(via Visions)
analog collage, 40 x 40 cm, 2022
W. Strempler
Angel Ploetner, Who Am I? Dissociative Identity Disorder Survivor / Anupama Krishnan, Misplaced Mind / Alexandra Levasseur, Body of Land / William Goldman, The Princess Bride / Sarah J. Maas, The Assassin and the Underworld / Sylvia Plath, The Unabridged Journals of Sylvia Plath
on resentment over abandonment; i am still filled with anger and it fuels me; i will choose my anger over my grief everyday. it is easier to feel
some pages from my current journal, maybe one of my fav so far (n.89/2022)
愛でも叫んどこ。
METROPOLIS メトロポリス (2001) dir. Rintaro
if i could give you up i would erase you
having conversations at work is like roleplaying as a functioning human being
the only thing more embarrassing than cringy poetry is being so afraid of feeling embarrassed that you don't even try to make anything at all
if i could give you up i would erase you
Belladonna of Sadness (1973) dir. Eiichi Yamamoto
Francis Alys - Sometimes Making Something Leads to Nothing (1997)
アキラ — AKIRA 1988, dir. Katsuhiro Otomo
art is not a skill
chemicalheart // hannahlockillustration // inahiddenplace // "how i draw" by mabtis // lottee-e // sumedha kaul in the healing power of art // faisdm // sulawesi cave art circa 37,900 BC // ginopizza
Les films rêvés (2010) dir. Eric Pauwels
Mazzy Star by Jeffery Newbury; 1994.
Times like these I want to end it all
BALLAD OF FALLEN ANGELS
COWBOY BEBOP (1998) dir. Shinichirō Watanabe
Alexander Semenov
fuck
i feel like i don't really know what love is
like all the time i searched for it and craved it in every girl that was nice to me or even wasn't but now after i watched this movie i don't think i know what love means. it seems so unconditional and pure and i always thought that i know what love is and what it feels like and that i've been in love with people even if they didn't share the same. i look at my brother and his girlfriend and i see such purity and unconditional love in their eyes. but when i think back i don't know if i ever really felt that for a person. all the "love" i felt for people always had a mildy fear of pain. the fear that they don't love me back and if i act like that now that they won't like me anymore and i lose them. and in fact it mostly ended like that everytime. people get so sick of me and seem to forgot me quickly that i already had forgotten me. i think love will come but i don't know if i'm capable to really feel it or if i'm really getting irritated then. love is such a complex emotion. i always thought i had it but now i don't know if my feelings will ever got over the "you're my crush please notice me" phase. or is this already the love everyone is talking about because it sure doesn't feel like it.
actually i should go to sleep i'm really tired and i propably just think to much into it right now and tomorrow i will wake up and think what have i written yesterday? and the thought will fade away like real love does
or does it?
3:41 AM
via
neon genesis evangelion [01]: angel attack
but why me?
Damien Florébert Cuypers / Kyutae Lee / Katherine Lam / Holly Warburton
boygenius, souvenir / f. scott fitzgerald, the short stories / holly warburton, bobby at home / mimmo paladino, from james joyce’s ulysses / natalie wee, our bodies & other fine machines / mitski, nobody / andrew wyeth, christina’s world
“I apply my personality in a paste.”
Eternal Sunshine of the Spotless Mind (2004) dir. Michel Gondry
green (Green Revolution): spring, nature, blooming. She had green hair when she first met Joel meaning it’s a new fresh beginning and the start of something beautiful.
red (Red Menace): summer, love, desire. When she is in a relationship with Joel we see her with her red hair, she’s in love and in a passionate relationship.
orange (Agent Orange): fall, autumn leaves, faded red. Her intense relationship starts to fade and the desire is not all there anymore, the couple fights a lot.
blue (Blue Ruin): winter, sadness, freshness. She meets Joel again and they fall for each other all over again, their love story comes full circle.
angelica alzona, “intimacy” (2012) // the national, “daughter of the soho riots” (2005)