[image Description: Projection On A Classroom Whiteboard That Reads “treating Disabled People Like

"GOD, TAKE ME INSTEAD!"

This is the OG Marvel vigilante dynamic, I take no criticisms.

Instantly cheered up

average friend group of ppl in their mid to late 20s consists of someone who just got married and bought a house, someone’s who’s already a divorcee with a kid, and someone who still hasn’t recovered from that one thing that happened when they were 12

Yea same but gender reverse soo yeah

I hate when people won’t let me say I “grew up ugly” in peace. “You were never ugly” YES I WAS. Leave me alone boys used to ask me out as a joke, girls used to call me cow or big bitch and make fun of my clothes. I might not have been “ugly” but I grew up being taught to think I was.

Every Batfam as Brooklyn Nine-Nine I’ve done part 5

Part 1 | Part 2 | Part 3 | Part 4

Why does Clark Kent in my adventures with superman look like Mr Price

I can not be the only one who sees this

#

Let's look briefly at the Coffee Bean in Spider-Man comics!

Contrary to popular memory, Peter's college pals initially met up at a diner called the Silver Spoon (ASM 44, but also 46, 52, possibly 125).

The spread at the top of this post takes a lot from this place's layout. But as newcomer MJ might have pointed out, diners are so fifties. The modern teen needed someplace cooler and edgier to hang out. Somewhere more underground. Literally.

Maps place The Coffee Bean alternately in East Village or Tribeca. The beret and glasses? The lowercase Dante's Inferno quote? The wall-hung guitar? So hipster. Wait, wrong decade. So beatnik.

The OG Bean didn't show up much more frequently than the Silver Spoon (ASM 53, 59, and 82, most notably), but it's the one that stuck in the cultural imagination. I enjoy Tim Sale's take in Spider-Man: Blue with the unfinished basement look and cult film posters.

In early modern flashbacks, the location is plagued by a specific continuity problem: "then [character] leaps through the WINDOW!" from new writers who missed the fact that it's below ground. In ASM Annual '96, JRSr complies by raising the ceiling a level!

The Sensational Spider-Man Annual's approach to the Coffee Bean makes me a bit sad. Dialogue repeatedly emphasizes its unique character and long history and how well MJ knows the place. But it's drawn aboveground and totally generic. (This from an issue with a dozen Silver Age panels directly traced!)

It's not the first time that happens, but here feels like a critical failure of show-don't-tell. The eventual window smash is worth it, but... I'd argue this would work better set at the Silver Spoon (where MJ actually met the gang, old in an uncool way, aboveground) instead.

Brand New Day reestablishes a solid sense of place for the Coffee Bean. Brick and glass entryway, a logo that's less beatnik and more Starbuck, and an interior that reminds me of a Panera Bread.

(If it's supposed to be canon that the new more corporate look is due to renovations by Harry, that's been lost in the shuffle. But it would make sense to me. His effort at impressing Norman with a plan to make the Bean a chain store circa ASM 569 would extend his trend of editorializing his own memories.)

While it still teleports between Astor Place and Tribeca, this version has now had more consistent (and just more) appearances than the original. And, of course, it has a beautiful bank of windows to—

Ah, that's more like it.

The Coffee Bean has become a symbol of innocent nostalgia and a happier past. It was also (as designed by Romita Sr) a virtual bunker: not until 1977 would superheroics be written to take place inside the Coffee Bean. (ASM Annual #11—Romita Jr's first ever penciling job on Spider-Man, interestingly.)

As a silver age icon, the location was physically safe and interruption-free in a way that even Peter's apartments and Aunt May's house couldn't be. The architecture—and how it's changed—has been a large part of that symbolism, underappreciated as it sometimes is.