than gender
English pronouns signify little besides the gender of the antecedent. Because of this, pronouns in English have come to be a shorthand for expressing one’s own gender experience - they reflect an internal gendered truth. However, Japanese pronoun choice doesn’t reflect an “internal truth” of gender. It can signify multiple aspects of your self - gender, sexuality, personality.
For example, 僕 (boku) is used by gay men to communicate that they are bottoms, contrasted with the use of 俺 (ore) by tops. 僕 (boku) may also be used by softer, academic men and boys (in casual contexts - note that many men use 僕 (boku) in more formal contexts) as a personality signifier - maybe to communicate something as simplistic as “I’m not the kind of guy who’s into sports.” 俺 (ore) could be used by a butch lesbian who still strongly identifies as a woman, in order to signify sexuality and an assertive personality. 私 (watashi) may be used by people of all genders to convey professionalism. The list goes on.
I believe this is what’s happening with Utena - she is signifying her rebellion against traditional feminine gender roles with her use of 僕 (boku), but as part of this rebellion, she necessarily must still be a girl. Rather than saying “girls don’t use boku, so I’m not a girl”, her pronoun choice is saying “your conception of femininity is bullshit, girls can use boku too”.
Through translation, gendered assumptions need to be made, sometimes about real people. Remember that he/they, she/her, they/them are purely English linguistic constructs, and don’t correspond directly to one’s gender, just as they don’t correspond directly to the Japanese pronouns one might use. Imagine a scenario where you are translating a news story about a Japanese genderqueer person. The most ethical way to determine what pronouns they would prefer would be to get in contact with them and ask them, right? But what if they don’t speak English? Are you going to have to teach them English, and the nuances of English pronoun choice, before you can translate the piece? That would be ridiculous! It’s simply not a viable option². So you must make a gendered assumption based on all the factors - their Japanese pronoun use (context dependent!), their clothing, the way they present their body, their speech patterns, etc.
If translation is about rewriting the text as if it were originally in the target language, you must also rewrite the gender of those people and characters in the translation. The question you must ask yourself is: How does their gender presentation, which has been tailored to a Japanese-language understanding of gender, correspond to an equivalent English-language understanding of gender? This is an incredibly fraught decision, but nonetheless a necessary one. It’s an unsatisfying dilemma, and one that poignantly exposes the fickle, unstable, culture-dependent nature of gender.
Notes and References
¹ Usually in Japanese, speakers use the person’s name directly to address someone in second or third person
² And has colonialist undertones as a solution if you ask me - “You need to pick English pronouns! You ought to understand your gender through our language!”
Bey, Marquis— 2021 Re: [No Subject]—On Nonbinary Gender
Rose divider taken from this post
YamiChar a.k.a. the hottest couple ever
Reminder
Taylor made Paper Rings (a song about marrying someone even if it isn’t showy) track 8 on her seventh studio album Lover
And made the title track, Lover (A SONG SHE MADE TO PLAY AT WEDDINGS THAT INCLUDES WEDDING VOWS) track 3
8.3 is Karlie Elizabeth Kloss’ birthday
How did she get away with this?
How did she make it out of the Lover era still straight to some fans?!
Demi being the perfect description of a quarantine queen
In regards of the Trump government scraping all trans inclusion in its queer information portion of its websites I have made this thing. Spread the word. Don't let them pretend we never existed.
P.S: Don't like! Reblog! <3
Sunset is so fucking good how did it not make the non deluxe album????
Like the vocals, the harmonizing, the chords, the LYRICS!? Like okay Demi, I see u girl. I see u.
"We're just oceans and waves, we're just one and the same. So don't let the sunset on our love. Don't let the night fall tear us apart."