And Have Some Tests Too

DELTA_EXPERIMENT - Masterpost

Delta Experiment follows Frisk and Asriel as they go through their first year of elementary school under Hometown’s new principal, Dr. Gaster. Unbeknownst to the monsters, Dr. Gaster has been monitoring Frisk’s decisions for a mysterious purpose…

Then, one day, a bad-mannered new human enters the town, and the children’s lives are thrown out of balance. Are they friend or foe? And what exactly does Gaster want…?

Every once in a while, a survey is released, and your answers will determine the course of the story. So choose wisely!

NOTE: DELTA_EXPERIMENT IS CURRENTLY ON HIATUS. [Click here for more info!]

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You can read Delta Experiment below:

FULL COMIC (Link is broken :c)

LATEST COMIC POST

CHAPTER ONE - A NEW BEGINNING

Prologue

      01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17

CHAPTER TWO - ZOMBIE HUNT

Spy Kid

      01 | 02 | 03 | 04 | 05 | 06 |

An Afternoon at Ice-E’s

      07 | 08 | 09 | 10 | 11 | 12 | 13 |

Dead or Alive

      14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24

CHAPTER THREE - OUR NEW FAMILY MEMBER

A Warm Welcome

      01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10

QNA Special

      01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26

Secrets and Skeletons

      11 | 12 | 13 | 14

Coming soon…

Side Comics:

April Fools 2021

Other Stuff:

Creator’s art blog

Delta Experiment Discord

Youtube Channel (Art streams and music stuff)

Deviantart

Tapas.io

Original story (NO LONGER CANON)

Portuguese dub of original story

@discordantwords tagged me to post a passage I’m especially proud of. Thank you!

I’ve only written once in Mycroft’s voice, but I loved doing it:

“We did not comprehend our agemates. We did not know why. They were loud and physical and contemptuous of theory; their minds were rooted in the immediate. There was a language of childhood between them which we could not speak. I am given to understand child prodigies are often isolated. Lonely, they say. I taught him how to analyze them, observe and catalogue behavior, comprehend their motivations. It was a game, at first, a way for us to try to understand. Then it became a question of survival–if he could predict them, he could escape them–my little brother; emotive, passionate and sensitive; pirate, dancer, lover of fairy tales; consumed with the unusual, the fantastical and eccentric, the romantic and the macabre, with Saint-Saens and Ravel and Stevenson and Baryshnikov and Nicola Tesla. Drawn to men, not women, in time. He does not simply stand, or pace; to this day, he moves when relaxed or absorbed as though still dancing, spins, shifts heels and hips, flutters his hands. His voice was expressive, sibilant and soft, though he has not spoken in his natural tone to me in years, but drops it to the depths he reserves for concealing his emotions and unnerving those he does not trust. Sherlock is explosive in his element. He is brilliant. He could be anything, except ordinary; that was and is impossible. He fit no one’s conception of the well-developed British child. No public school boy’s idea of a friend. They did try, but there was very little our parents could do, I think, to draw us out of the world we made for ourselves. After all, there were two of us.” – The Two of Us

Tagging @watsonshoneybee, @chriscalledmesweetie, @doomsteady,  @educatedinyellow, @blueink3, @artemisastarte, @ggaypilot, @suitesamba, @doctornerdington, @a-different-equation or anyone who wants to!

Hi, I'm not sure if you've talked about this before and it might be silly to ask this, but I'm curious about your opinion:

There was a scene that surprised me quite a bit in episode 6 when Vi escapes. Initially, Silco was sitting calmly, and then boom! Everything explodes. It's understandable, but it's strange because Silco has always reacted in a cautious and calm manner, except for one time in episode 3 when he was talking to Vander. After that, he has been someone who knows how to stay calm. I've seen people say that Silco's reaction is because he's a megalomaniac who doesn't like anything being out of his control, but I don't think that's the case. I think it's something more complex. I see Silco as someone who internalizes everything to maintain control or appears to have it, keeping his thoughts and emotions to himself. That's why you see Silco exhaling or releasing tension before and after meeting with his associates, but I might be wrong. Anyway, I'd like to know what you think is the reason for Silco's actions.

And I'm sorry if I made a mistake in my grammar, I don't speak English very well

Hello anon! Thank you for reaching out and asking me this question... It sends me back to my Arcane meta days with a big smile on my face.

But honestly, I don't know who looks at Silco in that episode, having finished the story, and thinks he screams because he's megalomaniac. Not only does this not go with the rest of his character, it just fails to comprehend his character arc.

Silco doesn't want power. He wants freedom, and he wants his mission to realise itself. Silco has more of a religious fervour to him. He's a zealot. He speaks of the 'Nation of Zaun' with an air of rapture. He believes it, lives only for it. Just because we may not like his ways doesn't change that. I mean look at this guy :

#fully lost in the sauce

A character who really wants power would be Finn. We see him fallen to the trappings of wealth, plotting to uproot Silco from his position. Finn never shows any care for the cause. He only cares about supplanting Silco.

If Silco truly cared about power, then why is he still leaving down deep, on top of a night club? If he's a megalomaniac, why are his list of conditions for Jayce not covering him, but demanding amnesty for his people and equal access to the Gate for commerce?

No. Silco isn't a megalomaniac. He definitely wants to be in control, but that's hardly surprising for a leader. We also only ever know Silco at crazy important moments of his life, where his plans are running wildly or exploding in his face. It's not exactly every day Silco.

Most of the people we see him interacting with also tell us things : of course he needs to be ruthless and in control while facing Marcus. That man would lash out at the slightest show of weakness. Same with the other chembarons, who actively turn on him after the factory attack (that makes him look weak).

Silco isn't a control freak to be a jackass. He's like that because he's a Zaunite, and a Zaunite in a dangerous position of power. He's shaped by his environment too.

Anyway, why does he lose his cool in episode 6?

It's actually a very short answer! It's because of Jinx.

Jinx is his everything. Across my many meta posts I covered how codependent they are. How she physically abuses him, yet he never reaches out with any force towards her. The most violent he is, is after she nearly ruined his life plans and won't listen, and all he does is snatch a pen from her hand to make her pay attention.

They exchange caresses, rest against each other. He keeps her gifts on his official desk and actively uses them. And in the end, he can't accept her mortality, and sacrifices everything he's suffered and fought for his entire sad, fucking miserable life, because he loves her more than his cause.

So why does Silco lose it? Because Vi is alive, Vi is looking for Jinx, and Vi is the only person who could actively take Jinx away from him.

I mean like a day or two prior Jinx lost her shit and nearly killed Sevika because she saw a pink haired girl. Silco takes her to the pilt to try and soothe her and put her demons behind her, the only way he knows how. And then she happily gets to work! She's doing well!

But Silco isn't dumb. He knows Jinx is unstable and unpredictable. And finding Sevika hung like a ham from the ceiling? With a broken arm? Yeah, he knows she knows, and she's pissed... And he KNOWS that he just told her that VI IS DEAD. Which he 100% believed! Since when Sevika tell him about Vi being back he's like "From the dead???" in total horror and disbelief.

Marcus completely blindsided him, and it's a race against time now.

A race in which if Vi lives and finds Jinx... His Jinx, the only person he thinks he has... The girl he loves more than his cause, even if he hasn't fully realised it yet... Might hate him. She might decide to leave him.

Then he'd be alone again. And uhm... IDK if you all noticed but like... Silco isn't exactly a picture of clean mental health either. He's trauma ridden, set in very harsh ways, and has a solid spark of paranoia (which has kept him alive, but also isolated).

So the Silco screaming and spitting and kicking is a Silco who thinks that potentially everything will be fucked up now. He's stressed about the developing situation (the one where he asked his unstable daughter to basically make a nuke with stolen uranium, while juggling an increasingly strained sheriff and actively traitorous colleagues), AND the potential idea of his ONE person, his one broken, fucked up, twisted emotional bond, potentially being ripped from him.

Last time that happened, Vander was trying to drown him.

So he's just in a Bad Place™️

Cut the poor man some slack ahaha. I think it's normal that the mask finally cracks and reveals his emotions.

Silco isn't a cold character! His speech to Vander shows his zealotry and his passion! He has a dark humour too, and is aggressive and bitter when cornered. Silco wears a mask of cool professionalism when it's convenient, which is very often, as a leader in the undercity. But he also shows lots of emotions whenever suits.

I don't think you can be a cold character and stay riveted on your insane freedom fight for like 20+ years. He's got a big fire burning in there, and the scene in episode 6 is the proof of how hot it gets when he thinks he's about to lose it all. All your examples of him 'reining it in' are great too! He clearly has strong emotions. He just manages them a lot.

I hope this answers your question! AAaaaahhhh look at me, I just went and gushed, didn't I?

Thanks a lot Anon. And your English is better than some native speakers I know, so don't worry! <3

is this what you want?? you sickos???

Héctor’s Flaws

I feel like a lot of people gloss over Héctor’s flaws a bit— largely, I suspect, because he is nowhere near the most flawed character in this masterpiece, and so the flaws he does have pale in comparison to Ernesto, or even Imelda— but he does have them, and they are pretty crucial to the plot.

Firstly, he can be pretty irresponsible.

I mean, the whole reason he’s with Miguel is because his reaction to finding a lost living child was “well, better spend all night coming up with zany schemes to get this kid to Ernesto” not “well, better report this kid to the relevant authorities, who will then be able to contact Ernesto and solve this whole mess”.

I mean, one could argue that since Héctor has a rather complicated relationship with the authorities at this point, he doesn’t necessarily trust them to help him, but then he’s perfectly willing to take Miguel in after the announcement at the Battle of the Bands. It seems more likely that it just never occured to him.

Another example is his attitude to other people’s belongings.

He borrows things from people— including apparently their bones (though, honestly, that one is on Chicharrón. After the mini-fridge, the van, the napkins etc. he really should have noticed that there was a pattern going on here)— and doesn’t give them back.

Most people seem to assume that these were all confiscated at the bridge, like the dress, and a lot of them probably were. But then look at how he loses the second dress.

He comes in right as Ernesto is trying to send Miguel home and then when Ernesto doesn’t recognise him he pulls the costume off, revealing his normal clothes— and tossing the dress and all the accessories aside.

He doesn’t even look to see where they land. Which is, I suppose, understandable— he’s kind of going through a lot right now— but it shows that he’s not exactly careful with the things he borrows.

Héctor’s irresponsibility sort of leads into our second, bigger flaw: it is fairly easy to talk Héctor into doing something he’s uncomfortable or unsure about. The most obvious example being leaving his family.

Now, we never get explicitly told that Héctor was talked into going on tour, but it’s pretty heavily implied.

The lyrics to ‘Remember Me'— “though I have to say goodbye”, “though I have to travel far”, “know that I’m with you the only way that I can be”— suggest that he didn’t feel like he had a choice about going, and then he outright tells Ernesto that gaining fame and fortune was “your dream, not mine”.

This certainly gives the impression that Héctor was maybe less on board with leaving home than Ernesto was, but got persuaded to do so anyway. His fatal flaw is essentially not standing up for himself and what he thinks is the right thing to do.

And what I find interesting about this is that Héctor does not change in this regard.

At the battle of the bands, when Héctor finds out that Miguel isn’t a professional musician, he is clearly visibly uncomfortable with the idea of letting him perform.

Which is absolutely the right reaction, considering that this is a life and death competition (for him and Miguel) and he has no idea what Miguel’s definition of musician is, apart from the fact that it apparently doesn’t include performing in public.

For all he knows, the kid’s only just into his second week of guitar lessons.

His first instinct, to go on instead (and can we all just acknowledge the sacrifice he was willing to make in going on stage under the name 'De la Cruzito’?) is actually the sensible and responsible thing to do, yet all Miguel has to do is to say that he wants to earn Ernesto’s blessing and suddenly Héctor’s fine with it. Even after learning that the kid has never even done a grito before.

In nearly a century, he has not managed to sort out this flaw in his character.

Which I find really sad, since I personally headcanon that the decision to go home should have been a huge character changing moment for Héctor.

This is the moment where he finally realises that he can’t just let Ernesto push him around anymore, because he has a family now and he has to stand up for them as well as well as himself. Like, there is an alternate universe where Ernesto doesn’t poison Héctor and this is the moment where he grows up and becomes a more responsible person and stops letting people walk all over him.

But instead, he dies and is immediately cut off from everybody he knows and thrust into an environment where he has no real responsibilities and is desperate enough to let people talk him into anything if it means he might stand a chance of getting over the bridge.

Ernesto not only killed Héctor physically, but he also killed the person Héctor could have been if he had the chance to go home.

IDK.. but I like them

Yes, It’s Overwatch fanart, not Finding Nemo or something

If you want to read it, I suggest you click it.

Sigma Icons

Feel free to use! Likes & reblogs are appreciated~

another book covers

i wanted reblog this post with tages.

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms

Been thinking about Lumon/Kier’s obvious disdain for nature. The aggressive sterility of the severed floor. Dieter’s connection with nature being something to be shunned. His natural sexual urges something to be divinely punished, the punishment being a violent reclamation by nature of his body.

Gemma’s “life” being unnaturally extended into Ms Casey. Gemma always being pictured surrounded by nature, Ms Casey’s office being a thin facsimile of it. She tells Irving that he’s a talented lover, she stops him from sighing in pleasure.

Irving admits that their status as people without histories is “unnatural”. He worships a man made god, and when he finds something organic to love in Burt, they make a secret space for each other surrounded by greenery. It’s as close as they can get to feeling normal.

Persephone the goddess of spring, kidnapped to the underworld. Demeter protests, throwing the earth into an eternal winter, awaiting her return.

Irving saw the outside world blanketed in snow one day. He tries to get Burt back. He wakes up almost half a year later, he’s told. He goes outside again and it’s still snowing.