Speaking of, tempted to make a community myself, but since I have a variety of unconnected works, I have no idea what that would be a community for. Kind of reminds me of the idea I had to try and get myself posting again, mainly making like, a sort of dating sim kind of group of characters to play around with.
Y'all want me to make object head people for you to kiss? SFUIHSFU
I am continuing to write Sleep Laughing slowly but surely. I'm getting caught up in making the logs detailed, and trying to get myself to realize, "you need to write the skeleton of this idea before you can go into the depths of this character's suffering". And also, during the first logs he's so weak/in so much pain he's barely concious or thinking straight, so it makes sense why they're not as detailed.
Still, I managed to get extremely good progress for logs 7 and 8. Here's my favorite snippet (tw body horror and agony):
I've come to a conclusion. Even if I am in Hell, it really isn't such a bad thing. It just means I'm being punished, and, if I'm being punished, that means there's a chance to redeem myself, right? Every single agony I experience is a debt being paid, a sin washed away. This pain isn't a curse. No… …this pain is a blessing! It's giving me a chance to repent for everything. Oh God I'm sorry, I'm so sorry. I'll never do it again. So please, just let the light take me!
Also, I am looking for beta readers for my stories The Diary of Spinel Bramford and The Breeding Grounds. You can find their descriptions here. If that'd interest you, please let me know!
Taglist: @aweirdshipp
Hey, I made a survey for the recent writing project I am working on. If you want, feel free to fill it out. The questions may feel a bit random at times, but I promise they are relevant. And may have something to do with kissable object head people.
Minors please do not interact
This ended up longer than I expected, so I apologize in advance if any of my points came out jumbled. I am also neurodivergent, so if I sound harsh, I assure you this is not my intent. I just struggle with tone at times.
Firstly, here's a thought I want to present to the table, one that's honestly made me grow a lot as a writer, and one that I think is relevant to this topic; why should readers read our works the way we want them to? Writing is a conversation, and though that conversation may begin with us, it certainly doesn't end that way. You may want to surprise your audience with this content, but shouldn't it be up to them whether they maintain that surprise or prepare for it? To you, the surprise is important and adds to the weight of the dark subject matters you cover. It might even be enjoyable and the way you view this content for yourself, but that will not always translate to your readers. Let's also not forget that, for some, a list of trigger warnings makes them more excited to read a work. In general, as writers, let's not forget how diverse our audiences can be, and that the reactions of our readers or what helps our readers feel more engaged will not always mirror our experiences.
Let me put this into another context. As someone who needs trigger warnings, I think this explains my experience rather well, and why I personally don't agree with the idea that trigger warnings ruin the surprise. It could also be argued that flashing lights and affects lose their surprise factor if they are warned about, but creators of visual media understand the risks of not warning viewers, and that this is more important than the surprise factor. As someone who isn't affected by flashing lights, I can assure you this warning leaves my mind almost the second after I read it (more of scan it like "yeah, yeah, take me to the game"), and I still end up surprised. The game Mi/side warning me about flashing and glitch affects did not stop me from nearly jumping out of my skin everytime I was suddenly met with one. The context is what makes these flashing lights so shocking moreso than whether someone knows about them ahead of time or not. Being suddenly triggered can make someone go to extremely dark places, and that's worth avoiding. Though I think how trigger warnings are presented can be more flexible than flashing light warnings.
In my opinion, at their best, trigger warnings are extra material readers can consult if they want to, but also something they can avoid if they want to go in completely blind. The important thing is that the audience member consented to either experience. Since I've used the word, let's discuss the matter of consent and art. I think it's often not discussed enough within creative spaces, despite how important it can be. In my opinion, it is everyone's right to have enough knowledge to be able to fully consent (engage with the work) or not consent (not engage with the work) to reading about certain sensitive subjects before being exposed to them. The thing is, when you're an indie creative, readers can't just use a site like doesthedogdie, or other similar tools. Providing optional trigger warnings can help readers have a better experience, as they are given more agency towards what they consume. Encouraging agency shows a respect for your readers time and energy. However, I do feel for writers that use websites like Wattpad, as, unlike AO3, there aren't many good places to put these warnings. So that's definitely worth acknowledging.
Secondly, as someone who had to deconstruct this notion within myself, I think it's worth acknowledging that trigger warnings are viewed as deflating the seriousness of something, or making something seem "childish", for two reasons (I know you only said the former, but the latter is an opinion I've seen as well). One, they are yet to be normalized, mainly for reason two. Two, the experiences of certain trauma victims are so terribly misunderstood that big parts of them are believed to be over exaggerated or "actually not that bad", which causes the tools we need to be treated as "not that important". I wish I was kidding when I say I have literally seen people laugh at accurate depictions of PTSD flashbacks, because they know so little about our experiences they think it's just a funny over exaggeration. I've even had some expect me to laugh with them before, because that " obviously can't be right".
Logically, there is no reason why trigger warnings should be seen as any different than a description or blurb about your story. For instance, writing an informative description about my horror works doesn't take away their scare factor, a description just requires me to put it into different packaging. It won't feel as poignant as the actual horrors within, but that's okay, because the point of a description is to intrigue and inform. They help future readers decide if they'd be interested in a work or not, and properly set their expectations walking in. They are a tool for drawing in audiences just as much as they are a tool for scaring away anyone who absolutely would not enjoy the experience.
And let me be clear, I personally believe it is impossible to warn against every possible trigger, as some triggers can be very personal or obscure. However, I do think it is important to offer a warning for the "obvious" triggers, such as the covering of sensitive topics like abuse. And yeah, I think trigger warnings can be that straight forward, such as "this work covers themes of abuse and may not be suitable for some audiences". You don't have to spoil the important parts of your works in trigger warnings, just make people aware certain content is there if they don't want to consume it. Us creators may overlook some things, as we're only human, but, for me personally, it's the effort that matters.
As for how bad being triggered by a work can be, I can speak to that, as someone who has been suddenly triggered before. It can ruin an entire week, sometimes more, and throughout I essentially have to deal with a plague of horrific memories, or experience several nightmares about my trauma. To summarize, it is extremely distressing and essentially makes me non operational. It feels like being put into a mental coma where the only thing you can have is nightmares, and when you eventually do wake up, you still understandably feel awful and extremely fatigued, emotionally and physically, from all the stress. I've literally been made bed ridden and physically ill from being triggered unexpectadly. I am now reminded of how little this experience is understood, and I am putting it into my latest writing project effective immediately. I do my best to make informed choices with the media I consume, but this recent trend I've noticed of surprising the audience as much as possible with sudden triggering content, these works often having no warnings whatsoever, makes it extremely difficult to do so. Because, you know, until that point, the work gave off the impression of not planning to cover that kind of content at all.
This got more wordy than I intended, and I apologize if my frustrations concerning the topic came through. My intent is to inform, not to ridicule, and I hope that was made clear, though I know my neurodivergent self can sometimes sound harsher than I intend. As a writer in the horror space, it can be rare to find another horror writer who uses trigger warnings, so I am usually wary towards reading their works. This can certainly make it harder to connect with fellow writers. And when I do try to read ones without warnings? Well, I am so prepared for anything to the point I end up focusing on that more than whatever I'm reading, and typically just end up dropping it altogether. So yeah, that's my experience, take it or leave it. At the end of the day, writers are free to add or not add trigger warnings, but, I personally strongly advocate for their use when it comes to sensitive subject matters. I will also always try to educate about how bad the experience of being triggered actually is whenever I am able.
hihi, just posted a scene from a wip and figured i should add trigger warnings, but that made me curious so
my opinion about this may be a tad controversial, id prefer not add trigger warnings, but i do add them just out of understanding and to avoid triggering others.
all my WIPs include heavy themes, and i know that i will always be writing heavier angstier stuff, i dont like adding TWs on wattpad or wherever i publish my stuff because i feel like it takes away from the seriousness of my story. when youre going into it, i dont want you to know what to expect, i want you to be shocked and feel negatively about certain events or characters, and imo trigger warnings just take away from the shock value.
i will admit my privilige though, i have been through traumatic things but nothing that triggers me, so i dont understand how bad things could get for someone to be triggered about certain things in stories.
if you wanna discuss this or comments or reblogs please remain respectful, because this is a conversation i want to have and i want to be more educated on the topic of TWs, but i will not engage with things i deem as disrespectful.
like/reblog if u are:
a bitch
a bastard
an all around fool
an omnipresent all-powerful being
a sparrow
c̵͙̳͕̈͛ụ̷̔r̸̗͎̽̓͗͜s̴̨̈́̿͘e̸͍̰̜͊̈́d̵̛̫̙͍͝͝
capable of moving at immense, incomprehensible speeds
an eldritch being
no one will know which one u chose! :D
♡ My current WIPs are ♡:
-Silver / I [Remastered]
-Emerald / II
-Leonardo
-Chess is a Game for Six
-Warfarin
-Psychology 101
-A+ [Remastered]
♡ My published works are ♡:
-Silver / I
-A+
(but i dont like either of them so I'm rewriting (ᵕ—ᴗ—))
Find me on wattpad and discord with the same username!
(enlightened-feline and enlightened.feline)
Navigate through my blog using the following tags:
-🌸wips
-🌸rbs
-🌸polls
-🌸writing tips
-🌸daily reminders
-🌸sillies
-🌸prompts
ME @ ALL THE WRITERS I FOLLOW.
i loveeeeeee nonlinear storytelling. show me where we are. now show me how we got here. the end before the beginning. show me how it was inevitable or how many chances we had to change things(nothing was ever going to change). let's meet in the middle as all the puzzle pieces slide into place hell yeah that's the good shit.
here are all my horror lists in one place to make it easier to find! enjoy!
action horror
analog horror
animal horror
animated horror
anthology horror
aquatic horror
apocalyptic horror
backwoods horror
bubblegum horror
campy horror
cannibal horror
children’s horror
comedy horror
coming-of-age horror
corporate/work place horror
cult horror
dance horror
dark comedy horror
daylight horror
death games
domestic horror
ecological horror
erotic horror
experimental horror
fairytale horror
fantasy horror
folk horror
found footage horror
giallo horror
gothic horror
grief horror
historical horror
holiday horror
home invasion horror
house horror
indie horror
isolation horror
insect horror
lgbtqia+ horror
lovecraftian/cosmic horror
medical horror
meta horror
monster horror
musical horror
mystery horror
mythological horror
neo-monster horror
new french extremity horror
paranormal horror
political horror
psychedelic horror
psychological horror
religious horror
revenge horror
romantic horror
dramatic horror
science fiction horror
slasher
southern gothic horror
sov horror (shot-on-video)
splatter/body horror
survival horror
techno-horror
vampire horror
virus horror
werewolf horror
western horror
witch horror
zombie horror
road trip horror
summer camp horror
cave horror
doll horror
cinema horror
cabin horror
clown horror
wilderness horror
asylum horror
small town horror
college horror
storm horror
from a child’s perspective
final girl/guy (this is slasher horror trope)
last guy/girl (this is different than final girl/guy)
reality-bending horror
slow burn horror
possession
pregnancy horror
african horror
spanish horror
middle eastern horror
korean horror
japanese horror
british horror
german horror
indian horror
thai horror
irish horror
scottish horror
slavic horror (kinda combined a bunch of countries for this)
chinese horror
french horror
australian horror
canadian horror
silent era
30s horror
40s horror
50s horror
60s horror
70s horror
80s horror
90s horror
2000s horror
2010s horror
2020s horror
blumhouse horror
a24 horror
ghosthouse horror
shudder horror
horror literature to movies
techno-color horror movies
video game to horror movie adaption
video nasties
female directed horror
my 130 favorite horror movies
horror movies critics hated because they’re stupid
horror remakes/sequels that weren’t bad
female villains in horror
horror movies so bad they’re good
non-horror movies that feel like horror movies
directors + their favorite horror movies + directors in the notes
tumblr’s favorite horror movie (based off my poll)
horror movie plot twists
cult classic horror movies
essential underrated horror films
worst horror movie husbands
religious horror that isn’t christianity
black horror movies
extreme horror (maybe use this as an avoid list)
horror shorts
18+ • System • Host: Essie • Horror Mystery Writers • I curate my space and so should you • Anti AI • Read pinned for more info
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