When You Hold Me, It Holds Me Together.

Wrap me in your skin and bones, yeah, you're electrical

Oh, I'm gonna lose control, yeah, as you pull me close

Wrap me in your skin and bones, yeah, you're electrical

Oh, I'm gonna lose control

But I don't wanna stop, yeah, I just need to see

If your love's the truth or the spirit of deceit

No, I don't wanna talk, baby, give it all to me

There's honey drippin' from your teeth

Completed this little comic of Marco X Elliott ! honestly I love it. two extra pages will be posted on my patreon! you can already find the sketches in chat

In the spirit of encouraging people to comment on fanfics while also making it easier to do so, I feel obliged to share a browser extension for ao3 that has quite literally revolutionized the comment game for me.

I present to you: the floating ao3 comment box!

From what I've seen, a big problem for many people is that once you reach the comments at the bottom of a fic, your memory of it miraculously disappears. Anything you wanted to say is stuck ten paragraphs ago, and you barely remember what you thought while reading. This fixes that!

I'll give a little explanation on the features and how it works, but if you want to skip all that, here's the link.

The extension is visible as a small blue box in the upper left corner.

(Side note: The green colouring is not from the extension, that's me.)

If you click on it, you open a comment box window at the bottom of your screen but not at the bottom of the fic. I opened my own fic for demonstrative purposes.

The website also gives explanations on how exactly it functions, but I'll summarize regardless.

insert selection -> if you highlight a sentence in the fic it will be added in italics to the comment box

add to comment box -> once you're done writing your comment, you click this button and the entire thing will automatically copied to the ao3 comment box

delete -> self explanatory

on mulitchapter fics, you will be given the option to either add the comment to just the current chapter or the entire fic

The best part? You can simply close the window the same way you opened it and your progress will automatically be saved. So you can open it, comment on a paragraph, and then close it and keep reading without having the box in your face.

Comments are what keep writers going, and as both a writer and a reader, I think it's such an easy way of showing support and enthusiasm.

My piece for the @rwrbspyzine! 🔥🔥

Working alongside other fandom artists in this way was a lot of fun and I'm very grateful to have been involved with this fun little project!

it’s 2024, and no one knows they’re engaged 💍 ✨💕

E | 5K | FirstPrince Oneshot

They meet at a bar. Alex is young; fresh out of law school, sharp and charismatic and oh-so attractive. The sex is absolutely incredible, and Henry has no regrets. At least not until the morning after when he finds himself opposite Alex in a meeting — equipped with the painful knowledge that Alex’s boss thinks Alex’s only function in said meeting is to sit there and look all pretty. Somebody ought to call HR right about now. Or: when sexual relationships mix with professional ones, Alex and Henry make the most of it.

Read on AO3!

my contribution to the pink henry dtiys 🫡

for wip wednesday this week, i thought people might maybe be interested in the planning board i made for Arc 4! Censored scene titles to avoid too many spoilers~

kanban boards are great for outlines, cause you can drag and drop scenes around when you're planning to work things out better, and I like having a 'physical' visual like this, it helps my brain.

tags are plot threads, using the colourful tags plugin to colour-code them so I can see at a glance what's what, with main plots in brighter colours and subplots subdued to mark the distinction.

I have two markers to pull out scenes: major plot beats, and spicy scenes. I wanted each chapter to have at least one of each (though as you can see, I didn't always exactly succeed). doing that helped me make sure I was balancing my developments, and having the tags let me see if I was abandoning key threads halfway through (which in draft one...i definitely was!)

not in the screenshot is the final board, which is cut scenes, because i refuse to throw things away when i might need them later.

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

-

1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

-

2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

-

3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

-

4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

-

Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

where it all began….

this was the first rwrb art i ever made - tbh i thought it was a one-off and i never intended to post more art but as u can prob tell these lovesick homosexuals have taken over my life