Maybe he’s ordering a decaf because he has a heart condition, and you’re about to give him a heart attack and send him to the hospital.
Or maybe he’s just ordering a decaf.
Maybe she’s ordering sugar free because she’s diabetic, and you’re about to put her six feet under.
Or maybe she’s just ordering sugar free,
Maybe they’re ordering non-dairy because they’re intolerant, and you’re about to ruin their day. Maybe they’re allergic, and you’re about to sponsor an all black event in an open field.
Or maybe they’re just ordering non-dairy.
Maybe they ordered gluten free because they can’t process it, and you’re about to destroy their digestive tract.
Or maybe they’re just ordering gluten free.
Maybe they’re ordering this way just because they don’t want the food, for whatever reason.
But are you willing to bet their life on it?
How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)
AAAA THANK YOU!!
I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)
But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!
for example, a panel where the contrast between big and subtle expressions sells the contrast:
I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.
some misc expression tips:
Definitely prioritize eyebrows, eyes, and mouths!
Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!
Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!
Just subtly changing the placement of eyelids and location/size of irises can completely change an expression
Don’t be afraid to make your characters look weird or stupid.
Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA
Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.
some expressions I’ve done that have varying levels of nuance:
Also framing!! You can use the composition to help project how the character feels:
As for body language!
Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot
Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.
Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful
Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.
Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.
Hello,,
My name is Ashraf Alanqar, and I am 30 years old. My wife, Widad Issa, and I have a one-and-a-half-year-old son named Bakr. We used to live peacefully in the Al-Shuja’iya neighborhood, in a house we built just a week before the war began. I worked as a farmer and owned a large chicken farm that provided for my family.
Beloved of my heart (Bakr)
Then the war came and destroyed everything. Our home was reduced to ashes, and our chicken farm was obliterated. We lost our home, our livelihood, and even our basic rights. We've been forced to move from place to place in northern Gaza, simply trying to survive.
My House before...
Me.. while trying to recognize what has happened..
The terror we feel as we flee from heavy bombardment is unbearable. The sound of explosions around us, the constant fear as we navigate through the rubble of destroyed homes searching for safety and food, haunts us every day. My son Bakr is constantly scared and suffers from severe malnutrition and skin diseases due to the lack of food, water, and sanitation.
Our beautiful memories.. :(
We urgently need your help. I am asking for your support to fund this campaign to move my family to a safe place, provide us with a proper home, and ensure we have enough food, water, and medical care.
Baker used to play with his dog.
Your donation, no matter how small, can make a significant difference in our lives. We desperately need your support and solidarity during this difficult time. Together, we can restore hope and safety to Ashraf and his family.
Thank you from the bottom of my heart for considering my plea. Your support means more than words can express. Together, we can turn a story of loss into a journey of hope and resilience.
With deepest gratitude,
Ashraf & the Family
This is it, the shot that took me out, the freedom that they've found in each other, the birds flying free, the soft light and the tenderness as they laugh and joke and avoid everything serious... but the consequences that are coming cannot be avoided and the life that they are flying from is waiting for them when they land, no matter where they land, no matter how far they fly...
Today is 266 days, we are still alive. 🇵🇸🍉
Please don't skip! 🙏🏻🥺
Please consider sharing or donating, thank you! 🩷🍉
I was way too lazy to draw clothes
“Bilinguals overwhelmingly report that they feel like different people in different languages. It is often assumed that the mother tongue is the language of the true self. (…) But, if first languages are reservoirs of emotion, second languages can be rivers undammed, freeing their speakers to ride different currents.”
— Love in Translation by Lauren Collins from the New Yorker, August 8 & 15, 2016 (via waltzingwithmidnight)
BISAN IS AFRAID THIS MAY BE HER LAST VIDEO. THE OCCUPATION IS PLANNING TO INVADE NASSER HOSPITAL IN KHAN YUNIS, THE LAST FUNCTIONING HOSPITAL IN THE GAZA STRIP.
SHE WANTS PEOPLE TO SHARE THIS. PLEASE, PLEASE REBLOG.
blogging about (mostly queer) media i'm watching 🎬📚enjoy your visit to my internet abode!
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