Covid19 Entertainment Masterpost

What are essay videos of horror movie you watch

oh my god yes, i have like an entire collection of them on youtube

how media scares us: the work of junji ito

what are we afraid of? societal fears reflected in film

the art of texas chainsaw massacre: making daylight scary

the importance of horror (why horror movies don't suck)

the grunge & ringu: what makes japanese horror creepy?

the vvitch - art of terror

how horror movies for kids dominated in the 90s

the shining analysis - tension, atompshere & mystery

creating suspence in a horror films

the art of scream: horror logic done right

wolf creek: australia's most infamous horror movie

why cosmic horror is hard to make

color theory in horror movies

society and queer horror

horror theory: the uncanny valley

the childhood horror of coraline

control, anatomy, and the legacy of the haunted house

elements of horror - don't look

the girlboss-ification of the horror genre

elements of horror - how eyes are used in horror movies

thai horror is so underrated

the history of insane asylums and horror movies

slender man (2018): misunderstanding ten years of the internet

the true history that inspired folk horror (part 1)

the true history that inspired folk horror (part 2)

the true history that inspired folk horror (part 3)

the history and evolution of jump scares

the complete history of horror movies

Frankie Gao（Chinese, based in Hamburg b.1983）

Wanderer #16 2019 Graphite on paper 18 x 26 cm via

it was also supposed to be temporary 

straight things to do with your heterosexual friends

a few great films that are free on the internet archive

in decent quality too!

here is the archive collection of these films so you can favorite on there/save if desired.

links below

black girl (1966) dir. ousmane sembene

the battle of algiers (1966) dir. gillo pontecorvo

paris, texas (1984) dir. wim wenders

desert hearts (1985) dir. donna deitch

harold and maude (1973) dir. hal ashby

los olvidados (1952) dir. luis bunuel

walkabout (1971) dir. nicolas roag

rope (1948) dir alfred hitchcock

freaks (1932) dir. tod browning

frankenstein (1931) dir. james whale

sunset boulevard (1950) dir billy wilder

fantastic planet (1973) dir. rené laloux

jeanne dielman (1975) dir. chantal akerman

the color of pomegranates (1969) dir. sergei parajanov

all about eve (1950) dir. joseph l. mankiewicz

gilda (1946) dir. charles vidor

the night of the hunter (1950) dir. charles laughton

the invisible man (1931) dir. james whale

COLLECTION of georges méliès shorts

rebecca (1940) dir. alfred hitchcock

brief encounter (1946) dir. david lean

to be or not to be (1942) dir. ernst lubitsch

a place in the sun (1951) dir george stevens

eyes without a face (1960) dir. georges franju

double indeminity (1944) dir. billy wilder

wild strawberries (1957) dir. ingmar bergman

shame (1968) dir. ingmar bergman

through a glass darkly (1961) dir. ingmar bergman

persona (1961) dir. ingmar bergman

winter light (1963) dir. ingmar bergman

the ascent (1977) dir. larisa shepitko

the devil, probably (1977) dir. robert bresson

cleo from 5 to 7 (1962) dir. agnes varda

alien (1979) dir. ridley scott + its sequels

after hours (1985) dir. martin scorsese

halloween (1978) dir. john carpenter

the watermelon woman (1996) dir. cheryl dune

EDIT: part two here + the letterboxd list

The Blue Gate at the End of the Long Border - Francis Hamel , 2020.

British , b. 1963 -

Oil on linen , 66 x 56 cm.

Kinda feel like there's some untapped meme/reaction image potential from old horror movie trailers...

The way that the alien in Nope's final form looks like an old studio camera. The way the opening credits take place inside its stomach, shown as an endless darkness framed by billowing sheets - the blanket-like hood of an old camera that the photographer hides under. The way Jupe calls the alien The Viewer. The way Jupe makes stuffed animals of what he imagines the aliens inside the "ship" to look like subconsciously reference the camera magazines on the set of Gordy's Home with the body of a monkey. The way that Jupe was only saved because the table cloth kept him from looking Gordy in the eyes. The way that OJ and Em signal "I see you" before the final showdown. The violence of attention. The all-seeing eye. The panopticon. The camera obscura. The dark chamber. The spectacle.

The Many Colors of Saruman by Harold Jig.