REBECCA FERGUSON — Dune: Part One (2021) Dir. Denis Villeneuve — Dune: Part Two (2024) Dir. Denis

dune is about the forces that humanity lives at the mercy of, both natural and man-made. it's about how power exerts itself upon the powerful, how they're controlled by it as just as much as they control it. it's about how people become locked into a process of history that they as individuals are nearly powerless to control, so much so that even being able to see the future only serves to show how trapped you really are. it's about all of this more than it is about any individual characters and this is something that no adaptation so far has gotten right

I think people don't really understand why Baron was always supposed to be a ridiculous kind of villain and he was meant to die almost on accident, with no bang whatsoever.

There is a reason why Paul wasn't the one that killed him in the books. Baron was a shadow of a pawn and by the end of the story, Paul is so far above him, that he really couldn't care less. When he hears about his death, he doesn't give a single fuck.

He doesn't even care enough to kill Mohiam. He is beyond Guild's control, not to mention Emperor's or Jessica's.

They should all fear him. They can't do anything to stop him.

And Baron? This dude wouldn't even be able to bring down Leto, if it wasn't for Peter and him breaking an imperial conditioning for doctor Yueh.

What the movies fail greatly to present is how much the scale shifts over the story. What the message behind it all means. Because Harkonnes are the easiest kind of villains to spot, but in the end, maybe they are not the worst.

Maybe Paul himself is the worst.

Plans within plans don't exist in new Dune movies. It's as simple as that.

Even Feyd doesn't die because he's a Harkonnen. That's what Gurney thinks, that's what Fremen and even Emperor believe is happening. But Feyd dies because Feyd is almost Paul himself.

Baron is only as important as far Alia's story goes.

He was always her villain. Not Paul's.

The entire weight of her arc in Messiah shifts now, and I honestly hate it.

[Foaming at the mouth while gripping you by the shoulders] You don't understand. Chani leaving at the end was about so much more than the romance. It outlined the entire point of the story. Chani in the film STANDS for the POINT Herbert was trying to make. About how wrong Pauls actions really were, about how religion was being utilised as a tool of political power, about how her own people were turned into tools of invaders. Chani is the voice of reason in this film and she leaves. She just leaves. She wants nothing to do with what Paul has become. Do you understand.

The Films of David Lynch:

I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when my fear is gone I will turn and face fear’s path, and only I will remain.

Dune // 1984

a couple of quick chanis

OSCAR ISAAC “Dune” — 2020, dir. Denis Villeneuve

“And how can this be? For he is the Kwisatz Haderach!”

DUNE (1984) - dir. David Lynch

“Dune” was originally published in Analog in several parts as “Dune World.”

VIRGINIA MADSEN AS PRINCESS IRULAN Dune, 1984

Dune Production illustrations 1983, Ron Miller