Taylor Swift Is Actually For The Girls Who Were Known But Never Popular, Fit In With Many Friend Groups

so you know how the main Lame Guy from the ME! mv is clearly supposed to be a caricature of skint poor cheater… well now i’m thinkin about how you can read almost all of that song as a fuck you to him

e.g. “I know I never think before I jump / And you’re the kind of guy the ladies want” as a direct throwback to the final chorus of fifteen when she says “Cause when you’re fifteen and somebody tells you they love you / You’re gonna believe them. / And when you’re fifteen, don’t forget to look before you fall” — just in general i’ve been listening to fifteen a lot lately and reading it through the lens of her signing her contract with sc*tt and bmr at 15. so we have this idea of being a young girl with big dreams of making it as a singer (“when all you wanted was to be wanted”), and because all the ladies want for a producer or music executive or whatever to notice them, when he says you’re gonna be a star, kid, you’ll trust him enough to not think before you jump / look before you fall. and like… “I never think before I jump” has always been kind of weird for her to say about herself now because 30-year-old taylor is the queen of meticulously planning everything, but if you consider her thinking about 15-year-old taylor + “wish you could go back and tell yourself what you know now” … it’s a reflection on the naivete of her youth, and it’s a warning [cut to her vogue 73 questions interview where her advice to young artists was “get a good lawyer”]

and then of course we have “But one of these things is not like the others / Like a rainbow with all of the colors / Baby doll, when it comes to a L♡VER / I promise that you’ll never find another like ME!”

when you think about the fact that big machine records IS taylor swift, and that Lover is her first album that is not with bmr and that they won’t be able to profit off of, and the fact that they’ve obviously been searching for The Next Taylor Swift™ for years but haven’t been able to find one because there is no one else like her… it just makes so much sense??? honestly i like it so much more now reading it this way bc tbh thinking about these lines in the context of a romantic relationship is Not The Healthiest Outlook. but her saying fuck you sc*tt, you’ll never get another one of my albums, you’ll never find another taylor swift… OKAY MISS SWIFT!!!!!! GO OFF!!!

AND add on top of that, all of this is because “one of these things is not like the others / like a rainbow with all of the colors” i.e. she’s gay and all you misogynistic homophobic assholes kept her closeted for literally half her life in order to make more money off her, so let’s make it CLEAR that THIS is why you fucking lost her, and why when it comes to a songwriting juggernaut who cranks out record-breaking albums like she was fucking born for it, you’ll never find another like her.

also sidenote, calling a man who has objectified and belittled and controlled you for years “babydoll” as a dig at his clearly very fragile masculinity? POWERFUL.

i mean i should probably mention the apparently necessary disclaimer that songs can be about many things at the same time and ME! is still overall a lighthearted gay bop that’s mainly meant to be about positivity, and taylor singing “babydoll” is still very gay and cute when you take the sc*tt angle out of it, but there is absolutely an undercurrent throughout it of this being a direct response to the whole bmr debacle.

Even in the way she talked about it in interviews, saying it’s a song “that reinforces the fact that we’re different, and obviously there are a lot of songs about ‘I’m special,’ but I hadn’t heard one recently that was about ‘I’m special because of who I am’” … this distinction of I’m special because of who I am really resonates if you think about her losing her masters, i.e. the thing that made her special and Valuable to all the lame guys out there, (and if you think about this alongside her speech at the Time 100 Gala where she talks about how specifically writers have the power to turn their lessons into their legacy), she’s reiterating the idea that it’s not the recordings she’s created in the past or all her awards or success or whatever that made her special, it’s not the fact that some man ~discovered~ her 15 years ago that made her special—she is special because of who she is, because of her goddamn mind and this ability to write that she has inside her, and that is something that no one can ever take away from her.

tl;dr i’m a ME! stan now thanks for coming to my tay talk

Tbh SR, I think differently than most of your anons/followers. I think that Karlie is already fully done with Jerk or at least by February not March, she is fully done and let me tell you why.

Taylor in Bejeweled MV has a clock that says “exiles ends, 2, 3”. This is clearly their exile. Them finally being seen together in public. Or at least clearing feud rumors.

I think that in Jan Taylor will be either dropping the LH mv, doing something unrelated OR keeping quiet as she is now. Then by February we might see a bit of her, then March as we all guessed is the actual sunrise.

But it won’t be a contract ending, instead a Kaylor reunion. First of all, it’s their anniversary month. Second thing is in the video it says “EXILE ends” that doesn’t sound to me like a contract ending, but their exile ending as in them finally being able to be seen together.

Cause after that scene Taylor takes her cloak off and is walking a runway THEN she meets Dita while wearing a 1989 outfit???? That gives reunion vibes to me.

In my opinion, a Kaylor reunion on tour is the best and most subtle thing they could manage. It’s gonna be the perfect opportunity. It doesn’t have to have any explanation, just one of Taylor’s friends attending one of her shows. Simple. They also pulled it off around 2018. Imo, they will try to do it again. They would kill all the rumors by just one move. Also it’s easier for them cause they won’t be interacting in front of anyone, but just seeing Karlie in the crowd and having Taylor take a photo with her backstage is MORE than enough to give everybody the middle finger.

As Karlie said, Jerk is her last client and her last stunt looks like a last push to the “they tried to work on it” but failed. I think she either will announce the divorce around February or after March, and if I’m right, after her reunion with Taylor on tour.

Also Taylor has been alluding a lot to the “six years” thing since Midnights dropped. First in her LH video she mentioned “six years of weird rumors”. Six years of Kaylor feud weird rumors right?

Then in Glitch “our love blackout”. This all looks like Taylor is definitely reuniting with Karlie to some degree.

I hope I’m right, but I also might be wrong.

The "Hey kids! Spelling is fun!" fandom is dying 😢 reblog if you still think spelling is fun and want kids to know <3

Do you think that bothers taylor that people speculate about her sexuality?

no.

listen to episode 3 of the podcast.

in summation: celebs who do not want their sexualities speculated on do not signal the way taylor does.  they do not make themselves the center of an lgbtq trailer park in a music video.  they do not release a song called me! on lesbian visibility day with the phrase “me! out now!” they do not deck themselves in rainbows and sing “i want her midnights” on national television.  and they definitely would not allow a documentary to air that they produced in which they list “gay pride” as part of a list including “everything that makes me, me”

i am confident that taylor is signaling to her lgbt fans and wants us to know that she’s one of us.  if i were not extremely certain of this i wouldn’t even have this blog or podcast.  speculating on someone’s sexuality that signals as much and as loudly as she does is fine from a respectful distance. (click here to see blog rules on keeping a respectful distance.)

Reblog this if Taylor can trust you

6 years of 1989 / october 27, 2014 - october 27, 2020

we begin our story in new york. there once was a girl known by everyone and no one. her heart belonged to someone who couldn’t stay. they loved each other recklessly. they paid the price. she danced to forget him. he drove past her street each night. she made friends and enemies. he only saw her in his dreams. then, one day, he came back. timing is a funny thing, and everyone was watching. she lost him, but she found herself and somehow ... that was EVERYTHING.

Excuse me but a big swiftie IG user(evermoreontour), who seems to have inside info a lot of the time (I’ve been following them for several months) posted the f-ing pic KK posted for her birthday I 2016, the ft call pic, and wrote “I can see the end as it begins, my one condition is, say you’ll remember me”

Taylor and Taeok Lee

I GET SO HIGH, OH!

“betty”, queer literary theory, and too much time on my hands: an essay

a.k.a., i’ve been out of school for a month & i miss in-depth literary analysis.

I’ve been seeing a lot of stuff about how we shouldn’t think too much about the queer implications of “Betty”, and as an aspiring queer literary studies phd I just… cannot vibe, u guys. Cannot vibe. So here is me, in my academic chaos, discussing the queer literary history of what Taylor Swift does in “Betty”. I’m going to start with the assumption that James is male. You may disagree with this - maybe I even do - but Taylor Swift’s pattern of speaking as a guy to a girl in her songs is what I’m considering here; “Betty” is the most blatant example of this.

In literary theory, there is something called “the triangulation of desire”. Rene Girard is considered one of the pioneers of this, and he explains it as three roles: the subject, the model, and the object. The subject does not desire the object directly, as this is, for some reason or another, non-normative desire. This can mean that the subject desires the model, who desires the object (think of a woman desiring a man who desires another woman; she obsesses over their relationship because her real desire is the woman.) This can also be a way to create a boundary between subject and object - the subject is not queer, the model is queer and the subject is merely paying attention.

One of my favorite examples of this is Walt Whitman’s poem Song of Myself, XI. In this poem, a woman watches twenty-eight men bathe from inside her house. The woman is hardly mentioned; the poem is focused on the erotic and sensual details of the male body. Whitman uses the woman as the model, so as to not directly describe his non-normative desire. It is a kind of defense so he is exempt from judgment for expressing this desire.

Considering “Betty” on its own, outside of the other two songs, it is the perfect example of a triangulation of desire. Taylor is the subject, James is the model, and Betty is the object. While James might be male (thus making the relationship a normative one), Taylor is not. She is singing/writing from his point of view, yes, but it is still Taylor singing/writing. If we take the song as “from her imagination”, she is telling a fictional story from the point of view of a guy who wants to kiss a girl – this is still a triangulation. Taylor is singing about kissing a girl and James as a male voice is not the subject, but a defensive model so she can safely desire the object.

Taylor has done this throughout her career, by switching the pronouns in the final stanzas of her songs: “she is the best thing that’s ever been mine” / “marry me juliet” / “man i didn’t kiss her and i should have”, or by making the whole song from a male point of view in “How You Get The Girl”. (I’d argue that “Betty” is more direct than HYGTG, because the former is speaking to a woman, whereas the latter is aimed at “you”.)

I’m not saying you have to believe that Taylor Swift is queer, or that this is definitive proof. I’m saying that if her lyrics were studied, outside of any context of who she is, in any kind of academia, it would be assumed that she’s queer. So maybe, before you dismiss this, consider what exactly you’re bringing to the table that makes you certain she isn’t.

if u actually read all of this… holy shit. thanks. ily