Do not fret my fellow Siegfried x Audrey fans out there. If anything, the episode proved that Siegfried had forgotten other women even existed ever since he realised things were serious between Audrey and Gerald. These two things coincided, let's not forget. It also proves that he hates for his reputation as being habile with the ladies to be questioned or for Tristan to have one over him so he has to overcompensate. And lastly it made a point of showing us what really matters to him at the end. Not the book and therefore the potential romance with this woman, but the nurturance and care for his family. Hence why he dropped the damned thing and instead chose to go to the pub. Look at her face of disapproval when Siegfried first declined to go for a pint.
It's also very deliberate on the writers' part to have Audrey ask about said book, only for him to instantly dismiss it as a tedious read.
To me, it's obvious that it was about showing what a true pair bond looks like. Showing Audrey dutifully listening to Siegfried's concerns, offering advice which he immediately finds enlightening and useful? And both of them listening in on Richard's conversation over the phone with matching looks of fondness on their face? What was it that Carmody said? Ah yes:
"Humans generally thrive in pair bonds".
It is not as overt as what we are used to seeing certainly, but that's what makes this show so delicious. It's all in the little things. The nuances and the unsaid which define human relationships. It's closer to life. In fact, Siegfried phrased it perfectly to Carmody:
"There is a pace at which these things are done. A subtlety."
Also, an episode called Pair Bond and this is how these two are framed in the shot?? HELLO!!
I think the context is also important to remember. She's his employee. It would have been considered outrageously scandalous within the local community, I assume, for a gentleman and his housekeeper to have a romantic relationship. I think Siegfried knows precisely what gem he has under his roof, and also that the last thing he wants is to bring shame and potential ruin on such a pious, saintly woman. He won't allow himself to go there.
It will take something even more Earth-shattering than her potential departure for him to finally acknowledge that he fancies the pants off of her. With the implicit fallout that he will inevitably have to face. I can't wait.
Reminder that ACGAS' original head writer/show creator Ben Vanstone said that the plan was for plotlines that would last four seasons and future seasons would start new plotlines. Then he wrote the end of season 4 to resolve nothing and left.
The reason the current writers are floundering, is because the original head writer screwed them over. It is not their fault that they're trying to figure out how to continue the show when instead of the original plotlines being wrapped up so they had a good place to start from, they were handed a "I dunno. Your problem now."
It's fine to dislike the new season. But I don't think it's fair to blame the writers for being told 'I couldn't be bothered to resolve anything like I'd promised to.'
Ronald Colman š¤ Anton Walbrook
Both having to grow a mustache after someone told them they don't photograph well
A brittle facade
8x05 Time Heist // 10x08 The Lie of the Land
Undoubtedly the best performance came from Anton Walbrook. Emeric had written the part of Lermontov, the autocratic impresario, with him in mind. He had a repressed, pent-up energy about him that was perfect for the part. Emeric thought that Lermontov was one of the best characters he ever created, but he was too readily accused of basing him on the tyrannical impresario par excellence, Sergei Diaghilev. Emeric denied the charge: āThere is something of Diaghilev, something of Alex Korda, something of Michael and quite a bit of meā.Ā
Kevin MacDonald:Ā Emeric Pressburger - the Life and Death Of A Screenwriter
credit: @natrickpash
I miss when they used to match.
ronnie ššā¤ļø
A tuxedoed Ronald Colman in deleted scenes from Lost Horizon (1937)
Original caption: (Above) Admiral Dick Barthelmess (in the fancy hat) comes aboard the ship Talayha and is saluted by the crew (left to right), Seaman Warner Baxter, First Mate Bill Powell and the Captain Ronald Colman. (Below) First Mate Powell, left, and Captain Colman show a catch which proves that the Adminral did not sefert because there were no fish. Photoplay, 1934
when mr. rochester dressed in drag as an old fortune teller and elaborately pranked an entire party partly to get janeās attention⦠when mr. rochester wrote, composed, and performed an entire song for jane eyre on the spot⦠when mr. rochester took in his former sugar babyās bastard child despite her presence being a painful reminder to him of her mother, and then claimed not to love the child despite spoiling her with gifts⦠when mr. rochester sacrificed his life trying to save his wife even though she tried to kill him multiple times and he still refused to put her in ferndean manor because he didnāt think it was good enough for her (making it meaningful that he ends up living there himself when heās disabled, showing he prized himself less than her)⦠when mr. rochester took jane out for an extravagant all-day shopping trip and was way more enthusiastic about it than her⦠when mr. rochester shared a god-given telepathic connection with jane which induced them to reunite⦠when mr. rochester decided to wear the pearl necklace he originally bought for jane for forever⦠when mr. rochester made up a story for little adĆØle about jane being an elf magically sent to him from the moon⦠when mr. rochester pulled jane onto his horse⦠when mr. rochesterā¦
Christian Quarter - Jerusalem, Palestine